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Start Of Something New
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Vous avez sélectionné:
Start Of Something New
Partitions à imprimer
216 partitions trouvées
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201
Feel Something
Feel Something
#
Chorale TTBB
#
FACILE
#
Adam Lambert
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Timorell
#
Feel Something
#
Timorell
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.552901 By Adam Lambert. By Adam Lambert, Benedict Cork, and Joshua Kissiah Cumbee. Arranged by Timorell. ...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.552901 By Adam Lambert. By Adam Lambert, Benedict Cork, and Joshua Kissiah Cumbee. Arranged by Timorell. A Cappella,Contemporary,Pop,Rock. 9 pages. Timorell #162584. Published by Timorell (A0.552901). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An easy intermediate level cover of Adam Lambert's Feel Something. Mostly solo with group backup. Starts very intimately. Encourage using only one singer per part for opening section then add more for larger groups. Very poignant message for mental health in stressful times. Vocal percussion is considered a key component and, though not notated, is highly encouraged.
$2.00 ≈
1.79€
Don't Start Now - Pop String Quartet with Rhythm Section parts
Don't Start Now - Pop String Quartet with Rhythm Section parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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Dua Lipa, Dallas String Quar
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Kyle Pudenz
#
Don't Start Now - Pop String Q
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ViolinVagabond Music
#
SheetMusicPlus
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 page...
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!
"If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.
Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.
This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:
- Cool collaborations with non-classical musicians.
- Making peace and finally finding common ground with those heathens who use frets to play in tune.
- Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!
- You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.
- You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.
... and the list goes on.
Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!
Performance time - approximately 3:00, longer if you want to vamp the outro
Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99 ≈
22.40€
Start Of Something New
Start Of Something New
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Voix seule
#
Film Walt Disney
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Enfant
#
Zac Efron and Vanessa Anne Hud
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Start Of Something New
#
Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.376066 By Zac Efron and Vanessa Anne Hudgens. Children,Disney,Musical/Show. Pro Vocal. 3 pages. Published by Hal Leonard - Digital (HX.376066). ...
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SKU: HX.376066 By Zac Efron and Vanessa Anne Hudgens. Children,Disney,Musical/Show. Pro Vocal. 3 pages. Published by Hal Leonard - Digital (HX.376066).
$4.99 ≈
4.47€
Start Of Something New (Nini version) (from High School Musical: The Musical: The Series)
Start Of Something New (Nini version) (from High School Musical: The Musical: The Series)
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Piano, Voix et Guitare
#
Pop musique
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Film/TV
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Olivia Rodrigo
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Start Of Something New
#
Hal Leonard - Digital
#
SheetMusicPlus
By Olivia Rodrigo. This edition: Interactive Download. Disney, Film/TV. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital...
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By Olivia Rodrigo. This edition: Interactive Download. Disney, Film/TV. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital
$4.99 ≈
4.47€
Olivia Rodrigo: Start Of Something New (Nini version) (from High School Musical: The Musical: The Series) - voice, piano or guitar
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Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Film/TV
#
Olivia Rodrigo
#
Virtualsheetmusic
Instantly printable sheet music by Olivia Rodrigo for voice, piano or guitar of MEDIUM skill level. / disney,film/tv,movies
Instantly printable sheet music by Olivia Rodrigo for voice, piano or guitar of MEDIUM skill level. / disney,film/tv,movies
$5.97 ≈
5.35€
Robbie Nevil: Start Of Something New for piano four hands
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1 Piano, 4 mains
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Enfant
