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Scraping In
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Vous avez sélectionné:
Scraping In
Partitions à imprimer
5 partitions trouvées
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1
Scraping In
Scraping In
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Scraping In
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842309 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #6...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842309 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #6599079. Published by Andrew Mc Donald (Macka Records) (A0.842309). Scraping In is a song about how Jesus wants us to get to know Him by spending time with Him. We know that we are going to heaven, but do we want to make it my the skin of our teeth? We don't just want to scrape in. We want to make it for certain. This is a country song for piano/vocal score.
$4.99 ≈
4.58€
Scraping Up Sand in the Bottom of the Sea
Scraping Up Sand in the Bottom of the Sea
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Instruments en Do
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FACILE
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Traditional
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Scraping Up Sand in the Bottom
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Riverside Guitar School
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1125596 Composed by Traditional. Arranged by Dean Wiers-Windemuller and Vincent Frank. Children,Folk,Instructional,Trad...
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C Instrument - Level 2 - SKU: A0.1125596 Composed by Traditional. Arranged by Dean Wiers-Windemuller and Vincent Frank. Children,Folk,Instructional,Traditional. Lead Sheet / Fake Book. 1 pages. Riverside Guitar School #726329. Published by Riverside Guitar School (A0.1125596). Lead sheet arrangement of traditional folk song, A and Em chords.
$1.99 ≈
1.83€
Scraping Up Sand in the Bottom of the Sea
Scraping Up Sand in the Bottom of the Sea
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Guitare notes et tablatures
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DÉBUTANT
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Traditional
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Scraping Up Sand in the Bottom
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Riverside Guitar School
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1212153 Composed by Traditional. Arranged by Dean Wiers-Windemuller and Vincent Frank. Children,Folk,Instructional,Traditiona...
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Guitar - Level 1 - SKU: A0.1212153 Composed by Traditional. Arranged by Dean Wiers-Windemuller and Vincent Frank. Children,Folk,Instructional,Traditional. Guitar Tab. 2 pages. Riverside Guitar School #809684. Published by Riverside Guitar School (A0.1212153). Guitar arrangement of traditional folk song. Includes standard notation, tab, chords, and lyrics. 2 pages, Key of A.
$2.99 ≈
2.75€
Folk Songs For Classical Guitar - Volume 29 (Songs 757-783)
Folk Songs For Classical Guitar - Volume 29 (Songs 757-783)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1163847 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1163847 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #764199. Published by Socrates Arvanitakis (A0.1163847). This is the twenty-ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 29 (Songs 757-783)Sally BrownSally GraySamuel Hooser’s HymnSandySantianaScarborough Fair 1Scarborough Fair 2 (singing together version)Scraping Up Sand In The Bottom Of The SeaSearching for LambsSeasons of the Year (the)Second Britford CarolSee Amid the Winter’s SnowSeeds of Love (the)Servant of Rosemary Lane (the)Servingman and the Husbandman (the)Seven Virgins (the)Seventeen Come SundayShaker March No 20Shaker Solemn Song 2 (A)Shaker Solemn Song 12Shaker Turning Shuffle Tune No. 5She’s like the SwallowSheepcrook and Black DogSheep-shearing SongShepherd and his dog (the)Shepherd’s Song (the)Shepherds Arise.
$25.00 ≈
22.96€
Shaping Metal (percussion duo)
Shaping Metal (percussion duo)
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Contemporain
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Paul SanGregory
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Shaping Metal
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Distant Engraver Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 1...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 12 pages. Distant Engraver Music #3538593. Published by Distant Engraver Music (A0.977038). This imaginative piece evokes the creation of a large metal sculpture and the various natural sounds that inspired it. Percussion instruments are used to evoke the quiet sounds of water bubbles, rain, ocean waves, a bird call... Then there are also many metallic scraping, tapping, dragging and hammering sounds evoking the sculptures creation. The sculpture itself is represented by a bright colorful chord succession, but the complete succession doesn't immediately appear. While the artist is still gathering metal materials and working on the sculpture, the chords appear as various isolated arpeggios in and around the various other sounds of the piece. It isn't until the sculpture begins taking shape that the tempo increases and the chords become recognizable as a theme. This piece requires performers with good ears for color and a knack for finding just the right way to strike or scrape an instrument (instructions are provided on the score). Also, there is much changing of mallets and/or the way they are held, and at times the vibraphone part requires wide-ranging fast arpeggios.INSTRUMENTATIONPerformer 1:vibraphonelarge suspended cymbal (22 preferred)
$10.00 ≈
9.18€
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Scraping In
