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Vous avez sélectionné:
Sinfonia for Strings
Partitions à imprimer
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Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio Vivaldi
#
Snakewood Editions
#
Vivaldi – Sinfonia for s
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Sneakwood Editions
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. ...
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String Orchestra - Level 4 - SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi – Sinfonia (first Allegro) for strings and continuo from L’Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725L´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Sant’Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldi’s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, Foà 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldi’s autograph contained in the manuscript I-Tn, Foà 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.
$16.00 ≈
$22.20
Sinfonia for Strings, No. 1: Score
Sinfonia for Strings, No. 1: Score
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Orchestre à Cordes
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Classique
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Antonio Vivaldi
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Jan Farrar-Royce
#
Festival.
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Sinfonia for Strings, No. 1: S
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0005593 Score. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Score. 8 pages...
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String Orchestra - SKU: AX.00-PR-0005593 Score. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0005593. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005593). UPC: 038081517278.With the melody in all sections, everyone in your ensemble can enjoy the epitome of Baroque string playing. These energetic movements lay well in the hand of the player while making the performers sound virtuosic. Perfectly adapted by Jan Farrar-Royce, Vivaldi's Sinfonia for Strings, No. 1 will delight! (1:45)Concert/Contest; Festival.
$9.00 ≈
$12.49
Sinfonia for Strings, No. 1: Viola
Sinfonia for Strings, No. 1: Viola
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Orchestre à Cordes
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Classique
#
Antonio Vivaldi
#
Jan Farrar-Royce
#
Festival.
#
Sinfonia for Strings, No. 1: V
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017314_VA1 Viola. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pa...
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String Orchestra - SKU: AX.00-PC-0017314_VA1 Viola. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017314_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017314_VA1). UPC: 038081517278.With the melody in all sections, everyone in your ensemble can enjoy the epitome of Baroque string playing. These energetic movements lay well in the hand of the player while making the performers sound virtuosic. Perfectly adapted by Jan Farrar-Royce, Vivaldi's Sinfonia for Strings, No. 1 will delight! (1:45)Concert/Contest; Festival.
$5.99 ≈
$8.31
Sinfonia for Strings, No. 1: 3rd Violin (Viola [TC])
Sinfonia for Strings, No. 1: 3rd Violin (Viola [TC])
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Orchestre à Cordes
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Classique
#
Antonio Vivaldi
#
Jan Farrar-Royce
#
Festival.
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Sinfonia for Strings, No. 1: 3
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017314_VN3 3rd Violin (Viola [TC]). Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arran...
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String Orchestra - SKU: AX.00-PC-0017314_VN3 3rd Violin (Viola [TC]). Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017314_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017314_VN3). UPC: 038081517278.With the melody in all sections, everyone in your ensemble can enjoy the epitome of Baroque string playing. These energetic movements lay well in the hand of the player while making the performers sound virtuosic. Perfectly adapted by Jan Farrar-Royce, Vivaldi's Sinfonia for Strings, No. 1 will delight! (1:45)Concert/Contest; Festival.
$5.99 ≈
$8.31
Sinfonia for Strings, No. 1: Cello
Sinfonia for Strings, No. 1: Cello
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Orchestre à Cordes
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Classique
#
Antonio Vivaldi
#
Jan Farrar-Royce
#
Festival.
#
Sinfonia for Strings, No. 1: C
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017314_VC1 Cello. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pa...
(+)
String Orchestra - SKU: AX.00-PC-0017314_VC1 Cello. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017314_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017314_VC1). UPC: 038081517278.With the melody in all sections, everyone in your ensemble can enjoy the epitome of Baroque string playing. These energetic movements lay well in the hand of the player while making the performers sound virtuosic. Perfectly adapted by Jan Farrar-Royce, Vivaldi's Sinfonia for Strings, No. 1 will delight! (1:45)Concert/Contest; Festival.
$5.99 ≈
$8.31
Sinfonia for Strings, No. 1: String Bass
Sinfonia for Strings, No. 1: String Bass
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Orchestre à Cordes
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Classique
#
Antonio Vivaldi
#
Jan Farrar-Royce
#
Festival.
#
Sinfonia for Strings, No. 1: S
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017314_SB String Bass. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part....
