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Vous avez sélectionné:
Something To Hold On To
Partitions à imprimer
54 partitions trouvées
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Something To Hold On To (from Between The Lines)
Something To Hold On To (from Between The Lines)
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Piano, Voix
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Comédie Musicale
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Something To Hold On To
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Hal Leonard
#
SheetMusicPlus
This edition: Interactive Download,scorch. Musical/Show. Score. 7 pages. Hal Leonard #344258. Published by Hal Leonard...
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This edition: Interactive Download,scorch. Musical/Show. Score. 7 pages. Hal Leonard #344258. Published by Hal Leonard
$4.99 ≈
$6.81
Waitin On Santa Claus
Waitin On Santa Claus
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Piano seul
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DÉBUTANT
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Daddywags
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Waitin On Santa Claus
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Gary L Wagner
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1009783 Composed by Daddywags. Children,Christmas. Score. 5 pages. Gary L Wagner #2027273. Published by Gary L Wagner (A0...
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Piano Solo - Level 1 - SKU: A0.1009783 Composed by Daddywags. Children,Christmas. Score. 5 pages. Gary L Wagner #2027273. Published by Gary L Wagner (A0.1009783). Waitin On Santa Claus by DaddyWags Want something new for Christmas? Well Hold on to your sleds because this song could become the next great Christmas classic !
$3.99 ≈
$5.44
Something's Got A Hold On Me
Something's Got A Hold On Me
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Chorale 3 parties
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INTERMÉDIAIRE
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Etta James
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Charissa Seutter
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Something's Got A Hold On Me
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Charissa Seutter
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1384354 By Etta James. By Etta James, Leroy Kirkland, and Pearl Woods. Arranged by Charissa Seutter. 20th ...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1384354 By Etta James. By Etta James, Leroy Kirkland, and Pearl Woods. Arranged by Charissa Seutter. 20th Century,Soul. 16 pages. Charissa Seutter #968673. Published by Charissa Seutter (A0.1384354). This SSA arrangment of Etta James' Something's Got a Hold on Me begins with a solo and then gives the option to split the choir into 3 small groups so everyone gets a chance to sing the melody. Suitable for high school or community choirs. Performance time is approximately 3:10.
$1.99 ≈
$2.71
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
$23.19
We Will Sing Again
We Will Sing Again
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Chorale SATB
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INTERMÉDIAIRE
#
David Weale, Rebecca Luetchfor
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We Will Sing Again
#
David Weale
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1033023 Composed by David Weale, Rebecca Luetchford. Contemporary,World. Octavo. 33 pages. David Weale #5999363....
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Choral Choir (SATB) - Level 3 - SKU: A0.1033023 Composed by David Weale, Rebecca Luetchford. Contemporary,World. Octavo. 33 pages. David Weale #5999363. Published by David Weale (A0.1033023). Written for SATB choir, this song of hope expresses the power of music to bring us together and give us something to hold on to in the darkest of times. Recorded during the COVID-19 lockdown of 2020, this song was originally created as a community project for The Skipton Choir and people in the local area. The parts are moderate and should suit most community choirs, with a mixture of lively melody and rich harmony. This one-time download includes the full score, plus individual parts for you to print as many times as you wish for your ensemble. This does not give you the right to profit from or record this work without permission from the composer. .
$5.00 ≈
$6.82
Satellite to Planet Nine
Satellite to Planet Nine
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Adam Grim
#
Satellite to Planet Nine
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Adam B. Grim
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim. Concert,Contemporary,Standards. 111 pages. Adam B. Grim #6196935. Published by Adam B. Grim (A0.939376). Satellite to Planet Nine is a saxophone quartet inspired by the cosmos surrounding planet Earth. The opening movement, Takeoff, is about the mystery and fear surrounding a possibility of another planet - or black hole - yet to be discovered and the beginning of the journey to find it. The second movement, Hymn for the Moon is dedicated to the closest body of natural rock in our solar system. This movement features the tenor saxophone using a mix of disjunct melodies, smooth jazz, and thick chords to produce a movement of both mysticism and peace as the rocket travels by it. Soca for Saturn is the following movement and is inspired by the Trinidadian popular music known as soca. It is the spark of joy and pure energy that holds the astronauts together as they hold their hopes high traveling to a land that might not even exist at all. The fourth movement depicts the first amount of struggle for the team, Solar Flares, which batter and beat at the crew as they try to find a way through. In the movement the mood is instantly changed with the realization that it is too calm, and soon, meet the purest form of heat and energy. Movement five continues the struggle, but this time with hasty success. Arrival continues where the fourth movement leaves off, but finally they see something in the distance – the planet they have been looking for. They prepare for landing, but with their equipment being nearly destroyed from the solar flares it is not smooth landing. In the final movement, New Gravity, the team ventures out into the new world, which is dark and barren. They feel a disturbing presence around them, and as they search further and further into the cold and dusty landscape, they realize what they are up against – survival. Using what they know, they build on their wreckage and create a new home - The Satellite to Planet Nine.
