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Vous avez sélectionné:
So Good F Horn
Partitions à imprimer
44 partitions trouvées
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1
26
Told Ya So: 1st F Horn
Told Ya So: 1st F Horn
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Cor (partie séparée)
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Jazz
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Gordon Goodwin
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Told Ya So: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017257_H1 1st F Horn. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0...
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Jazz Ensemble - SKU: AX.00-PC-0017257_H1 1st F Horn. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017257_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017257_H1). UPC: 038081458199.A medium-swing modal original by Gordon Goodwin. The tempo is around 140 BPM, the flexible solo section has written solos provided for (opt) flute, alto 1, tenor 1, bari, trumpet 3 and trombone 1. The lead trumpet range is to written B above the staff. It's relaxed and kinda laid-back but still has the Goodwin intensity. A fun to play Goodwin chart. This title is available in SmartMusic.
$3.00 ≈
2.72€
Feels So Good: 1st F Horn
Feels So Good: 1st F Horn
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Cor (partie séparée)
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Jazz
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Chuck Mangione
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Victor Lopez
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Feels So Good: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017274_H1 1st F Horn. Composed by Chuck Mangione. Arranged by Victor Lopez. Jazz. Part. 3 pages. Alfred Music - Di...
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Jazz Ensemble - SKU: AX.00-PC-0017274_H1 1st F Horn. Composed by Chuck Mangione. Arranged by Victor Lopez. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017274_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017274_H1). UPC: 654979093886.Chuck Mangione's huge hit arranged by Victor LA3pez, Feels so Good features the Flugelhorn solo (on the 1st trumpet part) throughout with the distinctive melody and then a written out solo along with a written tenor sax solo. The flugelhorn solo range is up to written high C but the solo is cued on the 1st tenor part. A well-known and appealing tune that will be enjoyed by both the band and the audience. (6:36).
$3.00 ≈
2.72€
High Maintenance: 1st F Horn
High Maintenance: 1st F Horn
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Cor (partie séparée)
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Jazz
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Gordon Goodwin
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Michael Story
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High Maintenance: 1st F Horn
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016698_H1 1st F Horn. Composed by Gordon Goodwin. Arranged by Michael Story. Jazz. Part. 2 pages. Alfred Music - D...
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Jazz Ensemble - SKU: AX.00-PC-0016698_H1 1st F Horn. Composed by Gordon Goodwin. Arranged by Michael Story. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016698_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016698_H1). UPC: 038081430584.So you want to play Gordon Goodwin charts but they're way too challenging for young players, well, problem solved. Check out Mike Story's adaptation of this swingin' Big Phat Band hit---it's still hip, it still has all the Goodwin ingredients, yet it's very accessible. Written-out solos available for alto, tenor, trumpet and trombone, trumpet 1 range is to written E, top space. This chart deserves a big spot in your program! This title is available in SmartMusic.
$3.00 ≈
2.72€
Nue - Clara Luciani - Karaoke for Horn in F
Nue - Clara Luciani - Karaoke for Horn in F
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Cor
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INTERMÉDIAIRE
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Contemporain
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Clara Luciani
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Stephane ELSINY
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Nue - Clara Luciani - Karaoke
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SheetMusicPlus
Horn in F - Intermediate - By Clara Luciani. Arranged by Stephane ELSINY. Individual Part, Sheet Music Single, Solo Part. 2 pages. Published by Step...
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Horn in F - Intermediate - By Clara Luciani. Arranged by Stephane ELSINY. Individual Part, Sheet Music Single, Solo Part. 2 pages. Published by Stephane Elsiny
When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!
The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/6I-aaSwnPcw
Professors, these titles are ideal for motivating your students.
Students, bring these titles to your teacher and have fun.
Soon other French songs, pop, variety and also international songs?
$4.99 ≈
4.52€
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Cor Anglais
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INTERMÉDIAIRE
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slid...
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English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.53€
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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Cor
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INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide...
