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29 partitions trouvées
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26
4 Keyboard Sonatas
4 Keyboard Sonatas
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Piano seul
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INTERMÉDIAIRE
#
Classique
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Domenico Cimarosa
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Nick Rossi
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4 Keyboard Sonatas
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1485610 Composed by Domenico Cimarosa. Arranged by Nick Rossi. Classical. Score. 37 pages. Artaria Editions #1062676. Pub...
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Piano Solo - Level 3 - SKU: A0.1485610 Composed by Domenico Cimarosa. Arranged by Nick Rossi. Classical. Score. 37 pages. Artaria Editions #1062676. Published by Artaria Editions (A0.1485610). The four sonatas in this volume are a tantalising introduction to Artaria Editions' forthcoming publication of the complete keyboard sonatas of Domenico Cimarosa. (Sonata R20, R30, R25 and R27) The present edition attempts to present as accurately as possible the composer's intentions as transmitted in the Florentine MS with the exception of the grouping of the works into multi-movement cycles. Cimarosa's scant markings have been preserved throughout and, on occasion, applied to parallel passages. As in the original, the editor has placed the onus of responsibility for interpretation back on the performer although he has made occasional tempo suggestions where they are missing from the source. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Nick Rossi Sadly Nick Rossi died before this edition went to press. In the course of its preparation we discussed many issues relating to the genesis of the sonatas and the risk the editor takes in presenting the works to the public with so little help in the matter of interpretation. I have tried to incorporate all of Nick's final thoughts on the sonatas in the edition that follows. Allan Badley.
$28.00 ≈
25.36€
Complete Piano Sonatas, Vol. 1
Complete Piano Sonatas, Vol. 1
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Piano seul
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Classique
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the beginning of the 20th cent
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Ludwig van Beethoven
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Complete Piano Sonatas, Vol. 1
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Breitkopf and Haertel - Digital
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SheetMusicPlus
Piano - SKU: B8.EB-4341 Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. Sonata. Edition Breitkopf. The Scotsman...
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Piano - SKU: B8.EB-4341 Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. Sonata. Edition Breitkopf. The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic Lamond. Classical. Score. 264 pages. Breitkopf and Haertel - Digital #EB-4341. Published by Breitkopf and Haertel - Digital (B8.EB-4341). ISBN 9790004162866. 9 x 12 in inches.Whereas in past decades Urtext editions with assorted aspirations and readings by various editors were the primary points of departure in addressing Beethoven's piano sonatas, today it is more often the question of what significance so-called instructive editions have in the history of interpretation, what additional benefit is generated from them, and wherein lies their legitimacy. Unlike his teacher Hans von Bulow in his edition of the sonatas, Lamond did not allow any intervention in the music text per se. His indications give instead interpretive approaches, additionally inspiring today's musicians in the realization of the musical composition. By the beginning of the 20th century he was a successful and celebrated pianist, concertizing in the US and across much of Europe. He repeatedly caused a stir with his Beethoven projects such as performing sixteen sonatas as well as the Diabelli and Eroica variations within four days at the Queen's Hall in London (1925). Dating from this period is also his edition of Beethoven's 32 piano sonatas that first appeared from Breitkopf & Hartel in 1923. Frederic Lamond thus epitomizes Beethoven interpretation. Even today his name is still associated primarily with Beethoven. The present ,,Instructive Edition of Beethoven's 32 Piano Sonatas is a part of the ,,Breitkopf Originals series on the occasion of Beethoven's 250th Birthday in 2020. Apart from the established Urtext editions, this reissue opens up a fascinating view on the interpretation- and performance practice of one of the most important Beethoven interpreters in the 19th and 20th century.
$28.95 ≈
26.22€
Complete Piano Sonatas
Complete Piano Sonatas
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Piano seul
#
Classique
#
the beginning of the 20th cent
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Ludwig van Beethoven
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Complete Piano Sonatas
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Breitkopf and Haertel - Digital
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SheetMusicPlus
Piano - SKU: B8.EB-4342 Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. Sonata. Edition Breitkopf. The Scotsman...