$30.00 ≈
$40.93
Something's Got A Hold On Me (SSA a cappella)
Something's Got A Hold On Me (SSA a cappella)
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Pop musique
#
Etta James
#
Brandy Kay Riha
#
Something's Got A Hold On Me
#
Brandy Kay Riha
#
SheetMusicPlus
SSA - Intermediate - Digital Download By Etta James. Arranged by Brandy Kay Riha. Sheet Music Single. 9 pages. Published by Brandy Kay Riha ...
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SSA - Intermediate - Digital Download By Etta James. Arranged by Brandy Kay Riha. Sheet Music Single. 9 pages. Published by Brandy Kay Riha
Features a trio of doo-wop singers, in addition to the SSA background vocals. Feel free to adapt the arrangement in any way to accommodate the needs and strengths of your group. This song was covered by Christina Aguilera in the movie Burlesque. Alternate title: Something's Gotta Hold On Me.
With a Master of Music in Choral Conducting and a Bachelor of Arts in Music Theory & Performance, Brandy Kay Riha is an a cappella educator, vocal coach, and arranger with a special interest in building treble repertoire. Her innovative yet accessible arrangements have been performed by middle school, high school, and collegiate singers around the world.
$4.00 ≈
$5.46
Something's Got A Hold On Me (SATB a cappella)
Something's Got A Hold On Me (SATB a cappella)
#
Chorale SATB
#
FACILE
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Pop musique
#
Etta James
#
Brandy Kay Riha
#
Something's Got A Hold On Me
#
Brandy Kay Riha
#
SheetMusicPlus
SATB - Early Intermediate - By Etta James. Arranged by Brandy Kay Riha. Octavo. 6 pages. Published by Brandy Kay Riha...
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SATB - Early Intermediate - By Etta James. Arranged by Brandy Kay Riha. Octavo. 6 pages. Published by Brandy Kay Riha
Feel free to adapt the arrangement in any way to accommodate the needs and strengths of your group. The bass part has a large range, but feel free to alter it in any way that will better suit your bass section. This song was covered by Christina Aguilera in the movie Burlesque. Alternate title: Something's Gotta Hold On Me.
With a Master of Music in Choral Conducting and a Bachelor of Arts in Music Theory & Performance, Brandy Kay Riha is an a cappella educator, vocal coach, and arranger with a special interest in building treble repertoire. Her innovative yet accessible arrangements have been performed by middle school, high school, and collegiate singers around the world. Brandy Kay teaches at Tiffin University.
$4.00 ≈
$5.46
Go to the Child
Go to the Child
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Chorale SATB
#
INTERMÉDIAIRE
#
Samantha Jellett
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Go to the Child
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Samantha Jellett
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1380835 Composed by Samantha Jellett. Advent,Christmas,Holiday. 6 pages. Samantha Jellett #965614. Publis...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1380835 Composed by Samantha Jellett. Advent,Christmas,Holiday. 6 pages. Samantha Jellett #965614. Published by Samantha Jellett (A0.1380835). This SATB a capella setting of a beautiful poem by Imtiaz Darker was composed for the BBC Carol Competition 2019. It is suitable for both professional and amateur/community choirs. The theme is a universal one of new birth, making it suitable for many occasions as well as Christmas. The text is as follows:Rise and go on a bitter nightWhen hope lies frozen in the ground,Hushed and hidden out of sightNo living thing for miles around.Even though the tears of the earthHave turned to crystal, rise.Take the road that leads to a birth,An infant calls and the heart replies.See in the eyes a blazing star,A spark of something newly born,Feet already walking on air,Holding a lifeline in the palm.When at last you see the faceAnd feel on your cheek the baby's breath;When you have known the graceOf a beginning, being blessed.Look up at the hungry bowl of the skyAnd empty your pockets to fill it,See where the water is risingAnd lift your hands to still it.Turn to a world that is still unbornAnd raise your voice to sing it,Go to the child who is not your ownAnd open your heart to save it.See in the eyes a blazing star,A spark of something newly born,Feet already walking on air,Holding a lifeline in the palm.
