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Sonata X for Violin and Basso Continuo Continuo Part
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Vous avez sélectionné:
Sonata X for Violin and Basso Continuo Continuo Part
Partitions à imprimer
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Sonata X for Violin and Basso Continuo - Continuo Part by Jean-Marie Leclair - Basso continuo Part
Instrumental Part
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Classique
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Jean-Marie Leclair
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Sonata X for Violin and Basso
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Musicnotes
Jean-Marie Leclair - Sonata X for Violin and Basso Continuo - Continuo Part - Opus 1, no. 10 Digital Sheetmusic - instantly downloadable sheet music plus an int...
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Jean-Marie Leclair - Sonata X for Violin and Basso Continuo - Continuo Part - Opus 1, no. 10 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part, instruments: Basso continuo; 4 pages -- Baroque
$3.25 ≈
¥23.28
Sonata X, Op.5-10 for Violin & Viola
Sonata X, Op.5-10 for Violin & Viola
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Classique
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Arcangelo Corelli
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Kamada, Mikio
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Sonata X, Op.5-10 for Violin &
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 3 - SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #876618. Pu...
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Instrumental Duet - Level 3 - SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #876618. Published by ACORDO Sheet Music (A0.1285513). Corelli's Op. 5 consists of 12 sonatas for violin and basso continuo. Sonata, Op.5, No.10 has five movements: I. Preludio, II. Allemanda, III. Sarabanda, IV. Gavotta, V. Giga. The fourth movement (IV) is especially well-known.Basso continuo is usually played by harpsichord and cello. However, Lumiere Duo has released a beautiful CD recording of Op. 5, No. 7, performed as a duet for violin and cello. The sheet music we're sharing here is arranged for duets of Op. 5, No. 10, for violin and viola.Viola is tuned one octave above the cello. As a result, the viola can't faithfully replicate the cello part from the original. There are notes that are too low for the viola's range. In the arrangement for violin and viola, we strive to stay true to the original notes. If the notes aren't in the viola's range, we raise them by one octave. However, following this rule too strictly can lead to unnatural sequences. In such cases, even when the note is within the viola's range, we use a note one octave higher to maintain naturalness. While there's no rigid rule for this treatment, we're trying to imagine what Corelli might do if he were arranging for violin and viola. Additionally, in the third and fourth movements, we've swapped the solo part and basso continuo part in the repeating sections. Shifting the melody to the viola brings a fresh sound. In the audio samples below, we've used a flute sound for the violin part and a clarinet sound for the viola part. This should help you better understand how the swapping works.
$4.80 ≈
¥34.39
6 Concerti
6 Concerti
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Pietro Antonio Locatelli
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6 Concerti
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Strings and basso continuo - SKU: S9.Q24162 Composed by Pietro Antonio Locatelli. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenb...
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Strings and basso continuo - SKU: S9.Q24162 Composed by Pietro Antonio Locatelli. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Volume op. 4/7-12, Op Band 2. Ernst Eulenburg & Co. GmbH - Digital #Q24162. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24162). Key: F major.For the six concertos that make up the second part of the Op. 4, Locatelli prescribed eight parts: Violino Primo, Secondo, Alto, è Violoncello, Soli. Violino Primo, Secondo, Alto, è Basso, Ripieni. The use of such forces immediately reminds one of the Corellian concerto grosso, to which Locatelli contributed also in his Op. 1, 7 and 9. But though the instrumentation used in this set seems to feature a clear opposition between the concertino (with solo parts) and the ripieno (with parts that can be doubled), we here encounter a group of works that are very varied in form, instrumentation and structure. Taken as a whole the concertos of the Op. 4 ideally exemplify the developments of Italian Baroque instrumental music: they reveal the close kinship between the concerto grosso and the sonata (as in Concerto X); they also show the derivation of the solo concerto from the concerto grosso; and there are even hints of thematic development and tripartite structures. Also featured are dynamic markings and other performing indications that were rare for the period and show increasing attention to the precise definition of sonorities.
$16.99 ≈
¥121.71
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Sonata X for Violin and Basso Continuo Continuo Part
