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Something On My Mind
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Vous avez sélectionné:
Something On My Mind
Partitions à imprimer
47 partitions trouvées
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Something On My Mind (for sax quartet and piano)
Something On My Mind (for sax quartet and piano)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Jordan Grigg
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Something On My Mind
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Jordan Grigg
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.862954 Composed by Jordan Grigg. Concert,Co...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.862954 Composed by Jordan Grigg. Concert,Contemporary,Jazz,Standards. Score and parts. 20 pages. Jordan Grigg #3056841. Published by Jordan Grigg (A0.862954).
$16.95 ≈
15.61€
Something On My Mind Mp3
Something On My Mind Mp3
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Jordan Grigg
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Something On My Mind Mp3
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Jordan Grigg
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - SKU: A0.1056805 Composed by Jordan Grigg. Concert,Contemporary,Jazz,Standard...
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Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - SKU: A0.1056805 Composed by Jordan Grigg. Concert,Contemporary,Jazz,Standards. Full Performance. Duration 258. Jordan Grigg #3056847. Published by Jordan Grigg (A0.1056805).
$2.99 ≈
2.75€
Say Something
Say Something
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Piano Facile
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FACILE
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Pop musique
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A Great Big World
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Cindy Blevins
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Say Something
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Cindy Blevins
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.541436 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Cindy Blevins. Pop. Score. 4 pag...
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Easy Piano - Level 2 - SKU: A0.541436 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Cindy Blevins. Pop. Score. 4 pages. Cindy Blevins #3111493. Published by Cindy Blevins (A0.541436). My easy piano arrangements are clean and uncluttered on the page. They are piano solos. They do not include the lyrics or chord symbols. This arrangement is three pages of music.Keep in mind that easy means different things to different people. When I do easy arrangements, I generally make them less notey and simplify melodies and rhythms where appropriate. My website: https://www.blevinsmusic.com
$4.99 ≈
4.59€
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99 ≈
3.67€
Eight Shorter Preludes on English Hymns (for manuals only)
Eight Shorter Preludes on English Hymns (for manuals only)
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Orgue
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INTERMÉDIAIRE
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Brian Joyce
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Eight Shorter Preludes on Engl
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - SKU: A0.836716 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 12 pages. Brian Joyce #4966351. Published by Brian Joyce...
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Organ - Level 3 - SKU: A0.836716 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 12 pages. Brian Joyce #4966351. Published by Brian Joyce (A0.836716). For many years I have enjoyed playing the simpler manualiter chorale preludes of Zachau and J. G. Walter in the old Peters edition many organists will be familiar with. Then there are the delightful little preludes of Ernst Pepping which I first heard as a teenager in a recording by E. Power Biggs. I had something of a cross between these two influences in mind for this new set of English preludes. There are some finger-twisting moments here and there, but by and large these manuals-only pieces are meant to be shorter, more direct, and simpler (in concept, if not execution!) than my larger sets of preludes. The hymns dealt with here represent a useful mix of liturgical purposes and include Holy, Holy, Holy!, Come, Thou Almighty King, When Morning Gilds the Skies, Lift Up Your Heads, Ye Mighty Gates, All Things Bright and Beautiful, Beneath the Cross of Jesus, The Church’s One Foundation, and Christ the Lord is Risen Today. As always, sources and timings are included and the score prints in landscape format.
$7.95 ≈
7.32€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
11.04€
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pag...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.  ..... etc.
$27.00 ≈
24.86€
ReSolUtIo
ReSolUtIo
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Lucio Franco Amanti
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ReSolUtIo
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Schott Music - Digital
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SheetMusicPlus
2 violins, viola and cello - advanced - SKU: S9.Q49388 Echoes from Beethoven's Harp Quartet. Composed by Lucio Franco Amanti. This edition: score...
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2 violins, viola and cello - advanced - SKU: S9.Q49388 Echoes from Beethoven's Harp Quartet. Composed by Lucio Franco Amanti. This edition: score and parts. Beethoven year 2020 - Ludwig van Beethoven. Downloadable, Score and parts. Op. 74. Duration 14 minutes. Schott Music - Digital #Q49388. Published by Schott Music - Digital (S9.Q49388). When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden†in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio†in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartetâ€. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti).
