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Take On Me Baritone B.C.
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Vous avez sélectionné:
Take On Me Baritone B.C.
Partitions à imprimer
8 partitions trouvées
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1
Take On Me - Baritone B.C.
Take On Me - Baritone B.C.
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Tuba ou Euphonium ou Saxhorn
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Pop musique
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a-ha
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Tim Waters
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Take On Me - Baritone B.C.
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By a-ha. By Pal Waaktaar, Morton Harket, and Magne Furuholmne. Arranged by Tim Waters. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Mus...
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By a-ha. By Pal Waaktaar, Morton Harket, and Magne Furuholmne. Arranged by Tim Waters. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.55€
Take on Me - Baritone B.C.
Take on Me - Baritone B.C.
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Saxhorn / bariton b.c. (partie séparée)
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Rock
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Aha, a-ha, Pal Waaktaar, Morto
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Paul Murtha
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Take on Me - Baritone B.C.
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Aha, a-ha, Pal Waaktaar, Morton Harket, and Magne Furuholmne. Arranged by Paul Murtha. Pop, Rock. CB. 1 pages. Published by Hal Leonard - Digital Sheet Music...
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By Aha, a-ha, Pal Waaktaar, Morton Harket, and Magne Furuholmne. Arranged by Paul Murtha. Pop, Rock. CB. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.321047). - CB - Pop,Rock - Hal Leonard - Digital Sheet Music
$6.00 ≈
5.55€
Glen Crossing: Baritone B.C.
Glen Crossing: Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Todd Stalter
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Glen Crossing: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014561_BBC1 Baritone B.C.. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mus...
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Concert Band - SKU: AX.00-PC-0014561_BBC1 Baritone B.C.. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014561_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014561_BBC1). UPC: 038081394930.This delightful piece is the perfect opener for developing bands. Of the piece, the composer writes, My dog loves to take walk with our son, and she is always very excited to experience anything and everything on their journeys together. Glen Crossing contains melodies that revealed themselves to me on my walks with Hershey, and hopefully it portrays the fun and joy that 'Hershey and her boy' have every day, rollicking through the neighborhood. This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.77€
Take On Me
Take On Me
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Orchestre d'harmonie
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INTERMÉDIAIRE
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a-ha
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Adrian Horvath
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Take On Me
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Horváth Adrián
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1141907 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Adrian Horvath. Disco,Pop,Rock. Scor...
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Concert Band - Level 3 - SKU: A0.1141907 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Adrian Horvath. Disco,Pop,Rock. Score and Parts. 38 pages. Horváth Adrián #742284. Published by Horváth Adrián (A0.1141907). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Flute 1., 2., Oboe, Bassoon, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1., 2., 3., Horn in F, Horn in Eb, Euphonium in Bb (T.C.), Euphonium in C (B.C.), Trombone 1., 2., 3., Tuba, Bass Guitar, Drum Set, Tambourine, Glockenspiel.
$49.99 ≈
46.21€
That's When The Music Takes Me
That's When The Music Takes Me
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,P...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99 ≈
1.84€
Viaje al Atardeser
Viaje al Atardeser
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Orchestre d'harmonie
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Latin/Musique du monde
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Sir Lunch
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2 parts have it simulated
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Viaje al Atardeser
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Sir Lunch
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SheetMusicPlus
Concert Band - SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). ...
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Concert Band - SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). Some years ago, I saw a video of an orangutang sort of running about with some latin music and it was labled Salsa Time and I knew that someday I would write a piece with that title. Well, once it was finished, and I listened and meditated over what it said to me, what I heard was the westward migration of the early settlers of America, only in and through Mexico. Journey To The Setting Sun became my title, but to give it a bit more authenticity, the title is in Spanish, and has become Viaje al Atardeser.The piece opens with a train whistle. If you have none, the Flute 1 & 2 parts have it simulated. Rehearsal markers 1A through 1D serve as layers that lead to the main melody starting at A. At letter B, the Solo 1st trumpet takes on the melody with a slight variation of rhythm. There is a trombone trio from C to D. If you have 3 stong trombonists, I recommend the Eupf and Baritone TC opt out of playing through this section, in order to highlight your great trombone section. *Optional* You may, at your discretion put a fermata after the first beat of the bar before D and allow your solo trumpeter to play a free form cadenza. The mp3 has a sample of how this would sound. The cadenza would end with the pick-up to letter D and you may feel free to let that high note of the solo trumpet ring for a second or two before cuing the rest of the band in. Although from D to the a tempo 4 bars before E is a trumpet solo, the most crucial part of that section is the tambourine part going into double time, creating that extra pop and sense of urgency.This piece represents a watershed moment in my life, as it is my first composition for Concert Band.I encourage all feedback at sirlunch@gmail.comI hope you enjoy it!
$60.00 ≈
55.47€
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99 ≈
55.46€
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99 ≈
55.46€
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Take On Me Baritone B.C.
