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So What Baritone T.C.
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Vous avez sélectionné:
So What Baritone T.C.
Partitions à imprimer
17 partitions trouvées
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1
So What - Baritone T.C.
So What - Baritone T.C.
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Saxhorn / bariton b.c. (partie séparée)
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INTERMÉDIAIRE
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Pop musique
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Pink
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Paul Murtha
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So What - Baritone T.C.
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Hal Leonard - Digital
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SheetMusicPlus
Marching band Baritone T.C. - Level 3 - SKU: HX.124191 By Pink. By Alecia Moore, Johan Schuster, and Max Martin. Arranged by Paul Murtha. Pop. Individua...
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Marching band Baritone T.C. - Level 3 - SKU: HX.124191 By Pink. By Alecia Moore, Johan Schuster, and Max Martin. Arranged by Paul Murtha. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.124191).
$6.00 ≈
5.40€
Now What: Baritone T.C.
Now What: Baritone T.C.
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Saxhorn / bariton b.c. (partie séparée)
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Methodes
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Mike Kamuf
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Now What: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014270_BTC1 Baritone T.C.. Composed by Mike Kamuf. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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Jazz Ensemble - SKU: AX.00-PC-0014270_BTC1 Baritone T.C.. Composed by Mike Kamuf. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014270_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014270_BTC1). UPC: 038081273280.Now What is a swing tune, written in the style of Miles Davis' So What. It provides a great opportunity to learn, play, listen, and solo in a simple two-chord modal style. Written solos for trumpet and alto sax are included, but everybody can solo in this superb chart. Outstanding! This title is available in SmartMusic.
$3.00 ≈
2.70€
(What Did I Do to Be So) Black and Blue: Baritone T.C.
(What Did I Do to Be So) Black and Blue: Baritone T.C.
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Saxhorn / bariton b.c. (partie séparée)
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Jazz
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Harry Brooks and Thomas Fats W
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Victor Lopez
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(What Did I Do to Be So) Black
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017475_BTC1 Baritone T.C.. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. ...
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Jazz Ensemble - SKU: AX.00-PC-0017475_BTC1 Baritone T.C.. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017475_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017475_BTC1). UPC: 038081519739.(What Did I Do to Be So) Black and Blue arranged by Victor LA3pez is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41).
$3.00 ≈
2.70€
On Green Dolphin Street: Baritone T.C.
On Green Dolphin Street: Baritone T.C.
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Saxhorn / bariton b.c. (partie séparée)
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Methodes
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Dave Wolpe
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On Green Dolphin Street: Barit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016183_BTC1 Baritone T.C.. Arranged by Dave Wolpe. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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Jazz Ensemble - SKU: AX.00-PC-0016183_BTC1 Baritone T.C.. Arranged by Dave Wolpe. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016183_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016183_BTC1). UPC: 038081314730.Only arranger Dave Wolpe can make On Green Dolphin Street the ideal address. A combination of swing and Latin feel, solos for alto 1 and tenor 1 (written out), lead trumpet range is to written A above the staff, a sax soli and a shout chorus. Optional parts are included also for flute, horn, baritone horn/tenor sax and tuba, so what's not to like? It's a superb chart you will enjoy for years to come. (2:56).
$3.00 ≈
2.70€
On Green Dolphin Street: 3rd Baritone T.C.
On Green Dolphin Street: 3rd Baritone T.C.
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Saxhorn / bariton b.c. (partie séparée)
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Methodes
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Dave Wolpe
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On Green Dolphin Street: 3rd B
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016183_BTC3 3rd Baritone T.C.. Arranged by Dave Wolpe. Instructional. Part. 2 pages. Alfred Music - Digital Sheet ...
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Jazz Ensemble - SKU: AX.00-PC-0016183_BTC3 3rd Baritone T.C.. Arranged by Dave Wolpe. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016183_BTC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016183_BTC3). UPC: 038081314730.Only arranger Dave Wolpe can make On Green Dolphin Street the ideal address. A combination of swing and Latin feel, solos for alto 1 and tenor 1 (written out), lead trumpet range is to written A above the staff, a sax soli and a shout chorus. Optional parts are included also for flute, horn, baritone horn/tenor sax and tuba, so what's not to like? It's a superb chart you will enjoy for years to come. (2:56).
$3.00 ≈
2.70€
God So Loved
God So Loved
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Pepper Choplin
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God So Loved
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Hope Publishing - Digital
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SheetMusicPlus
Instrumental Parts - SKU: H1.9165DP Composed by Pepper Choplin. Instrumental parts. 500 pages. Hope Publishing - Digital #9165DP. Published by Hope Publ...
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Instrumental Parts - SKU: H1.9165DP Composed by Pepper Choplin. Instrumental parts. 500 pages. Hope Publishing - Digital #9165DP. Published by Hope Publishing - Digital (H1.9165DP). Pepper Choplin.Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction.
Song List
: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
$250.00 ≈
225.16€
God So Loved
God So Loved
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Pepper Choplin
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God So Loved
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Hope Publishing - Digital
#
SheetMusicPlus
Cello, Clarinet, Flute, French Horn, Piano, Trombone, Trumpet, Violin - SKU: H1.9161DP Composed by Pepper Choplin. Musicals for Adults. Ash Wednesday, L...
