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Vous avez sélectionné:
Sketch for Saxophone
Partitions à imprimer
125 partitions trouvées
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101
Sketch for Saxophone
Sketch for Saxophone
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Gary Burch
#
Sketch for Saxophone
#
Great Scott Bones Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.848197 Composed by Gary Burch. 20th Century,Contemporary. Score and part. 11 pages. Great Scott Bones Music #34...
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Alto Saxophone,Piano - Level 4 - SKU: A0.848197 Composed by Gary Burch. 20th Century,Contemporary. Score and part. 11 pages. Great Scott Bones Music #3466090. Published by Great Scott Bones Music (A0.848197). Sketch for Saxophone composed by Gary Burch. For Alto Saxophone and Piano. Contains solo part, piano score, and program notes. Grade 4. Published by Great Scott Bones Music.
$6.95 ≈
6.40€
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.39€
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.39€
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
(+)
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.39€
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.39€
LUNA for violin, alto saxophone and piano
LUNA for violin, alto saxophone and piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Daniel Cueto
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LUNA for violin, alto saxophon
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Daniel Cueto
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contempo...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality.
$14.99 ≈
13.81€
Forest of the Birdsong for Soprano Sax
Forest of the Birdsong for Soprano Sax
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Saxophone Soprano et Piano
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AVANCÉ
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John Michael Pekowski
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Forest of the Birdsong for Sop
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John Michael Pekowski
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1317790 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. Score and part. 33 pages. John Mi...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1317790 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. Score and part. 33 pages. John Michael Pekowski #906477. Published by John Michael Pekowski (A0.1317790). Forest of the Birdsong is based upon the Symphonic Suite Sketches (2020), and is intended to pay tribute to the wisdom of the Native American people. The harmonic background was sketched from January 30-31, 2020, and the middle ground was sketched from June 6-19, 2020. Orchestration for violin and piano commenced from May 6-22, 2021. Arrangement for soprano saxophone and piano commenced from August 15-17, 2021.The world premiere of Forest of the Birdsong took place on November 14, 2021, at the Crickets Theater of Buddy Holly Hall in Lubbock Texas with David Dees on soprano sax and Nataliya Sukhina on piano.
$47.00 ≈
43.31€
The Liberty Bell arranged for Saxophone Quartet
The Liberty Bell - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Hugh Levey
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Hugh Levey
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The Liberty Bell - Saxophone Q
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woodwindly.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1465390 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century,Film/TV,Holida...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1465390 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century,Film/TV,Holiday,March,Patriotic. 48 pages. Woodwindly.com #1044090. Published by woodwindly.com (A0.1465390). The Liberty Bell for Saxophone Quartet (SATB or AATB)The Liberty Bell is ideal for any concert programmes that have an American, patriotic, or military focus. In the UK it will be a popular addition to Film & TV based programmes because of the march's use as the theme for Monty Python's Flying Circus.Sousa’s The Liberty Bell (March) for Military Band was published in 1893 and became an immediate hit. It was originally scored for: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, snare drum, and strings. However, it is often performed today by a standard Military Band, consisting of woodwind, brass, and percussion sections. An abbreviated version of Liberty Bell was used as the theme tune for the British television comedy sketch show, Monty Python’s Flying Circus, which ran from 1969 to 1974.This arrangement for Sax Quartet consists of the whole March with its Trio section. The dynamic shaping is based on that used by The President’s Own Band, but these are mostly editorial so can be changed by the performers. The full length is 3 minutes 35 seconds, but there is an optional ending at 2 minutes 35 seconds.
$13.50 ≈
12.44€
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and piano
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Asya Fateyeva
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Claude Debussy/Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1152387 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,20th Century,Classical,Contest,Festiva...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1152387 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,20th Century,Classical,Contest,Festival,Romantic Period. Score and part. 22 pages. Musik Fabrik Music Publishing #752611. Published by Musik Fabrik Music Publishing (A0.1152387). Taken from a sketch that Debussy's wife gave to Joachim Nin after his death, the work was completed by Debussy Scholar Robert Orledge. The saxophone version was made for Asya Fateyeva.
$12.95 ≈
11.93€
Jefferson Forest Sketches - Bb Tenor Saxophone
Jefferson Forest Sketches - Bb Tenor Saxophone
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Saxophone (partie séparée)
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FACILE
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Michael Oare
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Jefferson Forest Sketches - Bb
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Bb Tenor Saxophone - Level 2.5 - SKU: HX.292571 Composed by Michael Oare. Concert. Individual instrument part. 2 pages. Hal Leonard - Digit...
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Concert band Bb Tenor Saxophone - Level 2.5 - SKU: HX.292571 Composed by Michael Oare. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.292571).
$6.00 ≈
5.53€
To A Wild Rose arranged for Alto Saxophone and Piano
To A Wild Rose - Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edward MacDowell
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Andrew Middleton
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To A Wild Rose - Alto Saxophon
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Andrew Middleton
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.736212 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pages. An...
