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Vous avez sélectionné:
Talking Waltz
Partitions à imprimer
4 partitions trouvées
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1
Talking Waltz
Talking Waltz
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Plamen Petrov
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Plamen Petrov
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Talking Waltz
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Plamen Petrov
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1274339 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Jazz. Individual part. 5 pages. Plamen Petrov #86...
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Solo Guitar - Level 4 - SKU: A0.1274339 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Jazz. Individual part. 5 pages. Plamen Petrov #866479. Published by Plamen Petrov (A0.1274339). Lovely and melodic jazz waltz.
$4.00 ≈
3.60€
Walking In Her Garden - high voice-piano
Walking In Her Garden - high voice-piano
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Piano, Voix
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INTERMÉDIAIRE
#
Carrie Jacobs-Bond
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Phil Beaman
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Walking In Her Garden - high v
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1218192 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Romantic Period,Wedding. Score. 6 pages. Phil Bea...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1218192 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Romantic Period,Wedding. Score. 6 pages. Phil Beaman #814689. Published by Phil Beaman (A0.1218192). Walking In Her Garden is an arrangement of the 1904 hit pop song by Carrie Jacobs-Bond. Â The text compares his lover to the beautiful flowers. Â Then she starts talking to the flowers, asking them about her lover. Â It concludes with the famous he loves me...he loves me not.... as she plucks the petals from the daisy. Â My arrangement adds quite a bit of drama to the piece. Â I have converted the main theme into an oom-pah-pah waltz and greatly increased the tempo to a brisk concert waltz for the first two verses. Â The B theme, where she talks to the flowers, resorts to a slower waltz ballad similar to the original. Â There is then a brief recapitulation of the oom-pah-pah theme building up to the suspenseful climax. Â I created a lento ending as the answers to her questions slowly unfold. Â This is a great concert piece full of passion and energy that can be dramatized. Â It is also perfect for any wedding today, whether vintage or modern.6 page score; Â 2:30 minutesI have published it in 3 different vocal ranges on this site: Â High - low D to high F#; Medium - low Bb to high D; Low - low G to high B. Â The MP3 recording is of the Medium Voice version. Â Vocal part is Intermediate level, while Piano part is Advanced Intermediate level. Â This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$5.75 ≈
5.18€
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
13.51€
Oh Mister Brown (paseo) for violin and guitar
Oh Mister Brown (paseo) for violin and guitar
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Violon, Guitare (duo)
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George Lovey Baillie
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Simon Browne
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Oh Mister Brown
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Simon Browne
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SheetMusicPlus
Small Ensemble Banjo,Guitar,Ukulele,Violin - SKU: A0.975489 Composed by George Lovey Baillie. Arranged by Simon Browne. Latin,Traditional,World. Score a...
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Small Ensemble Banjo,Guitar,Ukulele,Violin - SKU: A0.975489 Composed by George Lovey Baillie. Arranged by Simon Browne. Latin,Traditional,World. Score and parts. 2 pages. Simon Browne #6292281. Published by Simon Browne (A0.975489). Oh Mister Brown (paseo) is a two-step calypso dance recorded in 1914 by Lovey's Original Trinidad String Band. The huge success of their first recordings for Victor Talking Machine and Columbia Records in 1912 led to both companies sending recording crews to Trinidad - to capture the exciting new sounds at the source. Originally performed on violins, cello, flute, clarinet, piano and a variety of strumming instruments (guitar, mandolin, cuatro and brags).Arranged for violin and guitar (or other strumming instruments).Part of Paseos and Waltzes of Trinidad Vol.1 which can be purchased complete for $29.99 and included 12 paseos and waltzes as recorded by Lovey's Band and Lionel Belasco's Orchestra from 1912-1918.Arrangements for larger ensembles (strings and wind) are available on request.
$3.99 ≈
3.60€
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Talking Waltz
