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Vous avez sélectionné:
So I Could Find My Way
Partitions à imprimer
55 partitions trouvées
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1
26
51
So I Could Find My Way
So I Could Find My Way
#
Chorale SATB
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Enya
#
John Bouwmans
#
So I Could Find My Way
#
Music4voices
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1199002 By Enya. By Eithne Ni Bhraonain, Enya, Nicky Ryan, and Roma Ryan. Arranged by John Bouwmans. Celtic,Cont...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1199002 By Enya. By Eithne Ni Bhraonain, Enya, Nicky Ryan, and Roma Ryan. Arranged by John Bouwmans. Celtic,Contemporary,Irish,Pop. Octavo. 11 pages. Music4voices #798072. Published by Music4voices (A0.1199002). A song by the Irish singer Enya, about remembering a person that has meant a lot to you. Arranged by John Bouwmans. Full Score (6 pages) and Choral Score (3 pages). Performance time approx. 4:20. SMP-121.
$2.00 ≈
1.81€
So I Could Find My Way
So I Could Find My Way
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Enya
#
John Bouwmans
#
So I Could Find My Way
#
Music4voices
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1246173 By Enya. By Eithne Ni Bhraonain, Enya, Nicky Ryan, and Roma Ryan. Arranged by John Bouwmans. Celtic,Cont...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.1246173 By Enya. By Eithne Ni Bhraonain, Enya, Nicky Ryan, and Roma Ryan. Arranged by John Bouwmans. Celtic,Contemporary,Irish,Pop. Octavo. 11 pages. Music4voices #841042. Published by Music4voices (A0.1246173). A song by the Irish singer Enya, about remembering a person that has meant a lot to you. Arranged by John Bouwmans for TTBB/Piano. Full Score (6 pages) and Choral Score (3 pages). Performance time approx. 4:20. SMP-121M.
$2.00 ≈
1.81€
So I Could Find My Way
So I Could Find My Way
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Contemporain
#
Enya
#
John Bouwmans
#
So I Could Find My Way
#
Music4voices
#
SheetMusicPlus
By Enya. By Enya, Eithne Ni Bhraonain, Nicky Ryan, and Roma Ryan. Arranged by John Bouwmans. Celtic, Contemporary, Irish, Pop. Octavo. 11 pages. Music...
(+)
By Enya. By Enya, Eithne Ni Bhraonain, Nicky Ryan, and Roma Ryan. Arranged by John Bouwmans. Celtic, Contemporary, Irish, Pop. Octavo. 11 pages. Music4voices #841027. Published by Music4voices
$2.00 ≈
1.81€
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
#
Violon
#
Tito Abeleda
#
Violin 1, 2, 3
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
(+)
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99 ≈
2.71€
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Visionary Quest Records
#
Violin Solo
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
(+)
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99 ≈
40.74€
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
#
Orchestre à Cordes
#
Tito Abeleda
#
Violin Solo
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99 ≈
2.71€
So I Could Find My Way by Enya - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Enya
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So I Could Find My Way
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Musicnotes
Performed by: Enya: So I Could Find My Way Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, s...
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Performed by: Enya: So I Could Find My Way Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- New Age~~Adult Alternative~~Celtic
$5.50 ≈
4.98€
You Are Always On My Mind
You Are Always On My Mind
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Isabelle Wakkinen
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arr
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You Are Always On My Mind
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.546075 Composed by Isabelle Wakkinen. Arranged by arr. by John Fries. 20th Century,Country,Jazz,Pop,Standards. Lead She...
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C Instrument - Level 4 - SKU: A0.546075 Composed by Isabelle Wakkinen. Arranged by arr. by John Fries. 20th Century,Country,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #156183. Published by John Fries (A0.546075). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song has been a crossover hit, charting in both the country and western and pop categories. Always On My Mind did not see completion until late 1971. Songwriter-guitarist Wayne Carson had about two verses done, with the working title You Were Always On My Mind. He had been occupied in Memphis on a project that required him to stay ten days longer, and he phoned his wife in Springfield, Missouri, to apologize for the delay. She was angry, and he replied: Well, I know I’ve been gone a lot, but I’ve been thinking about you all the time. His words struck him as potential song material, and he quickly ended the call so he could capture the idea on paper.
$3.99 ≈
3.61€
Make You Feel My Love
Make You Feel My Love
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Publis...
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Piano,Violin - Level 4 - SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00 ≈
9.06€
Make You Feel My Love
Make You Feel My Love
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Pop musique
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6...
