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Scottish Symphony: String Bass
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Vous avez sélectionné:
Scottish Symphony: String Bass
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6 partitions trouvées
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.37€
A New Tattoo: Scottish Landscape (for flute ensemble or large flute choir - score and parts)
A New Tattoo: Scottish Landscape (for flute ensemble or large flute choir - score and parts)
#
Jeffrey Hoover
#
A New Tattoo: Scottish Landsca
#
Musicart Publications
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #433011...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #4330117. Published by Musicart Publications (A0.971647). A New Tattoo: Scottish Landscape. Score and parts available for immediate download and use - 199 pages. 12 min. 30 sec. For five flutes (picc, 3 fl, alto fl) expandable to large flute choir with optional string bass and small percussion. A tattoo is an exciting performance of pipe and drum bands. In recent years tattoos have come to include other entertainments as well. In five movements, A New Tattoo: Scottish Landscape shares a range of Scottish life – from a contemporary Tattoo to rich stories captured in lyrical ballads, the skirl and sound of bagpipes, dancing, and celebrations. A New Tattoo was commissioned by Lee Glendening Koss for The Silvertones of Maplewood Community Music, Maplewood, New Jersey.Required: piccolo, 3 flutes, alto flute. Full choir: 2 picc, G treble flute, Eb flute, flutes 1 - 5 (5th flute may double on percussion), 6th flute as alto 1 substitute for rehearsals, 2 alto flutes, bass flute, contrabass flute, string bass, small percussion.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$38.00 ≈
35.02€
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.37€
Scottish Symphony: String Bass
#
Contrebasse (partie séparée)
#
Classique
#
Felix Bartholdy Mendelssohn
#
Christina Hans
#
Scottish Symphony: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Christina Hans. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music - Digital Shee...
(+)
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Christina Hans. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99 ≈
5.52€
Jacobean Salute
Jacobean Salute
#
Graham Waterhouse
#
Jacobean Salute
#
Musikverlag Robert Lienau - Digital
#
SheetMusicPlus
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced - SKU: S9.Q52737 Composed by Graham Waterhouse. This edition: p...
(+)
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced - SKU: S9.Q52737 Composed by Graham Waterhouse. This edition: performance score. Downloadable, Performance score. Op. 34. Duration 13 minutes. Musikverlag Robert Lienau - Digital #Q52737. Published by Musikverlag Robert Lienau - Digital (S9.Q52737). German • English • French.Jacobean Salute could be interpreted as a miniature symphony. Originally, a considerable part of the thematic material was intended for Scottish bagpipes which is why the B flat major bass pipes are still audible in certain parts. The glissandi of the strings, for instance, are meant to convey how the pipes are being blown through. The introductory motif is based on a lament from the 17th century. Lady Doyle’s Salute“ whose melancholic mood penetrates the complete piece dates from the reign of James VI, King of Scotland (who would later become James I of England). The Scottish aspect of the composition is further emphasized and intensified by passages which resemble a Jig and a Reel (old Scottish dances).
$13.99 ≈
12.89€
Jacobean Salute
Jacobean Salute
#
Graham Waterhouse
#
Jacobean Salute
#
Musikverlag Robert Lienau - Digital
#
SheetMusicPlus
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - SKU: S9.Q52749 Composed by Graham Waterhouse. This edition: set of parts...
(+)
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - SKU: S9.Q52749 Composed by Graham Waterhouse. This edition: set of parts. Downloadable, Set of parts. Op. 34. Duration 13 minutes. Musikverlag Robert Lienau - Digital #Q52749. Published by Musikverlag Robert Lienau - Digital (S9.Q52749). German • English • French.Jacobean Salute could be interpreted as a miniature symphony. Originally, a considerable part of the thematic material was intended for Scottish bagpipes which is why the B flat major bass pipes are still audible in certain parts. The glissandi of the strings, for instance, are meant to convey how the pipes are being blown through. The introductory motif is based on a lament from the 17th century. Lady Doyle’s Salute“ whose melancholic mood penetrates the complete piece dates from the reign of James VI, King of Scotland (who would later become James I of England). The Scottish aspect of the composition is further emphasized and intensified by passages which resemble a Jig and a Reel (old Scottish dances).
$23.99 ≈
22.11€
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1
Scottish Symphony: String Bass