$40.99 ≈
37.74€
Ain't No Sunshine
Ain't No Sunshine
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bill Withers
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John Fries
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Ain't No Sunshine
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1307454 By Bill Withers. By Bill Withers. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1307454 By Bill Withers. By Bill Withers. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 pages. John Fries #896739. Published by John Fries (A0.1307454). The song was released as a single in 1971, becoming a breakthrough hit for Withers, reaching number six on the U.S. R&B Chart and number three on the Billboard Hot 100 chart. Withers was inspired to write the song after watching the 1962 movie Days of Wine and Roses. He explained, in reference to the characters played by Lee Remick and Jack Lemmon, They were both alcoholics who were alternately weak and strong. It's like going back for seconds on rat poison. Sometimes you miss things that weren't particularly good for you. It's just something that crossed my mind from watching that movie, and probably something else that happened in my life that I'm not aware of. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net.
$4.99 ≈
4.59€
Journey (For String Quartet)
Journey (For String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Paul Emil Levasseur
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Journey
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Paul Emil Levasseur
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1014185 Composed by Paul Emil Levasseur. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Pa...
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String Quartet String Quartet - Level 5 - SKU: A0.1014185 Composed by Paul Emil Levasseur. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Paul Emil Levasseur #1987525. Published by Paul Emil Levasseur (A0.1014185). 'Journey' is a c.a. 12 minute work for String Quartet. The piece begins with an adagio melody which weaves into elegant counterpoint. The adagio opening is juxtaposed by a scherzo with a folk style melody and bouncing, changing rhythms. The two musical ideas collide and combine in the conclusion of the work! I began this piece in the beginning of my D.M.A. in composition when studying with Christos Hatzis. The material for this project has steeped in my mind for 5 years with over 100 drafts and rewrites to date. It really represents a period of struggle in my development as an artist. During this time I was trying to reconcile the struggle between my knowledge of composition and theory with my muse. The difference between putting notes together and creating art is an interesting one and this was something I had to come to terms with. After my 2nd year of study, I put this project on the shelf and carried on with other pieces. I didn't pull it out again until last Dec where there was a short pause in my workload with freelancing. I kept the material I wanted and just 'listened' to where the music wanted to go. Somehow the pieces came together and it worked to create a cohesive whole with a strong musical narrative. I'm very pleased with the result. The piece has not been performed yet but I have included a midi mockup to aide with score reading the piece.
$3.99 ≈
3.67€
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole) (mp3)
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole) (mp3)
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Guitar,Medium Voice - Level 3 - SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. ...
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Guitar,Medium Voice - Level 3 - SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 1608. David Warin Solomons #863477. Published by David Warin Solomons (A0.1271084). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, ... etc.
$10.50 ≈
9.67€
ALES STENAR, suite for violin and chamber orchestra - Score Only
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99 ≈
18.41€
Last Dance
Last Dance
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Contemporain
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Sarah McLachlan
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and
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Last Dance
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Orff Instrument - Level 3 - SKU: A0.874275 By Sarah McLachlan. By Sarah McLachlan. Arranged by a do Ray me flute ...
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Large Ensemble Alto Flute,Bass Flute,Orff Instrument - Level 3 - SKU: A0.874275 By Sarah McLachlan. By Sarah McLachlan. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Contemporary. Score and parts. 17 pages. As do Ray meflute studio production #6683445. Published by as do Ray meflute studio production (A0.874275). Last Dance arranged for flute quintet ( 3 c flutes, alto flute in G, and c bass flute ) or small flute ensemble .Sarah Mclachlan composed this Grammy and Juno award winning piece, and is from the Surfacing album, her biggest selling album to date. This is such a simple, yet beautifully affective piece. In my mind, like most of the music I enjoy, have images and pictures or scenes of dancers, or a dancer such a ballet dancer. This piece could be appropriately and well received performers and audience whether in a traditional music or concert program, wedding, anniversary, memorial service / memorial ceremony, church or other religious events, or any other performance bringing something more interesting, unique, and musically expressive to the audience.Thanks for checking this out, and feel free to look at the other arrangements I have on Sheet music Plus available to purchase @ https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545 and visit my website @ www.doRaymeFlute.com
$13.50 ≈
12.43€
Serpents of Wisdom
Serpents of Wisdom
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Cor et Piano
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John Casken
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Serpents of Wisdom
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Schott Music - Digital
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SheetMusicPlus
Horn and piano - SKU: S9.Q43081 For horn in F and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 11 minutes. S...
