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Seven Preludes for Piano
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Vous avez sélectionné:
Seven Preludes for Piano
Partitions à imprimer
45 partitions trouvées
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Carson Cooman: Nine Preludes for piano
Carson Cooman: Nine Preludes for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Nine Preludes f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601...
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Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95 ≈
23.95€
Seven Preludes for Piano
Seven Preludes for Piano
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Piano seul
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INTERMÉDIAIRE
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Peg Thompson
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Seven Preludes for Piano
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Peg Thompson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1016099 Composed by Peg Thompson. Contemporary,Instructional,Standards. Score. 17 pages. Peg Thompson #6317267. Published...
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Piano Solo - Level 3 - SKU: A0.1016099 Composed by Peg Thompson. Contemporary,Instructional,Standards. Score. 17 pages. Peg Thompson #6317267. Published by Peg Thompson (A0.1016099). Seven character pieces. Intermediate to early advanced. Good for recitals or teaching.1. A Walk in the Park2. Drifting on a Moonlit Lake3. Memories of Childhood4. Wandering in the Snow5. music for g6. Folk Dance7. Epilogue
$10.00 ≈
9.23€
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
4.61€
Seven College Preludes for Piano Solo
Seven College Preludes for Piano Solo
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Piano seul
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FACILE
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Robert E
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Seven College Preludes for Pia
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R. E. Proctor
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.809886 Composed by Robert E. Proctor. 20th Century,Contemporary,Romantic Period. Score. 21 pages. R. E. Proctor #4715509....
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Piano Solo - Level 2 - SKU: A0.809886 Composed by Robert E. Proctor. 20th Century,Contemporary,Romantic Period. Score. 21 pages. R. E. Proctor #4715509. Published by R. E. Proctor (A0.809886). These seven preludes for piano solo where composed during while attending Wayne State University. Two additional preludes are also included in this collection. The first eight were written in 1997 with the ninth in 2004. Each individual piece varies in length from about 30 seconds to 2:16. Key varies from piece to piece. Audio clip contains a portion of each piece.
$9.95 ≈
9.18€
Preludes Op. 1
Preludes Op. 1
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Piano seul
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Contemporain
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Sebastián RodrÃguez Boni
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Preludes Op. 1
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SRB
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SheetMusicPlus
Piano Solo - SKU: A0.1022793 Composed by Sebastián RodrÃguez Bonil. 20th Century,Contemporary. Score. 31 pages. SRB #3366319. Published by SRB (A0...
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Piano Solo - SKU: A0.1022793 Composed by Sebastián RodrÃguez Bonil. 20th Century,Contemporary. Score. 31 pages. SRB #3366319. Published by SRB (A0.1022793). Seven short preludes for piano solo. Approximate duration: 12 minutes.The audio file is of the prelude #7.
$4.99 ≈
4.61€
Seven Preludes and Seven Fugues for Piano Based on the DFG codes Volume 1
Seven Preludes and Seven Fugues for Piano Based on the DFG codes Volume 1
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Piano seul
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AVANCÉ
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Contemporain
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David F Golightly
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Seven Preludes and Seven Fugue
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Modrana Music Publishers Ltd
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.966289 Composed by David F Golightly. 20th Century,Contemporary. Score. 54 pages. Modrana Music Publishers Ltd #2021867. ...
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Piano Solo - Level 5 - SKU: A0.966289 Composed by David F Golightly. 20th Century,Contemporary. Score. 54 pages. Modrana Music Publishers Ltd #2021867. Published by Modrana Music Publishers Ltd (A0.966289). Seven Preludes and Seven Fugues based on the codes D.F.G Dedicated to American Concert pianist Beth Levin These preludes use the number codes developed over 40 years of compositional output. Duration of the complete set 22 minutes. Since 1980 I have used various music codes within the structures of my music. These preludes and fugues are based on the D.F.G. codes related to number series. They are not serial but move through various tonal centres creating a variety and vibrancy of piano sonority. They are dedicated to American concert pianist Beth Levin as a thank you for her premiere with Mezzo Soprano Emiley Howard of my Housman settings for Mezzo Soprano and Piano in 2011 They are the first volume of a series of four volumes of Preludes and Fugues on the DFG codes planned for 2014-15. This first volume starts with an easy prelude and fugue to range through to a virtuoso conclusion with the seventh prelude and fugue.
$28.00 ≈
25.84€
Prelude 7 from "Book of Preludes: 1-15 for Piano"
Prelude 7 from "Book of Preludes: 1-15 for Piano"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Barry Michael Wehrli
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Prelude 7 from "Book of P
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Wehrli Publications
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.991993 Composed by Barry Michael Wehrli. 20th Century,Contemporary,Standards. Score. 5 pages. Wehrli Publications #338480...