$1.99 ≈
$2.71
Holding Place
Holding Place
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Christopher Reed
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Holding Place
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Barefoot Compositions
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.933741 Composed by Christopher Reed. Classical. Octavo. 5 pages. Barefoot Compositions #2889561. Published by Ba...
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Choral Choir (SATB) - Level 4 - SKU: A0.933741 Composed by Christopher Reed. Classical. Octavo. 5 pages. Barefoot Compositions #2889561. Published by Barefoot Compositions (A0.933741). Holding Place (SATB) is a fantastic piece for your advanced choir. Its lush harmonies are reminiscent of early sacred works. The text is Lorem Ipsum, a place holding text used by designers. You get to choose what this piece means to you and your choir! Teach your choir the value of this genre without issues around meaning of text.Runs approx 4'00Look for other works by Christopher Reed or commission something new by contacting him at www.barefootcomposer.com and like him on Facebook www.facebook.com/barefootcomposermusic
$2.95 ≈
$4.02
A La Orilla Azul del Silencio (On the Blue Shore of Silence)
A La Orilla Azul del Silencio (On the Blue Shore of Silence)
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Piano seul
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AVANCÉ
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Contemporain
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Douglas Pew
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A La Orilla Azul del Silencio
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Blue Shore Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.938565 Composed by Douglas Pew. Contemporary. Score. 20 pages. Blue Shore Music #12975. Published by Blue Shore Music (A0...
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Piano Solo - Level 5 - SKU: A0.938565 Composed by Douglas Pew. Contemporary. Score. 20 pages. Blue Shore Music #12975. Published by Blue Shore Music (A0.938565). The 25-minute suite A la Orilla Azul Del Silencio ('On the Blue Shore of Silence') was inspired by the last poems of Pablo Neruda. Sensual, other-worldly, expressive and showcasing his rich harmonic pallet, they are freely tonal and transcend any sense of measured time. This is gorgeous piano music. The language is luminous and chromatic, with just enough hints of tonality to help juxtapose the incredible harmonic shifts. His sonic approach to the keyboard here has its ancient roots in Debussy’s pianism, demanding hushed pianissimo dynamics. Pew has a unique voice that is sure to connect with audiences, while saying something fresh, profound and meaningful. - Scott Holden, pianist. 1. Llueve (It Rains) 2.Flores en la Luz (Flowers in the Light) 3. Una Palpitación de Estrellas Pálidas (A Palpitation of Pale Stars) 4. ¿Ahà Está el Mar? (Is the Sea There?) 5. ¡Fue tan bello vivir cuando vivÃas! (It was beautiful to live when you lived!). For more information, please visit douglaspew.com.
$34.99 ≈
$47.73
David Bowie: Life On Mars for Clarinet & Piano
David Bowie: Life On Mars for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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David Bowie
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James M
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David Bowie: Life On Mars for
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jmsgu3
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SheetMusicPlus
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Publ...
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.
"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:
Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie?s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]
In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song ? filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]
The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".
Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.
The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).
Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95 ≈
$68.14
Elyssa Samsel: Something To Hold On To (from Between The Lines) - voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Elyssa Samsel
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Virtualsheetmusic
Instantly printable sheet music by Elyssa Samsel for voice & piano of MEDIUM skill level. / musical/show
Instantly printable sheet music by Elyssa Samsel for voice & piano of MEDIUM skill level. / musical/show
$7.97 ≈
$10.87
Holidays, It's The Holidays
Holidays, It's The Holidays
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Piano seul
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DÉBUTANT
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Noël
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Gary L Wagner
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Holidays, It's The Holidays
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Gary L Wagner
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1009785 Composed by Gary L Wagner. Christmas. Score. 4 pages. Gary L Wagner #32097. Published by Gary L Wagner (A0.100978...