(+)
String Orchestra - SKU: AX.00-PC-0017314_SB String Bass. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017314_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017314_SB). UPC: 038081517278.With the melody in all sections, everyone in your ensemble can enjoy the epitome of Baroque string playing. These energetic movements lay well in the hand of the player while making the performers sound virtuosic. Perfectly adapted by Jan Farrar-Royce, Vivaldi's Sinfonia for Strings, No. 1 will delight! (1:45)Concert/Contest; Festival.
$5.99 ≈
$8.31
Sinfonia for Strings, No. 1: 1st Violin
Sinfonia for Strings, No. 1: 1st Violin
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Violon (partie séparée)
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Classique
#
Antonio Vivaldi
#
Jan Farrar-Royce
#
Festival.
#
Sinfonia for Strings, No. 1: 1
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017314_VN1 1st Violin. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part....
(+)
String Orchestra - SKU: AX.00-PC-0017314_VN1 1st Violin. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017314_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017314_VN1). UPC: 038081517278.With the melody in all sections, everyone in your ensemble can enjoy the epitome of Baroque string playing. These energetic movements lay well in the hand of the player while making the performers sound virtuosic. Perfectly adapted by Jan Farrar-Royce, Vivaldi's Sinfonia for Strings, No. 1 will delight! (1:45)Concert/Contest; Festival.
$5.99 ≈
$8.31
Sinfonia for Strings, No. 1: 2nd Violin
Sinfonia for Strings, No. 1: 2nd Violin
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Orchestre à Cordes
#
Classique
#
Antonio Vivaldi
#
Jan Farrar-Royce
#
Festival.
#
Sinfonia for Strings, No. 1: 2
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017314_VN2 2nd Violin. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part....
(+)
String Orchestra - SKU: AX.00-PC-0017314_VN2 2nd Violin. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017314_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017314_VN2). UPC: 038081517278.With the melody in all sections, everyone in your ensemble can enjoy the epitome of Baroque string playing. These energetic movements lay well in the hand of the player while making the performers sound virtuosic. Perfectly adapted by Jan Farrar-Royce, Vivaldi's Sinfonia for Strings, No. 1 will delight! (1:45)Concert/Contest; Festival.
$5.99 ≈
$8.31
Leonardo Leo Sinfonia in A major for String Orchestra
Leonardo Leo Sinfonia in A major for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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MyMusicScores
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Leonardo Leo Sinfonia in A maj
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736747 Arranged by MyMusicScores.com. Baroque. Score and parts. 25 pages. MyMusicScores.com #5224067. Published by ...
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String Orchestra - Level 4 - SKU: A0.736747 Arranged by MyMusicScores.com. Baroque. Score and parts. 25 pages. MyMusicScores.com #5224067. Published by MyMusicScores.com (A0.736747). A short and lively Sinfonia for Strings by Leonardo Leo (5 August 1694 – 31 October 1744).The PDF file part includes the Score, Violin 1, Violin2, Viola, Cello/Bass and Harpsichord parts.
$14.99 ≈
$20.80
Sinfonia For Strings
Sinfonia For Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Alex Tinlin
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Alex Tinlin
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Sinfonia For Strings
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Alex Tinlin
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1143807 By Alex Tinlin. By Schmidt. Arranged by Alex Tinlin. Baroque,Classical. Score and parts. 21 pages. Alex Tin...
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String Orchestra - Level 4 - SKU: A0.1143807 By Alex Tinlin. By Schmidt. Arranged by Alex Tinlin. Baroque,Classical. Score and parts. 21 pages. Alex Tinlin #744118. Published by Alex Tinlin (A0.1143807). Originally for Violin, Viola d'amore and basso. Arranged/edited by Alex Tinlin. The only details available on the composer of this work is a surname, Schmidt.
$5.99 ≈
$8.31
Overture for Strings No. 3 - Score Only
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
$13.86
Overture for Strings No. 5 - Score Only
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
$13.86
Overture for Strings No. 6 - Score Only
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 6 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
$13.86
Overture for Strings No. 4 - Score Only
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
$13.86
Overture for Strings No. 2 - Score Only
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 2 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
$13.86
Sinfonia XI F major
Sinfonia XI F major
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Orchestre à Cordes
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Classique
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Felix Bartholdy Mendelssohn
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Sinfonia XI F major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
String Orchestra - SKU: S9.Q49929 Composed by Felix Bartholdy Mendelssohn. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of...
