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She's Not There: Snare Drum
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Vous avez sélectionné:
She's Not There: Snare Drum
Partitions à imprimer
26 partitions trouvées
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1
26
She's Not There: Snare Drum
She's Not There: Snare Drum
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Batterie (partie séparée)
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She's Not There: Snare Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0018272_SD Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018272_SD. Published by Alfred Music - Digit...
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Marching Band - SKU: AX.00-PC-0018272_SD Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018272_SD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018272_SD). UPC: 038081429151.
$3.00 ≈
2.77€
There's Nothing Holdin' Me Back (arr. Ishbah Cox) - Snare Drum
There's Nothing Holdin' Me Back (arr. Ishbah Cox) - Snare Drum
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Batterie (partie séparée)
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Pop musique
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Shawn Mendes
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Ishbah Cox
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There's Nothing Holdin' Me Bac
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Hal Leonard - Digital
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SheetMusicPlus
Marching Band - SKU: HX.911641 By Shawn Mendes. Arranged by Ishbah Cox. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal L...
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Marching Band - SKU: HX.911641 By Shawn Mendes. Arranged by Ishbah Cox. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.911641).
$6.00 ≈
5.54€
Rosemary - "That's for remembrance...."
Rosemary - "That's for remembrance...."
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Joel Jacklich (A
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Rosemary - "That's for re
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Joel Jacklich
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. J...
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Concert Band - Level 3 - SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. Joel Jacklich #640816. Published by Joel Jacklich (A0.1035592). PROGRAM NOTE: Rosemary - That's for remembrance.... In 1882, Sir Edward Elgar jotted down in his musical notebook a piano piece he titled Douce Pensée (Sweet Thought). There it remained until 1913 when he got it out again, revised it slightly, re-titled it Rosemary - That's for remembrance, and published it for the first time. The title comes from Ophelia's Garland Speech in Shakespeare's Hamlet, where she says, There's rosemary, that's for remembrance. Pray you, love, remember. In 1915, the First World War had been raging in Europe for a year, and many British composers and poets had turned to artistic means to mourn those who died in the trenches of across the Channel. Elgar orchestrated the work at that time. In 1925, London publisher W. Paxton published arrangements by C. Jenkins made for brass and reed band and for military band; however, these are now out of print and no longer available. In the fall of 2015, Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, asked me to make an arrangement of Rosemary for the Eighth Annual Concert of Premieres, a series Sturman had begun in 2008, commissioning new works by known composers, and commissioning new arrangements of pieces he felt were worthy works in the public domain that were no longer in print and/or were written for ensembles containing instruments no longer part of the standard modern band or orchestra. INSTRUMENTATION: Flute I (4), Flute II (4), Oboe (1), Clarinet I (4), Clarinet II (4), Clarinet III (4), Bass Clarinet (1), Bassoon (1), Alto Saxophone (4), Tenor Saxophone (2), Baritone Saxophone (1); Trumpet I (3), Trumpet II (3), French Horn (2), Baritone Horn T.C. (2), Baritone Horn B.C. (2), Trombone (6), Tuba (2); Timpani [F2, B-flat 2] (1), Snare Drum (1),Triange (1), Suspended Cymbal (1), Bass Drum (1), Glockenspiel (1). Joel Jacklich May 21, 2015 El Centro, California.
$50.00 ≈
46.19€
It's All In There
It's All In There
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Youngblood Brass Band
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Nat McIntosh
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It's All In There
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Layered Music
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SheetMusicPlus
Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394091 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McInto...
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Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394091 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 3 pages. Layered Music #977549. Published by Layered Music (A0.1394091). Full score and parts for the Youngblood Brass Band original song 'It's All In There', by Nat McIntosh, as heard on the Word On The Street album recording. This is the official transcription from the record, i.e. 3 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the author. This is the only YBB-sanctioned sheet music for this tune.YBB members are available for bespoke arrangements, commissions, studio work, and online lessons; contact us for details and check out our entire catalog of music, merch, and arrangements (including options to purchase the actual software notation files for sheet music) at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.
$65.00 ≈
60.05€
European Anthem (Ode to Joy) for Brass Quintet & (opt. Snare drum)
European Anthem (Ode to Joy) for Brass Quintet & (opt. Snare drum)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludvig van Beethoven
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Keith Terrett
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it consists of music only
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European Anthem
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Keith Terrett
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SheetMusicPlus
Level 3 - SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett...
