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Some Shape
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Vous avez sélectionné:
Some Shape
Partitions à imprimer
267 partitions trouvées
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Some Shape
Some Shape
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Contemporain
#
George L
#
Bill Wilson
#
Some Shape
#
Alexander Wilson
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775239 Composed by George L. Cobb. Arranged by Bill Wilson. 20th Century. 20 pages. Alexander Wilson #4367918. Publish...
(+)
Brass Quintet - Level 2 - SKU: A0.775239 Composed by George L. Cobb. Arranged by Bill Wilson. 20th Century. 20 pages. Alexander Wilson #4367918. Published by Alexander Wilson (A0.775239). Ragtime composer George L. Cobb (of Alabama Jubilee fame) wrote the one step Some Shape in 1917. Some Shape is characteristic of the one steps of the time - it has a feel in between a slower circus march and a rag. Our arrangement shares lead responsibilities across the top 4 parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 3:17. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
3.68€
Shape Of My Heart
Shape Of My Heart
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
The Backstreet Boys
#
Drew Downing
#
Shape Of My Heart
#
Drew Downing
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1392096 By The Backstreet Boys. By Lisa Miskovsky, Martin Sandberg, and Rami Yacoub. Arranged by Drew Down...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1392096 By The Backstreet Boys. By Lisa Miskovsky, Martin Sandberg, and Rami Yacoub. Arranged by Drew Downing. Broadway,Contemporary,Musical/Show,Pop. 10 pages. Drew Downing #975586. Published by Drew Downing (A0.1392096). It simply does not get more 90s boyband than this gem from The Backstreet Boys.Perfect for stage choirs, high schools, colleges and community choirs looking for something a bit different. The chorus is screaming for some boyband movements and theatrics.This simplified SAB arrangement is a great vehicle for Alto & Soprano heavy groups, whilst featuring some cool baritone sections.A really fun learning opportunity for exploring exaggerated dipthongs - an iconic trait of boybands and 90s artists. Some suggested notes on the first page.Occasional divisi markings for beefing up the sound towards the end.Need a custom arrangement? Email drewdowning84@gmail.com.
$3.75 ≈
3.45€
Shape Of My Heart
Shape Of My Heart
#
Chorale SATB
#
INTERMÉDIAIRE
#
Pop musique
#
The Backstreet Boys
#
Drew Downing
#
Shape Of My Heart
#
Drew Downing
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.849355 By The Backstreet Boys. By Lisa Miskovsky, Martin Sandberg, and Rami Yacoub. Arranged by Drew Downing. Po...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.849355 By The Backstreet Boys. By Lisa Miskovsky, Martin Sandberg, and Rami Yacoub. Arranged by Drew Downing. Pop. Octavo. 11 pages. Drew Downing #4290917. Published by Drew Downing (A0.849355). It simply does not get more 90s boyband than this gem from The Backstreet Boys.Perfect for stage choirs, high schools, colleges and community choirs looking for something a bit different. The chorus is screaming for some boyband movements and theatrics.This SATB arrangement is a great vehicle for Tenors and Basses, whilst offering the Altos and Sopranos some classic backing vocal style harmonies throughout.A really fun learning opportunity for exploring exaggerated dipthongs - an iconic trait of boybands and 90s artists. Some suggested notes on the first page.The occasional divisi is great for beefing up the sound towards the end.Need a custom arrangement? Email drewdowning84@gmail.com
$2.90 ≈
2.67€
Shape Of You
Shape Of You
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Pop musique
#
Ed Sheeran
#
Krista Broadway Swider
#
Shape Of You
#
Krista Swider
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1418524 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tame...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1418524 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Krista Broadway Swider. Pop. 12 pages. Krista Swider #1000096. Published by Krista Swider (A0.1418524). In this string trio version of The Shape of You, the cello and viola open with pizzicato and the violin enters playing the vocal line. Throughout the arrangement, each part takes a turn at the melody, while the constant bass line and counter melody are maintained by the other instruments. The cello features some tenor clef and the viola some treble, but the arrangement is not terribly challenging and may be a good fit for students who are comfortable reading in these clefs. Parts are marked with bowings, measure numbers and rehearsal letters for ease of sight-reading.
$14.99 ≈
13.80€
Shape Of You
Shape Of You
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1039558 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged ...