(+)
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.53€
A Baker's Dozen: 13 Secular Christmas Duets for French Horn
A Baker's Dozen: 13 Secular Christmas Duets for French Horn
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Cor
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Noël
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Chris Cooke
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A Baker's Dozen: 13 Secular Ch
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Chris Cooke
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SheetMusicPlus
French Horn Solo - SKU: A0.865256 Arranged by Chris Cooke. Christmas. Individual part. 28 pages. Chris Cooke #3880223. Published by Chris Cooke (A0.8652...
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French Horn Solo - SKU: A0.865256 Arranged by Chris Cooke. Christmas. Individual part. 28 pages. Chris Cooke #3880223. Published by Chris Cooke (A0.865256). This early intermediate collection for French horn, spanning three centuries, provides Christmas cheer for secular settings. These duets (or even the melody line) can accompany carols) since these selections are within reasonable vocal ranges. Any of the books in this series can be paired so that instruments can be mixed and matched. Find a little merriment as the tune from Jolly Old St. Nicholas pairs nicely with several measures of Pachelbel’s cannon, for instance. Duet books in this series are also arranged for flute, clarinet/trumpet, alto sax and French horn. The songs and their keys are as follows: The Boar’s Head Carol, B-flat Carol of the Bells, G Minor Christmas is Coming, E-flat Deck the Halls, E-flat Good King Wenceslas, F Here We Come A-Caroling, C Jingle Bells, C Jolly Old St. Nicholas Visits Pachelbel, F Oh Christmas Tree, F Toyland, F Up on the Housetop, C Wassail Song, F We Wish You a Merry Christmas F
$5.97 ≈
5.41€
The Good, The Bad And The Ugly (Main Title)
The Good, The Bad And The Ugly (Main Title)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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The Good, The Bad And The Ugly
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1408640 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 75 pages. Lorenzo Bocci #991237. ...
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Concert Band - Level 3 - SKU: A0.1408640 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 75 pages. Lorenzo Bocci #991237. Published by Lorenzo Bocci (A0.1408640). THE GOOD, THE BAD AND THE UGLY Main Title - From The Good, The Bad And The Uglyfor Concert Band (with Fanfare Band parts) - with Choir (TB) optional - Grade 3 - Â Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (TB). Score and parts. With Fanfare Band parts. Duration 2'48''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Solo Clarinet in Bb, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Electric Bass, Drum Set, Tubolar Bells, Timpani, Guitar, Choir (TB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Solo Flugelhorn, Bb Flugelhorn 1, 2, 3.The Good, the Bad and the Ugly (Il buono, il brutto, il cattivo) is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as the Good, Lee Van Cleef as the Bad, and Eli Wallach as the Ugly. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. The main theme, resembling the howling of a coyote, is a two-pitch melody that is a frequent motif, and is used for the three main characters. The main theme, The Good, the Bad and the Ugly, was a hit in 1968 with the soundtrack album on the charts for more than a year.Subscribe to my YouTube Channel to stay updated on new releases.
$99.00 ≈
89.68€
Happy Birthday to You (For French Horn in F with Piano accompaniment and Chords)
Happy Birthday to You (For French Horn in F with Piano accompaniment and Chords)
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Cor et Piano
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DÉBUTANT
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Mildred J
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Eduardo Barros
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Happy Birthday to You
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Eduardo Barros
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1275590 Composed by Mildred J. Hill and Patty S. Hill. Arranged by Eduardo Barros. 19th Century,Multicultural,Trad...
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French Horn,Piano - Level 1 - SKU: A0.1275590 Composed by Mildred J. Hill and Patty S. Hill. Arranged by Eduardo Barros. 19th Century,Multicultural,Traditional,World. Score and part. 2 pages. Eduardo Barros #867461. Published by Eduardo Barros (A0.1275590). Play the well-known melody of Happy Birthday to You on French Horn in F an easy and musical way. This arrangement was designed in a comfortable Key, so that you can get a good sound on your instrument without having to study a lot to be able to play it. The accompaniment made by the piano further embellishes the final result!
