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Vous avez sélectionné:
Someone Else Instead
Partitions à imprimer
7 partitions trouvées
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1
Someone Else Instead
Someone Else Instead
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Piano Facile
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DÉBUTANT
#
Classique
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Pablo Nouvelle
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Fabio Friedli
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Someone Else Instead
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Pablo Nouvelle Songs
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1392118 By Pablo Nouvelle. By Fabio Friedli. Arranged by Fabio Friedli. Classical. Score. 2 pages. Pablo Nouvelle Songs #...
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Piano Solo - Level 1 - SKU: A0.1392118 By Pablo Nouvelle. By Fabio Friedli. Arranged by Fabio Friedli. Classical. Score. 2 pages. Pablo Nouvelle Songs #975611. Published by Pablo Nouvelle Songs (A0.1392118). Piano Pieces II - one of 8 pieces.
$1.99 ≈
1.78€
"This World Is Not My Home" for 8-note C major diatonic scale Tongue Drum
"This World Is Not My Home" for 8-note C major diatonic scale Tongue Drum
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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"This World Is Not My Hom
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569891 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Prais...
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Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569891 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 15 pages. Sharon Wilson #6639071. Published by Sharon Wilson (A0.569891). Note: the audio sample follows the Grand Staff #2 score with the melody played on a 6-inch, 8-note Tongue drum and chords played on a 12-inch, 13-note Drum; the YouTube video follows the Grand Staff #1 score with both parts played on the 12-inch drum This sheet music is arranged for an 8-note, C major diatonic scale Tongue Drum (8, 11, or 13-note drums, but sounds the best on the larger instruments such as a 12-inch vs. 6-inch). Three separate types of scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below: Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment.Chords ScoresChords Score #1 consists of 2-note chords that harmonize with the melody. These simplified chords follow the beat (4/4 time: count 1, 2, 3, 4 in each measure) making it easy to accompany yourself or someone else singing the melody. Alternately, this score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment while someone else plays the melody. Chords Score #2 is identical to Chords Score #1 except this score uses Rhythm #5 instead of Rhythm #1. Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. The chord names are shown above the staff. The corresponding Tongue Drum numbers are shown below the staff. Grand StaffThis score combines the Melody Score with Chords Score #1 providing a visual overview of how the two scores line up and is helpful for a director using this set of scores in a group setting. If playing with a partner (a duet), and both are familiar with standard music notation, this score may be easier to use since both players can see what the other person is playing. Rhythm ChartThis chart shows six rhythm patterns that can be used as an accompaniment for the melody. The first rhythm pattern is the easiest and the one used for the Chords Score #1 and the Grand Staff. Using the Grand Staff, follow the chord names above the melody staff to play notes from the given chord using one of the rhythm patterns. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
3.58€
Serenade No. 11
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00 ≈
13.44€
Choosing time Charleston
Choosing time Charleston
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Rob Colley
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Choosing time Charleston
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Rob Colley
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.980347 Composed by Rob Colley. 20th Century,Contemporary,Jazz,New Age,Spiritual. Score. 3 pages. Rob Colley #3113499. Pub...
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Piano Solo - Level 4 - SKU: A0.980347 Composed by Rob Colley. 20th Century,Contemporary,Jazz,New Age,Spiritual. Score. 3 pages. Rob Colley #3113499. Published by Rob Colley (A0.980347). A Charleston to celebrate the fun of being able to choose what to do for yourself, instead of doing something dull for someone else.
$3.99 ≈
3.58€
Adages for Tuba/Euphonium Quartet
Adages for Tuba/Euphonium Quartet
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2 Euphoniums et 2 Tubas
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AVANCÉ
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Contemporain
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Sy Brandon
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Adages for Tuba/Euphonium Quar
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #66073...