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Cello, Clarinet, Flute, French Horn, Piano, Trombone, Trumpet, Violin - SKU: H1.9161DP Composed by Pepper Choplin. Musicals for Adults. Ash Wednesday, Lent, Palm Sunday, Holy Week, Maundy Thursday, Good Friday, Easter Sunday, Jesus Christ - Cross, Jesus Christ - Death, Jesus Christ - Redeemer, Jesus Christ - Resurrection, Jesus Christ - Savior. Choral score. 96 pages. Hope Publishing - Digital #9161DP. Published by Hope Publishing - Digital (H1.9161DP). Pepper Choplin.Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction.
Song List
: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
$12.95 ≈
11.66€
Now What: 2nd Baritone T.C.
Now What: 2nd Baritone T.C.
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Methodes
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Mike Kamuf
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Now What: 2nd Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014270_BTC2 2nd Baritone T.C.. Composed by Mike Kamuf. Instructional. Part. 2 pages. Alfred Music - Digital Sheet ...
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Jazz Ensemble - SKU: AX.00-PC-0014270_BTC2 2nd Baritone T.C.. Composed by Mike Kamuf. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014270_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014270_BTC2). UPC: 038081273280.Now What is a swing tune, written in the style of Miles Davis' So What. It provides a great opportunity to learn, play, listen, and solo in a simple two-chord modal style. Written solos for trumpet and alto sax are included, but everybody can solo in this superb chart. Outstanding! This title is available in SmartMusic.
$3.00 ≈
2.70€
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
#
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.50€
On Green Dolphin Street: 2nd Baritone T.C.
On Green Dolphin Street: 2nd Baritone T.C.
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Methodes
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Dave Wolpe
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On Green Dolphin Street: 2nd B
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016183_BTC2 2nd Baritone T.C.. Arranged by Dave Wolpe. Instructional. Part. 2 pages. Alfred Music - Digital Sheet ...
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Jazz Ensemble - SKU: AX.00-PC-0016183_BTC2 2nd Baritone T.C.. Arranged by Dave Wolpe. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016183_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016183_BTC2). UPC: 038081314730.Only arranger Dave Wolpe can make On Green Dolphin Street the ideal address. A combination of swing and Latin feel, solos for alto 1 and tenor 1 (written out), lead trumpet range is to written A above the staff, a sax soli and a shout chorus. Optional parts are included also for flute, horn, baritone horn/tenor sax and tuba, so what's not to like? It's a superb chart you will enjoy for years to come. (2:56).
$3.00 ≈
2.70€
I Got Plenty o' Nuttin': Baritone T.C.
I Got Plenty o' Nuttin': Baritone T.C.
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Orchestre d'harmonie
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Classique
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George Gershwin
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Douglas E
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I Got Plenty o' Nuttin': Barit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001513_BTC1 Baritone T.C.. Composed by George Gershwin. Arranged by Douglas E. Wagner. Classical. Part. 2 pages. Al...
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Concert Band - SKU: AX.00-PC-0001513_BTC1 Baritone T.C.. Composed by George Gershwin. Arranged by Douglas E. Wagner. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001513_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001513_BTC1). UPC: 038081320908.This cherished Gershwin melody from Porgy and Bess is a certain audience and band pleaser. The accompaniment is playable by less-experienced ensembles, and what a wonderful way to feature a male or female vocalist. Optional parts for solo trumpet or solo alto saxophone are also available, so you can be creative with featuring a variety of soloists. Musical through-and-through! (2:46).
$3.00 ≈
2.70€
Wexford Carol - Trombone/Baritone solo
Wexford Carol - Trombone/Baritone solo
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional Irish Carol
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Brian Buda
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Wexford Carol - Trombone/Barit
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budaful music
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SheetMusicPlus
Instrumental Duet,Piano Piano,Trombone - Level 4 - SKU: A0.823189 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,...
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Instrumental Duet,Piano Piano,Trombone - Level 4 - SKU: A0.823189 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 13 pages. Budaful music #6717005. Published by budaful music (A0.823189). The haunting, melodic beauty in this arrangement of Wexford Carol is full of lush harmonies and imitative countermelodies making it a great piece to perform in Christmas concerts and in church services. There are two performance options in this arrangement. One option is to, obviously, perform the piece as written all the way through. (approx. 3:50) The other (less recommended) option would be to omit one of the 3 verses which cuts over a minute of performance time. (approx. 2:40)Both Trombone and Baritone (T.C.) parts are included at the end of the PDF.The words of the final verse is only part of what makes this carol so powerful:With thankful heart and joyful mind,The shepherds went the babe to find,And as God’s angel has foretold,They did our Savior Christ behold.Within a manger He was laid,And by His side the virgin maidAttending to the Lord of Life,Who came on earth to end all strife.
$4.99 ≈
4.49€
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.50€
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published b...
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Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.50€
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hau...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50 ≈
11.26€
Andaluza
Andaluza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. Whea...
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Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00 ≈
67.55€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.22€
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So What Baritone T.C.
