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Still The One Trombone
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Vous avez sélectionné:
Still The One Trombone
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Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
9.21€
I Sit Here on the Barren Hill
I Sit Here on the Barren Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99 ≈
12.90€
Still The One
Still The One
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Orleans
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Will Corbin
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Still The One
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465623 By Orleans. By Johanna Hall and John Hall. Arranged by Will Corbin. Film/TV,Pop. 22...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465623 By Orleans. By Johanna Hall and John Hall. Arranged by Will Corbin. Film/TV,Pop. 22 pages. Will Corbin #1044235. Published by Will Corbin (A0.1465623). Another from the Department of Don't Do This For Brass Quintet: This 1976 song by the group Orleans actually turns out to be a fun, upbeat, feel-good tune that suits a quintet quite nicely. It was the ABC-TV Network's theme song for a couple of years after it climbed to No. 5 on the Billboard chart.If you'd like other instrumentation, please contact me at wilcor@aol.com.
$15.00 ≈
13.83€
Phyllis the Photobombing Phantom, Halloween Duet for Trumpet and Trombone
Phyllis the Photobombing Phantom, Halloween Duet for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Phyllis the Photobombing Phant
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.592240 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Sco...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.592240 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6355713. Published by David McKeown (A0.592240). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for one Trumpet and one Trombone. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.81€
The Tulip Ch'Boogie for Trumpet and Trombone Duet
The Tulip Ch'Boogie for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Trumpe
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591361 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591361 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292217. Published by David McKeown (A0.591361). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Trumpet and one Trombone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
Five Ragtime Solos by Scott Joplin for Trombone and Piano
Five Ragtime Solos by Scott Joplin for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1118317 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. Dav...
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Piano,Trombone - Level 3 - SKU: A0.1118317 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719835. Published by David McKeown (A0.1118317). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Trombone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99 ≈
9.21€
Five Ragtime Duets by Scott Joplin for Trumpet and Trombone
Five Ragtime Duets by Scott Joplin for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Duets by Scott Jo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.1117467 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.1117467 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 17 pages. David McKeown #719013. Published by David McKeown (A0.1117467). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The duets included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as duets for one Trumpet and one Trombone, and include all sections of the original compositions. The YouTube link showcases the clarinet version of these duets. The duets are suitable for players at an intermediate and and advanced intermediate level. Musicians will find these Ragtime duets ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Â
$9.99 ≈
9.21€
Tango d'Elinora, for Trumpet and Trombone Duet
Tango d'Elinora, for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Tango
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David McKeown
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Tango d'Elinora, for Trumpet a
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589092 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and p...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589092 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and parts. 6 pages. David McKeown #5792895. Published by David McKeown (A0.589092). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Silent Night (Bb) (Trombone Octet)
Silent Night (Bb) (Trombone Octet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813997 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813997 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636659. Published by Regis Bookshar (A0.813997). Trombone Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Trombone Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.37€
Silent Night (Bb) (Trombone Quintet)
Silent Night (Bb) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813974 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Concert,Instructional,World. Sc...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813974 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Concert,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635873. Published by Regis Bookshar (A0.813974). Trombone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Trombone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00 ≈
4.61€
And the Glory of the Lord (from "Messiah") (F) (Trombone Quintet)
And the Glory of the Lord (from "Messiah") (F) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Regis Bookshar
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And the Glory of the Lord
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.813163 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacre...
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Brass Ensemble Trombone - Level 4 - SKU: A0.813163 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. Score and parts. 20 pages. Regis Bookshar #6130495. Published by Regis Bookshar (A0.813163). Trombone Quintet - Advanced/Intermediate - . This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 Trombones, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G but this version is written in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. Other versions of this selection, in both the keys of Concert F and the original key of Concert G, are available for a variety of instrumental ensembles. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase the version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00 ≈
22.12€
And the Glory of the Lord (from "Messiah") (G) (Trombone Quintet)
And the Glory of the Lord (from "Messiah") (G) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Regis Bookshar
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And the Glory of the Lord
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.813182 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacre...
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Brass Ensemble Trombone - Level 4 - SKU: A0.813182 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred. Score and parts. 20 pages. Regis Bookshar #6130595. Published by Regis Bookshar (A0.813182). Trombone Quintet - Advanced/Intermediate - . This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 Trombones, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G, as is this version, but other versions are also available for a variety of instrumental ensembles, both in the key of Concert G and also in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase this version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00 ≈
22.12€
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiva...
