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SeeMe

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351

SeeMe

SeeMe #Comédie Musicale #Stuart Scott #Jake.

#SeeMe #Stuart O Scott #SheetMusicPlus

Vocal Solo,Voice - Level 4 - SKU: A0.907033 Composed by Stuart Scott. Musical/Show. 12 pages. Stuart O Scott #6022419. Published by Stuart O Scott (A0.9...(+)

$80.00 ≈ 73.73€

Oh! What It Seemed To Be

Oh! What It Seemed To Be #Piano Facile #Oh! What It Seemed To Be #Hal Leonard - Digital #SheetMusicPlus

Electronic Keyboard,Organ,Piano - SKU: HX.1414924 This edition: scorch. E-Z Play Today. Standards. Score. 2 pages. Hal Leonard - Digital #610600. Publis...(+)

$2.99 ≈ 2.76€

Oh! What It Seemed To Be

Oh! What It Seemed To Be #Chorale TTBB #FACILE #Bennie Benjamin, Frankie Carle #Mark Goodney #Oh! What It Seemed To Be #Mark Goodney #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - SKU: A0.836360 Composed by Bennie Benjamin, Frankie Carle, and George David Weiss. Arranged by Mark Goodney. Contemporar...(+)

$4.51 ≈ 4.16€

Oh! What It Seemed To Be

Oh! What It Seemed To Be #Chorale TTBB #FACILE #Contemporain #Bennie Benjamin, Frankie Carle #Jim Shubert #Oh! What It Seemed To Be #James W. Shubert #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - SKU: A0.971353 Composed by Bennie Benjamin, Frankie Carle, and George David Weiss. Arranged by Jim Shubert. Contemporary...(+)

$1.99 ≈ 1.83€

It Seemed Like a Glorious Time - from Easter Vigil Cantata

It Seemed Like a Glorious Time - from Easter Vigil Cantata #Chorale 3 parties #FACILE #Musique Sacrée #Janet Kidd #Janet Kidd #It Seemed Like a Glorious Time #Janet Kidd #SheetMusicPlus

Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1256079 By Janet Kidd. By Janet Kidd. Arranged by Janet Kidd. Christian,Easter,Praise & Worship,Religious,...(+)

$1.99 ≈ 1.83€

Oh! What It Seemed To Be

Oh! What It Seemed To Be #Instruments en Do #George David Weiss #Oh! What It Seemed To Be #Hal Leonard - Digital #SheetMusicPlus

C Instrument - SKU: HX.399271 By George David Weiss. This edition: scorch. Standards. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #61060...(+)

$3.99 ≈ 3.68€

How heavy lies the heart

How heavy lies the heart #Chorale SATB #INTERMÉDIAIRE #David Rain #David Rain #How heavy lies the heart #David Rain, Choral Composer #SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissa...(+)

$2.00 ≈ 1.84€

Growing Into Me

Growing Into Me #Chorale 2 parties #FACILE #Contemporain #Sally Whitwell #Growing Into Me #Sally Whitwell #SheetMusicPlus

Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whi...(+)

$1.99 ≈ 1.83€

Song Of The Angel

Song Of The Angel #Voix haute #FACILE #Musique Sacrée #Judy Lane #Song Of The Angel #Judy Lane Music #SheetMusicPlus

High Voice,Vocal Solo - Level 2 - SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published ...(+)

$4.99 ≈ 4.60€

Poem For Carlita (viola part - vln, vla, cel)

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.15€

Poem For Carlita (violin part - vln, vla, cel)
Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.15€

Poem For Carlita (cello part - vln, vla, cel)
Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.15€

Three Painters (parts)
Three Painters (parts) #Contemporain #Drake Mabry #Three Painters #Drake Mabry #SheetMusicPlus

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....(+)

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 â€“ I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.

$9.99 ≈ 9.21€

Three Painters (score)
Three Painters (score) #Contemporain #Drake Mabry #Three Painters #Drake Mabry #SheetMusicPlus

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....(+)

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 â€“ I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur SaÃ´ne, France on March 22, 2009.

$9.99 ≈ 9.21€

Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar) #Guitare notes et tablatures #INTERMÉDIAIRE #Classique #Frederic Chopin #Brian Streckfus #Waltz Op 69 No 2 #Brian Streckfus #SheetMusicPlus

Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...(+)

Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy.Â Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don'tÂ have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.

$1.99 ≈ 1.83€

Guthrie: Elegy for Lili
Guthrie: Elegy for Lili #Orgue #INTERMÉDIAIRE #James M #Guthrie: Elegy for Lili #jmsgu3 #SheetMusicPlus

Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896...(+)

Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.