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Alto Saxophone,Piano - Level 3 - SKU: A0.736212 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pages. Andrew Middleton #6666893. Published by Andrew Middleton (A0.736212). To a Wild Rose is the first movement of Edward MacDowell's 1896 Woodland Sketches. It is said that the music is inspired by the wild roses that grew near his log cabin where he did most of his work. This arrangement for alto saxophone and piano is ideal for the intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$3.99 ≈
3.68€
Entry of the Sardar (Mvt IV) from "Caucasian Sketches No. 1", Opus 10
Entry of the Sardar (Mvt IV) from "Caucasian Sketches No. 1", Opus 10
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Ensemble de saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mikhail Ippolitov-Ivano
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Gary Bricault
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Entry of the Sardar
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Gary Bricault
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.824940 Compo...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.824940 Composed by Mikhail Ippolitov-Ivano. Arranged by Gary Bricault. Romantic Period. 53 pages. Gary Bricault #4288455. Published by Gary Bricault (A0.824940). Arrangement for Saxophone Ensemble (Spr2S4A2T2BBs+Timp+Prec). Performance time 4'41.
$19.99 ≈
18.42€
Georgian March (Mvt IV) from "Caucasian Sketches, Suite 2" Opus 42
Georgian March (Mvt IV) from "Caucasian Sketches, Suite 2" Opus 42
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Ensemble de saxophones
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AVANCÉ
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Classique
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Mikhail Mikhaylovich Ippolitov
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Gary Bricault
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Georgian March
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Gary Bricault
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.825133 Compo...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.825133 Composed by Mikhail Mikhaylovich Ippolitov-Ivanov. Arranged by Gary Bricault. Romantic Period. 53 pages. Gary Bricault #4359975. Published by Gary Bricault (A0.825133). Arrangement for Saxophone Ensemble (Sprn2S4A2T2BBs+ Timp + Perc.) Performance time 5'14.
$19.99 ≈
18.42€
Three Blues, for Alto Saxophone and Piano
Three Blues, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Alan Bullard
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Three Blues, for Alto Saxophon
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Colne Edition / BullardMusic
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1470967 Composed by Alan Bullard. 20th Century,Blues,Classical. Score and part. 20 pages. Colne Edition / Bulla...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1470967 Composed by Alan Bullard. 20th Century,Blues,Classical. Score and part. 20 pages. Colne Edition / BullardMusic #1048592. Published by Colne Edition / BullardMusic (A0.1470967). These colourful blues-inspired sketches were written for three players and teachers who all worked alongside Alan Bullard at the School of Music at Colchester Institute at the time, as well as teaching at various London music colleges and performing around the world. Each movement depicts one aspect of the character of the dedicatee – the laid-back Stuart Allen, the reflective Charles Hine, and the lively Angela Fussell. 1. Carefree Blues (for Stuart Allen)2. Meditative Blues (for Charles Hine)3. Agile Blues (for Angela Fussell) They have had many successful and characterful performances over the years: this version is newly published with some slight revisions, and a change of key for two of the movements.This download contains the score and the separate sax part. A version of this piece, for Clarinet in B flat, is also available (CE83) COLNE EDITION CE84www.colneedition.co.ukwww.alanbullard.co.uk.
$6.99 ≈
6.44€
To a Wild Rose (from Woodland Sketches, Op. 51): B-flat Tenor Saxophone
To a Wild Rose (from Woodland Sketches, Op. 51): B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Classique
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Edward MacDowell
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Robert Sheldon
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Festival.
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To a Wild Rose
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016393_TX1 B-flat Tenor Saxophone. Composed by Edward MacDowell. Arranged by Robert Sheldon. Classical. Part. 1 pag...
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Concert Band - SKU: AX.00-PC-0016393_TX1 B-flat Tenor Saxophone. Composed by Edward MacDowell. Arranged by Robert Sheldon. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016393_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016393_TX1). UPC: 038081482354.Eward MacDowell (1860--1908) was best known for his compositions for piano including his suites Woodland Sketches, Sea Pieces, and New England Idylls. Woodland Sketches includes his most popular short piece, To a Wild Rose. This gentle tune is beautiful in its simplicity, and is scored now for concert band in this very playable setting. (1:40) To a Wild Rose correlates to Book 2, Level 2 of Sound Innovations for Concert Band.Concert/Contest; Festival.
$3.00 ≈
2.76€
Sketches of Spain: E-flat Baritone Saxophone
Sketches of Spain: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Methodes
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Dave Black
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Sketches of Spain: E-flat Bari
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.76€
Sketches of Spain: B-flat Tenor Saxophone
Sketches of Spain: B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Methodes
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Dave Black
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Sketches of Spain: B-flat Teno
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.76€
Sketches of Spain: 2nd E-flat Alto Saxophone
Sketches of Spain: 2nd E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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Dave Black
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Sketches of Spain: 2nd E-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.76€
Sketches of Spain: E-flat Alto Saxophone
Sketches of Spain: E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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Dave Black
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Sketches of Spain: E-flat Alto
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Dave Black. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.76€
O Little Town of Bethlehem (Trio for Alto Sax, Tenor Sax and Piano)
O Little Town of Bethlehem (Trio for Alto Sax, Tenor Sax and Piano)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - SKU: A0.523565 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempse...