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Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
46.05€
Mimi the Multicoloured Mummy, Halloween Duet for Trumpet and Trombone
Mimi the Multicoloured Mummy, Halloween Duet for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Mimi the Multicoloured Mummy,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592198 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,S...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592198 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6354391. Published by David McKeown (A0.592198). Mimi the Multicoloured Mummy is a fun and original duet written by David McKeown for one Trumpet and one Trombone. Mimi the Multicoloured Mummy is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Back in Ancient Egypt, Mimi always turned heads with her blonde hair and fashion sense. She made her fortune in a pyramid selling scheme and acquired Joseph’s Amazing Technicolour Dreamcoat at a charity auction. When she choked on a locust her friends tore up the coat and used it in the mummification process instead of the usual white bandages. So three thousand years later Mimi still dresses in style. Mimi the Multicoloured Mummy is suitable for players at an intermediate level and above, with the accessible keys and range balanced by some fast passages. With a playing-time of around four minutes, Mimi the Multicoloured Mummy is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
You're Still The One
You're Still The One
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Trombone
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DÉBUTANT
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Shania Twain
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Rene Alves
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You're Still The One
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Rene Alves
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SheetMusicPlus
Trombone Solo - Level 1 - SKU: A0.1106435 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Mul...
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Trombone Solo - Level 1 - SKU: A0.1106435 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709551. Published by Rene Alves (A0.1106435). Trombone sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00 ≈
5.53€
Phyllis the Photobombing Phantom, Halloween Duet for Trombone
Phyllis the Photobombing Phantom, Halloween Duet for Trombone
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2 Trombones (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Phyllis the Photobombing Phant
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 4 - SKU: A0.592235 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #63...
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Trombone Duet Trombone - Level 4 - SKU: A0.592235 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6355703. Published by David McKeown (A0.592235). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for two Trombones. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
You're Still The One
You're Still The One
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Trombone
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Shania Twain
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You're Still The One
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.358784 By Shania Twain. This edition: Interactive Download. Love,Pop,Rock. Trombone Solo. 1 pages. Published by Hal Leonard ...
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Interactive Download SKU: HX.358784 By Shania Twain. This edition: Interactive Download. Love,Pop,Rock. Trombone Solo. 1 pages. Published by Hal Leonard - Digital (HX.358784).
$2.99 ≈
2.76€
The Peanut Vendor (el Manisero)
The Peanut Vendor (el Manisero)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Si...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
11.97€
Centone V: Four Madrigals for Brass Quintet
Centone V: Four Madrigals for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Richard Decker
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Centone V: Four Madrigals for
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1139644 Composed by Claudio Monteverdi. Arranged by Richard Decker. ...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1139644 Composed by Claudio Monteverdi. Arranged by Richard Decker. Baroque,Chamber,Multicultural,Renaissance,World. 55 pages. Charles Decker Music Press #739914. Published by Charles Decker Music Press (A0.1139644). As one of the most creative composers leading the musical changes from the Renaissance into the Baroque, Claudio Monteverdi instilled into his noteworthy Madrigals not only the contemporary explorations of dissonance and form but also mastered the art of tone-painting of human emotions to an extraordinary level. Scored for a brass quintet of two B-flat trumpet with alternate C trumpet parts, horn in F with substitute flugelhorn part, trombone and tuba, these Madrigal arrangements provide an additional unique opportunity for performances using all conical brass instruments (two B-flat cornets, horn, euphonium and tuba). These spirited Madrigals showcase all the quintet members and will add excitement and drama to performances. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$17.99 ≈
16.58€
Negotiations for Trombone and Harp
Negotiations for Trombone and Harp
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Harpe, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Negotiations for Trombone and
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - SKU: A0.755284 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 32 page...
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Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - SKU: A0.755284 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 32 pages. Sy Brandon #5287559. Published by Sy Brandon (A0.755284). Negotiations was inspired by the Kim/Trump summit in June 2018. It is not a political commentary, but rather a reflection on the three stages that often take place during the negotiation process. The first movement Bombastic is filled with syncopation, loud dynamics, and strong articulation. It is at a fast tempo. Each instrument presents its point of view with different motivic material. The trombone hammers away at making its point through fast repeated notes and both instruments repeat their motives frequently in an argumentative manner. The second movement Compromise is at a slow tempo and is imitative. The imitation varies in some degree as each side makes small adjustments to what the other side has said. Sometimes the imitation is through alternating phrases and other times it is more canonic. Accord is the title of the third movement. This movement proceeds as if the two instruments are one with the trombone stating the agreement and the harp supporting the trombone. Tweaks are still being made as slight variations occur as the material repeats, but the sense of accord is present throughout and the movement and composition end triumphantly.