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Piano - SKU: B8.EB-4342 Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. Sonata. Edition Breitkopf. The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic LamondHave a look into EB 4342. Classical. Score. 320 pages. Breitkopf and Haertel - Digital #EB-4342. Published by Breitkopf and Haertel - Digital (B8.EB-4342). ISBN 9790004162873. 9 x 12 in inches.Whereas in past decades Urtext editions with assorted aspirations and readings by various editors were the primary points of departure in addressing Beethoven's piano sonatas, today it is more often the question of what significance so-called instructive editions have in the history of interpretation, what additional benefit is generated from them, and wherein lies their legitimacy. Unlike his teacher Hans von Bulow in his edition of the sonatas, Lamond did not allow any intervention in the music text per se. His indications give instead interpretive approaches, additionally inspiring today's musicians in the realization of the musical composition. By the beginning of the 20th century he was a successful and celebrated pianist, concertizing in the US and across much of Europe. He repeatedly caused a stir with his Beethoven projects such as performing sixteen sonatas as well as the Diabelli and Eroica variations within four days at the Queen's Hall in London (1925). Dating from this period is also his edition of Beethoven's 32 piano sonatas that first appeared from Breitkopf & Hartel in 1923. Frederic Lamond thus epitomizes Beethoven interpretation. Even today his name is still associated primarily with Beethoven. The present ,,Instructive Edition of Beethoven's 32 Piano Sonatas is a part of the ,,Breitkopf Originals series on the occasion of Beethoven's 250th Birthday in 2020. Apart from the established Urtext editions, this reissue opens up a fascinating view on the interpretation- and performance practice of one of the most important Beethoven interpreters in the 19th and 20th century.
$33.95 ≈
30.74€
Rossini Sonata #3 set for Clarinet Duet
Rossini Sonata #3 set for Clarinet Duet
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2 Clarinettes (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gioachino Rossini
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John Gibson, F
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Rossini Sonata #3 set for Clar
#
JB Linear
#
SheetMusicPlus
Clarinet Duet Clarinet - Level 4 - SKU: A0.581751 Composed by Gioachino Rossini. Arranged by John Gibson, F. Berr. Romantic Period. 2 scores. 29 pages. ...
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Clarinet Duet Clarinet - Level 4 - SKU: A0.581751 Composed by Gioachino Rossini. Arranged by John Gibson, F. Berr. Romantic Period. 2 scores. 29 pages. JB Linear #45701. Published by JB Linear (A0.581751). Gioachino Rossini is known for his delightful Italian operas, especially the overtures, like William Tell or The Barber of Seville. Early in his life he composed a set of 6 Sonatas for String Quartet. Later, Frederik Berr, a clarinetist known by Rossini, arranged the quartets for winds (c. 1820). This setting for clarinet duet by John Gibson uses Berr's arrangement but with a considerable amount of editing needed for the only edition currently available. The music overall is not difficult, however there are sections for each instrument that require a fair amount of technique. A score is provided, however it is better to play from the individual parts due to page turn issues.
$9.25 ≈
8.38€
Rosary Sonatas: The Assumption
Rosary Sonatas: The Assumption
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Assumption
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 5 - SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 118 pages. JMJ Arrangements #685833. Published by JMJ Arrangements (A0.1081710). Hear, O daughter, consider, and incline your ear; forget your people and your father’s house; and the king will desire your beauty. Since he is your lord, bow to him; the people of Tyre will sue your favor with gifts, the richest of the people with all kinds of wealth. The princess is decked in her chamber with gold-woven robes; in many-colored robes she is led to the king, with her virgin companions, her escort, in her train. With joy and gladness they are led along as they enter the palace of the king. Instead of your fathers shall be your sons; you will make them princes in all the earth. I will cause your name to be celebrated in all generations; therefore the peoples will praise you for ever and ever.Psalm 45:10-17 (RSV-CE).
$19.99 ≈
18.10€
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Ensemble Jazz
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INTERMÉDIAIRE
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Classique
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Joe Procopio These arrangement
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pa...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99 ≈
5.42€
Sonata Fantasy
Sonata Fantasy
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Piano seul
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AVANCÉ
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William Grosvenor Neil
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Sonata Fantasy
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TheComposerStudio.Com, LLC
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1463337 Composed by William Grosvenor Neil. 20th Century,Classical. Score. 38 pages. TheComposerStudio.Com, LLC #1042028....