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Level 3 - SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett #1955507. Published by Keith Terrett (A0.746484). The regional anthem of the EU arranged for Brass Quintet. The melody used to symbolize the EU comes from the Ninth Symphony composed in 1823 by Ludwig Van Beethoven, when he set music to the Ode to Joy, Friedrich von Schiller's lyrical verse from 1785. The anthem symbolises not only the European Union but also Europe in a wider sense. The poem Ode to Joy expresses Schiller's idealistic vision of the human race becoming brothers - a vision Beethoven shared. In 1972, the Council of Europe adopted Beethoven's Ode to Joy theme as its anthem. In 1985, it was adopted by EU leaders as the official anthem of the European Union. There are no words to the anthem; it consists of music only. In the universal language of music, this anthem expresses the European ideals of freedom, peace and solidarity. The European anthem is not intended to replace the national anthems of the EU countries but rather to celebrate the values they share. The anthem is played at official ceremonies involving the European Union and generally at all sorts of events with a European character. Ode to Joy (German original title: An die Freude) is the anthem of the European Union and the Council of Europe; both of which refer to it as the European Anthem due to the Council's intention that, as a semi-modern composition with a mythological flair, it does represent Europe as a whole, rather than any organisation. It is based on the final movement of Beethoven's 9th Symphony composed in 1823, and is played on official occasions by both organisations. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99 ≈
8.31€
Percussion Suite: Dracula's Curse (Full Score)
Percussion Suite: Dracula's Curse (Full Score)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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JC Croyle
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Percussion Suite: Dracula's Cu
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JC Croyle
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SheetMusicPlus
Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croy...
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Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croyle. By JC Croyle. Classical,Halloween,Multicultural,World. 75 pages. JC Croyle #998440. Published by JC Croyle (A0.1416844). This is One of Four Percussion suites (Part II) that can either be played with the other three portions or by itself or even each part inside this portion of the suite for performance. Â Included with the score and each instrument part are the entire instrumentation, storyboards, and a character Bio Page. Â Why is there a character Bio page and storyboard you ask? Â This suite combined with the others can also be performed as a contemporary dance piece following the story of the short story (which is in the public domain) written by Bram Stroker as a prelude to Dracula entitled Dracula's Curse. Â Instrumentation for each portion can range from Orchestral Bass Drum, Snare Drum, and Marimba Parts to drum-set to Boom Whackers. Â Note: Most of the Marimba parts and some of the Vibeâ??s parts are written for Grand Marimba, these could also be played on a piano if need be. Â Same with the Vibes. Â Each mallet part could also be split so that 2-3 people play it instead of a more advanced player playing with 4 mallets. Â This would be the same for the Boom Whacker sections as well.
$50.00 ≈
46.19€
It Is Not Death to Die - Orchestration
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00 ≈
69.29€
Karrinyup Fanfare
Karrinyup Fanfare
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published b...
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Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00 ≈
69.29€
Holiday Bolero for Percussion Ensemble
Holiday Bolero for Percussion Ensemble
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Ensemble de Percussions
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Dan Heslink
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#
Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785...
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Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99 ≈
9.23€
Playing Percussion Instruments in the Music School
Playing Percussion Instruments in the Music School
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Béla Ugró
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Playing Percussion Instruments
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Bela Ugro
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SheetMusicPlus
Percussion Solo - Level 1 - SKU: A0.1359795 Composed by Béla Ugró. 21st Century,Children,Instructional,Multicultural,Traditional,World. Individual...
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Percussion Solo - Level 1 - SKU: A0.1359795 Composed by Béla Ugró. 21st Century,Children,Instructional,Multicultural,Traditional,World. Individual part. 117 pages. Bela Ugro #944273. Published by Bela Ugro (A0.1359795). Dive into the rhythmic world of PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL, (JÃTÉK ÃœTÅHANGSZEREKEN A ZENEISKOLÃBAN) an insightful and comprehensive sheet music collection authored by the accomplished Béla Ugró. Designed with educational purposes in mind, this resource serves as a valuable guide for students and teachers exploring the fascinating realm of percussion instruments.PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL offers a comprehensive and enjoyable approach to percussion education, empowering students to develop their skills across various percussion instruments. With a wide array of exercises, solos, and accompaniments, this sheet music collection is a valuable resource for both aspiring percussionists and dedicated music educators.Béla Ugró's compositions create a lively and engaging atmosphere, making music education a joyful and enriching experience for both students and instructors alike.Structured Learning:Explore fundamental rhythms in Chapter I, including basic rhythmic patterns and the exploration of eighth notes.Navigate through Chapter II, delving into the intricacies of eighth-note rests, dotted quarters, and captivating snare drum solos such as The Martian and Moonlight.Triplet Adventures:Chapter III introduces the world