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String Orchestra - SKU: S9.Q49929 Composed by Felix Bartholdy Mendelssohn. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of parts. Ernst Eulenburg & Co. GmbH - Digital #Q49929. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q49929). Key: F major.The Allgemeine Musikalische Zeitung, Leipzig 1827, reports that Mendelssohn, between the ages of 12-14, and under the guidance of his teacher Carl Friedrich Zelter, composed 'symphonies for strings alone in the style of C. P. E. Bach, which were then performed in the house of his highly refined and cultivated parents.' These remarkably fresh and precociously accomplished works were presented during Sunday musicales held at the Mendelssohn family residence and performed by members of the Berlin Court Orchestra under the direction of the composer himself. The instrumental parts are based on the recently-published Eulenburg study scores of the 12 Sinfonias for strings, newly-edited by Boris von Haken from the extant autograph MSS in the collection of the Staatsbibliothek zu Berlin - Stiftung Preussischer Kulturbestiz.
$28.99 ≈
$40.23
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Strings - Level 3 - SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Publishe...
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Strings - Level 3 - SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Published by jmsgu3 (A0.549209). Instrumentation: Two string quartets arranged antiphonally. Full Score: 28 pgs. Study Score: 14 pgs. Instrumental parts: 2 pg. ea. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. www.jamesguthrie.com.
$47.95 ≈
$66.54
Christmas Oratorio (Sinfonia) for String Trio
Christmas Oratorio (Sinfonia) for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Johann Sebastian Bach
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Dave Prudon
#
Christmas Oratorio
#
Prudon String Ensembles
#
SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.732744 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Christmas,Sacred,Wedding. Sco...
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String Ensemble,String Trio - Level 4 - SKU: A0.732744 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Christmas,Sacred,Wedding. Score and parts. 13 pages. Prudon String Ensembles #6593487. Published by Prudon String Ensembles (A0.732744). The Sinfonia from Bach's Christmas Oratorio has been a favorite of many for years and is now beautifully scored for String Trio. Well thought out and musically satisfying, this arrangement has successfully captured the majesty and charm of Bach's music. To give the ensemble another performance option, a second violin part is included in this set. Check out: Prudon String Ensembles Sheet Music, to see many other beautiful arrangements for strings.
$9.99 ≈
$13.86
Arrival of the Queen of Sheba for Clarinet Quintet +
Arrival of the Queen of Sheba for Clarinet Quintet +
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Classique
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George Frideric Handel
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Keith Terrett
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Arrival of the Queen of Sheba
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terr...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terrett #4849009. Published by Keith Terrett (A0.746890). Handel's Arrival from the Queen of Sheba come from Solomon (HWV 67), an oratorio by George Frideric Handel; arranged for Clarinet Quintet, plus extra parts if you need them!The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel that premiered in London on March 17, 1749, as the first scene of Act III in the oratorio Solomon. One of the last of Handel’s many oratorios, Solomon is rarely performed in its entirety, but Handel’s bright and lively The Arrival of the Queen of Sheba interlude is a widely appreciated processional set piece. It often was (and it continues to be) played during wedding ceremonies. A noted public performance of the piece occurred during the opening ceremonies of the London 2012 Olympic Games.Its libretto is based on the biblical stories of wise king Solomon and is attributed to Newburgh Hamilton. The music was composed between May 5 and June 13, 1748 and the first performance took place in London on March 17, 1749.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99 ≈
$11.09
Sinfonia No. 13 for Strings
Sinfonia No. 13 for Strings
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Walter S
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Sinfonia No. 13 for Strings
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Imagine Music - Digital
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SheetMusicPlus
String Quintet - SKU: IZ.PDP294 Composed by Walter S. Hartley. Score and Parts. 33 pages. Imagine Music - Digital #PDP294. Published by Imagine Music - ...
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String Quintet - SKU: IZ.PDP294 Composed by Walter S. Hartley. Score and Parts. 33 pages. Imagine Music - Digital #PDP294. Published by Imagine Music - Digital (IZ.PDP294). 9 x 12 inches.Dr. Hartley composed the Sinfonia No. 13 for Strings in 2000. The work is cast in three movements which are linked together and played without pause. N.B. The editorial process has consisted primarily of engraving the piece from Dr. Hartley's holograph, which is a study in calligraphic clarity. All articulations and indications for harmonics, etc., were provided by the composer.
