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Vous avez sélectionné:
Something Old, Something New
Partitions à imprimer
451 partitions trouvées
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David Warin Solomons: Something for Luck for soprano recorder and two alto recorders
David Warin Solomons: Something for Luck for soprano recorder and two alto recorders
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David Warin Solomons
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David Warin Solomons: Somethin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Recorder,Soprano Recorder - Level 4 - SKU: A0.533967 Composed by David Warin Solomons. Concert,Contemporary,Standards,Wedding. Score...
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Small Ensemble Alto Recorder,Soprano Recorder - Level 4 - SKU: A0.533967 Composed by David Warin Solomons. Concert,Contemporary,Standards,Wedding. Score and parts. 37 pages. Musik Fabrik Music Publishing #3091837. Published by Musik Fabrik Music Publishing (A0.533967). A four-movement work based on the old wedding adage Something Old, Something New, Something Borrowed, Something Blue Scored for soprano (descant) recorder and two alto (treble) recorders
$16.95 ≈
£13.17
Something Old, Something New for Christmas
Something Old, Something New for Christmas
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Harpe
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INTERMÉDIAIRE
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Noël
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Anonymous
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Sharon Hanjian Rondeau
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Something Old, Something New f
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Sharon Hanjian Rondeau
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SheetMusicPlus
Harp - Level 3 - SKU: A0.827938 Composed by Anonymous. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Classical,Sacred,World. Score. 64 pages. ...
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Harp - Level 3 - SKU: A0.827938 Composed by Anonymous. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Classical,Sacred,World. Score. 64 pages. Sharon Hanjian Rondeau #3630461. Published by Sharon Hanjian Rondeau (A0.827938). A brand-new collection of 21 ancient Christmas songs transcribed and arranged for pedal harp. Easy to learn and play, these carols are perfect for Christmas Eve services and holiday performances. Watch one of the selections here: https://www.youtube.com/watch?v=ItpD5ve9DHA
$15.99 ≈
£12.42
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99 ≈
£7.76
The Something Old New Borrowed Blue Rock
The Something Old New Borrowed Blue Rock
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Orchestre d'harmonie
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DÉBUTANT
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Tom Tucker
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The Something Old New Borrowed
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PDF Band Music
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SheetMusicPlus
Concert Band - Grade 1 - SKU: B0.PDF-BAND354 Composed by Tom Tucker. A compelling choice for Grade 1 level band students. Multicultural. Score and Parts...
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Concert Band - Grade 1 - SKU: B0.PDF-BAND354 Composed by Tom Tucker. A compelling choice for Grade 1 level band students. Multicultural. Score and Parts. 53 pages. PDF Band Music #PDF-BAND354. Published by PDF Band Music (B0.PDF-BAND354). 8.5 x 11 inches.Find your ear protection and prepare the speech outlining the importance of playing all styles of music because this is the tune that students will want to play EVERY day ALL year. The title says it all. The piece features a familiar old 60s rock bass pattern with a new melodic line. There are some borrowed well known guitar riffs in the bridge section and a nice bluesy snippet.The Something Old New Borrowed Blue Rock is playable by advanced beginning bands as well as grade 1 bands. Rhythms arelimited to eighth note patterns. The 1st clarinet does cross the break occasionally, but generally ranges are limited to one octave.
$38.70 ≈
£30.07
Something Old, Something New
Something Old, Something New
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Piano, Voix et Guitare
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Jazz
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The Fantastics
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Something Old, Something New
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Fantastics. For piano, voice and guitar (chords only). Standards. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
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By The Fantastics. For piano, voice and guitar (chords only). Standards. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.88
Goldberg in Istanbul
Goldberg in Istanbul
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Clavecin
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Classique
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Fazıl Say
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Goldberg in Istanbul
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Schott Music - Digital
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SheetMusicPlus
Harpsichord - intermediate to advanced - SKU: S9.Q564200 For harpsichord (or piano). Composed by Fazıl Say. Aria - baroque - goldberg variatio...