$4.99 ≈
4.52€
It's So Hard To Say Goodbye To Yesterday
It's So Hard To Say Goodbye To Yesterday
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Cor
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INTERMÉDIAIRE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.609520 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual pa...
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French Horn Solo - Level 3 - SKU: A0.609520 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371519. Published by Kevin Busse (A0.609520). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in the original key for Horn in F.
$4.99 ≈
4.52€
Blue Moon: 2nd F Horn
Blue Moon: 2nd F Horn
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Orchestre d'harmonie
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Methodes
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Richard Rodgers
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Warren Barker
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Blue Moon: 2nd F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002293_H2 2nd F Horn. Composed by Richard Rodgers. Arranged by Warren Barker. Instructional. Part. 1 pages. Alfred ...
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Concert Band - SKU: AX.00-PC-0002293_H2 2nd F Horn. Composed by Richard Rodgers. Arranged by Warren Barker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002293_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002293_H2). UPC: 029156200003.You can't keep a good song down! Written more than fifty years ago, this timeless ballad endures as new singers discover its delightful lyric message and very satisfying melodic and harmonic content. Warren Barker's oh-so-smooth scoring of Blue Moon guarantees that another generation will fall in love with this song. (Vocal range, A-flat below staff to third line B-flat, treble clef) (3:05).
$3.00 ≈
2.72€
DEUS É TÃO BOM & GLORIAS CANTAREI - GOD IS SO GOOD & GLORIFY THY NAME
DEUS É TÃO BOM & GLORIAS CANTAREI - GOD IS SO GOOD & GLORIFY THY NAME
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Orchestre
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FACILE
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Musique Sacrée
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AFRICAN MELODY & DONNA ADKINS
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FABRICIO GORRERA
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2, VIOLA AND CELLO.
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DEUS É TÃO BOM &
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FGORRERA
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1363278 Composed by AFRICAN MELODY & DONNA ADKINS. Arranged by FABRICIO GORRERA. Christian,Folk,Praise & Worship,Reli...
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Full Orchestra - Level 2 - SKU: A0.1363278 Composed by AFRICAN MELODY & DONNA ADKINS. Arranged by FABRICIO GORRERA. Christian,Folk,Praise & Worship,Religious,Sacred. 20 pages. FGORRERA #947763. Published by FGORRERA (A0.1363278). ARRANGEMENT FOR BEGINNER ORCHESTRAGRADE: 1INSTRUMENTATION:FLUTE 1, OBOÉ OR FLUTE 2, CLARINET IN Bb, ALTO SAX, TENOR SAX, TRUMPET IN Bb, HORN IN F, TROMBONE, TUBA, PIANO (CHORDS), VIOLIN 1 & 2, VIOLA AND CELLO.
$50.00 ≈
45.29€
Trio in C minor, F 15.27 (originally in G minor)
Trio in C minor, F 15.27 (originally in G minor)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Girolamo Frescobaldi
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Giacomo Bicigo
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Trio in C minor, F 15.27
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Polar Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.757808 Composed by Girolamo Frescobaldi. Arranged by Giacomo Bicigo. Baroque,Christmas,Concert,...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.757808 Composed by Girolamo Frescobaldi. Arranged by Giacomo Bicigo. Baroque,Christmas,Concert,Easter,Graduation. Score and parts. 5 pages. Polar Publications #4610023. Published by Polar Publications (A0.757808). Brass music from this time period is mostly arranged for quartet or quintet. We need more for the trio, so here it is. This charming Frescobaldi trio is short enough not to tire, but involved enough to be a good piece on your program.
