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Vous avez sélectionné:
Suite de Jardin
Partitions à imprimer
29 partitions trouvées
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26
Suite de Jardin (piano solo album)
Suite de Jardin (piano solo album)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Emily Howell
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Suite de Jardin
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Emily Howell
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Emily Howell. 21st Century. 28 pages. Published by Emily Howell...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Emily Howell. 21st Century. 28 pages. Published by Emily Howell
A collection of 7 beautiful piano solos to escape into a place of tranquillity and reflect upon the simple pleasures of nature. Each piece is also available for individual purchase, simply search for Suite de Jardin and you will see the 7 pieces.
$9.99 ≈
9.24€
Gabriel Faure : Suite Dolly, Opus 56 - III. Jardin de Dolly
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Piano seul
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FACILE
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Classique
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Gabriel Faure
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Suite Dolly, Opus 56
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Tomplay
Telechargez la partition Piano Suite Dolly, Opus 56 - III. Jardin de Dolly de Faure. Partition pour Piano à quatre mains -- Classique...
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Telechargez la partition Piano Suite Dolly, Opus 56 - III. Jardin de Dolly de Faure. Partition pour Piano à quatre mains -- Classique
5.99€
Fauré: Dolly Suite Op.56 Mvt.2 "Mi-a-ou" - wind quintet
Fauré: Dolly Suite Op.56 Mvt.2 "Mi-a-ou" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553784 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553784 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Wedding. 11 pages. RayThompsonMusic #4405172. Published by RayThompsonMusic (A0.553784). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Mi-a-ouAllegro vivo. Mi-a-ou was written for Dolly's second birthday in June 1894. The title does not refer to a pet cat, as has often been supposed, but to Dolly's attempts to pronounce the name of her elder brother Raoul, who later became one of Fauré's favourite pupils.The young Dolly called her brother Messieu Aoul, which Fauré took as the original title for the piece. In his finished manuscript the title is shortened to Miaou (without hyphens).The Fauré scholar Robert Orledge writes that the title Mi-a-ou, like that of the Kitty-valse later in the suite, is the responsibility of Fauré's publisher, Julien Hamelle.[
$4.95 ≈
4.58€
Fauré: Dolly Suite Op.56 Mvt.6 Le Pas Espagnol - wind quintet
Fauré: Dolly Suite Op.56 Mvt.6 Le Pas Espagnol - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Classique
#
Gabriel Faure
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Ray Thompson
#
Fauré: Dolly Suite Op.5
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RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.553785 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,H...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.553785 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #4406880. Published by RayThompsonMusic (A0.553785). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Le pas espagnolAllegro. The suite ends with a Spanish dance, a lively and picturesque piece of scene-painting, in the style of España by Fauré's friend Emmanuel Chabrier.Arranged for wind quintet.Other mvts. are available
$5.95 ≈
5.50€
Fauré: Dolly Suite Op.56 No.2 "Mi-a-ou" - symphonic wind
Fauré: Dolly Suite Op.56 No.2 "Mi-a-ou" - symphonic wind
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Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Dolly Suite Op.5
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RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553878 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553878 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. Score and parts. 22 pages. RayThompsonMusic #5215831. Published by RayThompsonMusic (A0.553878). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.This is my arrangement of movement.2 Mi-a-ouAllegro vivo. Mi-a-ou was written for Dolly's second birthday in June 1894. The title does not refer to a pet cat, as has often been supposed, but to Dolly's attempts to pronounce the name of her elder brother Raoul, who later became one of Fauré's favourite pupils.The young Dolly called her brother Messieu Aoul, which Fauré took as the original title for the piece. In his finished manuscript the title is shortened to Miaou (without hyphens).The Fauré scholar Robert Orledge writes that the title Mi-a-ou, like that of the Kitty-valse later in the suite, is the responsibility of Fauré's publisher, Julien Hamelle.[
$7.95 ≈
7.35€
Antoine Tisné : Les Contes de la Lune Bleue : Suite of 14 pieces for intermediate pianists
Antoine Tisné : Les Contes de la Lune Bleue : Suite of 14 pieces for intermediate pianists
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Piano seul
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FACILE
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Antoine Tisne
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Antoine Tisné : Les Con
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.532844 Composed by Antoine Tisne. 20th Century,Children,Concert,Contemporary,Standards. Score. 3 pages. Musik Fabrik Musi...