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Piano Solo - Level 4 - SKU: A0.991993 Composed by Barry Michael Wehrli. 20th Century,Contemporary,Standards. Score. 5 pages. Wehrli Publications #3384803. Published by Wehrli Publications (A0.991993). Recording duration: 4:04. Recording excerpt begins at measure 1. Prelude 7 is the seventh of 15 works available in the Book of Preludes: 1-15 for Piano, a collection of character pieces by keyboardist, author, educator, and Wehrli Publications founder, Barry Michael Wehrli. These evocative preludes resemble the short, expressive pieces of Beethoven, Chopin and Debussy, but possess elements of later styles such as 20th century, new-age, jazz and more. Aside from their value as outstanding new performance repertoire, advanced students and professionals are discovering the pedagogical value of the Preludes as they make their way into state teaching organizations across the country such as CAPMT (California) and UMTA (Utah). Teachers often search for new and appealing serious music for their piano students. Yet such music is hard to find. The complete Book of Preludes offers nearly an hour of diverse music, each prelude creating its own unique sense of musical journey. All preludes contain damper and sostenuto pedal indications, bar numbers, suggested fingering, and tempo and dynamic marks reflecting the composer’s recorded performance. Reviews are available at the locations below. The Complete Book of Preludes: 1-15 for Piano - In Print: wehrlipubs.com/shop/book-of-preludes. The Complete Book of Preludes: 1-15 for Piano - Studio Recordings: wehrlipubs.com/shop/book-of-preludes-cd. Purchased Books or CDs will be autographed by the composer upon request. Social media and contact information is available at Wehrli Publications: wehrlipubs.com. Barry is a member of the Music Teachers Association of California (MTAC), the California Association of Professional Music Teacher (CAPMT), and ASCAP. He welcomes your thoughts on the Preludes and is happy to answer any questions regarding the Wehrli Publications catalog of piano instruction materials.
$2.99 ≈
2.76€
Bach - Fugue in G minor BWV 578 for Piano
Bach - Fugue in G minor BWV 578 for Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Bach Johann Sebastian
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Santino Cara
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Bach - Fugue in G minor BWV 57
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.517648 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 4 pages. Santino Cara #6342827. Publi...
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Piano Solo - Level 3 - SKU: A0.517648 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 4 pages. Santino Cara #6342827. Published by Santino Cara (A0.517648). Fugue in G minor BWV 578 for Piano. Composed in 1709 by Johann Sebastian Bach. Transcribed in 2019 by Santino Cara.Other Bach's piano works:Bach - 16 Little Fugues for Piano - Complete scoresBach - 14 Preludes and Fugues Book 1 for Harpsichord or PianoBach - 14 Preludes and Fugues - Book 2 - for PianoBach - 8 Little Preludes (Kleine Präludien) BWV 553-560 for PianoBach - 6 Little Preludes (Kleine Präludien) BWV 933-938 for PianoBach - 5 Little Preludes (Kleine Präludien) BWV 939-943 for PianoBach - 9 Chorales Neumeister BWV 1090 - 1098 for Harpsichord or PianoBach - 6 Preludes (Fantasia) BWV 917-922 for PianoBach's Toccatas BWV 910-916 for Harpsichord or Piano - Complete scoresBach - Five Toccatas and Fugues for Piano - Complete scoresBach - English and French Suites BWV 806-817 for Harpsichord (or Piano)Six Bach's Piano PartitasSeven Bach's Piano Sonatas - Complete scoresBach - Inventions and Symphonies to 'Two and Three Parts' for Piano - Full scores
$6.20 ≈
5.72€
Three Preludes for Euphonium and Piano
Three Preludes for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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George Gershwin
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Ralph Sauer
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Piano
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Three Preludes for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Scor...
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Euphonium,Piano - Level 5 - SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Score and part. 20 pages. Gordon Cherry #4983589. Published by Gordon Cherry (A0.792456). George Gershwin’s Three Preludes, originally published for Piano in 1926, have been transcribed by Ralph Sauer in this first ever edition for Euphonium & Piano. About 6 minutes in length, the Preludes are jazzy, bluesy and a lot of fun to play, plus, very entertaining for audiences. This transcription, in bass clef is suitable for advanced performers with a range from a low C# to high D's. Prelude No. 1 has a bluesy motif with a strong jazz feel. Prelude No. 2, Blue Melody, is a sad song also with a blues feel using lots of sevenths and a major/minor duality. Prelude No. 3, Spanish Prelude features lots of syncopations and a battle between major & minor with the major winning out in the end. This work will make a fantastic addition to your recital.