$20.00 ≈
18.12€
Too Good At Goodbyes
Too Good At Goodbyes
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Pop musique
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - SKU: A0.510058 By Sam Smith. By James Napier, Mikkel Eriksen, Sa...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - SKU: A0.510058 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 47 pages. Published by Andrea La Rose (A0.510058). • Melody and four-part harmony parts for Eb & F instruments (alto saxophone, baritone saxophone, alto horn, Eb clarinet, alto clarinet, English horn, French horn). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$17.99 ≈
16.30€
Carols of Christmas, Set 1 - Horn(s) in F
Carols of Christmas, Set 1 - Horn(s) in F
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Noël
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arr
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Stan Pethel
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O Come, Little Children
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Carols of Christmas, Set 1 - H
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Chorister's Guild - Digital
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SheetMusicPlus
Horn(s) in F - intermediate - SKU: C7.CGIN27 Arrangements for Solo Instruments to Full Orchestra (Flexible for any number or combination of instrumen...
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Horn(s) in F - intermediate - SKU: C7.CGIN27 Arrangements for Solo Instruments to Full Orchestra (Flexible for any number or combination of instruments with piano or CD accompaniment). Composed by arr. Stan Pethel. Arranged by Stan Pethel. Part. 24 pages. Chorister's Guild - Digital #CGIN27. Published by Chorister's Guild - Digital (C7.CGIN27). UPC: 749193028407.In response to the huge popularity of Hymns of Praise, here are ten delightful and accessible instrumental arrangements of seasonal carols. With the exception of the percussion book, each book includes a Solo and an Ensemble part for each carol. Basic performance can be with a solo instrument and piano or a solo instrument and accompaniment track. Add to this any combination of instruments using the ensemble parts up to and including full orchestra. The alto sax parts are independent and not just transposed horn parts you so often find. There’s even a part book for Baritone Saxophone! While there are some passages that may be a challenge for younger players most of the arrangements are within the skill level of a Grade III band or orchestra composition. Celebrate the season instrumentally with Carols of Christmas. Contents: Gentle Mary, Laid Her Child (Good King Wenceslas); O Come, Little Children; O Come, O Come, Emmanuel; O Little Town of Bethlehem; On Christmas Night, All Christians Sing; Once in Royal David’s City; Prepare the Royal Highway (Prepare the Way, O Zion); The Virgin Mary Had a Baby Boy; We Three Kings; What Child Is This.
$9.95 ≈
9.01€
Goodbye! So Long! I'm Headin' Home!: A Medley
Goodbye! So Long! I'm Headin' Home!: A Medley
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ragtime
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F
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Goodbye! So Long! I'm Headin
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Sweetwater Brass Press
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SheetMusicPlus
Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts -...
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Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts - Ragtime,Old-time,Americana - Sweetwater Brass Press
This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00 ≈
3.62€
So Good - F Horn
So Good - F Horn
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Cor (partie séparée)
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Paul Baloche and Lincoln Brews
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Cliff Duren
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Contemporary
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So Good - F Horn
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Paul Baloche and Lincoln Brewster. By Paul Baloche, Lincoln Brewster, and Mia Fieldes. Arranged by Cliff Duren. Orchestra. Concert; Contemporary; Praise &...
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By Paul Baloche and Lincoln Brewster. By Paul Baloche, Lincoln Brewster, and Mia Fieldes. Arranged by Cliff Duren. Orchestra. Concert; Contemporary; Praise & Worship; Sacred. EPak. 2 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music (HX
$7.00 ≈
6.34€
Five Foot Two (Has Anybody Seen My Gal)
Five Foot Two (Has Anybody Seen My Gal)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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F
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Five Foot Two
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press...
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press
The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95 ≈
13.54€
La Serenissima (2013) for ten wind instruments
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99 ≈
9.05€
The Strong
The Strong
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Film/TV
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Ennio Morricone
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Lorenzo Bocci
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The Strong
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1414218 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 62 pages. Lorenzo Bocci #995989. ...
