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Ten Etudes No.2
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--INSTRUMENTS--
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Vous avez sélectionné:
Ten Etudes No.2
Partitions à imprimer
57 partitions trouvées
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51
Frederic Chopin: Etudes Op.10 No.7-12 for piano solo
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Piano seul
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AVANCÉ
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Classique
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Frederic Chopin
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Virtualsheetmusic
Instantly downloadable sheet music by Frederic Chopin for piano solo of HIGH skill level. Contents: studi, 12 etudes, 12 studies, studies, op. 10, revolutionary,[no.7-12],no.2,study, etudes, exercises / classical,instructional...
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Instantly downloadable sheet music by Frederic Chopin for piano solo of HIGH skill level. Contents: studi, 12 etudes, 12 studies, studies, op. 10, revolutionary,[no.7-12],no.2,study, etudes, exercises / classical,instructional
$6.75
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
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2 Trombones (duo)
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Ritt, David
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Melodious Accompaniments to Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Duet Trombone - Level 4 - SKU: A0.792342 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 89 pages. Gordon Cherry #4806551. Pub...
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Trombone Duet Trombone - Level 4 - SKU: A0.792342 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 89 pages. Gordon Cherry #4806551. Published by Gordon Cherry (A0.792342). • The Rochut/Bordogni Etudes for Trombone or Euphonium have enjoyed immense popularity over the years. • If you play the Trombone, Euphonium, or any brass instrument for that matter, you have most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. • David Ritt composed his 60 Melodious Accompaniments to compliment Rochut's edition of Book 1 (original) as duets. • Performed as duets they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing on the Trombone or Euphonium as well as intonation, rhythm and style. • Book 1 includes Etudes 1-60, the entire collection of the accompaniments to vocalises from Volume 1 of the Rochut etudes and are contained in a handsome spiral-bound book of over 80 pages using 9 x 12 full-sized Concert Style paper. • Beautifully engraved in bass clef, these accompaniments are perfectly suited for intermediate to moderately advanced performers. • The original Rochut Etudes are NOT included in this collection, just these accompaniments. • The sound clip provided is of etude No. 20 performed by David Ritt (taken from his audio CD of Nos. 1-20 which are minutely different in composition from this collection, but close enough to hear the beauty of the accompaniments).
$20.00
Gallay - 12 Duos Concertans Op. 1 No. 10 'Siciliana' (for Horn Duet)
Gallay - 12 Duos Concertans Op. 1 No. 10 'Siciliana' (for Horn Duet)
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2 Cors (duo)
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AVANCÉ
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Classique
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Jacques-François Gallay
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Robert Newth
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Gallay - 12 Duos Concertans Op
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Robert Newth
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SheetMusicPlus
French Horn Duet Horn - Level 5 - SKU: A0.1204076 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 4 ...
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French Horn Duet Horn - Level 5 - SKU: A0.1204076 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 4 pages. Robert Newth #802650. Published by Robert Newth (A0.1204076). Jacques-François Gallay (1795-1864) was a prominent french horn player and composer, writing numerous Etudes, Preludes and Chamber works for the horn in addition to a popular method book. His first 12 Duos Concertans (Op. 1) were published in or around 1820 and were followed immediately by another second set of 12.This PDF download is the tenth duet in Op. 1, titled Siciliana and contains both a full score and individual parts, on single pages for ease of reading.
$1.99
MacDowell: Jaglied (Hunting Song) Op.39 No.1 - brass quintet
MacDowell: Jaglied (Hunting Song) Op.39 No.1 - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward MacDowell
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Ray Thompson
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MacDowell: Jaglied
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RayThompsonMusic
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221268 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 9 pages. R...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221268 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 9 pages. RayThompsonMusic #817601. Published by RayThompsonMusic (A0.1221268). Edward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces, and New England Idylls.Woodland Sketches Op.51 includes his most popular short piece, To a Wild Rose. This Hunting Songcomes from a set of 12 Etudes Op.39 (12 studies), written in 1890, a particularly happy period in his life when he was busy with teaching and composing commitments and several years before being appointed as professor of music at Columbia University.Arranged brass quintet: 2 tpt, hn, tbn and tba.The melody is shared around all of the instruments.The horn opens the piece with a short fanfare, which is taken up by trumpet.
$4.99
Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Ten Etudes No.2
Ten Etudes No.2
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Dubiell De Zarraga Lago
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Ten Etudes No.2
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Dubiell A De Zarraga lago
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.491330 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 4 pages. Dubiell A De Zarraga lago #1...
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Piano Solo - Level 3 - SKU: A0.491330 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 4 pages. Dubiell A De Zarraga lago #106868. Published by Dubiell A De Zarraga lago (A0.491330).
$2.99
Impromptu No.2 For Marimba
Impromptu No.2 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.2 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Ne...
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Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027565. Published by Neal Fitzpatrick Editions (A0.955413). This is Impromptu No.2 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.2 For Piano
Impromptu No.2 For Piano
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Piano seul
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Neal Fitzpatrick
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Impromptu No.2 For Piano
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Neal Fitzpatrick Editions
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SheetMusicPlus
Piano Solo - SKU: A0.955393 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6019633. Published by...