(+)
Piano Solo - Level 4 - SKU: A0.1039558 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #644475. Published by Bernardo Pereira (A0.1039558). This arrangement of Shape Of You is a is a transposed version in E minor. It presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
4.59€
Shape Of You
Shape Of You
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1037005 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged ...
(+)
Piano Solo - Level 4 - SKU: A0.1037005 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #641982. Published by Bernardo Pereira (A0.1037005). This arrangement of Shape Of You is a is a transposed version in D minor. It presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
4.59€
Shape Of You
Shape Of You
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1037437 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged ...
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Piano Solo - Level 4 - SKU: A0.1037437 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #642406. Published by Bernardo Pereira (A0.1037437). This arrangement of Shape Of You is a clean sheet music without chords symbols and fingerings. It is also transposed version in D minor. The arrangement presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
4.59€
Shape Of You
Shape Of You
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ed Sheeran
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Bernardo Pereira
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Shape Of You
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Bernardo Pereira
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1037001 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged ...
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Piano Solo - Level 4 - SKU: A0.1037001 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #641978. Published by Bernardo Pereira (A0.1037001). This arrangement of Shape Of You is a transposed version in A minor. It presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
4.59€
Shape Of You
Shape Of You
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ed Sheeran
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Bernardo Pereira
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Shape Of You
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Bernardo Pereira
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.745522 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged b...
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Piano Solo - Level 4 - SKU: A0.745522 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Pop,R & B,Singer/Songwriter. Score. 6 pages. Bernardo Pereira #353441. Published by Bernardo Pereira (A0.745522). This arrangement is a version for advanced-intermediate piano of the Pop and R&B song Shape Of You. The singer and songwriter Ed Sheeran performs the song. It presents main intro with the main Latin rhythm played by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The chord progression of C♯m–F♯m–A–B is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material. Fingering suggestions and chord symbols are available throughout the arrangement.
$4.99 ≈
4.59€
Shape Of You
Shape Of You
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ed Sheeran
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Bernardo Pereira
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Shape Of You
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Bernardo Pereira
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1037434 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged ...
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Piano Solo - Level 4 - SKU: A0.1037434 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #642403. Published by Bernardo Pereira (A0.1037434). This arrangement of Shape Of You is a clean sheet music without chords symbols and fingerings. It is also transposed version in A minor. The arrangement presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
4.59€
Shape Of My Heart
Shape Of My Heart
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Sting
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Melissa Kenny
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Shape Of My Heart
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Melissa Kenny
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1303242 By Sting. By Dominic Miller and Sting. Arranged by Melissa Kenny. A Cappella,Contemporary,Pop. ...
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Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1303242 By Sting. By Dominic Miller and Sting. Arranged by Melissa Kenny. A Cappella,Contemporary,Pop. 15 pages. Melissa Kenny #892845. Published by Melissa Kenny (A0.1303242). A beautiful and haunting a cappella arrangement of this much-loved Sting ballad in 5 parts. This chart is ideal for an intermediate to advanced classical choir wanting to add some pop music into the repertoire, or an advanced pop group that would like to really develop some more classical techniques, with a focus on smooth phrases, subtle syncopation and rich harmonies. The highpoint of any set, this arrangement will be a favourite of your ensemble and audiences alike.
$3.99 ≈
3.67€
Lonesome Moonlight Waltz
Lonesome Moonlight Waltz
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Violon
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INTERMÉDIAIRE
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Contemporain
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Bill Monroe
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Camilo Barahona
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Lonesome Moonlight Waltz
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Camilo Barahona
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.901389 Composed by Bill Monroe. Arranged by Camilo Barahona. Contemporary. 3 pages. Camilo Barahona #5997207. Published ...
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Violin Solo - Level 3 - SKU: A0.901389 Composed by Bill Monroe. Arranged by Camilo Barahona. Contemporary. 3 pages. Camilo Barahona #5997207. Published by Camilo Barahona (A0.901389). Hey there, this is Bill Monroe's Lonesome Moonlight Waltz in the style of Kenny Baker. I have carefully written in bow markings that map out what I feel is a smooth way to play this amazing tune. In some areas you'll see fingerings that take you into 2nd position for certain chords, which might be ideal for players with smaller hands. You'll see in the video that I just stay in 1st position except for section D, E, and the very end - it really depends on hand size, dexterity, and personal preference. Also included is a chord chart for guitar accompaniment where you'll see chord shapes for a guitar capo'd at the 5th fret. I'm a violin teacher so feel free to reach out if you have any questions and I'd be more than happy to help you out in any way I can. .