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Piano Solo - Level 1 - SKU: A0.1009785 Composed by Gary L Wagner. Christmas. Score. 4 pages. Gary L Wagner #32097. Published by Gary L Wagner (A0.1009785). Want Something New For The Holidays? Hold On To Your Sleds Here's Holidays, It's The Holidays .
$3.99 ≈
$5.44
Let Thy Holy Spirit Guide, sacred music for SATB choir, 2023
Let Thy Holy Spirit Guide, sacred music for SATB choir, 2023
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Mark R
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Let Thy Holy Spirit Guide, sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1219695 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1219695 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #816065. Published by Kevin G. Pace (A0.1219695). A stunning, sacred choral arrangement for SATB choir.  Music by Kevin G. Pace.  Text by Kevin G. Pace & Mark R. Fotheringham.Text:Let Thy Holy Spirit guide, throughout my journey on earth. Thou hast blessed me graciously from the very moment of birth. Let me hold the iron rod. Help me find the way. Lead me to the tree of life to rejoice while still it is the day.Let Thy Holy Spirit guide, May thy tender mercies mercies revealed Lead me to the tree of life. Let me serve Thee,  Thy love to love to  feel.Let Thy Holy Spirit guide, Though strait and narrow the way. Keep me on the path to Thee through the darkness lest I should stray. May I ever find joy in Thee, as my will meets Thine. Let me see Thy countenance, recognizing something there in mine. Let Thy Holy Spirit guide. May my place with Thee be assured.Lead me to the tree of life. Through repentance my ills be cured.Let Thy Holy Spirit guide when mortal life has an end.Let my soul be lifted up to behold Thy presence again. Guide my steps by faith in Thee. Lead me I implore. May I find my place with Thee, there abide to go out nevermore. Let Thy Holy Spirit guide. Neither stranger nor as a guest, Lead me to the tree of life. Let me there find eternal rest.
$1.99 ≈
$2.71
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99 ≈
$40.91
And I Love Her
And I Love Her
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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And I Love Her
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RayThompsonMusic
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1006336 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,We...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1006336 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Wedding. 8 pages. RayThompsonMusic #609739. Published by RayThompsonMusic (A0.1006336). And I Love Her is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership.It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with If I Fell, as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100.The Beatles performed And I Love Her just once outside EMI Studios; on 14 July 1964 they played it for an edition of the BBC's Top Gear radio show, which was broadcast two days later. And I Love Her has been covered by a variety of artists, including Esther Phillips, Kurt Cobain and Cliff Richard. Arranged brass quintet: 2 tpts, tbn,hn and tuba. The melody in both the verse and the chorus is shared amongst the 3 top instruments.Trumpet 1 plays the arpeggio figure.Other brass ensemble arrangements:A Hard Day’s Night Across the Universe All you need is love And I love her Because Blackbird Come Together Day Tripper Drive My Car Eleanor Rigby Getting Better Good Morning, Good Morning Hello Goodbye Here comes the Sun Hey Jude I am the Walrus I want to hold your hand Lovely Rita Lucy in the Sky Martha My Dear Penny Lane Sgt.Pepper’s Lonely Hearts Club band Something Strawberry Fields Forever Taxman The Fool on the Hill The long and Winding Road We can work it out When I’m Sixty- four With a little help from my friends Yellow Submarine Yesterday You tube is brass quartet version.