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Piano Solo - Level 5 - SKU: A0.1463337 Composed by William Grosvenor Neil. 20th Century,Classical. Score. 38 pages. TheComposerStudio.Com, LLC #1042028. Published by TheComposerStudio.Com, LLC (A0.1463337). This single movement piece was originally intended to be the third movement of my Sonata for Piano: Illuminations. However, as with many ideas that I pursue, the music developed a life of its own apart from the original vision of the piece. This movement then became a “fantasy” with an over-the-top technical flare that was as much a visual display as virtuosic orchestration of dynamic elements of the music. Listen to an expert from the recording that Martin Jones recently made of this piece. williamneil.net thecomposerstudio.com.
$19.99 ≈
18.10€
Saint-Saens Clarinet Sonata Movement II Studies
Saint-Saens Clarinet Sonata Movement II Studies
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Kristin Nakagawa
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Saint-Saens Clarinet Sonata Mo
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Kristin Nakagawa
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1016936 Composed by Camille Saint-Saens. Arranged by Kristin Nakagawa. Instructional,Romantic Period. Individual part....
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Clarinet Solo - Level 4 - SKU: A0.1016936 Composed by Camille Saint-Saens. Arranged by Kristin Nakagawa. Instructional,Romantic Period. Individual part. 5 pages. Kristin Nakagawa #5988383. Published by Kristin Nakagawa (A0.1016936). These are the 2nd movement studies of the Saint-Saens Clarinet Sonata. These studies were designed for the high school clarinet student preparing for the 2020-21 HS California All-State Auditions. Each drill is designed to target a common clarinet issue that a player may encounter when working on the solo part. Instructions for how and why to practice each drill are included. The drill is then followed by the actual passage so that the player can immediately see and apply the concept to the solo piece.
$4.99 ≈
4.52€
Saint-Saens Clarinet Sonata Mvt I Studies
Saint-Saens Clarinet Sonata Mvt I Studies
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Clarinette
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Classique
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Camille Saint-Saens
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Kristin Nakagawa
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Saint-Saens Clarinet Sonata Mv
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Kristin Nakagawa
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SheetMusicPlus
Clarinet Solo - SKU: A0.1016935 Composed by Camille Saint-Saens. Arranged by Kristin Nakagawa. Instructional,Romantic Period. Individual part. 3 pages. ...
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Clarinet Solo - SKU: A0.1016935 Composed by Camille Saint-Saens. Arranged by Kristin Nakagawa. Instructional,Romantic Period. Individual part. 3 pages. Kristin Nakagawa #5988377. Published by Kristin Nakagawa (A0.1016935). These are the 1st movement studies of the Saint-Saens Clarinet Sonata. These studies were designed for the high school clarinet student preparing for the 2020-21 HS California All-State Auditions. Each drill is designed to target a common clarinet issue that a player may encounter when working on the solo part. Instructions for how and why to practice each drill are included. The drill is then followed by the actual passage so that the player can immediately see and apply the concept to the solo piece.
$4.99 ≈
4.52€
Sonata in Symmetry in 4 Movements
Sonata in Symmetry in 4 Movements
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Sonata in Symmetry in 4 Moveme
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862574 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 38 pages. Michael Butkus-Bomier #43352...
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Piano Solo - Level 4 - SKU: A0.862574 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 38 pages. Michael Butkus-Bomier #433521. Published by Michael Butkus-Bomier (A0.862574). 2015 Piano Contest ( Possible length issue, tot. dur. 25 mins) Here are all four movements of the Sonata in Symmetry presented as a single unit, at a savings over the individual segments. All the descriptions for each movement are provided under their specific listings. Makes an excellent piece of melodic, accessible, but intellectually and pianistically satisfying experience. Overall an Advanced level piece, but it is effective, if not quite as exciting, at slower intermediate tempos. he audio sample here is the first mvnt. The others can be heard under their own listings. Print double sided, for best pageturns, or print single-sided, and arrange as you see fit for best reading and/or playing from the score. MBB.
$10.00 ≈
9.06€
Piano Sonata no. 10 in F Minor
Piano Sonata no. 10 in F Minor
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Piano seul
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AVANCÉ
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Contemporain
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Aidan Feeney
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Piano Sonata no. 10 in F Minor
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Aidan Feeney
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1026439 Composed by Aidan Feeney. Classical,Contemporary. Score. 18 pages. Aidan Feeney #6305087. Published by Aidan Feen...