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Horn and piano - SKU: S9.Q43081 For horn in F and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q43081. Published by Schott Music - Digital (S9.Q43081). The title of this piece comes from ‘Celtic Cross’ by Norman MacCaig, a poem that brings to life the symbols of an earlier time, carved in stone, entwined and plaited in abstract forms. The idea of a coiling serpent and the image of the coiled horn also came together in my mind. The opening phrase of the piece is responsible for much of the musical material for the whole piece, a strong and vibrant phrase that I wanted to capture something of the essence of these noble creatures on Celtic crosses. The idea of plaiting and entwining plays an important part in the unfolding of the piece. John Casken.
$16.99 ≈
15.64€
The Green-Roofed Barn
The Green-Roofed Barn
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Celtique/Irlandais
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Roger Aldridge
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The Green-Roofed Barn
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Roger Aldridge
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SheetMusicPlus
Small Ensemble Bagpipe,Banjo,Double Bass,Guitar,Violin - SKU: A0.979654 Composed by Roger Aldridge. Celtic,Contemporary. Score and parts. 2 pages. Roger...
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Small Ensemble Bagpipe,Banjo,Double Bass,Guitar,Violin - SKU: A0.979654 Composed by Roger Aldridge. Celtic,Contemporary. Score and parts. 2 pages. Roger Aldridge #441423. Published by Roger Aldridge (A0.979654). The Green-Roofed Barn draws upon Scottish fiddle music. However, it has a quirky spirit in how there are measures with missing beats. This tune came about when I was hiking in the hills of York County, PA near the Susquehanna River. I saw a barn with a green roof in the valley below. The barn had a sense of joyful grace about it and I began to hear this Strathspey in my mind. The tune was originally written in a traditional style. However, as the music evolved I decided to remove several notes as being too repetitive (notated as measures of 3/4). This gave the tune a quirkiness that appealed to me. As I figured, many hundreds of traditional Strathspeys have already been written. This tune is meant to be something different. Note: the demo recording is a Sibelius midi of only the melody. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1991 PERFORMANCE: Ideally, violin is featured with piano and/or guitar and string bass. The tune can also be played on bagpipes or banjo.
$3.00 ≈
2.76€
Lovely Day
Lovely Day
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bill Withers
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Mario Stallbaumer
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Lovely Day
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallb...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Lovely Day" by Bill Withers on piano!
With this piano sheet music, you can play Bill Withers' famous song "Lovely Day".
It's a beautiful and accurate piano arrangement which is not too hard to play, and sounds fantastic!
The whole melody is included in the piano part, so it sounds great as an instrumental (piano solo) version. However, you can also use these sheets to accompany a singer, or sing along yourself - the full lyrics and chords are included!
"Lovely Day" was written by Bill Withers and Skip Scarborough, released as a single in 1977, and later included on Withers' album "Menagerie".
Over the years, it has been covered by countless other artists, including Kirk Franklin, Luther Vandross, Diana Ross, Jill Scott, Justin Timberlake, and Maroon 5.
Here are the full lyrics to "Lovely Day":
When I wake up in the morning, love
And the sunlight hurts my eyes
And something without warning, love
Bears heavy on my mind
Then I look at you
And the world's alright with me
Just one look at you
And I know it's gonna be
A lovely day
A lovely day
When the day that lies ahead of me
Seems impossible to face
When someone else instead of me
Always seems to know the way
Then I look at you
And the world's alright with me
Just one look at you
And I know it's gonna be
A lovely day
A lovely day
When the day that lies ahead of me
Seems impossible to face
When someone else instead of me
Always seems to know the way
Then I look at you
And the world's alright with me
Just one look at you
And I know it's gonna be
A lovely day
A lovely day
$4.99 ≈
4.59€
Dia
Dia
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Chorale SATB
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AVANCÉ
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Candace R
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Dia
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Candace R. Lambert
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00 ≈
13.81€
The Bare Necessities
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99 ≈
4.59€
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 2 "Strange
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Connor Musik International #6206123. Published by Mark O'Connor Musik International (A0.861895). Piano Trio No. 2 Strange Rims (piano score – pno, vln, cel) MO166APiano Score (parts available)Music by Mark O’Connor70 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in 3 movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166ACopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00 ≈
16.57€
Piano Trio No. 2 "Strange Rims" (violin part - pno, vln, cel)
Piano Trio No. 2 "Strange Rims" (violin part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 2 "Strange
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861896 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861896 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206133. Published by Mark O'Connor Musik International (A0.861896). Piano Trio No. 2 Strange Rims (violin part – piano, vln, cel) MO166BViolin Part (score and parts available)Music by Mark O’Connor24 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166BCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00 ≈
11.05€
Piano Trio No. 2 "Strange Rims" (cello part - pno, vln, cel)
Piano Trio No. 2 "Strange Rims" (cello part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 2 "Strange
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861897 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861897 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206137. Published by Mark O'Connor Musik International (A0.861897). Piano Trio No. 2 Strange Rims (cello part – piano, vln, cel) MO166CCello Part (score and parts available)Music by Mark O’Connor23 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166CCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00 ≈
11.05€
A Christmas Celebration, Medley of Christmas Carols.