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Piano Solo - Level 2 - SKU: A0.532844 Composed by Antoine Tisne. 20th Century,Children,Concert,Contemporary,Standards. Score. 3 pages. Musik Fabrik Music Publishing #59649. Published by Musik Fabrik Music Publishing (A0.532844). The suite of 14 pieces is intended to be used for students with 1-5 years of piano. The titles are all inspired by poetic images and the music is very drescriptive, but uses atonal and polytonal vocabulary. A great introduction to contemporary music for students! 1. Par les sentiers du Jardin (From the garden paths) 2. En écoutant le ruisseau (Upom Listening to the Stream) 3. Là -bas, un petit train passe (Over there, a little train is passing) 4. Ce qui dit la fée des bois (That which the woodfairy says) 5. Dans la clairière bleue (In the Blue clearingFrom the garden paths) 6. Les diamants de l'étang (The Diamonds in the Pond) 7. Dans la pénombre du chateau (In the shadow of the castle) 8. Ballet des Cigales et des lucioles (Ballet of the crickets and the fireflies) 9. Le marchand de sable d'or passe (The Sandman is going by) 10. Sous le grand chêne endormi (Underneath the big oak tree asleep) 11. Au clocher lointain, l'heure sonne (In the far steeple, the clock strikes) 12. La Montagne enchantée (The enchanted mountain) 13. Le Lutin chez la sorcière (The dwarf visits the witch) 14. Sous le regard, un cœur veille (Looking on, a heart watches).
$12.95 ≈
11.97€
Fauré: Dolly Suite Op.56 Complete - wind dectet/bass
Fauré: Dolly Suite Op.56 Complete - wind dectet/bass
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553929 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Romantic Period. Score and parts. 11...
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Large Ensemble - Level 5 - SKU: A0.553929 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Romantic Period. Score and parts. 114 pages. RayThompsonMusic #6232669. Published by RayThompsonMusic (A0.553929). Complete.Some movements transposed from original.All clarinet parts in Bb, Horns in FThe Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Arranged double wind quintet and bass.
$19.95 ≈
18.44€
Dolly Suite (for Wind Sextet)
Dolly Suite (for Wind Sextet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Philip Le Bas
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Dolly Suite
#
Philip Le Bas
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and parts. 113 pages. Philip Le Bas #3590141. Published by Philip Le Bas (A0.818162). Faure’s piano duet entitled Dolly Suite is here arranged by Philip Le Bas for a wind sextet, consisting of a standard wind quintet (flute, oboe, clarinet, horn and bassoon) plus bass clarinet. The bass clarinet gives the music more sonority and it allows the arranger more opportunity to bring out Faure’s sumptuous harmonies. Dolly was the nickname of the baby daughter of Emma Bardac, with whom Faure had a long-running affair, and each of the pieces has a slightly different association with childhood.1) The Berceuse (lullaby) is best remembered as the theme tune to the BBC’s Listen with Mother, and its tune is indelibly marked into the memories of generations of radio listeners between 1950 and 1982. It was written for Dolly’s first birthday. (An alternative part for clarinet in A is available for this movement, to avoid the otherwise slightly tricky key signature of F sharp major!)2) Mi-a-ou has nothing to do with cats, but is a version of Dolly’s first attempts to pronounce the name of her brother Raoul. Written for her second birthday, it is a delicate and playful scherzo with lots of cross-rhythms for the instruments.3) Le Jardin de Dolly is regarded by some as the best piece in the collection, with its gorgeous tune and unexpected harmonies, creating an impressionistic picture of a beautiful, peaceful French garden.4) Kitty-Valse again has nothing to do with cats but with the family dog Ketty, who whirls round and round, in unrelenting cheerfulness.5) In Tendresse Faure introduces more chromatic harmonies, used in his later works. As its name and its key of D flat suggests, the music here seems to express deep and shifting emotions associated with intimate relationships, while retaining a sense of calm and comfort throughout.6) The last piece, Le Pas Espagnole is a thrilling journey across the border into the exotic Spanish world of dance. There is much in common with Chabrier’s Espana, and here the wind players can enjoy playing at full tilt in an exciting and tuneful end to the suite.