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Piano Solo - Level 5 - SKU: A0.1026439 Composed by Aidan Feeney. Classical,Contemporary. Score. 18 pages. Aidan Feeney #6305087. Published by Aidan Feeney (A0.1026439). A modern Classical piano sonata inspired by Beethoven, Piano Sonata no. 10 in F Minor includes the best of both the Classical and Modern Eras. The first movement presents a mournful melody over a chromatically varying accompaniment, with a small respite from the sorrow in the middle. The second movement moves on to more joyful times with a happy scherzo, in which the main theme disguises itself in many different forms. In the troubled final movement, virtuosity takes on an elevated role throughout the almost perpetuum mobile that ensues, while a dazzling coda brings the work to a dramatic and firm close.
$10.00 ≈
9.06€
Sonata #5 in B-flat minor
Sonata #5 in B-flat minor
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Sonata #5 in B-flat minor
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Publishe...
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Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Published by Earth Music, Ltd. (A0.976507). This sonata is a solo transcription of the first movement of Domine’s Piano Concerto #1 in B-flat minor. The sonata begins with a slow introduction that juxtaposes two opposite harmonic realms represented by the interval of a diminished fifth. As the opening sequence drifts aimlessly through a cloud of amorphous sonorities, the principal theme is suddenly and aggressively thrust center stage by an angry theme marked Agitato. This theme wends its torturous way to the contrastingly quiet subordinate theme. An episode of melancholic discourse ensues, creating an air of confidential intimacy. The exposition ends with an elided dominant cadence which is left unresolved and that leads directly to the development section. Chord clusters built on hexachords provide a serialized variation on the principal theme. This tripartite antiphonal sequence works toward a culmination as the theme is expanded in rhythmic layers, finally reaching a cacophonic explosion. A retransition based on the slow introduction leads to the recapitulation, this time with alternating variations on the principal theme. After the lyrical restatement of the subordinate theme, the coda confronts us with a starkly bleak musical atmosphere that concludes with a fiery flourish. This transcription was made at the request of piano pedagogue Joanna Ezrin for Vera Weber, who has played it to great acclaim in numerous competitions and recitals.
$8.95 ≈
8.10€
Cantilena, from Organ Sonata No. 11
Cantilena, from Organ Sonata No. 11
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Quatuor de Cuivres
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AVANCÉ
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Classique
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NA
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Becky Dugan
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Cantilena, from Organ Sonata N
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B. L. Dugan
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1203787 By NA. By Josef Rheinberger (183901901). Arranged by Becky Dugan. 19th Century,Chamber,Classical,...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1203787 By NA. By Josef Rheinberger (183901901). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Romantic Period. 13 pages. B. L. Dugan #802348. Published by B. L. Dugan (A0.1203787). Advancing brass musicians will find Cantilena from Rheinberger's Organ Sonata No. 11 and challenging and rewarding piece to use on recital, concert and festival programs, as well as church services and other special occasions. Long lyrical phrases are offset by repeated pedal octaves. Performers shoud ensure that the tempo is not too slow to avoid endurance issues.
$19.95 ≈
18.07€
The South Paw Sonata
The South Paw Sonata
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Piano seul
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DÉBUTANT
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Jeff Marder
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The South Paw Sonata
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mardermusic, inc
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.948499 Composed by Jeff Marder. Instructional,Standards. Score. 4 pages. Mardermusic, inc #3068155. Published by mardermu...
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Piano Solo - Level 1 - SKU: A0.948499 Composed by Jeff Marder. Instructional,Standards. Score. 4 pages. Mardermusic, inc #3068155. Published by mardermusic, inc (A0.948499). This piece was composed for my father, who is both left handed and who began piano lessons in his retirement. It addresses several technical issues such as hand independence, helping the student to grow more comfortable with polyphony, use of the sustain pedal, and variety of articulations.www.mardermusic.com.
$3.99 ≈
3.61€
Concerto for Oboe and Bassoon in C minor.
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00 ≈
27.17€
AMADEUS suite - 4. Symphony n. 25 K 183
AMADEUS suite - 4. Symphony n. 25 K 183
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Alessandro Macrì
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AMADEUS suite - 4. Symphony n.
