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Vous avez sélectionné:
So Anyway
SheetMusicPlus
Partitions à imprimer
76 partitions trouvées
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Love Me Anyway
Love Me Anyway
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Pink Featuring Chris Stapleton
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Homco/Crinion
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Love Me Anyway
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Homco/Crinion
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1485916 By Pink Featuring Chris Stapleton. By Alecia Moore, Allen Shamblin, and Tom Douglas. Arranged by Ho...
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String Trio Cello,Violin - Level 3 - SKU: A0.1485916 By Pink Featuring Chris Stapleton. By Alecia Moore, Allen Shamblin, and Tom Douglas. Arranged by Homco/Crinion. Country,Pop. 7 pages. Homco/Crinion #1062967. Published by Homco/Crinion (A0.1485916). Love Me Anyway is a ballad recorded by Pink in 2019, and features American country singer Chris Stapleton. Hence, it is considered a Country/Pop crossover and plays to a wide audience. In this String Trio arrangement, each of the 3 instruments gets to voice the melody at different times so that everyone can speak their peace.
$12.99 ≈
11.72€
So Anyway
So Anyway
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Tom Kitt
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Ollie Kaiper-Leach
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So Anyway
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Ollie Kaiper-Leach
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.956092 Composed by Tom Kitt. Arranged by Ollie Kaiper-Leach. Contemporary. Octavo. 16 pages. Ollie Kaiper-Leach #...
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Choral Choir (SSA) - Level 4 - SKU: A0.956092 Composed by Tom Kitt. Arranged by Ollie Kaiper-Leach. Contemporary. Octavo. 16 pages. Ollie Kaiper-Leach #5802305. Published by Ollie Kaiper-Leach (A0.956092). Arrangement for the University of Chichester Conservatoire's musical adaptation of Ibsen's 'A Doll's House', as performed by the Musical Theatre: Triple Threat programme's second year students, 2019.
$12.99 ≈
11.72€
So Anyway (from Next to Normal)
So Anyway (from Next to Normal)
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Piano, Voix
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Comédie Musicale
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So Anyway
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.431724 This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (...
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Interactive Download SKU: HX.431724 This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.431724).
$4.99 ≈
4.50€
The Longest Time
The Longest Time
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Chorale SATB
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Saige Barlow
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The Longest Time
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Saige Barlow
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1011990 By Billy Joel. By Billy Joel. Arranged by Saige Barlow. Pop,Rock. Octavo. 10 pages. Saige Barlow #35148...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1011990 By Billy Joel. By Billy Joel. Arranged by Saige Barlow. Pop,Rock. Octavo. 10 pages. Saige Barlow #3514863. Published by Saige Barlow (A0.1011990). This is a very popular hit from Billy Joel, and I thought it would be fun to write an arrangement whether you're using it for a choir or a small ensemble. The mezzo-soprano part was assigned the descant due to where my computer placed the parts, and I have a note about that, so I understand that is not correct and I apologize if you're picky about that like me. Anyway, I think it sounds really catchy. It's arranged in the key of F major, which is slightly higher to better fit the alto line. If you would like, you could use the alto line as a solo part and give the altos the bottom note of the soprano note. Anyways, I hope you enjoy this arrangement. It was really fun to arrange, and I imagine it is really fun to perform. :).
$12.99 ≈
11.72€
We Are The Champions
We Are The Champions
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Fanfare
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INTERMÉDIAIRE
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Queen
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Brian Rhodes
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We Are The Champions
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Brian E Rhodes
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1317899 By Queen. By Freddie Mercury. Arranged by Brian Rhodes. Rock,Video Game. 23 pages. Brian E Rhodes #906584. Pub...
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Marching Band - Level 3 - SKU: A0.1317899 By Queen. By Freddie Mercury. Arranged by Brian Rhodes. Rock,Video Game. 23 pages. Brian E Rhodes #906584. Published by Brian E Rhodes (A0.1317899). So if you team wins, you have to play this. If you team loses, you have to play this anyway for a little self esteem. Anyway, everybody knows it and will singalong so you might as well get it now. It's short, and has limited instrumentation.
$50.00 ≈
45.10€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.60€
VALS FRÅN DREFVIKEN
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.80€
LÄTTA FINGRAR
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.80€
FORNUDDSVALSEN
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.80€
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.80€
SNÖKÄNGAN
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.80€
HOLY LORD
HOLY LORD
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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HOLY LORD
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 215. THEMIS KOUTRAS #4783867. P...
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Piano - SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 215. THEMIS KOUTRAS #4783867. Published by THEMIS KOUTRAS (A0.1066628). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99 ≈
4.50€
HOLY LORD 2
HOLY LORD 2
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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HOLY LORD 2
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. P...
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Piano - SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. Published by THEMIS KOUTRAS (A0.1066608). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99 ≈
4.50€
Swallowtail Jig
Swallowtail Jig
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Alto seul
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DÉBUTANT
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Traditional
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Emma Dansak
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Swallowtail Jig
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Mockingbird Violin
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SheetMusicPlus
Instrumental Solo,Viola - Level 1 - Interactive Download SKU: A0.1403991 By Traditional. Arranged by Emma Dansak. This edition: Interactive Download. Fol...