$14.99 ≈
13.82€
Rudolph The Red-Nosed Reindeer
Rudolph The Red-Nosed Reindeer
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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John Denver
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Will Corbin
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Rudolph The Red-Nosed Reindeer
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1460513 By John Denver. By Johnny Marks. Arranged by Will Corbin. Children,Christmas,Pop. 1...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1460513 By John Denver. By Johnny Marks. Arranged by Will Corbin. Children,Christmas,Pop. 10 pages. Will Corbin #1039437. Published by Will Corbin (A0.1460513). The Rudolph story begins in 1939, when Montgomery Ward asked Robert May, one of its ad copywriters, to come up with a kids' book for its Christmas shoppers. The result was the now-familiar red-nosed reindeer. (For those born in later generations, Mongomery Ward was a giant, like Sears, in the mail-order retail business. Kind of like Amazon without the Internet.) May's brother-in-law, Johnny Marks, turned it into a song a decade later. Gene Autry recorded it for Christmas in 1949, and it immediately hit No. 1 on the pop music charts. It was still there at the end of the first week of January, making it the first No. 1 hit of the 1950s.Its sales since then, including countless covers, have surpassed 150 million. Only White Christmas, among holiday songs, has sold more.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00 ≈
13.83€
5 Duos in 3 Clefs for Trombones
5 Duos in 3 Clefs for Trombones
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2 Trombones (duo)
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini
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David Mathie
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5 Duos in 3 Clefs for Trombone
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Gordon Cherry
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SheetMusicPlus
Trombone Duet Trombone - Level 4 - SKU: A0.1297340 Composed by Gioachino Rossini. Arranged by David Mathie. 19th Century,Classical. Score. 16 pages. Gor...
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Trombone Duet Trombone - Level 4 - SKU: A0.1297340 Composed by Gioachino Rossini. Arranged by David Mathie. 19th Century,Classical. Score. 16 pages. Gordon Cherry #887420. Published by Gordon Cherry (A0.1297340). Here is what arranger David Mathie writes about the 5 Duos by Rossini.Gioachino Rossini was an Italian composer, born in 1792 and died in 1868. He was known primarily for his thirty-nine operas, although he did compose some chamber pieces and a few orchestral works. His 5 Duos for 2 Horns in E♠were probably written in 1806 when Rossini was fourteen and living in Bologna, although they weren’t published until 1861. While it may seem unusual for a fourteen-year-old to be composing, by then Rossini had already written his String Sonatas at the age of twelve, and those works are still performed today. An explanation for why Rossini would write a set of duets for horn may be that his father was a professional trumpet player, and taught his son Gioachino to play the horn at a very young age.These five pieces were written for the natural (valveless) horns of the time, and like the horn writing of Mozart some very technical passages can be found in the lower part, especially in duets four and five. We can also hear the future opera composer’s arias in number three. The duos will work quite well on recitals and also for casual duet playing. Because trombonists can never have enough practice in clefs, I have transcribed the duets into three versions each using bass, tenor and alto clefs.The 5 Duos in 3 Clefs by Rossini arranged by David Mathie are perfect studies for any aged performer to begin learning Tenor and Alto Clefs. The duet format allows the teacher to play alongside the student, which is always so valuable for learning. They are of moderate difficulty making them well-suited for the Clef Novice to begin adding these necessary tools to their technique.
$17.50 ≈
16.13€
The Tulip Ch'Boogie for Trombone Duet
The Tulip Ch'Boogie for Trombone Duet
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2 Trombones (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Trombo
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.591355 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6292205. Publis...
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Trombone Duet Trombone - Level 3 - SKU: A0.591355 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6292205. Published by David McKeown (A0.591355). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for two Trombones. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
Eternal Father, Strong to Save - for Trombone Quartet
Eternal Father, Strong to Save - for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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FACILE
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Trombone - Level 2 - SKU: A0.1112600 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Sacred,Traditional. ...
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Trombone - Level 2 - SKU: A0.1112600 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Sacred,Traditional. 14 pages. Artistic Score Engraving di Galvagno Michele #714610. Published by Artistic Score Engraving di Galvagno Michele (A0.1112600). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50 ≈
5.07€
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Still The One Trombone