$19.95 ≈
$27.22
Audibly Exhale describes the experience of a crystal meth addict
Audibly Exhale describes the experience of a crystal meth addict
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Clark, Bethan
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Audibly Exhale describes the e
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Bethan Clark
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1028156 Composed by Clark, Bethan. 20th Century,A Cappella,Contemporary. Octavo. 20 pages. Bethan Clark #...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1028156 Composed by Clark, Bethan. 20th Century,A Cappella,Contemporary. Octavo. 20 pages. Bethan Clark #3400573. Published by Bethan Clark (A0.1028156). Crystal Methamphetamine (aka Crystal, Tina, X) is quite possibly the most addictive substance in existence. Addiction can be fast to take hold and virtually impossible to shake off. If you are looking to program something edgy, contemporary and thought-provoking for your choir, Audibly Exhale is a challenging 6-minute work inspired by the blog entry of an crystal meth addict. In combination with research and friendship with an addict who disappeared down the rabbit hole, Audibly Exhale is my attempt to touch on some of the physical, mental and external effects of this most evil of drugs: paranoia, heart palpitations, panic attacks and auditory hallucinations. The harmony is built around the chemical compound of crystal methamphetamine, and the principal melodic motif is inspired by an addict's identity number whilst on remand for possession. Appropriate for older singers. Less so for church, I would suggest...www.bethanclark.com
$1.99 ≈
$2.71
Spellbound. Original for Solo Piano.
Spellbound. Original for Solo Piano.
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Piano seul
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INTERMÉDIAIRE
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Grant Horsley
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Spellbound. Original for Solo
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1459801 Composed by Grant Horsley. Classical,Contemporary,Film/TV,Halloween,Thriller. Score. 8 pages. Grant Horsley #1038...
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Piano Solo - Level 3 - SKU: A0.1459801 Composed by Grant Horsley. Classical,Contemporary,Film/TV,Halloween,Thriller. Score. 8 pages. Grant Horsley #1038756. Published by Grant Horsley (A0.1459801). Spellbound is a mysterious piece full of secrets and it intended to hold your attention so you can’t think about anything else! It is written in the most part in A minor, with sustained eerie like chords to set the mood. The piece begins tonally but there are several uses of discords and sharpened 4th’s in the harmony to give the piece unease and an edge! The middle section breaks out in A flat major into some tonality, but this is largely dominated by discords again and won’t let the piece settle. Then comes a few bars of sustained chords to act as a link and to return to section one. This time is has continual eighth note movement in the left hand and the piece ends again with a few eerie discords before the final flourish. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. It is 7 pages long- 5 mins 20 secs. Something different to add to the repertoire!!
$5.00 ≈
$6.82
All The Things You Are
All The Things You Are
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Piano seul
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AVANCÉ
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Jazz
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Jack Leonard with Tommy Dorsey
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Timothy Stapay
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All The Things You Are
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Br...
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Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace. It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers). The song has been recorded by a plethora of artists. It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
$12.26
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99 ≈
$13.63
Concord Canticles (Downloadable)
Concord Canticles (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Sheldon Curry
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Concord Canticles
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Aureole Editions - Digital
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SheetMusicPlus
SATB choir and organ - Medium - SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE152-E. Published ...
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SATB choir and organ - Medium - SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE152-E. Published by Aureole Editions - Digital (MQ.AE152-E). English.Commissioned by True Concord (Tucson, AZ) for their annual Christmas Lessons and Carols, these settings of the Magnificat and Nunc dimittis are powerful and effective. Melding an almost British sensibility with a contemporary musical language, they require an advanced ensemble and capable organist. We think you'll agree that the results are stunning.Notes from the Composer:Magnificat: Imagine you are a teenage Jewish girl a little over 2 thousand years ago. You have almost no power to affect any change in your life other than the biological ones that are happening to you daily. You've been feeling strange lately, nauseous in the mornings. You're soon to be married to an older man you barely know. Your cousin Elizabeth is pregnant and you are on your way to visit her. As you walk, you silently meditate on your current state of affairs, absentmindedly chanting a prayer you've heard since birth.Suddenly, a bright light and strange being appear, the being greets you and gives you the most bizarre news anyone has ever heard. After your initial shock, you can't help but praise God.Nunc dimittis: An old man is at the temple in Jerusalem. Year after year, day after day, hour after hour he has longed for deliverance from Roman oppression and the coming of Messiah. On this day, as he trudges along, he encounters a young girl, an older man and a baby. Not unusual, but something about the child catches his eye and draws him to the family. As he stands staring at the child, suddenly he knows. He knows! This is the One he has been waiting for. The long wait is over. The search is ended. He takes the baby from the mother and holds him close. He feels not elation as much as relief. He can now rest in peace.
$2.70 ≈
$3.68
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
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Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
$4.08
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Something To Hold On To