$25.00 ≈
23.07€
Two Preludes for Good Friday
Two Preludes for Good Friday
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Piano seul
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Henrietta Atkin
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unknown enslaved persons, who
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Henrietta Atkin
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Two Preludes for Good Friday
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Henrietta Atkin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1379530 By Henrietta Atkin. By African-American Spirituals. Arranged by Henrietta Atkin. Christian,Easter,Religious,Spiri...
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Piano Solo - Level 3 - SKU: A0.1379530 By Henrietta Atkin. By African-American Spirituals. Arranged by Henrietta Atkin. Christian,Easter,Religious,Spiritual. Score. 7 pages. Henrietta Atkin #964235. Published by Henrietta Atkin (A0.1379530). These two African-American spirituals (Calvary and They Crucified My Lord (And He Never Said A Mumbalin' Word)) are rarely arranged as piano preludes for church.Yet their lyrics, and thus the reflection they invoke, could hardly be more fitting for Good Friday services and masses. Composed by unknown enslaved persons, who were all too familiar with physical agony and pain, these spirituals shed an immediate light on the crucifixion and death of Jesus.Both pieces are set with lush harmonies, with a different iteration of the melody in each of their three parts. Reflective, poignant, powerful and prayerful, each arrangement is appropriate for Good Friday liturgies, as reflections during The Seven Last Words of Christ, and preludes during masses for suffering people worldwide.
$7.99 ≈
7.37€
Spectrum (Seven Preludes)
Spectrum (Seven Preludes)
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Piano seul
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Jennifer Castellano
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Spectrum
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Imagine Music - Digital
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SheetMusicPlus
By Jennifer Castellano. For solo piano. Level 4. Published by Imagine Music - Digital ...
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By Jennifer Castellano. For solo piano. Level 4. Published by Imagine Music - Digital
$12.00 ≈
11.08€
Jean-Thierry Boisseau: Janus: Semainier de Préludes for piano
Jean-Thierry Boisseau: Janus: Semainier de Préludes for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Janus:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.534520 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards. Score. 11 pages. Musik Fabrik Musi...
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Piano Solo - Level 4 - SKU: A0.534520 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards. Score. 11 pages. Musik Fabrik Music Publishing #3588395. Published by Musik Fabrik Music Publishing (A0.534520). A set of seven preludes, one for every day of the week, by the noted French composer
$19.95 ≈
18.41€
Hymns of Heaven (A Collection of LARGE PRINT Two-page Hymns for Solo Piano)
Hymns of Heaven (A Collection of LARGE PRINT Two-page Hymns for Solo Piano)
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Piano seul
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Heaven
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.565413 By Sharon Wilson. By African-American Spiritual, Grant Colfax Tullar, John R. Sweney, Joseph Philbrick Webster, Lo...
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Piano Solo - Level 3 - SKU: A0.565413 By Sharon Wilson. By African-American Spiritual, Grant Colfax Tullar, John R. Sweney, Joseph Philbrick Webster, Lowell Mason, and Robert Lowry. Arranged by Sharon Wilson. Christian,Folk,Praise & Worship,Sacred,Traditional. Score. 20 pages. Sharon Wilson #4320349. Published by Sharon Wilson (A0.565413). If you sometimes find it a strain on the eyes to read standard sheet music, then you'll love this LARGE PRINT version of Hymns of Heaven. This collection is identical to the Hymns of Heaven--A Collection of ONE-Page Hymns for Solo Piano except each of these songs is spread over TWO pages using a larger font size. Designed for those times when a short, musical interlude is needed, this collection consists of seven, two-page hymn arrangements, each taking about 1 minute to perform. In addition, all seven of these hymns are arranged in the key of G major making it easy to flow from one to the next for more flexibility. Mix and match the 7 arrangements to create 2-3 song medleys. Each song is also easy to repeat if a longer instrumental interlude is needed. Each song in this collection was chosen because the lyrics talk about the joys of heaven. These inspiring and uplifting arrangements will bring hope and encouragement to the listeners and are ideal for preludes and offertories as well as memorial services or funerals. This collection will be a valuable addition to any church pianists worship repertoire.These hymn arrangements are also available separately with accompanying preview pages and audio samples. Titles included in this collection:Face to FaceHeaven Is My Home (I'm But a Stranger Here)How Beautiful Heaven Must BeI Shall Know Him (My Savior First of All)In the Sweet By and ByMarching to ZionOn Jordan's Stormy Banks Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$8.99 ≈
8.30€
Two Preludes
Two Preludes
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Violon et Piano
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AVANCÉ
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Cyril Scott
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Two Preludes
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - advanced - SKU: S9.Q11659 For Violin and Piano. Composed by Cyril Scott. This edition: Sheet music. Violin Library. Downloadab...