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Harpsichord - intermediate to advanced - SKU: S9.Q564200 For harpsichord (or piano). Composed by Fazıl Say. Aria - baroque - goldberg variations - istanbul - johann sebastian bach - turkey. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564200. Published by Schott Music - Digital (S9.Q564200). Are you a lover of classical piano music looking for something new and exciting to add to your repertoire? Look no further than Goldberg in Istanbul, the stunning op. 94 composition by Fazıl Say. This concert and encore piece takes the well-known themes of the Goldberg Variations by Johann Sebastian Bach and infuses them with Turkish maqams, jazz elements, and Istanbul rhythms. The result is a breathtaking fusion of cultures and styles that is sure to captivate any audience. Whether you're a pianist or harpsichordist, this sheet music publication is a must-have for any performer looking to add something fresh and unique to their repertoire. Get your copy of Goldberg in Istanbul today and experience the magic for yourself.
$7.99 ≈
£6.21
Holding Place
Holding Place
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Christopher Reed
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Holding Place
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Barefoot Compositions
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.933741 Composed by Christopher Reed. Classical. Octavo. 5 pages. Barefoot Compositions #2889561. Published by Ba...
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Choral Choir (SATB) - Level 4 - SKU: A0.933741 Composed by Christopher Reed. Classical. Octavo. 5 pages. Barefoot Compositions #2889561. Published by Barefoot Compositions (A0.933741). Holding Place (SATB) is a fantastic piece for your advanced choir. Its lush harmonies are reminiscent of early sacred works. The text is Lorem Ipsum, a place holding text used by designers. You get to choose what this piece means to you and your choir! Teach your choir the value of this genre without issues around meaning of text.Runs approx 4'00Look for other works by Christopher Reed or commission something new by contacting him at www.barefootcomposer.com and like him on Facebook www.facebook.com/barefootcomposermusic
$2.95 ≈
£2.29
Cold December Night
Cold December Night
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Michael Buble
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Ryan Putt
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Cold December Night
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Brasswood Publishing, LLC
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.944209 By Michael Buble. By Alan Chang, Michael Buble, and Robert Rock. Arranged by Ryan Putt. Jazz. Score and parts. 7...
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Concert Band - Level 4 - SKU: A0.944209 By Michael Buble. By Alan Chang, Michael Buble, and Robert Rock. Arranged by Ryan Putt. Jazz. Score and parts. 71 pages. Brasswood Publishing, LLC #6520779. Published by Brasswood Publishing, LLC (A0.944209). Run Time: about 4:38 AUDIO with Vocals Coming Soon! The score is formatted for 11x17 (Tabloid) paper.This great Christmas Original by Michael Buble is sure to delight your audience and get your ensemble excited about something new on their Holiday Concert program. Written for wind ensemble with full rhythm section, this piece features your Tenor Saxophonist. The vocal melody is augmented with background vocals from the original version, these are cued in the woodwinds if backup vocalists are not used. Includes a Bb Piccolo Trumpet part at the end. Trombone 1 has sections in tenor clef and plays up to high C. .
$50.00 ≈
£38.85
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, bari
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
£13.17
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, sopr
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
£13.17
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, alto
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
£13.17
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, teno
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
£13.17
Christ Was Born on Christmas Day
Christ Was Born on Christmas Day
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Harpe
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INTERMÉDIAIRE
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Noël
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Anonymous German
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Sharon Hanjian Rondeau
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Christ Was Born on Christmas D
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Sharon Hanjian Rondeau
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SheetMusicPlus
Harp - Level 3 - SKU: A0.827940 Composed by Anonymous German. Arranged by Sharon Hanjian Rondeau. Christmas,Classical,World. Score. 2 pages. Sharon Hanj...
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Harp - Level 3 - SKU: A0.827940 Composed by Anonymous German. Arranged by Sharon Hanjian Rondeau. Christmas,Classical,World. Score. 2 pages. Sharon Hanjian Rondeau #3663271. Published by Sharon Hanjian Rondeau (A0.827940). Pedal harp arrangement of a festive German Carol. Song is contained in my larger work of arrangements from The Cowley Carol Book, also sold at SMP. https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2.... Watch: https://www.youtube.com/watch?v=ItpD5ve9DHA
$3.99 ≈
£3.10
Earthly Friends Will Change and Falter
Earthly Friends Will Change and Falter
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Harpe
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INTERMÉDIAIRE
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1607, Anonymous, and based on
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Sharon Hanjian Rondeau
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Earthly Friends Will Change an
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Sharon Hanjian Rondeau
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SheetMusicPlus
Harp - Level 3 - SKU: A0.827963 Composed by 1607, Anonymous, and based on a setting by Michael Praetorius. Arranged by Sharon Hanjian Rondeau. Christian...