#
Robbie Nevil
#
Virtualsheetmusic
Instantly printable sheet music by High School Musical for piano four hands of MEDIUM skill level. / children,disney,film/tv,musical/show,pop,movies
Instantly printable sheet music by High School Musical for piano four hands of MEDIUM skill level. / children,disney,film/tv,musical/show,pop,movies
$8.97 ≈
8.04€
Robbie Nevil: Start Of Something New for piano solo
#
Piano seul
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Enfant
#
Robbie Nevil
#
Virtualsheetmusic
Instantly printable sheet music by Matthew Gerrard for piano solo of MEDIUM skill level. / children,disney,film/tv,musical/show,pop,movies
Instantly printable sheet music by Matthew Gerrard for piano solo of MEDIUM skill level. / children,disney,film/tv,musical/show,pop,movies
$5.97 ≈
5.35€
Robbie Nevil: Start Of Something New for guitar
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Guitare notes et tablatures
#
FACILE
#
Film Walt Disney
#
Enfant
#
Robbie Nevil
#
Virtualsheetmusic
Instantly printable sheet music by Matthew Gerrard for guitar solo (easy tablature) of EASY skill level. / children,disney,musical/show,pop
Instantly printable sheet music by Matthew Gerrard for guitar solo (easy tablature) of EASY skill level. / children,disney,musical/show,pop
$5.97 ≈
5.35€
Robbie Nevil: Start Of Something New for voice & piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Enfant
#
Robbie Nevil
#
Virtualsheetmusic
Instantly printable sheet music by High School Musical for voice & piano of MEDIUM skill level. / children,disney,pop
Instantly printable sheet music by High School Musical for voice & piano of MEDIUM skill level. / children,disney,pop
$5.97 ≈
5.35€
Robbie Nevil: Start Of Something New for piano solo
#
Piano seul
#
FACILE
#
Film Walt Disney
#
Enfant
#
Robbie Nevil
#
Virtualsheetmusic
Instantly printable sheet music by Matthew Gerrard for piano solo (big note book) of EASY skill level. / children,disney,film/tv,musical/show,pop,movies...
(+)
Instantly printable sheet music by Matthew Gerrard for piano solo (big note book) of EASY skill level. / children,disney,film/tv,musical/show,pop,movies
$5.97 ≈
5.35€
Robbie Nevil: Start Of Something New for piano solo
#
Piano seul
#
FACILE
#
Film Walt Disney
#
Enfant
#
Robbie Nevil
#
Virtualsheetmusic
Instantly printable sheet music by Matthew Gerrard for piano solo of EASY skill level. / children,disney,musical/show,pop
Instantly printable sheet music by Matthew Gerrard for piano solo of EASY skill level. / children,disney,musical/show,pop
$5.97 ≈
5.35€
Robbie Nevil: Start Of Something New for voice, piano and guitar
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Enfant
#
Robbie Nevil
#
Virtualsheetmusic
Instantly printable sheet music by High School Musical for voice, piano or guitar of MEDIUM skill level. / children,disney,musical/show
Instantly printable sheet music by High School Musical for voice, piano or guitar of MEDIUM skill level. / children,disney,musical/show
$9.99 ≈
8.95€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.58€
Cycles of Life Songbook
Cycles of Life Songbook
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Sydney Stevens
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Cycles of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #2959611. Published by Sydney Stevens, Water Music (A0.859669). Contact: sydneystevenspianostudio@gmail.comCycles of Life Songbook: A collection of 11 original piano/vocals by Sydney Stevens (ASCAP). Book is arranged for piano/vocal with chords and includes one piano solo: Lucy.From the Album: Cycles of LifeMood: Introspective, heartfelt, emotional, comforting, hopeful.Musical Traits: Most songs are arranged with left hand broken chords and right hand reflecting vocal part. Songs included in this book: Cycles of Life, Another Day, Time, Brian's Song, Tumbleweed, Alleys, Herbie, Back to the Heart, Lucy, Dead of Winter, The River [Note: all songs can be sampled &/or purchased on this website] More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition.
$14.95 ≈
13.40€
Cycles of Life
Cycles of Life
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Cycles of Life
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Music #2942883. Published by Sydney Stevens, Water Music (A0.859659). Contact: sydneystevenspianostudio@gmail.comCycles of Life: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Loreena McKennitt, Lucy Kaplansky, Giorgia FumantiFrom Album: Cycles of Life Theme: The only constant in life is change. Appropriate for the loss of a loved one.Mood: Contemplative, soulful, reflective.Musical Traits: Strong melody, gorgeous arrangement.Performance Time: 3:55.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be dif.
$4.95 ≈
4.44€
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Start Of Something New
