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Take the A Train: String Bass
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Vous avez sélectionné:
Take the A Train: String Bass
Partitions à imprimer
16 partitions trouvées
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1
Take the A Train: String Bass
Take the A Train: String Bass
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Contrebasse (partie séparée)
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Jazz
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Billy Strayhorn
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Vince Gassi
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Take the A Train: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download String Bass. Composed by Billy Strayhorn (1915-1967). Arranged by Vince Gassi. Jazz. Part. 2 pages. Alfred Music - D...
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Jazz Ensemble - Digital Download String Bass. Composed by Billy Strayhorn (1915-1967). Arranged by Vince Gassi. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC- 0017144_SB. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.72€
Take the A Train: String Bass
Take the A Train: String Bass
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Contrebasse (partie séparée)
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Jazz
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Billy Strayhorn
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Victor Lopez
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Take the A Train: String Bass
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SheetMusicPlus
Jazz Ensemble - Digital Download String Bass. Composed by Billy Strayhorn (1915-1967). Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - ...
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Jazz Ensemble - Digital Download String Bass. Composed by Billy Strayhorn (1915-1967). Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016700_SB. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.72€
Take The "a" Train
Take The "a" Train
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jazz
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Duke Ellington
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Justin Kearin
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Take The "a" Train
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APRA
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1274835 By Duke Ellington. By Billy Strayhorn. Arranged by Justin Kearin. 20th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1274835 By Duke Ellington. By Billy Strayhorn. Arranged by Justin Kearin. 20th Century,Jazz,Standards. 12 pages. APRA #866988. Published by APRA (A0.1274835). This is a fun jazz standard suitable for all occasions.After the well known intro, the viola begins with the melody with the cello playing a walking bass line in pizz.There are a few tricky syncopations in the inner parts so I depending on the players, I'd suggest a rehearsal rather than sight reading on a gig.A great addition to your quartet's folder.You should realy buy it! :).
$16.99 ≈
15.39€
Take The "a" Train
Take The "a" Train
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Bert Ligon [BertLigonMusic
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Take The "a" Train
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Bert Ligon Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1288968 By Duke Ellington. By Billy Strayhorn. Arranged by Bert Ligon [BertLigonMusic.com]. Jazz,Standar...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1288968 By Duke Ellington. By Billy Strayhorn. Arranged by Bert Ligon [BertLigonMusic.com]. Jazz,Standards. Score and Parts. 49 pages. Bert Ligon Music #879814. Published by Bert Ligon Music (A0.1288968). Jazz String Ensemble arrangement of the Duke Ellington Classic written by Billy Strayhorn. (Violin 1, Violin 2, Viola, Cello, Jazz Bass, Piano, Drums, Optional Guitar). A solo section is available for any and all improvisers. Chord changes and suggested solos are included for each section. Everyone should be encouraged to improvise; however, the section may be skipped. Fantastic tune to introduce students to a Jazz Classics and program a tune audiences will know and love. Look for other Jazz Classic tunes from Bert Ligon Music
$49.99 ≈
45.28€
12 Sacred Trios (or Duets) for Strings
12 Sacred Trios (or Duets) for Strings
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Musique Sacrée
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Various composers and traditio
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Denny Glasscock
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12 Sacred Trios
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Denny Glasscock
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.922034 Composed by Various composers and traditional melodies. Arranged by Denny Glas...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.922034 Composed by Various composers and traditional melodies. Arranged by Denny Glasscock. Christian,Instructional,Sacred,Wedding. Score and parts. 93 pages. Denny Glasscock #5996969. Published by Denny Glasscock (A0.922034). This is a collection of 12 Trios (or Duets) arranged for Violin, Viola and Cello, based on melodies of beloved traditional christian hymns. Melodies are harmonized mostly by interweaving counter melodies. The Violin and Viola (or Violin II) are, at times, alternating melody and counter melodies, rather than the traditional vocal parts found in church hymnals. The result is a more interweaving flow of melody and counter melody. The Cello provides the bass, as it also contributes to the counter melodious sound. A Violin II part has been added to duplicate the Viola, in case a Viola is not available. These pieces also work very nicely as duets without the Cello; or duets with the Violin and Cello. Designed for early intermediate musicians, the collection is ideal for prelude or postlude music and especially offertories in worship services, funerals, weddings, etc . Length of the pieces can be altered by using more or less of the repeats included. The last two pieces are based on melodies from Christmas hymns. In addition, these pieces have a technical training value, as would etudes and exercises, due to the moving counter melodies that may challenge students at the early intermediate level. Though written to challenge students at the early intermediate level, more advanced musicians and audiences will find this music quite satisfying to play and enjoy, respectively. String class teachers may consider using this collection in class, as the entire Violin, Viola or Cello sections will be in unison, as a section, which provides support to players within their section. At same time, the other sections would be playing other parts, also in unison as a section - a good ensemble practice tool. The class might perform pieces from this collection in concert. Titles: Count Your Blessings, I Must Tell Jesus, In the Garden, Jesus Loves Even Me, Let All Things Now Living, O How I Love Jesus, O the Deep, Deep Love of Jesus, Take Time to be Holy, The Old Rugged Cross, This is My Father's World; and two Christmas pieces: It Came Upon a Midnight Clear and Silent Night! Holy Night!
