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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vous avez sélectionné:
Six Pieces for Woodwind Quintet
Partitions à imprimer
63 partitions trouvées
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Six Pieces for Woodwind Quintet (1987)
Six Pieces for Woodwind Quintet (1987)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Zlata Tkach
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Six Pieces for Woodwind Quinte
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Alexander Timofeev
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.966153 Composed by Zlata Tkach. 20th Century,Folk,World. 55 pages. Alexander Timofeev #6670351. P...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.966153 Composed by Zlata Tkach. 20th Century,Folk,World. 55 pages. Alexander Timofeev #6670351. Published by Alexander Timofeev (A0.966153). This cycle of 6 pieces was composed by Zlata Tkach in 1987. It is scored for Woodwind Quintet. Duration: 8'. Includes the score and parts - Flute, Oboe, Clarinet in Bb, French horn, Bassoon.About the composer:Zlata Tkach (1928-2006) was the first woman composer of Moldova. She graduated in musicology (1952) and composition (1962) under Prof. Leonid Gurov, at the State Conservatory in Chisinau where she eventually taught for more than 40 years. A Honored Artist of the Moldovan Republic (1974), she was awarded many others prizes and distinctions such as the State Prize of Moldova (1982), the The Order of Labor Glory (1987) among others. Her work catalogue numbers more than 800 compositions in different genres, among them are operas, a ballet, symphonic and vocal-symphonic works, chamber music, children music including children operas, choruses and didactic works. About 600 compositions of Zlata Tkach were published in Moldova, Russia, Ukraine, as well as in UK, Germany, USA and Canada. Her scenic works were staged in many theaters of the former USSR. Zlata Tkach is rediscovered as one of Eastern Europe's most prolific woman-composers.
$4.99 ≈
4.61€
SIX PIECES FOR WOODWIND QUINTET - score & parts
SIX PIECES FOR WOODWIND QUINTET - score & parts
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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West Coast Wind Quintet
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SIX PIECES FOR WOODWIND QUINTE
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Thinkling Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1150807 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 53 pages. T...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1150807 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 53 pages. Thinkling Music #750990. Published by Thinkling Music (A0.1150807). Six Pieces for Woodwind Quintet is an essay in style composition. Each piece represents a different composer, stylistic era, or, in the case of Leaning Down (the most accessible of the set), an American folk music tradition. Total duration is about 10 minutes. Here are the six movement titles: 1. Jump and Leap 2. A Strange Meeting 3. Persistence 4. Java Booboo 5. Chocolate Fingers 6. Leaning Down (MP3 Audio Sample).
$25.00 ≈
23.07€
Beethoven Six Pieces for Woodwind Quintet scores and parts
Beethoven Six Pieces for Woodwind Quintet scores and parts
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Bill Coe
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Beethoven Six Pieces for Woodw
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Bill Coe
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.962882 Composed by Ludwig van Beethoven. Arranged by Bill Coe. Classical,Concert,Hol...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.962882 Composed by Ludwig van Beethoven. Arranged by Bill Coe. Classical,Concert,Holiday,Jewish,Wedding. Score and parts. 95 pages. Bill Coe #5045465. Published by Bill Coe (A0.962882). Now you can play Beethoven in your woodwind quintet! This is a collection of six middle movements from Beethoven's piano sonatas. These work well for winds and are quite fun. They will work well for weddings, parties, recitals, church...anywhere your quintet is playing. There's about 30 minutes of music here.
$15.99 ≈
14.76€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.07€
Turkish March by Beethoven for Woodwind Quintet
Turkish March by Beethoven for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1126471 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic ...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1126471 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #727146. Published by Woods Only, Arrangements (A0.1126471). This arrangement adapted for woodwind quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.22€
5 Famous Songs by Bach for Woodwind Quintet
5 Famous Songs by Bach for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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where it is also known a.