$6.99 ≈
6.46€
"Pavane" from Mother Goose Suite
"Pavane" from Mother Goose Suite
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Maurice Ravel
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Justin M
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"Pavane" from Mother
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contem...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015409. Published by Justin M. Ryan (A0.886893). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and E Minor).
$2.99 ≈
2.76€
"Pavane" from Mother Goose Suite
"Pavane" from Mother Goose Suite
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Maurice Ravel
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Justin M
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"Pavane" from Mother
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886892 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contem...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886892 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015413. Published by Justin M. Ryan (A0.886892). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and D Minor).
$2.99 ≈
2.76€
Ravel: Ma Mère L'Oye (Mother Goose Suite) 4 mvts - symphonic wind dectet/bass
Ravel: Ma Mère L'Oye (Mother Goose Suite) 4 mvts - symphonic wind dectet/bass
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Contemporain
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Maurice Ravel
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Ray Thompson Music
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Ravel: Ma Mère L'Oye
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classica...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classical. 56 pages. RayThompsonMusic #127305. Published by RayThompsonMusic (A0.516588). Ravel originally wrote Ma Mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony. It bears the subtitle cinq pièces enfantines (five children's pieces). Ravel later orchestrated the piece. This arrangement contains 4 of the 5 movements. IT does NOT include mvt.3 Laideronnette, impératrice des pagodes: Mouvt de marche (Little Ugly Girl, Empress of the Pagodas) Mvts included are: I.Pavane de la Belle au bois dormant: Lent (Pavane of Sleeping Beauty) II.Petit Poucet: Très modéré (Little Tom Thumb / Hop-o'-My-Thumb) IV.Les entretiens de la belle et de la bête: Mouvt de valse très modéré (Conversation of Beauty and the Beast) V.Le jardin féerique: Lent et grave (The Fairy Garden) It is arranged for double wind quintet/bass.
$24.95 ≈
23.07€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.11€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.11€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
23.11€
Bloom
Bloom
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Piano seul
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FACILE
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Contemporain
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Emily Howell
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Bloom
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1009138 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6365021. Published by Emily Howell (A0.1009...
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Piano Solo - Level 2 - SKU: A0.1009138 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6365021. Published by Emily Howell (A0.1009138). Full of optimism and calmness, Bloom is taken from Suite de Jardin; a collection of piano solos designed to help you escape into a place of tranquillity and reflect upon the simple pleasures of nature.
$2.99 ≈
2.76€
Little Footsteps
Little Footsteps
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Piano seul
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FACILE
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Contemporain
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Emily Howell
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Little Footsteps
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1009139 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6365025. Published by Emily Howell (A0.1009...
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Piano Solo - Level 2 - SKU: A0.1009139 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6365025. Published by Emily Howell (A0.1009139). A soothing piano solo to imagine all the Little Footsteps that pitter patter round the garden, seen and unseen, heard and unheard. Taken from the hit new piano album Suite de Jardin.
$2.99 ≈
2.76€
Play to the Birds
Play to the Birds
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Emily Howell
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Play to the Birds
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1009144 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6373241. Published by Emily Howell (A0.1009...
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Piano Solo - Level 3 - SKU: A0.1009144 Composed by Emily Howell. Contemporary. Score. 3 pages. Emily Howell #6373241. Published by Emily Howell (A0.1009144). While playing on the piano with the windows open on a sunny summer's afternoon, the birds in the garden seemed to burst into chorus as if they were singing along. Play to the Birds is the song I played to them, take from the solo piano album Suite de Jardin.