$12.99 ≈
11.77€
La Marmotte: String Bass
La Marmotte: String Bass
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Contrebasse (partie séparée)
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Classique
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Ludwig van Beethoven
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Tim McCarrick
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Festival.
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La Marmotte: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014447_SB String Bass. Composed by Ludwig van Beethoven. Arranged by Tim McCarrick. Classical. Part. 1 pages. A...
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String Orchestra - SKU: AX.00-PC-0014447_SB String Bass. Composed by Ludwig van Beethoven. Arranged by Tim McCarrick. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014447_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014447_SB). UPC: 038081381343.A simple folk-style song that works wonderfully for strings and depicts a traveling troubadour and his trained pet entertaining for their food. The broken-chord accompaniment imitates the organ grinder as he sings while the marmot performs tricks for the listeners. It is a beautiful melody that moves between A minor and C major. Both upper strings and cellos take turns on the melody!Concert/Contest; Festival.
$5.99 ≈
5.43€
The Last Rose of Summer - for orchestra
The Last Rose of Summer - for orchestra
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Orchestre
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional
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Betsy Bright
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The Last Rose of Summer - for
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Bright Music Company
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.964603 Composed by Traditional. Arranged by Betsy Bright. Celtic,Contemporary,Holiday,Irish. Score and parts. 55 page...
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Full Orchestra - Level 3 - SKU: A0.964603 Composed by Traditional. Arranged by Betsy Bright. Celtic,Contemporary,Holiday,Irish. Score and parts. 55 pages. Bright Music Company #6854523. Published by Bright Music Company (A0.964603). This original setting of the beloved traditional Irish tune, The Last Rose of Summer, features many soloists throughout the orchestra. The woodwinds present the melody first, followed by a strong verse in the brass. A string quartet follows, bringing a nostalgia and sadness that swells into the full string section. This gorgeous arrangement will leave every audience in tears and gives the orchestra a chance to shine without any strain or complications. Simple enough to be played by a youth orchestra or amateur orchestra, this piece is also musically rich enough to be thoroughly enjoyed by any professional orchestra. The Last Rose of Summer fits beautifully into any type of program, whether as an encore on a Subscription Series or as a feature on a Pops program. And of course any program featuring Celtic music should take the opportunity to include this piece!Duration: 4 minutesDifficulty: Intermediate through advancedInstrumentation: 2.2(1.EH).2.2 - 4.2.3.1 - T+3 - Hp - Strings2 flutesOboe English Horn2 Clarinets in Bb4 Horns in F2 Trumpets in C and Bb3 Trombones (2 tenor, 1 bass)TubaTimpani3 PercussionHarpStrings
$68.95 ≈
62.46€
Take the "A" Train: String Bass
Take the "A" Train: String Bass
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Contrebasse (partie séparée)
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Methodes
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The Delta Rhythm Boys
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Frank Foster
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Take the "A" Train:
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By The Delta Rhythm Boys. By Billy Strayhorn (1915-1967). Arranged by Frank Foster. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music. ...