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5 Famous Songs by Bach for Woo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99 ≈
36.91€
Two Daydreams for Woodwind Quintet
Two Daydreams for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Sir Arthur Seymour Sullivan
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Ted R
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Two Daydreams for Woodwind Qui
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted R. Marcus. 19th Century,Chamber,Romantic Period,Wedding. 31 pages. Ted R. Marcus #842615. Published by Ted R. Marcus (A0.1248051). Day Dreams is a collection of six solo piano miniatures the young Arthur Sullivan published in 1867. The pieces amply demonstrate a natural melodic gift that would reach full fruition in the enduring comic operas Sullivan wrote with W.S. Gilbert. This is a contrasting pair of Daydreams, numbers 2 and 6, arranged for woodwind quintet. The first Daydream, Robert and Clara, is an expressive cantabile aria that evokes the music of Robert Schumann. The oboe, clarinet, and horn sing the complete melody, but everyone gets at least a fragment of it. (This selection is great for weddings and church services as well as for the concert hall.) The second, À l'Hongroise, is the flashy finale of the Day Dreams collection. It's a spirited Hungarian-inspired dance with a chromatic melody in shifting tonality, with harmonic turns audacious enough to thrill even 21st century listeners, culminating in a wide-ranging arpeggio passage for the four woodwinds. Both selections are transposed up half a step from the original keys of D major and f-sharp minor. Arranged for advanced players, the two selections make a great concert opener, closer, or encore. Duration: 6:12Please visit my Web site to explore more classics for adventurous woodwind quintets.
$18.00 ≈
16.61€
Turkish March by Beethoven for Flute Quintet
Turkish March by Beethoven for Flute Quintet
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.1128136 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Rom...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.1128136 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728751. Published by Woods Only, Arrangements (A0.1128136). This arrangement adapted for flute quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.22€
Turkish March by Beethoven for Alto Sax Quintet
Turkish March by Beethoven for Alto Sax Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 3 - SKU: A0.1128142 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 3 - SKU: A0.1128142 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728757. Published by Woods Only, Arrangements (A0.1128142). This arrangement adapted for alto sax quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.22€
Turkish March by Beethoven for Baritone Sax Quintet
Turkish March by Beethoven for Baritone Sax Quintet
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Quintette de Saxophone: 5 saxophones
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 2 - SKU: A0.1128144 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,Ma...
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 2 - SKU: A0.1128144 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728759. Published by Woods Only, Arrangements (A0.1128144). This arrangement adapted for baritone sax quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.22€
Turkish March by Beethoven for Tenor Sax Quintet
Turkish March by Beethoven for Tenor Sax Quintet
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Quintette de Saxophone: 5 saxophones
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Tenor Saxophone - Level 2 - SKU: A0.1128143 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March...
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Woodwind Ensemble,Woodwind Quintet Tenor Saxophone - Level 2 - SKU: A0.1128143 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728758. Published by Woods Only, Arrangements (A0.1128143). This arrangement adapted for tenor sax quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.22€
Turkish March by Beethoven for Clarinet Quintet
Turkish March by Beethoven for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728755. Published by Woods Only, Arrangements (A0.1128140). This arrangement adapted for clarinet quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.22€
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Fol...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99 ≈
14.76€
Turkish March by Beethoven for Sax Quintet
Turkish March by Beethoven for Sax Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1127720 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1127720 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728325. Published by Woods Only, Arrangements (A0.1127720). This arrangement adapted for saxophone quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.22€
Tchaikovsky: The Seasons Op.37a (A selection of Six Pieces from) - wind quintet
Tchaikovsky: The Seasons Op.37a (A selection of Six Pieces from) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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RayThompsonMusic
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Ray Thompson
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Tchaikovsky: The Seasons Op.37
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.518230 By RayThompsonMusic. By Peter Ilyich Tchaikovsky. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.518230 By RayThompsonMusic. By Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. Christmas,Classical,Easter,Holiday,Romantic Period. 65 pages. RayThompsonMusic #128945. Published by RayThompsonMusic (A0.518230). Transcribed from the piano score The Seasons, Op. 37a (also seen as Op. 37b, published with the French title Les Saisons), is a set of twelve short character pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky. Each piece is the characteristic of a different month of the year in the northern hemisphere. The six pieces included are: 2. February (Carnival) 4. April (Snowdrop) 6. June (Barcarolle) 8. August (Harvest Song) 10. October (Autumn Song) (shortened version) 12. December (Christmas) Arranged standard wind quintet.