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Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6139947. Published by Helen Marple-Horvat (A0.749237). Https://www.youtube.com/watch?v=JvQMUMBLDgUBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, a great key for the oboe. It is the best I can do because I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Oboe’ Part that younger players will enjoy, or perhaps pupils of those who buy the professional level arrangement. I have also enclosed a ‘piano only’ score as it falls onto three pages and is convenient for performing, as well as the two piano scores with each oboe version.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their breathing.My Youtube Channel has many arrangements for String Quartet, recorded by Capriccio Quartet, plus an arrangement of Downton Abbey for Oboe and Piano available from Sheet Music Plus. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00 ≈
9.06€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.61€
When I Look In The Mirror...
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00 ≈
27.17€
So I Could Find My Way
So I Could Find My Way
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Piano, Voix et Guitare
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New Age
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Enya
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So I Could Find My Way
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Enya. New Age; Pop. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.350026). - Piano/Vocal/Guitar (chords only)...
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By Enya. New Age; Pop. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.350026). - Piano/Vocal/Guitar (chords only) - New Age; Pop - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.52€
Enya: So I Could Find My Way - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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New Age
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Enya
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Virtualsheetmusic
Instantly printable sheet music by Enya for voice, piano or guitar of MEDIUM skill level. / new age,pop
Instantly printable sheet music by Enya for voice, piano or guitar of MEDIUM skill level. / new age,pop
$5.97 ≈
5.41€
FFANFFER: 51° Gogledd, 3° Gorllewin (FANFARE: 51° North, 3° West) (Rob Bushnell) - Brass Quintet
FFANFFER: 51° Gogledd, 3° Gorllewin (FANFARE: 51° North, 3° West) (Rob Bushnell) - Brass Quintet
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Rob Bushnell
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FFANFFER: 51° Gogledd, 3&d
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,Contest,Festival,Traditional. 35 pages. RBMusic #841560. Published by RBMusic (A0.1246889). This fanfare was written to enter the Arts Active's Fanfare Competition, in celebration of St. David's Hall 40th Birthday. In writing this piece, I researched the musical history of St. David’s Hall. Unfortunately, it has proven very difficult to find specific songs/pieces from some of the key events (the only clip I could find was the Cory Band playing John Mile’s Music), so I focused on brass bands and Wales.The pieces incorporates Men of Harlech (Rhyfelgyrch Gwŷr Harlech), Land of My Fathers (Hen Wlad fy Nhadau) and Philip Sparke’s The Year of the Dragon. Growing up with brass band, I heard Men of Harlech a lot and it has always been my “go to†Welsh piece. Land of My Fathers is the unofficial anthem of Wales. As for The Year of the Dragon, it was used both times that St. David’s Hall has hosted the European Brass Band Championships: it was used as the set test pieces in 1986 for Desford Colliery Dowty Band’s historic victory (under Howard Snell) and as the own choice test piece in 1992 as part of Britannia Building Society (now Fodens) Band’s winning performances (again under Howard Snell). The Year of the Dragon is also a popular piece of music in the brass-band world and has much significance to me personally.The name of piece comes from the GPS location of St. David’s Hall (51.48022° N, 3.17653° W), rounded to the nearest integer: the actual location of 51° N, 3° W is just off of the A378 in North Curry in Taunton, Somerset, England. The competition stipulated that the fanfare was to be composed for a maximum of five standard brass band instruments and so was written for 2 Cornets, Tenor Horn, Trombone or Euphonium and Eb Bass. An additional score and parts have been provided for a more traditional brass quintet set up.
$12.99 ≈
11.76€
Bergentrückung
Bergentrückung
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Contrebasse, Piano (duo)
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INTERMÉDIAIRE
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Jeux Videos
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Toby Fox
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Aidan Thune
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Bergentrückung
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Exartine
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 3 - SKU: A0.1161615 Composed by Toby Fox. Arranged by Aidan Thune. Video Game. Score and part. 15 pages. Exartine ...
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Double Bass,Piano,String Bass - Level 3 - SKU: A0.1161615 Composed by Toby Fox. Arranged by Aidan Thune. Video Game. Score and part. 15 pages. Exartine #761984. Published by Exartine (A0.1161615). Bergentrückung is an arrangement of ASGORE from Toby Fox's most known and popular game UNDERTALE, an RPG with a large amount of his original music, art, and story. ASGORE is both the name of the song, and the character it is associated with. Asgore is the king of the monsters who were sealed within Mt Ebott, and is working towards freeing the monsters and rejoining the humans on the surface. Although the meaning of Bergentrückung is still not fully known, there is some evidence showing it means Mountain King, King in the Mountain, or King of the Mountain, however consulting with some german speakers it was proven that is not the full meaning. Bergen means mountain in German, however in my research, trückung did not hold a meaning or translation. I did however find a page saying there is German Folklore about a king slumbering in a mountain, however there was no citation nor proof. Google translate will tell you it means Excavate, but my reasearch of asking German speaking people proved that to be wrong. To the UNDERTALE community Bergentrückung will always mean King of the Mountain, but there is no current real meaning in my reasearch.This arrangement was made for two reasons. The first reason being I wanted a solo for an upcoming Solo Ensemble, however the second reason is there are very few songs I could find made for a Bass soloist, so I wanted to add a possible Bass Solo for future soloists looking for music. This can also be played as a Cello Solo.