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Instrumental Solo,Viola - Level 1 - Interactive Download SKU: A0.1403991 By Traditional. Arranged by Emma Dansak. This edition: Interactive Download. Folk. Individual part. 1 pages. Duration 48. Mockingbird Violin #45BaXgUHOnDG9eB8Bk11ay. Published by Mockingbird Violin (A0.1403991). Key: G major.Simple viola transcription with generous fingering. A few notes. First, this version is in A minor. I chose this key because it sits well on the viola. But this tune is traditionally in E minor - so this version won't work if you bring it to the local Irish session. Secondly, I made the decision not to include first and second endings, where the only change is the length of the final note because the beginning of the A section has a pickup. I'm only 62% sure of this... but, I mean, it's pretty much implied, isn't it? It looks so fussy and confusing if you don't read music regularly, and this version is not geared at strong readers. The purpose of this edition is more to support by-ear learners anyway.
$2.99 ≈
2.70€
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.07€
Suite No. 1 for Flute, Violx and Harp - Minuet and Duo
Suite No. 1 for Flute, Violx and Harp - Minuet and Duo
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Contemporain
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987749 Composed by Dana Taylor. Contemporary. Score and parts. 20 pages. Dana Taylor Music #3...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987749 Composed by Dana Taylor. Contemporary. Score and parts. 20 pages. Dana Taylor Music #3053973. Published by Dana Taylor Music (A0.987749). This is the third of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Minuet is a classical waltz. The Duo refers to a trio minus one instrument.. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.)2017 Chamber Music Contest Entry - Original
$15.00 ≈
13.53€
Suite No. 1 for Flute, Violx and Harp - Dance
Suite No. 1 for Flute, Violx and Harp - Dance
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Contemporain
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3053149. Published by Dana Taylor Music (A0.987750). This is the first of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Dance is in 6/8 time, with a light bounce. There are hints of jazz throughout. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.2017 Chamber Music Contest Entry - Original
$15.00 ≈
13.53€
Suite No. 1 for Flute, Violx and Harp - Tango
Suite No. 1 for Flute, Violx and Harp - Tango
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Tango
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987751 Composed by Dana Taylor. Contemporary. Score and parts. 22 pages. Dana Taylor Music #3...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987751 Composed by Dana Taylor. Contemporary. Score and parts. 22 pages. Dana Taylor Music #3053465. Published by Dana Taylor Music (A0.987751). This is the second of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Tango is a medium tempo, minor tango. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com)Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.)2017 Chamber Music Contest Entry - Original
$15.00 ≈
13.53€
I slept at solomons portch
I slept at solomons portch
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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I slept at solomons portch
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066521 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 153. THEMIS KOUTRAS #4762731. P...
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Piano - SKU: A0.1066521 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 153. THEMIS KOUTRAS #4762731. Published by THEMIS KOUTRAS (A0.1066521). This is about the time when a cripple man lived in Solomon porch near a pool that a Angel came time day steering the water and the 1st one in that pool was healed from any problem but the cripple man had no one to put him in the pool each time he tried to get in someone would beet him in there so JESUS CHRIST saw him had grace mercy for him and healed him completely (read it in the gospel) anyway it is about today also that all water comes from the sky by rain when GOD rains i have prayed and anywhere found water anywhere everyone now can be healed by going in there not just the 1st one in but all who go in for a healing can now be healed by praying to GOD JEHOVAH TRINITY HOLY CREATOR OF LIFE so this song now means for today's times also for the future times also all now can be healed as we pray
$3.99 ≈
3.60€
Chansonette (Upper Crust)
Chansonette (Upper Crust)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Bob Good
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Chansonette
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Surrey Dance Music
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.951113 Composed by Bob Good. Classical,Concert,Instructional,Standards,Wedding. Score and parts. 6 pag...
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String Quartet String Quartet - Level 2 - SKU: A0.951113 Composed by Bob Good. Classical,Concert,Instructional,Standards,Wedding. Score and parts. 6 pages. Surrey Dance Music #3662213. Published by Surrey Dance Music (A0.951113). Cheeky little classical string quartet in the style of ... er ... Scarlatti, possibly? Anyway, it's only about a minute long and great for general repertoire, upmarket wedding receptions and so on. A very simple piece, so also great for a quartet starting out, or for instructional purposes. Easy for a quartet to play together. Need I go on?
$7.95 ≈
7.17€
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
45.09€
Ledgend Of Marmaid
Ledgend Of Marmaid
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Piano seul
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INTERMÉDIAIRE
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Asumi Nakata
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Alba Calvo Hernández
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Ledgend Of Marmaid
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Alba Calvo
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SheetMusicPlus
Instrumental Solo,Piano - Level 3 - SKU: A0.1500900 By Asumi Nakata. By Kouji Hayashi and Yukiko Mitsui. Arranged by Alba Calvo Hernández. 20th Century...
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Instrumental Solo,Piano - Level 3 - SKU: A0.1500900 By Asumi Nakata. By Kouji Hayashi and Yukiko Mitsui. Arranged by Alba Calvo Hernández. 20th Century,Contemporary,Film/TV,Soul. Score and individual part. 3 pages. Alba Calvo #1076927. Published by Alba Calvo (A0.1500900). LEGEND OF MERMAIND - Sara's slow version - (Piano accompaniment) for INTERMEDIATE PIANO Hello! My name is Alba and I consider myself the biggest Pichi Pichi Pitch fan since I was a little kid, like many others my age. I've always been obsessed with Sara's version of Legend of Mermaind. It's such a beautiful arrangement and the way it fits the scene makes me cry every time, so I really wanted to play it, but after years of searching for the sheet music without finding anything, I decided to arrange it myself. It took me a lot of time, I'm not going to lie, since the piece is more difficult than it seems, at least for me, since I'm still relatively new to the piano. Anyway, I hope you enjoy it as much as I did :-).
$5.99 ≈
5.40€
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