$4.99 ≈
4.59€
Some Other Time, Then
Some Other Time, Then
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Piano Facile
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FACILE
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Joshua Sharo
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Some Other Time, Then
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Joshua Sharo
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.957964 Composed by Joshua Sharo. Contemporary,Standards. Score. 1 pages. Joshua Sharo #3096393. Published by Joshua Sharo...
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Easy Piano - Level 2 - SKU: A0.957964 Composed by Joshua Sharo. Contemporary,Standards. Score. 1 pages. Joshua Sharo #3096393. Published by Joshua Sharo (A0.957964). Practice Tips: This notation may look confusing, but it's easy to get used to! Measures 1-14 are made up of a constant eighth-note rhythm that alternates between both hands. Chords in the top staff should be played by the right hand, and chords in the bottom staff should be played by the left hand. The melody alternates between the hands. In measures 1-6, bring out the bottom note of the left hand. In measures 7-15, voice the top note of the right hand. The left hand's line in measures 17 and 21 should be treated as a response to the right hand. Pedal both measures in their entireties; however, be careful not to play the first note in either measure too loud, or else it will not sound nice. Also notice the cross-staff slurs in measures 19 and 20: the shape of the inner melody will be easier to hear if you are able to clearly voice the first A. If your hand is too small to reach the 9th in measure 15, you can substitute an A for the bottom note, or you can take a bit of extra time and play the first G with your left hand.
$1.99 ≈
1.83€
Shape Of You
Shape Of You
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Ed Sheeran
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Tabitha Beaven
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Shape Of You
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1474498 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cot...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1474498 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Tabitha Beaven. A Cappella,Barbershop,Instructional,Pop,Singer/Songwriter. Score. 6 pages. Tabitha Beaven #1052122. Published by Tabitha Beaven (A0.1474498). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with parts, dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and building something new and Version 2 is a single part flow with five entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with!#PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99 ≈
4.59€
Shape of my heart
Shape of my heart
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Anni KrasNy
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Shape of my heart
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Anni KrasNy
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SheetMusicPlus
SKU: A0.1072425 Composed by Anni KrasNy. Pop,R & B. Full Performance. Duration 230. Anni KrasNy #2988445. Published by Anni KrasNy (A0.1072425). ...
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SKU: A0.1072425 Composed by Anni KrasNy. Pop,R & B. Full Performance. Duration 230. Anni KrasNy #2988445. Published by Anni KrasNy (A0.1072425). This is a production that I have created for a song, selling it so people who are want to make something better out of it .
$3.99 ≈
3.67€
Over The Rainbow (from The Wizard Of Oz)
Over The Rainbow (from The Wizard Of Oz)
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Piano, Voix
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INTERMÉDIAIRE
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Film/TV
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Film/TV
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Judy Garland
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Michael Pilley
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Over The Rainbow
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Michael Pilley Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.746219 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Score. 7 pages. Michael Pilley Music...
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Piano,Vocal,Voice - Level 3 - SKU: A0.746219 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Score. 7 pages. Michael Pilley Music #4796637. Published by Michael Pilley Music (A0.746219). One of the most iconic movie songs of all time, Over The Rainbow is a must have arrangement if you are a vocalist. The tough part of arranging this number was that there are so many good arrangements out there already! Instead of reinventing the wheel, I decided to do a little mashup and bring together so many different aspects of all the great recordings of this timeless tune. So keep an ear out for Judy Garland, Frank Sinatra and your favourite version, they're all in here in some shape or form. Special thanks to The Idea of North, as their intro is my favourite and I just had to borrow it!Originally written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an intermediate level due to some extreme chromaticism and melodic lines that require a skillful accompanist, although the vocal part is simple to allow for any ad libs and should be comfortable for all voice types.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$20.00 ≈
18.42€
Over The Rainbow (from The Wizard Of Oz)
Over The Rainbow (from The Wizard Of Oz)
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Film/TV
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Film/TV
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Judy Garland
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Michael Pilley
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Over The Rainbow
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Michael Pilley Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.746218 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Brass Band. 68 pages. Michael Pilley Music #4796627. Published by Michael Pilley Music (A0.746218). One of the most iconic movie songs of all time, Over The Rainbow is a must have arrangement if you are featuring a vocalist with your brass band. The tough part of arranging this number was that there are so many good arrangements out there already! Instead of reinventing the wheel, I decided to do a little mashup and bring together so many different aspects of all the great recordings of this timeless tune. So keep an ear out for Judy Garland, Frank Sinatra and your favourite version, they're all in here in some shape or form. Special thanks to The Idea of North, as their intro is my favourite and I just had to borrow it! Written for Tredegar Band and vocalist Siwan Henderson, this arrangement is at an advanced level due to some extreme chromaticism and melodic lines that require skilled musicians. With piano, glockenspiel and vibraphone parts featuring independent lines, you can expand your band to create a full orchestration, or choose to play with just the bass, with cues included. You can also play this arrangement with a Bb or Eb Solo, with parts included. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
46.04€
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tra...