$7.99 ≈
7.24€
The Light Is You
The Light Is You
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Hilmar Leujes
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The Light Is You
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Hilmar Leujes
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1009750 Composed by Hilmar Leujes. Christian,Gospel,Jazz,Pop,Spiritual. Octavo. 5 pages. Hilmar Leujes #2025755....
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Choral Choir (SATB) - Level 4 - SKU: A0.1009750 Composed by Hilmar Leujes. Christian,Gospel,Jazz,Pop,Spiritual. Octavo. 5 pages. Hilmar Leujes #2025755. Published by Hilmar Leujes (A0.1009750). A spiritual song in four part harmony, but you could also use the soprano line and chords to perform it as a normal song. In the audio file I have used strings instead of vocals to emphasize the harmony. The Light Is You No one here knows who you are No one knows your name No one likes the things that you like No one plays your game No one tells you everything And knows just what to say No one asks you what you want And no one finds a way No one finds a way And it’s overflowing When you think of all that’s going for you And it keeps on growing Knowing there is someone to adore You open up ever so slightly Let a tiny light wade through Nurse it till it shines so brightly That you find the light in you You will find the light is you No one here knows who you are No one takes the blame No one’s standing here before you No one be my name No one is my name.
$4.99 ≈
4.52€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.70€
PANTOMANIA (an original Summer Pantomime)
PANTOMANIA (an original Summer Pantomime)
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Chorale SATB
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INTERMÉDIAIRE
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Dennis A
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PANTOMANIA
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Tyne Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.999348 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show,World. Octavo. 75 pages. Ty...
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Choral Choir (Mixed) - Level 3 - SKU: A0.999348 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show,World. Octavo. 75 pages. Tyne Music #5884499. Published by Tyne Music (A0.999348). PANTOMANIA: A modern pantomime in the TYNE ONSTAGE series of family orientated musicals. We’re all familiar with the U.K.s traditional pantomime. An extravaganza of costume, song and comedy acting, always presented during the autumn & winter months, especially over the Christmas holiday period. They’re extremely popular in the U.K. and draw in big family audiences, indeed the finance generated, helps most theatres over the more leaner summer months. So I thought Why not write a ‘Pantomime for Summer’ and this is it!PANTOMANIA takes you on a journey into the mystical world of fairy tale and fantasy, where words on a page become real-life characters when our heroine, Victoria falls into a wishing well and on climbing out, finds herself in the ‘Children’s Section’ on a library bookshelf. We follow her as she moves from page to page trying to find a way back home, assisted by the ‘Scarecrow’ plus an odd assortment of picture book characters. A great fun-musical for all of the family with plenty laughs and a few screams along with foot-tapping songs. It can be performed by any mixed age group age from 12 - 60. Perfect for seat-filling by any school, college, youth theatre or dramatic society.Note: Of course it could also be performed in the Winter and would be a great way to end the Autumn Term!This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/pantomaniaP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming student arranger to add to their C.V.
$37.00 ≈
33.51€
The Harvest of the Earth (See How Brown Autumn Spreads the Fields)
The Harvest of the Earth (See How Brown Autumn Spreads the Fields)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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The Harvest of the Earth
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Re...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #966349. Published by Anastace (A0.1381714). Here is the full piano vocal arrangement of The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the full piano accompaniment as played in the recording. Also available, by searching Stacey Plays Hymns and the song title on this site is a lead sheet version for those who prefer to play off a chart.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
4.53€
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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The Harvest of the Earth
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religio...
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C Instrument - Level 3 - SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 4 pages. Anastace #966363. Published by Anastace (A0.1381727). Here is the lead sheet version of the hymn, The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and even anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the chords for the whole song including the reharmonized verse with a different melody.Also available, by searching Stacey Plays Hymns and the song title on this site is the full piano vocal arrangement as played in the original recording.For other formats including large print, simplified, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00 ≈
3.62€
We Are One!
We Are One!
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Chorale SATB
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INTERMÉDIAIRE
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Zack Richards
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We Are One!
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Zack Richards
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821...
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Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.
$1.99 ≈
1.80€
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99 ≈
1.80€
Chiedi al vento di me
Chiedi al vento di me
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Piano seul
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Contemporain
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Monica Bergo
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Chiedi al vento di me
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871).
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Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the Ask at wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense Crow that flies, bad omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow me to stay I'll be with you in the wind ... I'm the wind that laughs It wraps you up until the summer returns ... Monica Bergo
$3.99 ≈
3.61€
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So I Could Find My Way
