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Sonic Woman
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Vous avez sélectionné:
Sonic Woman
Partitions à imprimer
6 partitions trouvées
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Sonic Woman by Bob Dawson - Piano/Vocal/Chords
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Piano, Voix
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Bob Dawson
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Sonic Woman
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Musicnotes
Performed by: Bob Dawson: Sonic Woman Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scorin...
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Performed by: Bob Dawson: Sonic Woman Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 7 pages -- Jazz~~New Age
$5.50 ≈
4.98€
The Water of Tyne
The Water of Tyne
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Chorale SATB
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INTERMÉDIAIRE
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English Folk Song
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Merlyna Lim
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The Water of Tyne
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Merlyna Lim
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1335732 Composed by English Folk Song. Arranged by Merlyna Lim. 19th Century,A Cappella,Folk,Tradi...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1335732 Composed by English Folk Song. Arranged by Merlyna Lim. 19th Century,A Cappella,Folk,Traditional. 5 pages. Merlyna Lim #921556. Published by Merlyna Lim (A0.1335732). Immerse yourself in the rich history of this traditional ballad, collected by John Bell in 1810 and published in Rhymes of Northern Bards two years later. The arrangement pays homage to the authenticity of the original, while embracing a contemporary twist that resonates with modern audiences.The soulful rendition brings forth the poignant narrative of a girl or woman, her voice carrying the weight of longing as she laments the distance between herself and her paramour on the opposite bank. The evocative lyrics, echoing through time, convey a deep connection to the region's folklore, with nods to the iconic Haughton Castle ferry and the turbulent waters downstream.This a cappella adaptation offers a unique and gender-flexible experience, allowing for seamless immersion into the perspective of the narrator. A simple swap of pronouns opens the door to a broader range of emotional interpretations, making the performance accessible and relatable to diverse audiences.With each note and harmony carefully crafted, this rendition captures the spirit of The Water of Tyne in a way that is both faithful to its roots and refreshingly innovative. The vocal arrangement weaves a sonic journey that transcends boundaries, inviting listeners to feel the ebb and flow of love's longing in every phrase.Parts: SSAATTB with 1 soloDuration: 2:58.
$2.59 ≈
2.35€
Stars Through the Rain for SAB and electronic track
Stars Through the Rain for SAB and electronic track
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Chorale 3 parties
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FACILE
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Adrienne Inglis
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Stars Through the Rain for SAB
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pa...
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Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pages. Adrienne Inglis (ASCAP) #857898. Published by Adrienne Inglis (ASCAP) (A0.1265057). Perfect SAB for youth or community choirs! Evocative music that speaks to loneliness and sharingEasy to follow trance-style electronic trackStars Through the Rain (2022) by Adrienne Inglis (ASCAP) and Walter Torres (BMI)SAB and electronic track by Walter TorresText — Stars Through the Rain by Kim Stafford Program note — Duration 3:23Difficulty 2 (High school)Language — SpanishProgram note — Commissioned by Inversion’s new youth choir Nova for its inaugural concert “Star Stuff†in June 2023, Stars Through the Rain is scored for SAB chorus by Adrienne Inglis with electronic track created by Walter Torres. Kim Stafford’s poignant poem of the same name tells the story of a young woman living alone in a remote corner of the world. She witnesses remarkable images of a rainbow over the moon and stars showing through the rain showers. She yearns to share these beautiful experiences with another person. The piece sets the choruses of the poem, which start in a lonely mood and subtly evolve, giving the listener the hope of being lifted into a sharing relationship with another soul. The electronic track weaves natural and synthesized elements together, creating a dreamlike soundscape evoking the night sky. The emotive arpeggiated melody line alternates between minor and major tonality, capturing her melancholic yet hopeful yearning to share this sublime moment with somebody else. The driving percussion elements represent the pitter-patter of rain drops. Synthesized pads provide the harmony and are affected by filter sweeps, a sonic interpretation of starlight refracting through rain sheets.YouTube link for electronic track: https://youtu.be/HlQFoy9hw0E.
$1.99 ≈
1.80€
La Fee Verte Bagpipe Concerto
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00 ≈
27.18€
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #30254...
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Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95 ≈
29.85€
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Sonic Woman