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Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
5.52€
That's Where the Laugh Comes In. Song & Chorus
That's Where the Laugh Comes In. Song & Chorus
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Piano, Voix
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Eastburn
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Eastburn
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That's Where the Laugh Comes I
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18482 Composed by Eastburn. Courtship & love, Wealth, Jewelry, Deceit, Fathers & children. Lester S. Levy Collection. 5 pages....
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Piano and voice - SKU: LV.18482 Composed by Eastburn. Courtship & love, Wealth, Jewelry, Deceit, Fathers & children. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18482). That's Where the Laugh Comes In. Song & Chorus. Written & Composed By Eastburn. Published 1865 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Wealth, Jewelry, Deceit, Fathers & children. First line reads Augustus Don Pedro, a handsome young man, Who travell'd on shape I am told.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Extinction
Extinction
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Extinction
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienn...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem “An Extinction†© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. It’s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Don’t let them fly. Be the songbird now and testify. Program note — Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem “An Extinction†(2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.
$1.99 ≈
1.83€
The Great Blue Heron - Arabesque for String Orchestra
The Great Blue Heron - Arabesque for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Contemporain
#
Jason McChristian
#
#
The Great Blue Heron - Arabesq
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Jason Gary McChristian
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.886139 Composed by Jason McChristian. 20th Century,Contemporary. Score and parts. 29 pages. Jason Gary McChristian ...
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String Orchestra - Level 3 - SKU: A0.886139 Composed by Jason McChristian. 20th Century,Contemporary. Score and parts. 29 pages. Jason Gary McChristian #2937867. Published by Jason Gary McChristian (A0.886139). The Great Blue Heron was inspired by the relatively large, wading bird, commonly found in North and Central America. The name of this bird has always conjured in me an image of something of such immense size and, yet, unbelievable beauty and wonder. Something bsoth terrifying and awe-inspiring. Musically speaking, this work is an arabesque, a short, single movement containing ornamentation. This term is also in art to describe works that contain two flowing, decorative motifs in the shape of S and U. In ballet, it is used to describe the shape and movement of a spiral. The gestures of this work follow the contour of these shapes and movements and embody the arabesque in all of these forms.
$40.00 ≈
36.83€
Three Painters (parts)
Three Painters (parts)
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Contemporain
#
Drake Mabry
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Three Painters
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Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99 ≈
9.20€
Three Painters (score)
Three Painters (score)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99 ≈
9.20€
Divinum Mysterium
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
69.06€
Basque
Basque
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Hautbois, Guitare (duo)
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FACILE
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Elton John
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Derek Hasted
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Basque
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 2 - SKU: A0.1044812 Composed by Elton John. Arranged by Derek Hasted. Contemporary,Pop. Score an...
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Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 2 - SKU: A0.1044812 Composed by Elton John. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 11 pages. Derek Hasted #649430. Published by Derek Hasted (A0.1044812). ELTON JOHN's instrumental BASQUE for OBOE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Elton John's Basque is a really unusual piece - on the one hand it won a Grammy in 1991 for 'Best Instrumental', and on the other hand it has vanished from sight - it appears that there has only ever been one released version, featuring James Galway on flute. At the time of publishing this arrangement, there seems to be only a single piano version of the original piece for sale which comprises just a snippet of the original.
$4.99 ≈
4.59€
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