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Harp - Level 3 - SKU: A0.827963 Composed by 1607, Anonymous, and based on a setting by Michael Praetorius. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Renaissance,Sacred,World. Score. 2 pages. Sharon Hanjian Rondeau #4797301. Published by Sharon Hanjian Rondeau (A0.827963). A Christmas choral work from the Middle Ages comes alive on the pedal harp. New to the harp repertoire, the song and words can also be found in my book, Something Old, Something New for Christmas here: https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2...
$3.99 ≈
£3.10
Earth Today Rejoices
Earth Today Rejoices
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Harpe
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INTERMÉDIAIRE
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Anonymous, 1582
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Sharon Hanjian Rondeau
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Earth Today Rejoices
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Sharon Hanjian Rondeau
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SheetMusicPlus
Harp - Level 3 - SKU: A0.827965 Composed by Anonymous, 1582. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Renaissance,Sacred,World. Score. 2 ...
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Harp - Level 3 - SKU: A0.827965 Composed by Anonymous, 1582. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Renaissance,Sacred,World. Score. 2 pages. Sharon Hanjian Rondeau #4797305. Published by Sharon Hanjian Rondeau (A0.827965). Something different for Christmas pedal harp repertoire! From the book, Something Old, Something New for Christmas, also at SMP: https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2...
$3.99 ≈
£3.10
Patrem Parit Filia
Patrem Parit Filia
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Harpe
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INTERMÉDIAIRE
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13th Century French
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Sharon Hanjian Rondeau
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Patrem Parit Filia
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Sharon Hanjian Rondeau
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SheetMusicPlus
Harp - Level 3 - SKU: A0.827942 Composed by 13th Century French. Arranged by Sharon Hanjian Rondeau. Christmas,Classical,Sacred,World. Score. 2 pages. S...
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Harp - Level 3 - SKU: A0.827942 Composed by 13th Century French. Arranged by Sharon Hanjian Rondeau. Christmas,Classical,Sacred,World. Score. 2 pages. Sharon Hanjian Rondeau #3687619. Published by Sharon Hanjian Rondeau (A0.827942). Lovely plainsong chant arranged for four voices, then for solo harp. A great addition to your Christmas Eve and meditative repertoire. Key of G-flat, no accidentals; can be played on lever harp with some adaptations. From my Christmas collection, Something Old, Something New for Christmas, also at SheetMusicPlus: https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2...
$3.99 ≈
£3.10
Come, Rock the Cradle for Him
Come, Rock the Cradle for Him
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Harpe
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INTERMÉDIAIRE
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Traditional German Christmas S
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Sharon Hanjian Rondeau
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Come, Rock the Cradle for Him
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Sharon Hanjian Rondeau
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SheetMusicPlus
Harp - Level 3 - SKU: A0.827962 Composed by Traditional German Christmas Song. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Sacred,World. Sco...
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Harp - Level 3 - SKU: A0.827962 Composed by Traditional German Christmas Song. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Sacred,World. Score. 3 pages. Sharon Hanjian Rondeau #4797291. Published by Sharon Hanjian Rondeau (A0.827962). A beautiful Christmas song arranged for pedal or lever harp. No lever changes; only one bass F would need to be substituted for lever players.. Also available with words in the book, Something Old, Something New for Christmas: https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2....
$3.99 ≈
£3.10
Hear Ye Newes Today: Six Traditional Carols for Christmas
Hear Ye Newes Today: Six Traditional Carols for Christmas
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Brian Joyce
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Hear Ye Newes Today: Six Tradi
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Brian Joyce
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #322607...
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String Quartet String Quartet - Level 4 - SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #3226073. Published by Brian Joyce (A0.836707). What’s Christmas without a few toys? Here is a new suite of older carols for string quartet in which each musician is required to play a wee bit of percussion in addition to his or her real instrument. The potential for entertaining visual theater is nearly as high as the potential for mishap. (If all goes according to plan, nothing should actually go airborne.)This is something of a sequel to my earlier Christmas quartet And Therefore Be Merry, which has never been out of print since it was first published over twenty years ago. But where that work was a continuous medley, this is a set of independent and more fully developed movements, each able to stand on its own. As mentioned above, each member of the quartet is responsible for a small item of percussion. These are all things which could readily be found in a local school band room: a triangle, a tambourine, a suspended cymbal - played with a soft (yarn) stick - and a small frame drum, played with the bare hand. These are all earlier, earthier carols than what one typically finds on the radio or playing over the speakers at the mall. They include Gloucestershire Wassail, Riu Riu Chiu, Angelus ad Virginem, The Sans Day Carol, The Wexford Carol, and Masters in This Hall. Being perhaps less familiar, they bring a welcome respite from the overworked seasonal fare we all hear a bit too much of each year. They speak of simpler times, and of a far less frantic approach to Christmas. These fresh and inventive arrangements will make a useful addition to a quartet’s repertoire, provided the players have the requisite spirit of adventure. Score and Parts total 67 pages. Performance time is about 14 minutes.