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Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #6607353. Published by Sy Brandon (A0.755334). I. The grass is always greener on the other side of the fence. The interpretation of this adage is that one always wants what someone else has instead of accepting one’s own uniqueness. During the movement, counterpoint is used to depict one instrument copying another. Towards the middle of the movement, tuba 2 eventually realizes its independence and states a bold melody of its own. The movement ends with the euphonium 1 playing its melody alone with pauses between the phrases as if looking over its shoulder wondering where the other musicians are. II. Absence makes the heart grow fonder. This setting represents a growing love despite the emptiness of being apart. Hollow intervals of fourths and fifths representing longing, occur at the beginning and end. A short love duet between two instruments occurs in the middle. III. Time flies when you are having fun. A rollicking six-eight meter is used to represent a children’s game of tag. There is a lot of alternation of short phrases as if one instrument is trying to tag the other and the other is trying to avoid being tagged. The dissonance and short accented notes represent taunting. IV. Every cloud has a silver lining. This movement is a prayer-like setting with alternation of minor and major harmonies representing the cloud and the silver lining respectively. V. He who hesitates is lost. This movement is very rhythmic and syncopated with the instruments alternating phrases in the manner of a call and response. It calls for split-second precision between the performers, therefore representing the adage. VI. A rolling stone gathers no moss. The last movement is a perpetual motion in a rolling six-eight meter. The musical ideas are very chromatic with the exception of main theme that appears first as a solo melody, then as several instruments together, and later as instruments in imitation. Towards the end, there are a few brief pauses and low accented notes as a life of activity has a few bumps along the way.
$9.99 ≈
8.95€
Little Hopping Mouse
Little Hopping Mouse
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Piano Facile
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DÉBUTANT
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Rowley Holmes
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Little Hopping Mouse
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Rowley Holmes
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1023781 Composed by Rowley Holmes. Children,Contemporary,Instructional. Score. 1 pages. Rowley Holmes #6436489. Published...
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Easy Piano - Level 1 - SKU: A0.1023781 Composed by Rowley Holmes. Children,Contemporary,Instructional. Score. 1 pages. Rowley Holmes #6436489. Published by Rowley Holmes (A0.1023781). The Little Hopping Mouse is a native Australian mouse. They live in the Australian bush and in the desert. They have big ears and a long tail. Instead of running, the mouse hops with its long back legs. Play slowly through the right hand and choose the fingers you like the best. When you have done this, try the left hand. You can practice playing each hand and then play along with someone else playing the other hand. You can play staccato fingers and imagine the mouse hopping around.
$3.49 ≈
3.13€
Lovely Day
Lovely Day
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bill Withers
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Mario Stallbaumer
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Lovely Day
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallb...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Lovely Day" by Bill Withers on piano!
With this piano sheet music, you can play Bill Withers' famous song "Lovely Day".
It's a beautiful and accurate piano arrangement which is not too hard to play, and sounds fantastic!
The whole melody is included in the piano part, so it sounds great as an instrumental (piano solo) version. However, you can also use these sheets to accompany a singer, or sing along yourself - the full lyrics and chords are included!
"Lovely Day" was written by Bill Withers and Skip Scarborough, released as a single in 1977, and later included on Withers' album "Menagerie".
Over the years, it has been covered by countless other artists, including Kirk Franklin, Luther Vandross, Diana Ross, Jill Scott, Justin Timberlake, and Maroon 5.
Here are the full lyrics to "Lovely Day":
When I wake up in the morning, love
And the sunlight hurts my eyes
And something without warning, love
Bears heavy on my mind
Then I look at you
And the world's alright with me
Just one look at you
And I know it's gonna be
A lovely day
A lovely day
When the day that lies ahead of me
Seems impossible to face
When someone else instead of me
Always seems to know the way
Then I look at you
And the world's alright with me
Just one look at you
And I know it's gonna be
A lovely day
A lovely day
When the day that lies ahead of me
Seems impossible to face
When someone else instead of me
Always seems to know the way
Then I look at you
And the world's alright with me
Just one look at you
And I know it's gonna be
A lovely day
A lovely day
$4.99 ≈
4.47€
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Someone Else Instead