$60.00 ≈
$83.26
Vivaldi - Sinfonia in B minor RV 168 for Strings and Cembalo
Vivaldi - Sinfonia in B minor RV 168 for Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Sinfonia in B minor
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.517223 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 37 pages. Santino Cara #38...
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Chamber Orchestra - Level 3 - SKU: A0.517223 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 37 pages. Santino Cara #3858773. Published by Santino Cara (A0.517223). Complete score and parts of the Sinfonia in B minor RV 168 for Strings and Cembalo, by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara.
$16.40 ≈
$22.76
Vivaldi - Sinfonia in C major RV 112 for Strings and Cembalo
Vivaldi - Sinfonia in C major RV 112 for Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Sinfonia in C major
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517245 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 44 pages. Santino Cara #38...
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Chamber Orchestra - Level 4 - SKU: A0.517245 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 44 pages. Santino Cara #3880269. Published by Santino Cara (A0.517245). Complete score and parts of the Sinfonia in C major RV 112 for Strings and Cembalo, by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara.
$16.40 ≈
$22.76
MORCEAUX en forme d'une POIRE (PEAR-SHAPED PIECES) Harp and Strings
MORCEAUX en forme d'une POIRE (PEAR-SHAPED PIECES) Harp and Strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Alan Edgar
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MORCEAUX en forme d'une POIRE
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Alan Edgar Ted Moon
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moo...
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String Orchestra - Level 3 - SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moon #746921. Published by Alan Edgar Ted Moon (A0.1146683). A charming and quirky suite of three movements from the original seven, for solo concert harp with string orchestra. Debussy criticised Satie's music for lack of form--there is a story that Satie showed these pieces to Debussy who asked, ‘Why such a title?’ He replied Because you cannot criticize my Three Pieces in the shape of a Pear. If they are in the form of a pear they cannot be shapeless. Poire had the slang meanings of fool and spinning top--Satie is famous for playing the fool --he said Take my ... Morceaux en Forme d’une Poire... it is evident that musical ideas played no part whatsoever in their composition. First performed by Anita Aslin with Hessle Sinfonia, Alan Edgar conducting.
$24.00 ≈
$33.30
Fasch: Sinfonia in G Major (Arr. Diehnelt, for String Quartet)
Fasch: Sinfonia in G Major (Arr. Diehnelt, for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Johann Friedrich Fasch
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Kim Diehnelt
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Fasch: Sinfonia in G Major
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Kim Diehnelt
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.809075 Composed by Johann Friedrich Fasch. Arranged by Kim Diehnelt. Baroque,Concert,Holiday,Wedding. ...
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String Quartet String Quartet - Level 3 - SKU: A0.809075 Composed by Johann Friedrich Fasch. Arranged by Kim Diehnelt. Baroque,Concert,Holiday,Wedding. Score and parts. 30 pages. Kim Diehnelt #6560423. Published by Kim Diehnelt (A0.809075). Johann Friedrich Fasch (1688 – 1758) was a contemporary of J.S. Bach and Georg F. Handel and considered one of the top German composers during his time. This work has four movements (Vivace-Grave-Fuge-Presto). It was originally for strings and basso continuo; the music is well-crafted and has both a flavor of restraint and seriousness, as well as humor and joy. The Fuge movement is especially enjoyable. It is a refreshing addition to the repertoire for string quartet ensembles who perform at ceremonies, receptions, and other social events. Performance time is about 10 minutes with repeats. The final Presto can be played as a trio (violin, viola, cello). Mvt. 1 - Vivace Mvt. 2 – Grave (2:10 in MIDI recording) iMvt. 3 – Fuge (3:50 on MIDI recording) Mvt. 4 – Presto (6:46 in MIDI recording) This arrangement for string quartet was made at the request of the Hildegard String Quartet in Vermont. As professional musicians who perform for weddings and special occasions, they require high-quality arrangements that capture the full sound, color, and texture of the original work. The layout of the printed parts is designed to limited page turns and provide an ease of reading.
$12.95 ≈
$17.97
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