$19.95 ≈
£15.50
Same Old Story
Same Old Story
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Piano seul
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FACILE
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Louis Landon
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Same Old Story
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.761885 Composed by Louis Landon. Concert,Instructional,New Age,Standards. Score. 7 pages. Landon Creative, Inc. #6322391....
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Piano Solo - Level 2 - SKU: A0.761885 Composed by Louis Landon. Concert,Instructional,New Age,Standards. Score. 7 pages. Landon Creative, Inc. #6322391. Published by Landon Creative, Inc. (A0.761885). Same Old Story was released on December 18, 2020. It is a single from the upcoming album, Provocative Piano. Recorded at the Peace Palace, Sedona, AZ on a Steinway B in September, 2020. It is available for streaming on Spotify, Apple Music and Pandora Radio It is also available for downloading at iTunes, Amazon and Bandcamp There's a sadness to this piece. Some things never change. The same theme keeps returning. There are places in the music where it seems like something different might happen, but then it goes back to the same old story. Things do change over time, but consciously seeing what needs to change in oneself requires awareness and effort. It is definitely worthwhile to make the effort to change and grow. Pproduced, arranged, composed & performed by Louis Landon Published by Landon Creative, Inc. BMI Louis Landon is a Steinway Artist Music mastering by Michael McDonald, Syntharts, Eugene, OR Cover photo and design by Louis Landon.
$5.25 ≈
£4.08
I Heard Something (Revelation 19.6 WEB)
I Heard Something (Revelation 19.6 WEB)
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Chorale SATB
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FACILE
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Chris Monteiro
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I Heard Something
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Christopher M. Monteiro
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.950766 Composed by Chris Monteiro. Christian,Sacred,Spiritual. Octavo. 10 pages. Christopher M. Monteiro #336521...
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Choral Choir (SATB) - Level 2 - SKU: A0.950766 Composed by Chris Monteiro. Christian,Sacred,Spiritual. Octavo. 10 pages. Christopher M. Monteiro #3365211. Published by Christopher M. Monteiro (A0.950766). I heard something like the voice of a great multitude, and like the voice of many waters, and like the voice of mighty thunders, saying, Hallelujah! For the Lord our God, the Almighty, reigns! This lively and majestic canon is a fanfare for the great wedding of the Lamb and His bride. In a B-flat Mixolydian Mode for SATB Choir, it has been fashioned to help you internalize God’s Word. The range of the canon melody for sopranos and altos is from B-flat below Middle C to the 2nd D above Middle C. For tenors and basses, the canon melody is one octave lower. Each of the voices splits into two parts in the final measures, the 1st sopranos ending on the 2nd F above Middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$3.99 ≈
£3.10
Something Old, Something New by The Fantastics - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock
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The Fantastics
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Something Old, Something New
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Musicnotes
Performed by: The Fantastics: Something Old, Something New Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement conta...
