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Vous avez sélectionné:
Stand Up Comedy
Partitions à imprimer
20 partitions trouvées
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1
Never Creep Up on a Sheep from Behind
Never Creep Up on a Sheep from Behind
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Garth Davies
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Never Creep Up on a Sheep from
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Garth Davies
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1015894 Composed by Garth Davies. Contemporary. Octavo. 7 pages. Garth Davies #6039977. Published by Garth Davie...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1015894 Composed by Garth Davies. Contemporary. Octavo. 7 pages. Garth Davies #6039977. Published by Garth Davies (A0.1015894). A comedy barbershop song (not suitable for contest or a family audience) arranged for men's voices. Lyrics tell of a misunderstanding that takes place on a countryside stroll. Ends with a short post for tenor. Teach tracks for this arrangement are available from the author. Free loan of a sheep costume (pay only for postage) comes with the purchase in the UK. Tracks are available - contact me for details. The $12.99 minimum price includes four legal copies.
$12.99 ≈
11.70€
Examination In Progress (Standard Arrangement)
Examination In Progress (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Geraldine Green
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Geraldine Green
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Examination In Progress
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Geraldine
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1296932 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 20th Century,21st Century,Cham...
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String Orchestra - Level 3 - SKU: A0.1296932 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 20th Century,21st Century,Chamber,Children,Comedy. Score and Parts. 17 pages. Geraldine (Denny) Green at Oakmountmusic #887081. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296932). ALL PURCHASES COME WITH SCORE AND PARTS2009 – Examination in progress, for junior string orchestra. Commissioned by Gary Woolf. Duration: approx 4 minutes.This short piece is comical in character and will have people smiling! It began life as a solo piano piece back in 1980 when I was at school and stressing over my first secondary school exams. Everywhere I looked in my school I was confronted with signs that read, “Silence! Examination In Progressâ€. A comical tune started up in my head and before I knew it it grew into a piano piece, which I wrote down and played daily to help myself cope with the stress of exams. When Gary asked for another Banda piece, I was excited to give this early little savior another chance at life as a piece for junior strings.Two arrangements available;School Arrangement: for; Violins 1, 2 and 3, Cello 1 and 2. Standard: for Violins 1 and 2, Viola, Cello and Double Bass.
$21.00 ≈
18.91€
Stand Up Comedy by U2 - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock Alternatif
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U2
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Stand Up Comedy
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Musicnotes
Performed by: U2: Stand Up Comedy Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arran...
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Performed by: U2: Stand Up Comedy Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Adult Alternative~~Alternative Pop/Rock~~Pop Rock
$5.50 ≈
4.95€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.59€
Cartas del Canadá (Letters from Canada)
Cartas del Canadá (Letters from Canada)
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Antonio Gervasoni
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Cartas del Canadá
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble Electronic Keyboard,Guitar,Piano,Violin - Level 3 - SKU: A0.1027862 Composed by Antonio Gervasoni. Broadway,Classical,Contemporary,Film/T...
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Small Ensemble Electronic Keyboard,Guitar,Piano,Violin - Level 3 - SKU: A0.1027862 Composed by Antonio Gervasoni. Broadway,Classical,Contemporary,Film/TV,Musical/Show. Score and parts. 167 pages. Antonio Gervasoni #3038785. Published by Antonio Gervasoni (A0.1027862). Twenty-six-movement work for violin, guitar, piano and electronic keyboard. A collection of pieces from the music composed by Antonio Gervasoni in 2006 for a setting of the play Los árboles mueren de pie (Trees die standing tall) by Spanish playwright Alejandro Casona. Comedy, drama, suspense and romance are all mixed up in this play that tells a heartbreaking story about love and the courage to face life’s hardest blows. Although this set of pieces was written with Casona’s play in mind, it can certainly be used as incidental music for any other tragicomedy, in which case, the pieces may have to be adapted accordingly. This score has been designed so that it serves also as the part for the keyboard player. This would let him assume the role of music director and thus ensure that the music is synchronized with the action and dialogues. All other parts have been included after the score of the final movement. Note: being that the play is in Spanish, the score and all the texts in it are also in Spanish.
$9.99 ≈
9.00€
Stand Up Comedy
Stand Up Comedy
Medium Voice|Piano|Guitar|Guitar
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Rock
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U2
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Rock
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Stand Up Comedy
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By U2. For piano, voice, and guitar (chords only). Pop; Rock. 6 pages. Published by Hal Leonard - Digital Sheet Music...
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By U2. For piano, voice, and guitar (chords only). Pop; Rock. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Stand Up Comedy
Stand Up Comedy
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Guitare notes et tablatures
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Rock
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U2
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Stand Up Comedy
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By U2. For guitar. Rock. Guitar TAB. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music...