$32.95 ≈ 30.37€

TAPS A Rembrance
TAPS A Rembrance #Orchestre #INTERMÉDIAIRE #Traditional #Ken Litton #TAPS A Rembrance #Artist of Note, Inc. #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...(+)

Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS Â A Remembrance Â Â Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir Â > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963).Â As author William Manchester later wrote, â€œThe 6th note of the 24 he played seemed like â€œa catch in your voice or a swiftly stifled sobâ€ that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all thatâ€™s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013 Â [01:15] Â https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR: Â Since the mid 1800s the bugle call known today as Taps hasÂ heralded rest for the weary, as well as comfort and encouragement inÂ times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned theÂ assassination of President John F. Kennedy, United States Army SergeantÂ Keith Clark raised his bugle at Arlington National Cemetery [â€ withÂ thoughts of I Corinthians 15:51 in mind, â€œThe trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6thÂ note of the 24 he played seemed like â€œa catch in your voice or a swiftlyÂ stifled sobâ€ as author William Manchester put it. But, as another observer**Â noted: â€œLike the crack in the Liberty Bell, it remains part of ourÂ national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________â€ Â Optional text** Ed Hunter for www.TapsForever.com.

$29.99 ≈ 27.64€

Oh! What It Seemed To Be by Frank Sinatra - Piano/Vocal/Guitar #Piano, Voix et Guitare #Frank Sinatra #Oh! What It Seemed To Be #Musicnotes

Performed by: Frank Sinatra: Oh! What It Seemed To Be Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet mu...(+)

Performed by: Frank Sinatra: Oh! What It Seemed To Be Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Big Band~~Swing~~Standards~~Traditional Pop~~Vocal Pop

$5.50 ≈ 5.07€

Mambo 88
Mambo 88 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Anna Robinson #Mambo 88 #Anna Robinson #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1474414 Composed by Anna Robinson. 21st Century,Contemporary,Latin. Score. 3 pages. Anna Robinson #1052039. Published by ...(+)

Piano Solo - Level 4 - SKU: A0.1474414 Composed by Anna Robinson. 21st Century,Contemporary,Latin. Score. 3 pages. Anna Robinson #1052039. Published by Anna Robinson (A0.1474414). Late intermediate to early advanced piano solo, composed by Melbourne-based piano teacher and composer, Anna Robinson. This composition was inspired by influences including Brazilian pianist Hercules Gomes, Lin-Manuel Miranda's In the Heights and what seemed to be a scarcity of mambos for solo piano!

$4.49 ≈ 4.14€

Motetti de la Corona (2020)
Motetti de la Corona (2020) #Chorale SATB #AVANCÉ #Colin Eatock #Motetti de la Corona #Colin Eatock Music #SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1463357 Composed by Colin Eatock. 21st Century,A Cappella,Classical,Sacred. 56 pages. Colin Eatock M...(+)

Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1463357 Composed by Colin Eatock. 21st Century,A Cappella,Classical,Sacred. 56 pages. Colin Eatock Music #1042050. Published by Colin Eatock Music (A0.1463357). The composer writes: When the word “corona” entered daily use in the year 2020, I recalled the Motetti de la Corona: a book of popular motets published by Ottaviano Petrucci, in 1514. The volume contained part-songs with sacred texts in Latin, written by the leading composers of the day, including Josquin, Mouton, De Févin and others. The publication was popular, and Petrucci went on to publish another four books of motets under the same name.Three of my own Motetti de la Corona are settings of texts excerpted from Petrucci’s publication: “Ecce Maria,” “Christum ducem” and “Sancta Trinitas.” The “Ave Maria” draws on the Book of St. Luke for its text. And “De profundis” (Psalm 129 or 130, depending on the numbering system used) has been set to music by many composers, from Josquin to Pärt. Its cry for help seemed an appropriate response to a time of global pandemic.

$4.99 ≈ 4.60€

Two Scenes from L’Enfant et les Sortileges for Trombone and Piano
Two Scenes from L’Enfant et les Sortileges for Trombone and Piano #Trombone et Piano #AVANCÉ #Maurice Ravel #Ralph Sauer #Two Scenes from L’Enfant #Gordon Cherry #SheetMusicPlus

Piano,Tenor Trombone - Level 5 - SKU: A0.1447115 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. Score and part. 12 pages. Gordon Cher...(+)

Piano,Tenor Trombone - Level 5 - SKU: A0.1447115 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. Score and part. 12 pages. Gordon Cherry #1026895. Published by Gordon Cherry (A0.1447115). L'enfant et les Sortilèges by Maurice Ravel is a one act opera first performed in 1925. This magical work took the composer over 8 years to write and seemed to be inspired by Gershwin and American operettas of the time. He described the style of the work as melody, bel canto, vocalises and vocal virtuosity. This is perfect for the soloist of this arrangement.Ralph Sauer has arranged Two Scenes from L'enfant et les Sortilèges for Trombone and Piano. This arrangement of about 8 minutes in length is appropriate for advanced performers and includes the famous passage that is often presented at auditions.

