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THE END OF THE FIRST WORLD WAR'S HELL
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Vous avez sélectionné:
THE END OF THE FIRST WORLD WAR'S HELL
Partitions à imprimer
8 partitions trouvées
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1
THE END OF THE FIRST WORLD WAR'S HELL
THE END OF THE FIRST WORLD WAR'S HELL
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Fanfare
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INTERMÉDIAIRE
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Contemporain
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Paraskevas-Marios Tourtounis
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THE END OF THE FIRST WORLD WAR
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Paraskevas-Marios Tourtounis
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1026206 Composed by Paraskevas-Marios Tourtounis. Contemporary. Score and parts. 21 pages. Paraskevas-Marios Tourtouni...
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Marching Band - Level 3 - SKU: A0.1026206 Composed by Paraskevas-Marios Tourtounis. Contemporary. Score and parts. 21 pages. Paraskevas-Marios Tourtounis #5995825. Published by Paraskevas-Marios Tourtounis (A0.1026206). This short march is inspired from the end of the hostilities of the First World War (11-11-1918). However, this march can be used by marching bands in various parades and celebrations.
$15.50
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
Brisbane Ladies (Augathella Station)
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Brisbane Ladies (Augathella Station)
Brisbane Ladies (Augathella Station)
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Chorale SATB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863...
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Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
The Boys in Blue Will See It Through. Campaign Song and Chorus
The Boys in Blue Will See It Through. Campaign Song and Chorus
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Piano, Voix
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S
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H
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The Boys in Blue Will See It T
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.12836 Composed by H.P. Danks. Portraits--Rutherford B. Hayes--William A. Wheeler. Lester S. Levy Collection. 4 pages. Publishe...
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Piano and voice - SKU: LV.12836 Composed by H.P. Danks. Portraits--Rutherford B. Hayes--William A. Wheeler. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12836). The Boys in Blue Will See It Through. Campaign Song and Chorus. Words By S.N. Mitchell. Music By H.P. Danks. Published 1876 by S.T. Gordon & Son, 13 East 14th St., Near Fifth Avenue in New York. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Portraits--Rutheford B. Hayes--William A. Wheeler. First line reads The Boys in Blue will see it through, And send to Washington.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Santiago in the Stream - Score Only
Santiago in the Stream - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Apostolos Paraskevas
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Santiago in the Stream - Score
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World....
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Full Orchestra - Level 5 - SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World. 49 pages. Silver Sickle Publications #977243. Published by Silver Sickle Publications (A0.1393774). APOSTOLOS PARASKEVAS (b. 1964) Santiago in the StreamSantiago in the Stream was composed for the Landmarks Orchestra, which gave the first performance under the direction of Christopher Wilkins, at the Hatch Shell on August 23, 2017. Apostolos Paraskevas is a classical guitarist, composer, film director, and producer. Since 2001, he has taught composition at the Berklee College of Music. The spokenThe text was developed by Ryan Edwards (a student of Apostolos Paraskevas) out of Hemingwayâ??s short novel The Old Man and the Sea. The composer has written about the piece: â??The music describes Santiago's emotions, thoughts and actions during his last journey. The trumpet announces his signature theme, accompanied by the brass and strings depicting the sound of the seagulls and the ocean. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz, and the exciting fight that ends in triumph. Now, it's time to return home with his valuable possessions. He already won the last and most important fight of his life.
$50.00
I Don't Care
I Don't Care
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Trio à Cordes: 2 violons, violoncelle
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AVANCÉ
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Pop musique
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Ed Sheeran Feat
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Sarah Cellobat Chaffee
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I Don't Care
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 5 - SKU: A0.548684 By Ed Sheeran Feat. Justin Bieber. By Ed Sheeran, Fred Gibson, Jason Boyd, Justin Bieber, Max Martin...
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String Trio Cello,Violin - Level 5 - SKU: A0.548684 By Ed Sheeran Feat. Justin Bieber. By Ed Sheeran, Fred Gibson, Jason Boyd, Justin Bieber, Max Martin, and Shellback. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 15 pages. Sarah Cellobat Chaffee #158104. Published by Sarah Cellobat Chaffee (A0.548684). *INSTRUMENTATION: 2 VIOLINS & CELLO*Ed Sheeran's hit single I Don't Care, a collaboration featuring fellow pop idol Justin Bieber, was released in May 2019 as the lead single from Sheeran's fourth album. Quickly rocketing to the top of the charts, the song hit number one in 26 countries and broke Spotify's single-day streaming record. This fun, feel-good song is impossible to get out of your head, and your audience will end up equally addicted to this arrangement for two-violin and cello trio! Featuring the hypnotic groove, lush harmonic layers, and lightning-fast vocal stylings of the original, this version is sure to get your audience singing along. Rated advanced mainly for a number of tricky interlocking rhythms throughout (and some high notes in the violin parts). I would definitely recommend practicing this first and not sightreading it on the gig! You can reference our recording of the string quartet version of this if you have questions about how things fit together -- search for Cellobat Charts on Youtube to find that recording and more! :) Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Volare
Volare
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Bobby Rydell
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Volare
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1022458 By Bobby Rydell. By Domenico Modugno, Francesco Migliacci, and Mitchell Parish. Arranged by arr. by John Fries....
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C Instrument - Level 4 - SKU: A0.1022458 By Bobby Rydell. By Domenico Modugno, Francesco Migliacci, and Mitchell Parish. Arranged by arr. by John Fries. 20th Century,Multicultural,Standards,World. Lead Sheet / Fake Book. 2 pages. John Fries #627937. Published by John Fries (A0.1022458). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Volare spent five non-consecutive weeks atop the Billboard Hot 100 in August and September 1958, and subsequently became Billboard's number-one single for the year. In 1959, at the 1st Annual Grammy Awards, Modugno's recording became the first ever Grammy winner for both Record of the Year and Song of the Year. The combined sales of all the versions of the song exceed 22 million copies worldwide. The song's popularity endures, and in 2004, according to the Italian Society of Authors and Publishers, it was the most played Italian song, in Italy as well as in the whole world.
$3.99
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THE END OF THE FIRST WORLD WAR'S HELL