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By The Delta Rhythm Boys. By Billy Strayhorn (1915-1967). Arranged by Frank Foster. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music. Digital Sheet Music
$3.00 ≈
2.72€
The Letter: String Bass
The Letter: String Bass
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Contrebasse (partie séparée)
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Methodes
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Wayne Carson Thompson
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Jay Althouse
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Recorded Acc. Available.
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The Letter: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choir - SKU: AX.00-PC-0016208_SB String Bass. Composed by Wayne Carson Thompson. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred M...
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Choir - SKU: AX.00-PC-0016208_SB String Bass. Composed by Wayne Carson Thompson. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016208_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016208_SB). UPC: 038081384696.Here's a rockin' remake of a timeless '60s hit, perfect for the pop portion of your concert. Give me a ticket for an airplane. Ain't got time to take no fast train. Kickin' groove!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00 ≈
2.72€
Largo from Winter (The Four Seasons)
Largo from Winter (The Four Seasons)
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Lavender Hill
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Largo from Winter
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Lavender Hill
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1214644 Composed by Antonio Vivaldi. Arranged by Lavender Hill. Baroque,Chamber,Classical,Standards,Wedding. 2 pages. La...
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Violin Solo - Level 4 - SKU: A0.1214644 Composed by Antonio Vivaldi. Arranged by Lavender Hill. Baroque,Chamber,Classical,Standards,Wedding. 2 pages. Lavender Hill #811619. Published by Lavender Hill (A0.1214644). A. Vivaldi, Largo from Winter (The Four Seasons) Advanced Intermediate LevelUnaccompanied Violin part: 1 pageTime: 2:00Yes, making music with others is one of the best things about being a violinist, and a string duo, trio or quartet is great for weddings and other private or corporate events.  But sometimes through constraints of availability / space / budget – or just for the thrill of it - we need to go it alone.  That’s when music for unaccompanied violin (not merely solo violin) comes into its own.Here’s the slow movement from Vivaldi's Winter concerto, from The Four Seasons, with the bass line folded into the violin part. I've recorded this with eighth notes, but think of them more as indications than full-length quavers, so you can take care of the upper line. I've written in some ornamentation as well - but feel free to improvise, if you're that way inclined!If you like this, please check out my other arrangements for unacompanied violin, including Baroque, Classical, Romantic, and Classic Jazz.
$9.99 ≈
9.05€
Take the "A" Train: String Bass
Take the "A" Train: String Bass
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Contrebasse (partie séparée)
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Methodes
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Billy Strayhorn
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Alan Baylock
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Take the "A" Train:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Billy Strayhorn (1915-1967). Arranged by Alan Baylock. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By Billy Strayhorn (1915-1967). Arranged by Alan Baylock. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.72€
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.11€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael...
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Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99 ≈
27.17€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michae...
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Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99 ≈
72.46€
ALMOST HOME
ALMOST HOME
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Ron Flintjer
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ALMOST HOME
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1005114 Composed by Ron Flintjer. Contemporary. Score and parts. 11 pages. Ron Flintjer #6016033. Published by Ron ...
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String Orchestra - Level 1 - SKU: A0.1005114 Composed by Ron Flintjer. Contemporary. Score and parts. 11 pages. Ron Flintjer #6016033. Published by Ron Flintjer (A0.1005114). Almost Home is a leisurely, languid piece for elementary school string orchestra. The nostalgic strains of this composition bring to mind an old-time church service in that little white chapel in the valley. There's a sentimentality here that touches the soul and brings about a longing for all that was good and peaceful in America's past, as well as hope for our future. The uncomplicated yet graceful strains of the melody are sure to linger in the hearts of both your musicians and your audience. ALMOST HOME is an easy to play composition written with the young musician in mind and is arranged with all instruments in First Position. It will take minimum rehearsal time to prepare and will certainly bring a pleasurable smile to all faces in the audience. The String Bass plays pizzicato throughout while the rest of the ensemble utilizes arco to bring about a soothing and dreamy feeling. Comes with full score and parts for Violin I, Violin II, Viola, Cello and String Bass. Enjoy.
$15.00 ≈
13.59€
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Take the A Train: String Bass