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Concert Band - Level 3 - SKU: A0.1414218 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 62 pages. Lorenzo Bocci #995989. Published by Lorenzo Bocci (A0.1414218). IL FORTE (The Strong) - From The Good, The Bad And The Uglyfor Concert Band (with Fanfare Band parts) - Grade 3 - Â Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Choir (SATB). Score and parts. With Fanfare Band parts. Duration 2'12''. Published by Lorenzo Bocci.Create The Good, The Bad And The Ugly Suite (Il buono, il brutto e il cattivo Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Il Forte (The Strong)- The Ecstasy Of Gold - YouTube ScorePlay - Sheet Music PlusInstrumentation:Full Score, Bb Solo Trumpet, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, 4, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Snare Drum, Percussion (Tam Tam, Bass Drum), Choir (SATB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.The Good, the Bad and the Ugly (Il buono, il brutto e il cattivo) is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as the Good, Lee Van Cleef as the Bad, and Eli Wallach as the Ugly. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. The main theme, resembling the howling of a coyote, is a two-pitch melody that is a frequent motif, and is used for the three main characters. The main theme, The Good, the Bad and the Ugly, was a hit in 1968 with the soundtrack album on the charts for more than a year.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
80.62€
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50 ≈
15.85€
The Peanut Vendor (el Manisero)
The Peanut Vendor (el Manisero)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Si...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
11.77€
Another Day In America
Another Day In America
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Cor et Piano
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FACILE
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Steven Curtis Chapman
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Jeff Tincher
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Another Day In America
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Jeff Tincher
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.582809 Composed by Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel. Score and part. 19 pages. Je...
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French Horn,Piano - Level 2 - SKU: A0.582809 Composed by Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel. Score and part. 19 pages. Jeff Tincher #3499739. Published by Jeff Tincher (A0.582809). This is a F instrument and Piano arrangement of a rare Steven Curtis Chapman composition. This song is so rare, I couldn't find it Steven Curtis Chapman's discography. The only recording I could find was one by The Homeland Quartet on their Down Home Days CD. So this arrangement is in the original key from that recording. This is a typical 1980's Southern Gospel Patriotic song, great for any live venue, but especially good at Memorial Day, Fourth of July, or Veteran's Day celebration. Duration=3:29. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99 ≈
5.43€
Brass Canon for Brass Quintet & Percussion
Brass Canon for Brass Quintet & Percussion
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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G L Harvey
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Brass Canon for Brass Quintet
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G L Harvey
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.805885 Composed by Johann Pachelbel. Arranged by G L Harvey. Baroque,Concert,Gra...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.805885 Composed by Johann Pachelbel. Arranged by G L Harvey. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 20 pages. G L Harvey #5290019. Published by G L Harvey (A0.805885). Pachelbel's baroque classic has been arranged here for flexible brass quintet and optional percussion. With apologies to Pachelbel! this arrangement has a slightly more more contemporary feel and a new lease of life, even more so with the optional drums. It has been carefully designed to work within the resources of most amateur groups (intermediate level and above) and like all good arrangements it has something for everyone to do, including percussion. This piece is a favorite with players and audiences alike and will be a popular addition to any concert performance or special occasion. The PDF (20 pages A4) contains a score and parts for trumpets 1 & 2, horn in F and tenor horn, euphonium/baritone/trombone (treble and bass clef) and Tuba, Eb and Bb bass. As well as an optional percussion part for drum kit.
$15.99 ≈
14.49€
The Princess Rag
The Princess Rag
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Ragtime
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James Scott
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D
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The Princess Rag
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Bill Carmody
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.748831 Composed by James Scott. Arranged by D. Gault, edited by Bill Carmody. Ra...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.748831 Composed by James Scott. Arranged by D. Gault, edited by Bill Carmody. Ragtime. Score and parts. 12 pages. Bill Carmody #3359319. Published by Bill Carmody (A0.748831). This is one of those great D. Gault arrangements which are so popular. Typically Ragtime - not fast, not very difficult. A good crowd pleaser, toe tapper. Scored for maximum flexibility - alternate F horn parts for parts 2 and 3. Part 4 is playable by Euphonium (Trombone), or Tuba.
$12.00 ≈
10.87€
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So Good F Horn