of triplets, fostering an understanding of triolas and incomplete triols, accompanied by engaging snare drum solos like Waterfall.Sixteenth Note Mastery:Progress through Chapter IV to master sixteenth notes, their rests, and the art of combining them. Challenge yourself with dynamic snare drum solos like Let’s Go! and Roller Coaster.Quintuplets and Beyond:Chapter V explores quintuplets, sextuplets, and septuplets, adding complexity to your percussion repertoire. Immerse yourself in captivating snare drum solos, including Ferris Wheel.Elaborate Rudiments:Journey through Chapter IX to enhance your skills with essential rudiments, including roll rudiments, paradiddles, flams, and drags. Showcase your prowess with snare drum solos like The Patrol and Smitherens.Multi-Percussion Excitement:Chapter X introduces the realm of multi-percussion, featuring unique solos like Töredékek A-B-C-D részek, Marsch, and Bossa Nova Knock.Drum Set Grooves:Explore exciting drum set grooves in Groove Modules, adding versatility to your percussion repertoire.Melodic Percussion and Song Adaptations:Engage in melodic percussion with Chapter X, practicing on melodious instruments. Enhance your skills with well-known tunes, including adaptations of Mozart, Lully, and more.Vibrant Compositions:Immerse yourself in original compositions by Béla Ugró, such as the expressive Elégia for vibraphone solo.Piano Accompaniments:Access additional piano accompaniments in the appendix, providing a rich harmonic backdrop for your percussion journey.Keywords:Percussion EducationBéla UgróSnare Drum SolosRhythmic PatternsMusic School CurriculumPercussion TechniquesEducational Sheet MusicMelodic PercussionRudiments MasteryMulti-PercussionDrum Set GroovesMusic School ExercisesTimpani SoloVibraphone ElegyMusical Expressions DictionarySheet Music CollectionMusical RudimentsEducational ResourcesStudent DevelopmentPercussion RepertoirePedagogical PercussionStudent Empowerment.
$20.00 ≈
18.48€
Peaches
Peaches
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Fanfare
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INTERMÉDIAIRE/AVANCÉ
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Jack Black
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Lotus Barnes
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Peaches
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lotus
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SheetMusicPlus
Marching Band - Level 4 - SKU: A0.1270356 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Lotus ...
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Marching Band - Level 4 - SKU: A0.1270356 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Lotus Barnes. 21st Century,Classical,Comedy. Score and Parts. 24 pages. Lotus #862764. Published by lotus (A0.1270356). Oh Princess Peach, how we love you! This calm yet exciting song features your pep band's saxophones, trumpets, and mellophones.Notes:-The cymbal part is optional if there are more cymbals than snare drums. Cymbals must hold their instrument near the snare drums to emulate a ride cymbal on a drumset.-The diamond-shaped notes in the Trumpet 1 part are for if the notes in regular noteheads can't be reached.
$49.99 ≈
46.18€
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99 ≈
3.69€
Andaluza
Andaluza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. Whea...
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Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00 ≈
69.29€
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99 ≈
10.15€
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.69€
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.69€
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99 ≈
3.69€
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.69€
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.69€
Little Waltz for a Dancing Occasion
Little Waltz for a Dancing Occasion
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Methodes
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Phil Thrift
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Little Waltz for a Dancing Occ
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Phil Thrift
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SheetMusicPlus
Large Ensemble - Level 1 - SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Published by Phil Thr...
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Large Ensemble - Level 1 - SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Published by Phil Thrift (A0.955739). Little Waltz for a Dancing Occasion is intended for junior players and can be performed on virtually any combination of five or more woodwind and/or brass instruments. It is based on my own experience of working with such groups.This waltz is perhaps a little unconventional in that it does not make use of a strong first beat – traditionally played by bass instruments – followed by weaker second and third beats. Furthermore, in this piece most of the phrases are five, seven or nine measures long, thus departing from the four- or eight-measure phrases many players will be used to. From measure 22 the melody in 3/4 time has an accompaniment that is essentially in 2/4 time; I’ve included accents here to help ensure a 2/4 feel. There’s also a rather abrupt ending which, hopefully, will take some by surprise. And everybody gets the tune at some stage, not just the usual melody instruments!The parts included are suitable for the instruments found in groups of learners:flute, oboe, Bb clarinet, bassoonEb alto sax, Bb tenor saxBb trumpet, F/Eb horn, trombone (TC/BC), euphonium (TC/BC), tuba, Bb/Eb bassThe high flute/oboe part is optional. The glockenspiel is also optional and I’ve mainly included this part so that, if you have a drummer who needs something to do, he or she won’t be tempted to just play bass drum on first beat, snare on second and third beats!The tempo chosen will depend on the abilities of the players.Apart from maybe saving paper, writing two parts on one system does help players to learn to read such charts – something I feel all players should learn to do from an early age.
$12.99 ≈
12.00€
Shenandoah
Shenandoah
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Stephen R Dalrymple
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Shenandoah
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818351 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages....