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Violin and piano - advanced - SKU: S9.Q11659 For Violin and Piano. Composed by Cyril Scott. This edition: Sheet music. Violin Library. Downloadable. Duration 7' 40. Schott Music - Digital #Q11659. Published by Schott Music - Digital (S9.Q11659). Iridescent changes of time are the determining element in 'Poème érotique' of Cyril Scott's 'Deux Préludes' composed in 1912. Amid the melodic flow of the violin, the piano undertakes sophisticated shifts of the bar accents, from swaying three-eight time to rhapsodic seven-eight time. The following 'Danse' also requires great rhythmic understanding of its performers and, with the appropriate accentuation, displays its pointed charms. With 'Deux Préludes', Scott wrote chamber music works that are perfect as effective performance pieces.
$17.99 ≈
16.60€
Two Preludes + Three Fugues on the D.F.G. codes for Clarinet Quartet.
Two Preludes + Three Fugues on the D.F.G. codes for Clarinet Quartet.
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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David F Golightly and David F
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Two Preludes + Three Fugues on
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Modrana Music Publishers Ltd
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.966295 Composed by David F Golightly and David F Golightly. 20th Century,Contemporary,In...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.966295 Composed by David F Golightly and David F Golightly. 20th Century,Contemporary,Instructional. 46 pages. Modrana Music Publishers Ltd #2999343. Published by Modrana Music Publishers Ltd (A0.966295). Five pieces for clarinet quartet, three b flat clarinet parts and one Bass clarinet part. The pieces are part of a series of volumes of Preludes and Fugues the composer has produced in this traditional medium. There are three volumes for solo piano of seven preludes and fugues in each volume, with another five volumes planned for the future. The musical codes referred to in the title are a compositional technique used by the composer to structure and identify emotive coherence. The parts are only for the advanced player and each part is of equal technical requirement. Prelude No1 Sostenuto. Duration of the complete set approximately twelve minutes.Fugue No 1 Moderato. Prelude No 2 Leggiero. Fugue No 2 Con umore Burlesco Fugue No 3 Con umore.
$26.00 ≈
24.00€
Three Preludes for Brass Quintet
Three Preludes for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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George Gershwin
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Robert Coulter
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Three Preludes for Brass Quint
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1141252 Composed by George Gershwin. Arranged by Robert Coulter. 20th Century,Blues,Jazz. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1141252 Composed by George Gershwin. Arranged by Robert Coulter. 20th Century,Blues,Jazz. Score and parts. 26 pages. Gordon Cherry #741563. Published by Gordon Cherry (A0.1141252). Three Preludes by George Gershwin, originally published for the Piano in 1926, have been beautifully arranged for brass quintet by Robert Coulter. About 6 minutes in length, the Preludes are jazzy, bluesy and a lot of fun to play, plus, very entertaining for audiences. This arrangement is appropriate for advanced performers and is scored for 2 trumpets in b-flat, horn, trombone and tuba. Prelude No. 1 has a bluesy motif with a strong jazz feel. Prelude No. 2, Blue Melody, is a melancholy song with a blues feel using lots of sevenths and a major/minor duality. Its middle section is more upbeat featuring the tuba. Prelude No. 3, Spanish Prelude features lots of syncopations and a battle between major & minor with the major winning out in the end. This work will make a fantastic addition to your concert.
$32.50 ≈
30.00€
Diary
Diary
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Piano seul
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AVANCÉ
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Rodion Shchedrin
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Diary
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q16512 Seven Pieces. Composed by Rodion Shchedrin. This edition: Sheet music. Downloadable. Duration 11 minutes. Scho...
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Piano - difficult - SKU: S9.Q16512 Seven Pieces. Composed by Rodion Shchedrin. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q16512. Published by Schott Music - Digital (S9.Q16512). With his five piano concertos, sonatas and 24 preludes and fugues Rodion Shchedrin is one of the most prominent composers for piano of our time. A gifted pianist, he has given the first performances of most of his works himself. With the seven pieces in this Journal Shchedrin has created a cycle for piano reflecting his own life as a composer and pianist. These are remarkable confessions by the Russian musician who wrote his first major compositions as a twenty year-old student at the Moscow Conservatoire and who has been greatly involved in the international music scene in the post-soviet era. Using modern composition techniques the work combines traditional and modern forms in jottings that are like diary entries - a musical autobiography in miniature.
$15.99 ≈
14.76€
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.53€
Prelude 21 in D Major Mixolydian
Prelude 21 in D Major Mixolydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydi
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.53€
Prelude 11 in Db Major Lydian
Prelude 11 in Db Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden...
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Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.53€
Prelude 6 in G Minor Dorian
Prelude 6 in G Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.53€
Prelude 23 in G Major Lydian
Prelude 23 in G Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.53€
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
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Seven Preludes for Piano