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By U2. For guitar. Rock. Guitar TAB. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Bono: Stand Up Comedy for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Bono
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Virtualsheetmusic
Instantly printable sheet music by U2 for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by U2 for voice, piano or guitar of MEDIUM skill level. / pop,rock
$6.97 ≈
6.28€
Bono: Stand Up Comedy for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Bono
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Virtualsheetmusic
Instantly printable sheet music by U2 for guitar (tablature) of MEDIUM skill level. / rock
Instantly printable sheet music by U2 for guitar (tablature) of MEDIUM skill level. / rock
$8.97 ≈
8.08€
Billy's Song
Billy's Song
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Music by Ben Frost, Lyrics by
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Billy's Song
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Frost & Hough
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.942979 Composed by Music by Ben Frost, Lyrics by Richard Hough. Broadway,Musical/Show. Score. 9 pages. Frost & Hou...
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Piano,Vocal,Voice - Level 3 - SKU: A0.942979 Composed by Music by Ben Frost, Lyrics by Richard Hough. Broadway,Musical/Show. Score. 9 pages. Frost & Hough #4111365. Published by Frost & Hough (A0.942979). BILLY'S SONG from BILLY THE KID, a new musical with music by Ben Frost and lyrics by Richard Hough. Vocal/Piano/Chords. 9 Pages.Also check out the Original Cast Album which reached #2 in the iTunes soundtrack chart!https://itunes.apple.com/gb/album/billy-the-kid-a-new-musical/1370027023Accompanying music videohttps://www.youtube.com/watch?v=wv5hp0aFKBcWilliam Antrim is small for his age; he’s quiet and shy, which makes him an easy target for lazy bullies. But in his dreams, he's Billy the Kid, a courageous cowboy, riding the range with the sun in his eyes. An all-American hero. Now, if only his dreams could become a reality…Billy the Kid is an adventure story, a magical, musical comedy set in a colourful world of cowboys and bandits, cactus trees and caballeros. Saddle up for a journey back in time, to a land where the bravest heroes are only a whip-crack away! This is a show for all the family, smart enough for the most demanding young audience and silly enough for the grumpiest grown ups.Visit www.frostandhough.com for more information.
$3.99 ≈
3.59€
Day Time Impressions
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99 ≈
9.00€
Cinnamon Rolls (for Brass Quintet)
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95 ≈
17.97€
For Unto Us A Child Is Born
For Unto Us A Child Is Born
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G F Handel
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Colin G Dance
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For Unto Us A Child Is Born
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Dance is With Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1109426 Composed by G F Handel. Arranged by Colin G Dance. Christmas,Comedy. Brass Band. 63 pages. Dance is With Music #711870. Published by Dance is With Music (A0.1109426). An ever so slightly 'tongue in cheek' humorous version of this work from Handel's 'Messiah'. It uses a quartet of soloists including Solo Cornet, Tenor Horn, Euphonium and EE Bass. The piece is suitable for Christmas concerts, and indeed the major work is normally performed at this festive time. The cymbals player stands with his cymbals at the ready throughout the whole piece but doesn't actually get to play them..! The trombones get a laugh too. The whole thing requires the band to 'act up' somewhat, and the score and parts have instructions on what to do and when...!
$75.00 ≈
67.55€
Bring Me Sunshine
Bring Me Sunshine
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Chorale TTBB
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INTERMÉDIAIRE
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Willie Nelson
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Nathan Jones
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Wise
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Bring Me Sunshine
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Nathan Jones Music
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Come...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Comedy,Pop. 8 pages. Nathan Jones Music #1003763. Published by Nathan Jones Music (A0.1422424). Originally arranged for Rechoir (SATB) to perform at a member's wedding, the arrangements is now available for TTBB, arranged for The Morriston Orpheus Choir.This jovial choral arrangement of 'Bring Me Sunshine' is sure to get feet tapping, and bring a smile to any audience. This piece would fit well into any Spring or Summer programme, or even into a Winter one, if you're trying to cheer everyone up!Made famous in the UK as the signature tune of Morcambe & Wise.This arrangement is for standard TTBB with no splits, slightly simplified rhythms (compared to the SATB version) and identical repeats, all to aid learning. The melody moves between the sections, giving everyone a chance to shine!Intended for choirs of intermediate ability.Essential skills for this piece - Smiling and having fun!The YouTube link is of a live performance by Swansea University Choral Society (SATB). I updated the arrangement following this recording (which is the one available for sale here), but the video gives the gist of the cheery feel and an idea of the harmony.
$3.50 ≈
3.15€
The Jelly Roll Blues
The Jelly Roll Blues
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Orchestre d'harmonie
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FACILE
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Ferdinand Jelly Roll Mortom
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Pete Cross
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The Jelly Roll Blues
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Robert Peter Cross
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1345172 Composed by Ferdinand Jelly Roll Mortom (1885-1941. Arranged by Pete Cross. 20th Century,Blues,Comedy,Jazz. 73 ...
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Concert Band - Level 2 - SKU: A0.1345172 Composed by Ferdinand Jelly Roll Mortom (1885-1941. Arranged by Pete Cross. 20th Century,Blues,Comedy,Jazz. 73 pages. Robert Peter Cross #930104. Published by Robert Peter Cross (A0.1345172). Some of the old blues tunes get lost in time, I decided to take a number that was play with a trad band line up and arrange it for a concert band to become of any programme.Any collage or school band of easy intermeiate standard will find this fun to play.