$24.95 ≈
23.03€
Italian Folksong Medley (for Woodwind Quintet)
Italian Folksong Medley (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Various
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Kenneth Abeling
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Italian Folksong Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.515236 Composed by Various. Arranged by Kenneth Abeling. Folk,Mu...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.515236 Composed by Various. Arranged by Kenneth Abeling. Folk,Multicultural,Wedding,World. 32 pages. LINCOLN MUSIC PUBLICATIONS #6049033. Published by LINCOLN MUSIC PUBLICATIONS (A0.515236). Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Woodwind Quintet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com
$14.99 ≈
13.83€
SCHIUBERT MOMENT MUSICAL Opus 94 No. 3 for woodwind quintet
SCHIUBERT MOMENT MUSICAL Opus 94 No. 3 for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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arranged by Pat Spence
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SCHIUBERT MOMENT MUSICAL Opus
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.811788 Composed by Franz Schubert (1797 - 1828). Arranged by arranged by Pat Spence....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.811788 Composed by Franz Schubert (1797 - 1828). Arranged by arranged by Pat Spence. Concert,Graduation,Romantic Period,Standards. Score and parts. 18 pages. Piper Publications #6330503. Published by Piper Publications (A0.811788). This is the third of a set of six Moments Musicaux which Schubert composed for solo piano between 1823 and his death in 1828. The arrangement is for a woodwind quintet of players of intermediate standard and above and is probably the best known of the six pieces.
$8.00 ≈
7.38€
5 Famous Songs by Bach for Tenor Sax Quintet
5 Famous Songs by Bach for Tenor Sax Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748247. Published by Woods Only, Arrangements (A0.957295). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897712: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899813: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900334: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901655: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190373Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$39.99 ≈
36.91€
5 Famous Songs by Bach for English Horn Quintet
5 Famous Songs by Bach for English Horn Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Eng
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748233. Published by Woods Only, Arrangements (A0.957290). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for english horn quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897512: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899713: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900214: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901435: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190361Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99 ≈
36.91€
5 Famous Songs by Bach for Recorder Choir Quintet
5 Famous Songs by Bach for Recorder Choir Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Rec
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta.
$39.99 ≈
36.91€
Albeniz - Espana Op.165 No. 2 Tango (for Woodwind Quintet)
Albeniz - Espana Op.165 No. 2 Tango (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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Kenneth Abeling
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Albeniz - Espana Op.165 No. 2
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.514770 Composed by Isaac Albeniz. Arranged by Kenneth Abeling. C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.514770 Composed by Isaac Albeniz. Arranged by Kenneth Abeling. Classical,Romantic Period,Wedding. 9 pages. LINCOLN MUSIC PUBLICATIONS #3566775. Published by LINCOLN MUSIC PUBLICATIONS (A0.514770). This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Woodwind Quintet by Kenneth Abeling. It is a charming little piece of an advanced intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=UiHeuf1xO18
$9.99 ≈
9.22€
5 Famous Songs by Bach for Flute Quintet
5 Famous Songs by Bach for Flute Quintet
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Quintette de Flûte : 5 flûtes
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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wh.
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5 Famous Songs by Bach for Flu
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacre...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748221. Published by Woods Only, Arrangements (A0.957285). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897152: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899053: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900094: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901155: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190345Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; wh.
$39.99 ≈
36.91€
5 Famous Songs by Bach for Baritone Sax Quintet
5 Famous Songs by Bach for Baritone Sax Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
#
5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - SKU: A0.957296 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Rena...
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - SKU: A0.957296 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748249. Published by Woods Only, Arrangements (A0.957296). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897772: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899833: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900374: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901695: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190375Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99 ≈
36.91€
5 Famous Songs by Bach for Alto Sax Quintet
5 Famous Songs by Bach for Alto Sax Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
#
Bach, Martin Luther
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Ander
#
5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - SKU: A0.957294 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissa...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - SKU: A0.957294 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748245. Published by Woods Only, Arrangements (A0.957294). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897632: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899793: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900294: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901615: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190371Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
$39.99 ≈
36.91€
5 Famous Songs by Bach for Soprano Sax Quintet
5 Famous Songs by Bach for Soprano Sax Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
#
Classique
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Sop
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Soprano Saxophone - Level 1 - SKU: A0.957293 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renai...
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Woodwind Ensemble,Woodwind Quintet Soprano Saxophone - Level 1 - SKU: A0.957293 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748243. Published by Woods Only, Arrangements (A0.957293). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for soprano sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897592: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899773: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900274: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901555: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190369Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestanti.
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Six Pieces for Woodwind Quintet