$2.99 ≈
2.76€
Dawn
Dawn
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Piano seul
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FACILE
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Contemporain
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Emily Howell
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Dawn
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1009142 Composed by Emily Howell. Contemporary. Score. 2 pages. Emily Howell #6371971. Published by Emily Howell (A0.1009...
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Piano Solo - Level 2 - SKU: A0.1009142 Composed by Emily Howell. Contemporary. Score. 2 pages. Emily Howell #6371971. Published by Emily Howell (A0.1009142). Dawn explores the optimism of first light in the morning and the anticipation of the day to come, taken from the beautiful solo piano album Suite de Jardin. Unwind to these gentle daydreams and develop your phrasing, expression and rubato.
$2.99 ≈
2.76€
Waltz Under the Stars
Waltz Under the Stars
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Emily Howell
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Waltz Under the Stars
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1009145 Composed by Emily Howell. Contemporary. Score. 6 pages. Emily Howell #6413345. Published by Emily Howell (A0.1009...
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Piano Solo - Level 4 - SKU: A0.1009145 Composed by Emily Howell. Contemporary. Score. 6 pages. Emily Howell #6413345. Published by Emily Howell (A0.1009145). This flagship piece from solo piano album Suite de Jardin, is full of grace and charm. Under a night sky of twinkling stars, dainty melodies and flurries or arpeggios waltz round the piano in sheer delight. Romantic yet modern, lively yet thoughtful and dreamy yet driven.
$2.99 ≈
2.76€
Birdbox
Birdbox
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Emily Howell
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Birdbox
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1009141 Composed by Emily Howell. Contemporary. Score. 4 pages. Emily Howell #6367029. Published by Emily Howell (A0.1009...
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Piano Solo - Level 3 - SKU: A0.1009141 Composed by Emily Howell. Contemporary. Score. 4 pages. Emily Howell #6367029. Published by Emily Howell (A0.1009141). A mixture of peaceful and dramatic, this piece from Suite de Jardin tells the story of a brood of Great Tits from when they first hatch to when they fly the nest - check it out on YouTube to watch the time-lapse footage from inside the birdbox!
$2.99 ≈
2.76€
Flight
Flight
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Piano seul
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Contemporain
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Emily Howell
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Flight
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Emily Howell
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SheetMusicPlus
Piano - SKU: A0.1072215 Composed by Emily Howell. Contemporary. Full Performance. Duration 188. Emily Howell #6430113. Published by Emily Howell (A0.107...
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Piano - SKU: A0.1072215 Composed by Emily Howell. Contemporary. Full Performance. Duration 188. Emily Howell #6430113. Published by Emily Howell (A0.1072215). Taken from the piano solo album Suite de Jardin, Flight is inspired by the array of birds we see in the garden and how they glide, swoop and whoosh around so elegantly.
$1.99 ≈
1.84€
Flight
Flight
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Emily Howell
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Flight
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Emily Howell
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1009140 Composed by Emily Howell. Contemporary. Score. 4 pages. Emily Howell #6365085. Published by Emily Howell (A0.1009...
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Piano Solo - Level 3 - SKU: A0.1009140 Composed by Emily Howell. Contemporary. Score. 4 pages. Emily Howell #6365085. Published by Emily Howell (A0.1009140). Taken from the piano solo album Suite de Jardin, Flight is inspired by the array of birds we see in the garden and how they glide, swoop and whoosh around so elegantly. Try to capture their effortlessness in your performance and give your beat plenty of freedom to blow in the breeze.
$2.99 ≈
2.76€
Berceuse from the Dolly Suite for String Orchestra
Berceuse from the Dolly Suite for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Berceuse from the Dolly Suite
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Fest...