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Concert Band - Level 3 - SKU: A0.818351 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #6381291. Published by Stephen R Dalrymple (A0.818351). Shenandoah ♫ traditional American folk song ♫ arranged for concert band by Stephen R Dalrymple ♫ The meaning of this song will be long debated. Considered a sea chanty, the song was passed on orally by singers on clipper ships. The variations in lyrics that have been collected demonstrate how various singers over the decades have altered the song (consciously or unconsciously). ♫ This arrangement is based on lyrics that were collected prior to 1860 and published in Sea Songs and Shanties by W. B. Whall (1910). There are evidently 2 rivers mentioned in this song, the Shenandoah and the Missouri. The song tells a love story between an impetuous trader and a Shenandoah Valley Native American princess. As the trader heads for the Missouri River, he looks back longingly to the home of the princess. ♫ I have used the Dorian Mode to suggest Native American elements in the story line. The YouTube video features photos of both the Shenandoah River and the Missouri River. ♫ The white man loved the Indian maiden, Away you rolling river. With notions his canoe was laden. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ O, Shenandoah, I love your daughter, Away you rolling river. I'll take her 'cross yon rolling water. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ The chief disdained the trader's dollars: Away you rolling river. My daughter never you shall follow. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ O, Shenandoah, I long to hear you, Away you rolling river. Across that wide and rolling river. Ah-ha, I'm bound away, 'Cross the wide Missouri. ♫ arrangement © 2000 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Flute, Oboe, Clarinet 1, Clarinet 2, optional Clarinet 3, Bass Clarinet, Alto Sax /Alto Clarinet, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, E Bass, Snare Drum/Cymbals, Shaker/Chimes, and Timpani ♫ The YouTube video contains a full recording.
$19.00 ≈
17.55€
Sunset
Sunset
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Contemporain
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JoJoH
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Sunset
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Musician Place
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Drum,Clarinet,Flute,Glockenspiel,Snare Drum,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Xylophone - Leve...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Drum,Clarinet,Flute,Glockenspiel,Snare Drum,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Xylophone - Level 3 - SKU: A0.948414 Composed by JoJoH. Contemporary. Score and parts. 15 pages. Musician Place #3018321. Published by Musician Place (A0.948414). Sunset is an intermediate concert band song, about two and a half minutes long. Each instrument gets to play the melody at some point in the song, which is fun. The hardest part to play is the tuba's (there are a couple of altissimo notes), otherwise the rest of the parts are quite easy. It's great for a middle or high school, or an adult concert band.Watch the video at: https://www.youtube.com/watch?v=5c1-lAAnojQ&t=2s
$14.50 ≈
13.40€
Lion March
Lion March
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Orchestre d'harmonie
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DÉBUTANT
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Contemporain
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Bryan Kujawa
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Lion March
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Bryan Kujawa
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1285983 By Bryan Kujawa. By Bryan Kujawa. 21st Century. Score and Parts. 21 pages. Bryan Kujawa #877106. Published by B...
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Concert Band - Level 1 - SKU: A0.1285983 By Bryan Kujawa. By Bryan Kujawa. 21st Century. Score and Parts. 21 pages. Bryan Kujawa #877106. Published by Bryan Kujawa (A0.1285983). This piece was inspired by the composer's school mascot, the Lion. Written for developing bands, almost all of the parts are doubled with someone else, so you can perform it even with incomplete instrumentation. It also features an optional advanced snare drum part. Additionally, the work features a variety of notes, rhythms, articulations, and dynamics. Just over a minute in length, it's in common time, and there are 34 measures. This would make a great concert opener or could be played as recessional at a graduation ceremony. Every part has been meticulously checked, with all measures included, and each page optimized for easy reading. We hope you enjoy, Lion March by Bryan Kujawa!
$50.00 ≈
46.19€
Holiday Bolero for Keyboard Percussion
Holiday Bolero for Keyboard Percussion
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Ensemble de Percussions
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FACILE
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Pharaoh Publications
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#
Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99 ≈
4.61€
Those Magnificent Men In Their Flying Machines
Those Magnificent Men In Their Flying Machines
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Ron Goodwin
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Derek Hasted
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Those Magnificent Men In Their
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. De...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. Derek Hasted #5311943. Published by Derek Hasted (A0.797771). THOSE MAGNIFICENT MEN - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes 'Those Magnificent Men In Their Flying Machines' is the theme music to the film of the same name and was composed by Ron Goodwin.This arrangement stays faithful to much of the original but there are some tiny little changes that make this version fit a guitar ensemble more comfortably...The key is more guitar-friendly.You can choose between 3 different 2-bar introductions.The more complex vocal alliterations in the original are slimmed down to avoid the guitar parts sounding too fussy.Some of the original features (sliding trombone notes, snare drums and tricky decorations) have been removed or offered as alternative. The full score and parts explain where there are choices that can be made.This arrangement will suit a large ensemble as well as a quartet, and it's been proven in concert on more than one occasion before it was published.I hope you enjoy playing it as much as my two ensembles (and their audiences!)
$4.99 ≈
4.61€
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She's Not There: Snare Drum