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Performed by: The Fantastics: Something Old, Something New Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Standards~~Traditional Pop~~Vocal Pop
$5.50 ≈
£4.27
Nothing You Can Take From Me
Nothing You Can Take From Me
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Rachel Zegler And The Covey Ba
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Javier Soria Laso
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Nothing You Can Take From Me
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Javier Soria Laso
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1349823 By Rachel Zegler And The Covey Band. By Dave Cobb and Suzanne Collins. Arranged by Javier Soria ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1349823 By Rachel Zegler And The Covey Band. By Dave Cobb and Suzanne Collins. Arranged by Javier Soria Laso. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. 57 pages. Javier Soria Laso #934588. Published by Javier Soria Laso (A0.1349823). You've heard Nothing You Can Take From Me from the film The Hunger Games: The Ballad of Songbirds And Snakes (sung by Rachel Zegler) many times, but you'll be gladly astounded to hear this big band chart that puts a spin into it with great measure! After a maestoso rendition of the first verse by the brass section, the drums set up the tempo into a tour de force medium fast tempo tune influenced by Duke Jordan's Jordu (recorded by the Clifford Brown-Max Roach Quintet) & Bobby Timmons's Moanin' (recorded by Art Blakey's Jazz Messengers) that while retaining much of the original tune (verse, refrain & bridge) brings out a distinctive hard bop-influenced twist coupled with solos by tenor sax & drums as well as a powerful soli by the trumpet section and a shout chorus moment by the full band. This chart is perfect as a concert opener, anchorer or closer, and it's another good twist of the saying something old, something new in a refreshing way. Enjoy!This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$80.00 ≈
£62.16
(there's) Always Something There To Remind Me
(there's) Always Something There To Remind Me
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Fanfare
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FACILE
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Pop musique
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Naked Eyes
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Tim Show
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(there's) Always Something The
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Tim Show
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SheetMusicPlus
Marching Band - Level 2 - SKU: A0.1189147 By Naked Eyes. By Burt Bacharach and Hal David. Arranged by Tim Show. Pop. Score and parts. 25 pages. Tim Show...
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Marching Band - Level 2 - SKU: A0.1189147 By Naked Eyes. By Burt Bacharach and Hal David. Arranged by Tim Show. Pop. Score and parts. 25 pages. Tim Show #788764. Published by Tim Show (A0.1189147). From the British new wave of synth-pop that came to the US in the early 80s, the Naked Eyes gave us this gem of a cover of the Burt Bacharach and Hal David standard. This arrangement keeps the driving energy of the electronic groove and will have your audience singing along and dancing in their seats. This arrangement is fitting as a pep tune in the stands or could easily find a home on the field as part of a halftime show.Parts are formatted to neatly fit in a flip folder.Written as a Grade 2 or Medium-Easy level arrangement.
$50.00 ≈
£38.85
THE CHRISTMAS CAROL MUSICAL (a new version of this classic story)
THE CHRISTMAS CAROL MUSICAL (a new version of this classic story)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Dennis A
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THE CHRISTMAS CAROL MUSICAL
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Tyne Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.999351 Composed by Dennis A. Westgate. Christmas,Contemporary,Musical/Show,World. Octavo. 79 pages. Tyne Music #...
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Choral Choir (SATB) - Level 4 - SKU: A0.999351 Composed by Dennis A. Westgate. Christmas,Contemporary,Musical/Show,World. Octavo. 79 pages. Tyne Music #5889575. Published by Tyne Music (A0.999351). THE CHRISTMAS CAROL MUSICAL:- Who better to write the libretto for this classical Christmas story, than the author?Taking the the actual dialogue from the Charles Dickens novel I’ve added an original score. This musical play is another in the TYNEONSTAGE series of family orientated stage musicals and will be ideal for any senior school or college looking for something different to add to their festive programme. There are ten original descriptive songs for both solo artists and choristers. Even though this story has been adapted and presented in many different ways, I would like to add this, my own version, as a tribute to one of the giants of the literary world. This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/the-christmas-carol-musicalP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation.SONG TITLES 1) Bah Humbug! 2) Hey Ding a Dong 3) Marley’s Lament 4) Today is Born a King 5) The Christmas {olka 6) Without Love 7) An Old Fashioned Christmas 8) My Father 9) A Winter’s Morning10) Thoughts of Christmas
$55.00 ≈
£42.73
Something I Need
Something I Need
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Chorale Unison
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INTERMÉDIAIRE
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Contemporain
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OneRepublic
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Josue Marin, Michael Lepidi
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Something I Need
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Josue Marin
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.920178 By OneRepublic. By Benjamin Levin and Ryan Tedder. Arranged by Josue Marin, Michael Lepidi. Contemporar...
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Choral Choir (Unison) - Level 3 - SKU: A0.920178 By OneRepublic. By Benjamin Levin and Ryan Tedder. Arranged by Josue Marin, Michael Lepidi. Contemporary. Octavo. 31 pages. Josue Marin #4996107. Published by Josue Marin (A0.920178). Something I Need is a song recorded by American pop rock band OneRepublic. It was released on August 25, 2013 through Mosley Music and Interscope Records as the fourth single from their third studio album, Native (2013). The song was written and produced by Ryan Tedder and Benny Blanco. It peaked at number six in Australia, where it has been certified 3× Platinum, and number four in New Zealand, where it has been certified Gold.
$12.99 ≈
£10.09
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