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.931211 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Con...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.931211 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Concert,Graduation. Score and parts. 18 pages. Music Macri Editions #3685213. Published by Music Macri Editions (A0.931211). La Sinfonia n. 25 in Sol minore K 183, chiamata anche la Piccola sinfonia in Sol minore, è una sinfonia di Wolfgang Amadeus Mozart, composta a Salisburgo nell'ottobre 1773, poco tempo dopo aver terminato l'opera seria Lucio Silla.L'apertura a razzo di Mannheim (un passaggio melodico rapidamente ascendente che tipicamente ha una linea crescente arpeggiata) è stata citata da Beethoven nella sua prima sonata per pianoforte, come soggetto principale del primo movimento. L'Allegro con brio sostituisce l'Allegro spiritoso delle precedenti sinfonie. Si inizia con un ritmo sincopato caratterizzato da un tema breve ripetuto più volte ed infine ripreso dall'oboe in forma malinconica e delicata. In tutto il movimento il ritmo rimane serrato.Con le sue linee melodiche ad ampi balzi e i suoi vivaci soggetti musicali, questa sinfonia è caratteristica dello stile Sturm und Drang. Essa condivide alcune caratteristiche con altre sinfonie Sturm und Drang di questa epoca, ed è probabilmente ispirata dalla Sinfonia n. 39 di Joseph Haydn, anch'essa in Sol minore.
$9.00 ≈
8.15€
Sue Sonata
Sue Sonata
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Piano seul
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#
Steven Mark Kudlo
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Sue Sonata
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Steven Mark Kudlo
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SheetMusicPlus
Composed by Steven Mark Kudlo. 21st Century, Contemporary Classical, Repertoire. 6 pages. Published by Steven Mark Kudlo (S0.42299). - - 21st Century,Contempo...
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Composed by Steven Mark Kudlo. 21st Century, Contemporary Classical, Repertoire. 6 pages. Published by Steven Mark Kudlo (S0.42299). - - 21st Century,Contemporary Classical,Repertoire - Steven Mark Kudlo
$3.99 ≈
3.61€
Klaviersonate in G-Dur
Klaviersonate in G-Dur
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Piano seul
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Anton Liste
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Klaviersonate in G-Dur
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Bisel Classics - Digital
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SheetMusicPlus
Piano - SKU: BQ.979-0-50179-212-2 Composed by Anton Liste. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Score. With Text Language: E...
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Piano - SKU: BQ.979-0-50179-212-2 Composed by Anton Liste. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 46 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-212-2). ISBN 9790501792122.The Sonata in G Major was composed in one single movement and displays Liste's fondness for experiments in form. The composition is transparent and light in style, yet does not lack suspense due to frequent use of contrasts. The expressive use of dynamic contrasts throws light onto the emotional part of the composer's personality, who found his second home in Zurich. The work was issued in 1804 as part of the series 'Repertoire des Clavicinistes' by the editor Hans Georg Nageli, who was Liste's patron in that particular period. Not only does it represent a special piece of Swiss music history, but invites rediscovery of its unique composer.
$24.95 ≈
22.59€
Klaviersonate in Es-Dur
Klaviersonate in Es-Dur
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Piano seul
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Anton Liste
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Klaviersonate in Es-Dur
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Bisel Classics - Digital
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SheetMusicPlus
Piano - SKU: BQ.979-0-50179-211-5 Composed by Anton Liste. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Score. With Text Language: E...
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Piano - SKU: BQ.979-0-50179-211-5 Composed by Anton Liste. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 66 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-211-5). ISBN 9790501792115.In his Piano Sonata in E-flat Major with the movements Allegro con espressione, Adagio and Presto Liste created a work of remarkable and unique quality, that is special not only because of its expressive use of dynamic contrast and surprising turns of tonality. The consistent use of the recitative-like sequence as a transition between the individual movements challenges the creative abilities of the performer. The composition was issued in 1804 as part of the series 'Repertoire des Clavicinistes' by the editor Hans Georg Nageli, who was Liste's patron in that particular period. Not only does it represent a special piece of Swiss music history, but invites rediscovery of its unique composer.
$24.95 ≈
22.59€
Believer
Believer
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Piano seul
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AVANCÉ
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Imagine Dragons
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Yo Matsumoto
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Believer
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Yo Matsumoto
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1399407 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredrikss...
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Piano Solo - Level 5 - SKU: A0.1399407 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Yo Matsumoto. Contest,Disco,Festival,New Age,Pop,Singer/Songwriter. Score. 2 pages. Yo Matsumoto #982691. Published by Yo Matsumoto (A0.1399407). This arrangement is based on the first movement of Beethoven's Moonlight Sonata.Let's play beautifully and passionately.*This song was created as a medley, so the reference video is also a medley. Due to copyright issues, we only sell sheet music one song at a time.