$27.50 ≈ 25.34€

I'm Gonna Sit Right Down And Write Myself A Letter
I'm Gonna Sit Right Down And Write Myself A Letter #Ensemble Jazz #INTERMÉDIAIRE #Billy Williams #John Hoesly #I'm Gonna Sit Right Down And W #PRS&B #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453550 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by John Hoesly. Broadway,Jazz,Music...(+)

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453550 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by John Hoesly. Broadway,Jazz,Musical/Show,Pop,Standards. 52 pages. PRS&B #1032775. Published by PRS&B (A0.1453550). I’m Gonna Sit Right Down And Write Myself A Letter- music by Fred E. Ahlert and lyrics by Joe Young. Arrangement for Little Big Band/ Jazz Ensemble. Written in 1935 and one of the most recorded songs ever. It seemed to work in all genres. Rock, Swing, Pop…on and on. Recorded by Frank Sinatra, Nat King Cole, Barry Manilow, Willie Nelson, Bill Haley and His Comets, Fats Waller and Count Basie. Even Paul McCartney.This arrangement is in the style of Basie’s LIL’ DARLIN’…a slow burn. Relaxed, but full of energy. Difficulty: Intermediate. A standard of the Great American Songbook.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

$55.00 ≈ 50.69€

Three Motets by Charles Villiers
Three Motets by Charles Villiers #Ensemble de Flûtes #FACILE #Charles Villiers #Myrick Crampton #Three Motets by Charles Villie #MDC Music LLC #SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1456169 Composed by Charles Villiers. Arranged by Myrick Crampton. Chamber,Chris...(+)

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1456169 Composed by Charles Villiers. Arranged by Myrick Crampton. Chamber,Christian,Classical,Religious. 49 pages. MDC Music LLC #1035320. Published by MDC Music LLC (A0.1456169). Three Latin Motets, Op. 38, published by Boosey & Co in 1905, is a collection of three sacred motets based on Latin texts for mixed unaccompanied choir by Charles Villiers Stanford.Justorum animae is an offertory hymn on All Souls’ Day. But the souls of the righteous are in the hand of God, and there shall no torment touch them. In the sight of the unwise they seemed to die, but they are in peaceArrangement: (F1-4, AF4-5, BF6, CBF7)Time: 2’ 8”Coelos ascendit hodie is a 14th century German Ascension hymn.He ascended to heaven today, Alleluia!Jesus Christ King of glory,Alleluia!He sits at the right hand of his father,Alleluia!He rules heaven forever,Alleluia!Arrangement: (Group 1: F1-3, AF3, BF4, CBF5, Group 2: F6-8, AF8, BF9, CBF 10)Time: 1’ 30”Beati quorum via is a paraphrase of the first verse of Psalm 119.Happy are they that are upright in the way, who walk in the law of the LORD.Arrangement: (Group 1: F1-4, AF4, BF5-6, CBF7)Time: 2’ 50”.

$19.99 ≈ 18.42€

Christmas Haikus for Baritone and Piano (mp3)
Christmas Haikus for Baritone and Piano (mp3) #Mark Rowlinson #Christmas Haikus for Baritone #David Warin Solomons #SheetMusicPlus

Baritone Horn TC,Piano - Level 4 - SKU: A0.1422859 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. Christmas,Contemporar...(+)

Baritone Horn TC,Piano - Level 4 - SKU: A0.1422859 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. Christmas,Contemporary. Full Performance. Duration 160. David Warin Solomons #1004214. Published by David Warin Solomons (A0.1422859). Haikus by Canon Albert Radcliffe (who was canon at Manchester Cathedral) and asked me to set them. The music is unusual for vocal works in that it uses the octatonic mode, but this seemed particularly appropriate for the unusual angle which Canon Albert takes on the Christmas story. I said to the snow, Show me what you know of God. Brightness blinded me. To the stars I said, Speak then from a gentler light. Their word was silence. I called to the wind, Whis-per the glory of God. Its breath took my breath. I asked the holly What do you know of his love? Her thorns drew my blood. ©Canon Albert E Radcliffe (Manchester Cathedral, UK).

$5.00 ≈ 4.61€

Christmas Haikus for Baritone and Piano
Christmas Haikus for Baritone and Piano #Piano, Voix #INTERMÉDIAIRE/AVANCÉ #Mark Rowlinson #Christmas Haikus for Baritone #David Warin Solomons #SheetMusicPlus

Piano,Vocal,Voice - Level 4 - SKU: A0.1422856 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. Christmas,Contemporary. Sc...(+)

Piano,Vocal,Voice - Level 4 - SKU: A0.1422856 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. Christmas,Contemporary. Score. 4 pages. David Warin Solomons #1004211. Published by David Warin Solomons (A0.1422856). Haikus by Canon Albert Radcliffe (who was canon at Manchester Cathedral) and asked me to set them. The music is unusual for vocal works in that it uses the octatonic mode, but this seemed particularly appropriate for the unusual angle which Canon Albert takes on the Christmas story. I said to the snow, Show me what you know of God. Brightness blinded me. To the stars I said, Speak then from a gentler light. Their word was silence. I called to the wind, Whis-per the glory of God. Its breath took my breath. I asked the holly What do you know of his love? Her thorns drew my blood. ©Canon Albert E Radcliffe (Manchester Cathedral, UK).

$10.00 ≈ 9.22€

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