$40.00 ≈
36.03€
I Love Lucy
I Love Lucy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Desi Arnaz
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Timothy Stapay
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I Love Lucy
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1427888 By Desi Arnaz. By Eliot Daniel and Harold Adamson. Arranged by Timothy Stapay. Comedy,Film/TV,Pop,Singer/Songwrit...
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Piano Solo - Level 4 - SKU: A0.1427888 By Desi Arnaz. By Eliot Daniel and Harold Adamson. Arranged by Timothy Stapay. Comedy,Film/TV,Pop,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #1008630. Published by Timothy Stapay (A0.1427888). The famous “I Love Lucy” theme song was written by composer Eliot Daniel (1908–1997) I Love Lucy is an American television sitcom that originally aired on CBS from October 15, 1951, to May 6, 1957, with a total of 180 half-hour episodes, spanning six seasons. The show starred Lucille Ball and her husband Desi Arnaz, along with Vivian Vance and William Frawley.Lyrics:I love Lucy and she loves meWe're as happy as two can beWe have our quarrels but thenOh, how we love making up againLucy kisses like no one canShe's my misses and I'm her manAnd life is heaven you see'Cause I love Lucy, yesI love Lucy andLucy loves me.
$5.99 ≈
5.39€
The Sun Has Got His Hat On (he's Coming Out Today)
The Sun Has Got His Hat On (he's Coming Out Today)
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Chorale 2 parties
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FACILE
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Noel Gay and Ralph Butler
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Stewart J Wallace
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The Sun Has Got His Hat On
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Stewart J Wallace
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1350494 Composed by Noel Gay and Ralph Butler. Arranged by Stewart J Wallace. Barbershop,Broadway,Comed...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1350494 Composed by Noel Gay and Ralph Butler. Arranged by Stewart J Wallace. Barbershop,Broadway,Comedy,Jazz,Musical/Show,Standards. 15 pages. Stewart J Wallace #935303. Published by Stewart J Wallace (A0.1350494). This is a bright, breezy, and up tempo song originally recorded in 1932. Musically it is typical of the era, and would typically be used as music suitable for a quickstep or for tap dancing. The offensive lyrics of the original have been replaced with the amendment used in the 1984 revival of the show, Me And My Girl, written by Stephen Fry. The arrangement is written for 2 voices and could be used in any combination of voice types, so feel free to adapt and see what works best in your situation. There is a simple piano accompaniment which can be embellished with other instruments, and a vocal score is included so that the singers can avoid juggling with lots of pages.
$1.99 ≈
1.79€
Watermelon Man
Watermelon Man
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Herbie Hancock
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John Fries
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Watermelon Man
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John Fries
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SheetMusicPlus
Level 4 - SKU: A0.1120710 By Herbie Hancock. By Herbie Hancock. Arranged by John Fries. 20th Century,Blues,Comedy,Jazz,Standards. 15 pages. John Fries #...
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Level 4 - SKU: A0.1120710 By Herbie Hancock. By Herbie Hancock. Arranged by John Fries. 20th Century,Blues,Comedy,Jazz,Standards. 15 pages. John Fries #721961. Published by John Fries (A0.1120710). TYPE IN JOHN FRIES TO SEE ALL I HAVE TO OFFER! Growing up in the '40s and '50s in Chicago, Herbie Hancock was around street vendors, including the watermelon men, who peddled the fruit. This provided the title and musical inspiration for the song. Hancock wrote: In reflecting on my childhood, I recalled the cry of the watermelon man making his rounds through the back streets and alleys of Chicago's South Side. The wheels of his wagon beat out the rhythm on the cobblestones. This is one of the most famous jazz compositions ever recorded. Hancock was just 22 when he released it on his first album, Takin' Off.
$12.99 ≈
11.70€
Toot, Toot, Tootsie!
Toot, Toot, Tootsie!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.30€
Sonata In G For Organ-Scherzo
Sonata In G For Organ-Scherzo
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Orgue
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INTERMÉDIAIRE
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Thomas R
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Sonata In G For Organ-Scherzo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published...
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Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published by Thomas R. Schadl (A0.912462). The Scherzo explores a variety of sections that have their own character. The first section is written in a North German toccata style where the opening measures are treated in a canonic manner and played in a series of thirds and sixths against the main theme stated in the pedal division; this compositional approach is somewhat reminiscent of the organ compositions of Dietrich Buxtehude (Prelude and Fugue in G Minor BUXWV 149). The second section is contrapuntal in nature and depicts a humorous moment; that moment may depict a comedy show or a circus event at a fair. Following that section is the recurrence of the main theme of the first movement. The fourth section is quiet in sound intensity and is the most chromatically oriented than other parts. Following that is a fugue, derived from the main theme of the first movement, and a transitional passage leading back to the recurring main theme. The work concludes triumphantly in the key of G Major. The Scherzo requires attention to articulation, phrasing and timing. This work is suitable for educational and recital uses: it introduces organ students to major works of Buxtehude and Johann S. Bach and many more composers; organists of various expertise may play the work to lighten up the audience's mood after listening to more difficult organ works. Let this work bring pleasure into your hearts and the listeners'. Enjoy it.
$7.99 ≈
7.20€
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Stand Up Comedy