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Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - SKU: A0.523565 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #3546713. Published by John A. Dempsey (A0.523565). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, Â O Little Town of Bethlehem is arranged here as a trio for alto sax, tenor sax and piano. Â The incidental music, composed by Edward McDowell, is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 15 pages of music (that includes separate two-page parts for alto sax and tenor sax). Â Key: Eb major.
$11.99 ≈
11.05€
O Little Town of Bethlehem (Trio for Soprano Sax, Alto Sax and Piano)
O Little Town of Bethlehem (Trio for Soprano Sax, Alto Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Noël
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 3 - SKU: A0.524126 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Demp...
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Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 3 - SKU: A0.524126 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #4799051. Published by John A. Dempsey (A0.524126). Above thy deep and dreamless sleep the silent stars go by.  A favorite Christmas carol with its everlasting light,  O Little Town of Bethlehem is arranged here as a trio for soprano sax, alto sax and piano.  The incidental music, composed by Edward MacDowell, is the beautiful To a Wild Rose, from his Woodland Sketches.    Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: prelude, postlude, interlude, offertory, Christmas play overture, silent prayer accompaniment and special music.  15 pages of music (that includes separate two-page parts for soprano sax and alto sax).  Concert Key (Piano): F major.  Soprano Sax Key: G major.  Alto Sax Key: D major .
$11.99 ≈
11.05€
To A Wild Rose for Saxophone Quartet
To A Wild Rose for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Edward MacDowell
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Martin Todd
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To A Wild Rose for Saxophone Q
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Madecroft Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.870087 Composed by Edward MacDowell. Arranged by Martin Todd. 20th Century,Contemporary,Holiday,R...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.870087 Composed by Edward MacDowell. Arranged by Martin Todd. 20th Century,Contemporary,Holiday,Romantic Period,Standards. 5 pages. Madecroft Publishing #2022799. Published by Madecroft Publishing (A0.870087). Arranged for Saxophone Quartet (SATB). To A Wild Rose is the first of MacDowell's 10 Woodland Sketches, Op. 51.
$7.99 ≈
7.36€
O Little Town of Bethlehem (Trio for Flute, Tenor Sax and Piano)
O Little Town of Bethlehem (Trio for Flute, Tenor Sax and Piano)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - SKU: A0.524975 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christ...
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Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - SKU: A0.524975 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #6559381. Published by John A. Dempsey (A0.524975). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, Â O Little Town of Bethlehem is arranged here as a trio for flute, tenor sax and piano. Â The incidental music composed by Edward MacDowell is To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 15 pages of music (that includes separate two-page parts for flute and tenor sax). Â Concert Key (Piano): Bb major. Â Flute Key: Bb major. Â Tenor Sax Key: C major.
$11.99 ≈
11.05€
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Asya Fateyeva
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Claude Debussy/Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik F...
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Full Orchestra - Level 4 - SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik Fabrik Music Publishing #752612. Published by Musik Fabrik Music Publishing (A0.1152389). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was complete and orchestred for 32(EH)23/2100/timp/1perc/hp/strings by the Debussy Scholar Robert Orledge for the saxophonist Asya Fateyeva. This item is the score plus the solo part. A version for saxophone and piano a the score of the version for saxophone and 17 instruments are available for sale. The parts are on rental from the publishe.
$18.95 ≈
17.46€
Maria durch ein Dornwald ging (Variations for saxophone and organ)
Maria durch ein Dornwald ging (Variations for saxophone and organ)
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Folklore
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Thomas Groh
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Maria durch ein Dornwald ging
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Thomas Groh
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SheetMusicPlus
Alto Saxophone,Instrumental Duet,Organ - Level 3 - SKU: A0.1268609 Composed by Folklore. Arranged by Thomas Groh. 21st Century,Advent,Christian,Contempo...
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Alto Saxophone,Instrumental Duet,Organ - Level 3 - SKU: A0.1268609 Composed by Folklore. Arranged by Thomas Groh. 21st Century,Advent,Christian,Contemporary. 24 pages. Thomas Groh #861129. Published by Thomas Groh (A0.1268609). „Maria durch ein Dornwald ging“ (Maria walks amid the thorns) is a wonderful German Advent hymn originating from the Eichsfeld region north of Eisenach in Thuringia. Its quite simple yet expressive melody thrills me already for a while. As my daughter learned to play the flute a few years ago, I decided to compose some variations for flute and piano on this hymn (with a quite easy part notably for the flute). The first sketch of the variations comprised the theme and simple versions of variations no. 1, 2, 5, 8 and 9. In summer 2016, I revised the initial variations and added the other ones; in autumn 2022, I adapted them to the instrumentation of alto saxophone and organ.
$15.00 ≈
13.82€
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Sketch for Saxophone