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String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Festival,Romantic Period. 12 pages. Keith Terrett #1011823. Published by Keith Terrett (A0.1431353). The Dolly Suite, Op. 56, is a collection of pieces for piano duet by Gabriel Fauré. It consists of six short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress, Emma Bardac.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, been the subject of many recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In the United Kingdom it became famous as the play-out tune to the BBC radio programme Listen with Mother.The suite consists of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse, and Le pas espagnol. The complete suite takes about fifteen minutes to perform.The Berceuse was the closing theme for the long-running BBC Light Programme (and later Home Service) radio programme for small children Listen with Mother (1950–1982). It is performed in the film Bicentennial Man by Andrew and Little Miss. Although it was written as a piano duet, there have been numerous arrangements of the Berceuse for other instruments and ensembles. Examples include versions for piano and glockenspiel by Evelyn Glennie and for two guitars recorded by Julian Bream and John Williams.
$8.00 ≈
7.40€
Music for Four Flutes, Volume 2 for Flute Quartet 78002
Music for Four Flutes, Volume 2 for Flute Quartet 78002
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Quatuor de Flûtes : 4 flûtes
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AVANCÉ
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Various
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Daniel Kelley
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Music for Four Flutes, Volume
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.796264 Composed by Various. Arranged by Daniel Kelley. Classical,Instructional,Romantic...
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Small Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.796264 Composed by Various. Arranged by Daniel Kelley. Classical,Instructional,Romantic Period,Traditional,Wedding. Score and parts. 70 pages. Last Resort Music Publishing #403434. Published by Last Resort Music Publishing (A0.796264). This series is designed to be used by four like instruments. Each volume includes eight titles and comes with a set of 4 parts and a score. These arrangements are not intended to be interchangeable, so only one set is needed to play a quartet! Selections include arrangements for 4 C Flutes, 3 Flutes + Alto Flute, 2 Flutes + Alto + Bass Flute, with optional piccolo parts. Click HERE to find the Printed Version! Volume 2 - Classical Favorites - 78002 Maruntel from Rumanian Folk Dances (Bartok) Fille aux Cheveux de Lin, La (Debussy) Golliwog's Cake-walk from Children's Corner Suite (Debussy) Nimrod from Enigma Variations, Op. 36 (Elgar) The Queen of the Night from The Magic Flute (Mozart) Galop from Orpheus in the Underworld (Offenbach) Le Jardin Feerique from Ma Mere l'Oye (Ravel) Rigaudon from Le Tombeau de Couperin (Ravel).
$26.50 ≈
24.50€
Ravel - "Mother Goose" (Ma Mère l’Oye), arranged for Piano solo
Ravel - "Mother Goose" (Ma Mère l’Oye), - Piano solo
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Piano seul
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AVANCÉ
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Maurice Ravel
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Len Rhodes
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Ravel - "Mother Goose&quo
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Len Rhodes Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhode...
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Piano Solo - Level 5 - SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhodes Music #3570051. Published by Len Rhodes Music (A0.739953). Len Rhodes has transcribed Ravel's orchestral suite for piano solo. In his book Impressionism, author Pierre Courthion writes how Ravel's Mother Goose Suite seems like a musical commentary to Monet's Waterlilies. Len has titled his transcription - Reflections - containing the main movements from Mother Goose (Ma Mère l’Oye), with beautifully crafted segue's that create uninterrupted flow from movement to movement. Ravel originally wrote this ballet as a charming, delicate and imaginative suite of fairytale pieces. This transcription is a continuous work featuring - (i) the Prelude, (ii) Pavane de la Belle au Bois dormant (Pavane of the Sleeping Beauty), (iii) Les entretiens de la Belle et de la Bête (Conversation of Beauty and the Beast), (iv) Petit Poucet (Little Tom Thumb), and Le jardin féerique (The Fairy Garden). It is suitable for the more advanced (ABRSM grade 6/7) pianist, but will be appreciated by all lovers of Ravel, and Ma Mère l’Oye in particular. The music contains some larger chords so not entirely suitable for small hands. This is an extended work - 8 pages of music.
$5.99 ≈
5.54€
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Suite de Jardin