$5.00 ≈
4.53€
Anim Zemiros
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
2.72€
Text: Music for Brass Trio, a Comprehensive Bibliography
Text: Music for Brass Trio, a Comprehensive Bibliography
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Richard Decker
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Text: Music for Brass Trio, a
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Charles Decker Music Press
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet - SKU: A0.817156 Composed by Richard Decker. 20th Century,Standards. 95 pages. Charles Decker Music Press #6050913. Publ...
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Euphonium,Horn,Trombone,Trumpet - SKU: A0.817156 Composed by Richard Decker. 20th Century,Standards. 95 pages. Charles Decker Music Press #6050913. Published by Charles Decker Music Press (A0.817156). Professional journal reviews for Richard Decker's Music for Brass Trio, A Comprehensive Bibliography The Horn Call: Mr. Decker . . . has brought a practical tone to this highly documented and valuable reference book. (Douglas Hill)Woodwind World – Brass & Percussion  Highly Recommended (Jean G. Ressum)School Music News: The book is a very worthwhile undertaking and should be in every school and public library (Harwood Simmons)International Trombone Journal The repertoire is extensive and varied, and we can appreciate the author for bringing so much of it to view.(Hugh Magliocco)This reissue of Music for Brass Trio, A Comprehensive Bibliography has 80 pages listing 544 original and transcribed works for three brass up to 1976 with most of the 544 works cited still available today. Included are 169 works for the Trumpet, Horn, and Trombone trio with detailed performance annotations and 63 works for the Two Trumpets and Trombone trio. An additional 312 original and transcribed works are listed for three heterogeneous brass instruments with keyboard, in chamber ensembles of up to nine performers, and with small orchestra using only three brass. This important brass literature resource was adopted by university libraries and distributed by major music companies including Robert King Music. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$9.95 ≈
9.01€
Guthrie: Concert Fantasia for Solo Cello
Guthrie: Concert Fantasia for Solo Cello
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Violoncelle
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INTERMÉDIAIRE
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James M
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Guthrie: Concert Fantasia for
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. ...
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Cello Solo - Level 3 - SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bach’s Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.
$27.95 ≈
25.31€
Blonde Hair, Green Underwear
Blonde Hair, Green Underwear
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Piano seul
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AVANCÉ
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Contemporain
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Wim Lasoen
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Blonde Hair, Green Underwear
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Newzenmusic.org
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.927363 Composed by Wim Lasoen. Contemporary. Score. 10 pages. Newzenmusic.org #5320811. Published by Newzenmusic.org (A0....
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Piano Solo - Level 5 - SKU: A0.927363 Composed by Wim Lasoen. Contemporary. Score. 10 pages. Newzenmusic.org #5320811. Published by Newzenmusic.org (A0.927363). Piano Sonata nr. 1, originally composed in 1991, reissued in 2020.
$9.99 ≈
9.05€
Three Capriccios for the Pianoforte, Op.36 (Weinmann XIII:12-14)
Three Capriccios for the Pianoforte, Op.36 (Weinmann XIII:12-14)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Baptist Wanhal
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Allan Badley
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Three Capriccios for the Piano
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1487271 Composed by Johann Baptist Wanhal. Arranged by Allan Badley. Classical. Score. 54 pages. Artaria Editions #106424...
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Piano Solo - Level 3 - SKU: A0.1487271 Composed by Johann Baptist Wanhal. Arranged by Allan Badley. Classical. Score. 54 pages. Artaria Editions #1064246. Published by Artaria Editions (A0.1487271). Like his younger compatriot Leopold Koželuh, Johann Baptist Wanhal derived a considerable part of his income from teaching, and his large output of keyboard music – which includes solos, chamber works with keyboard and instructional pieces – reflects this. Along with the usual sets of variations, dances and other small-scale works, he published sonatinas and progressive sonatas for young performers which reveal his experience as teacher and his gift of making the simplest music attractive as well as instructive. Wanhal’s output of solo keyboard music also includes far more complex and ambitious works, among them, several sets of pieces styled “Capriccio”. These works are in essence multi-movement sonatas, their capriciousness largely evident in their discursive first movements which include an element of modest tonal adventure. The works are very attractive, technically demanding yet well within the scope of the many fine amateur fortepianists in Vienna. Wanhal’s capriccios were eagerly sought after in other centres as well and were issued by publishers in London, Paris, Amsterdam, Offenbach am Main as well as in Vienna.
$60.00 ≈
54.33€
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