A Christmas Celebration, Medley of Christmas Carols.
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Flûte traversière
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AVANCÉ
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Musique Sacrée
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Various
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Mikayla Ann Odut
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A Christmas Celebration, Medle
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Mikayla Odut
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.930988 Composed by Various. Arranged by Mikayla Ann Odut. Christmas,Holiday,Praise & Worship,Religious,Sacred. Individual...
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Flute Solo - Level 5 - SKU: A0.930988 Composed by Various. Arranged by Mikayla Ann Odut. Christmas,Holiday,Praise & Worship,Religious,Sacred. Individual part. 3 pages. Mikayla Odut #3243741. Published by Mikayla Odut (A0.930988). If you're like me, you've searched nearly everywhere for Christmas flute music that isn't boring to play. I composed this for my Christmas recital in 2016 with the following question in mind about Christmas music: Why is piano music so complex while flute music has almost nothing to it? I came to the conclusion that the main difference is that you can play many chords within the piano music. With this difference in mind, I've written a flute medley of Christmas carols, containing both the melody and chords! Essentially, it gives you the oppurtunity to play a balanced, entertaining carol medly that is both challenging and pleasing to hear. This original arrangement includes Angels We Have Heard on High, Joy to the World, It Came Upon the Midnight Clear, The First Noel, and briefly ends with Jingle Bells. Please keep in mind the recording sample is only a computer playback. There are plenty of opportunities to add rubato and your own personalized expression, something the computerized flute doesn't do.*** The audio file does not yet recflect the most recent version.
$7.49 ≈
6.90€
Heaven Can Wait
Heaven Can Wait
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Piano Facile
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FACILE
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Rock
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Meat Loaf
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Fernando Ramos
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Heaven Can Wait
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Fernando Ramos
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.895215 By Meat Loaf. By Jim Steinman. Arranged by Fernando Ramos. Rock. Score. 5 pages. Fernando Ramos #5374881. Publishe...
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Easy Piano - Level 2 - SKU: A0.895215 By Meat Loaf. By Jim Steinman. Arranged by Fernando Ramos. Rock. Score. 5 pages. Fernando Ramos #5374881. Published by Fernando Ramos (A0.895215). Hear it on YouTube: https://youtu.be/t6n9hyJDtSMI make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music, and most importantly, that it actually makes pianistic sense. Sometimes I may hide exercises in the arrangements that I want a student to work on. All of my arrangements are usually made for a specific student, so results will vary.Some fingering is included to guide you along. The song as a whole has been condensed to the main parts. As a general rule, I often shorten vocal melodies and remove excessive syllable notes (lyrics). Solo performances will sound much nicer this way. I also condense melodies for simpler timings.This arrangement was made for an early intermediate student who had just completed learning Fur Elise. I kept some of those elements in mind and risked throwing in some octaves for additional practice. I did keep all the exciting sections, otherwise it would be no fun. The song stands on its own and sounds absolutely beautiful. It has a big sound that won't take a student months to get through. Plenty of patterns they can grasp and re-use. Great for practicing arpeggios too!
$4.99 ≈
4.59€
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99 ≈
9.20€
Introspection 1
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99 ≈
3.67€
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Something On My Mind