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Piano Solo - SKU: A0.955393 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6019633. Published by Neal Fitzpatrick Editions (A0.955393). This is Impromptu No.2 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$1.99
Georg's Cello Method, Volume 3 - Shifting Positions 1/2 to 4th
Georg's Cello Method, Volume 3 - Shifting Positions 1/2 to 4th
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Violoncelle
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FACILE
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Methodes
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Georg Mertens, Anonymous, Ja
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Georg's Cello Method, Volume 3
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Georg Mertens
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SheetMusicPlus
Cello, String Duet - Early Intermediate - Digital Download Composed by Georg Mertens, Anonymous, Jaques Offenbach, J.S. Bach, L. Boccherini, B. Fomin...
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Cello, String Duet - Early Intermediate - Digital Download Composed by Georg Mertens, Anonymous, Jaques Offenbach, J.S. Bach, L. Boccherini, B. Fomin, P.I. Tchaikovsky, M. Carcassi, a. Kummer. Arranged by Georg Mertens. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. Set of Parts, Solo Part. 60 pages. Published by Georg Mertens
As a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together.
The music selection is the best I could find for each level progressing in well prepared steps, enjoyable to play.
Exercises are compact and to the point, only used when needed.
Volume 3 contains No 64-100 on 60 pages - Learning to shift from Half position over first, second, third to 4th position. All pieces are written in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Offenbach, Bach, Carcassi, Tchaikovsky, Moore, , Boccerini, Boris Fomin and Kummer.
To each number are video cello lessons published on Patreon. The links click through when viewed on phone, tablet or computer.
There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEd
$14.99
12 Etudes
12 Etudes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Uwe Korn
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12 Etudes
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Schott Music - Digital
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SheetMusicPlus
Composed by Uwe Korn. This edition: PDF. Downloadable. Schott Music - Digital #Q54480. Published by Schott Music - Digital ...
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Composed by Uwe Korn. This edition: PDF. Downloadable. Schott Music - Digital #Q54480. Published by Schott Music - Digital
The 12 Etudes for piano are conceived as concert etudes. Stylistically, they are oriented towards classical modernism, but influences from jazz, Latin (and even rock) are also present. In Etude No. 7, for example, one can definitely recognise a post-Romantic influence, but on closer listening salsa rhythms are also perceptible throughout. In Etudes No. 2 and 3, on the other hand, classical modernism can be heard, while in others jazz rock (No. 10), ragtime (No. 6) and other influences are discernible. Finally, as an 'encore', there is Etude No. 12 'The Hornet' so that this insect, apart from the omnipresent bumblebee, is given due attention for once.
$23.99
Lyric Etude No. 2
Lyric Etude No. 2
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Piano seul
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AVANCÉ
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Andrew Goffe
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Lyric Etude No. 2
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Andrew Goffe
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991367 Composed by Andrew Goffe. 20th Century,Contemporary,Jazz. Score. 7 pages. Andrew Goffe #3012461. Published by Andr...
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Piano Solo - Level 5 - SKU: A0.991367 Composed by Andrew Goffe. 20th Century,Contemporary,Jazz. Score. 7 pages. Andrew Goffe #3012461. Published by Andrew Goffe (A0.991367). Number 2 in my set of 12 Lyric Etudes. This is one of my favorite works and it is easily the one I perform the most often. It takes a new approach on theme development with the infusion of jazz elements in a classical structure. Meant to be played as fast as you can handle with attention to the upper melody.
$5.99
Music Essences Vol.2 - Romantic Piano Ballads
Music Essences Vol.2 - Romantic Piano Ballads
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Piano seul
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INTERMÉDIAIRE
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Methodes Etudes
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Alexander Holz
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Music Essences Vol.2 - Romanti
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Alexander Holz
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Alexander Holz. Movies, Etudes and Exercises, Repertoire, Technique Training, Wedding. 28 pages. Published b...
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Piano Solo - Intermediate - Composed by Alexander Holz. Movies, Etudes and Exercises, Repertoire, Technique Training, Wedding. 28 pages. Published by Alexander Holz
ISBN 9783750256606, 8.3 x 11.7 inches, English, German.
Music essences were inspired by the idea of developinga piano book that is not a piano school but offers new pieces next to the oldclassics. So you can expand your repertoire for every occasion.
The title describes the pieces as very compressedmusic ideas, or even impressions. They can be musically developed and expandedin mind. Even extended interpretations are conceivable, both in playing and interms of instrumental arrangement.
Waltz No. 1
This Piano Sonata in G major has a light, liltingmelody and a midsection that underscores the style of a waltz. It is a verylively and dynamic piece. The mood is enhanced by a few diffuse moments, whichsupports the arc of suspense.
Impromptu
Based on Franz Schubert, this impromptu is inspired bythe trio of the fourth part of Opus 90 from 1827. The style has been expandedand reinterpreted with modern elements. The theme increases to the upperoctaves and culminates in a new theme in the midsection. It ends with a solemnmood.
Summer
Originally it is the theme of my first symphony forchorus and orchestra, third Movement. In this arrangement for piano, it is themelody that is intensively underlined and expressed.
2nd Intermezzo
In the beginning this piece is like a nocturne byFrederic Chopin, But the midsection is based on the midsection of the secondintermezzo, opus 118 by Johannes Brahms from 1893. Mood, harmony and style ofthe midsection are also inspired by the soundtrack from "PearlHarbor" by Hans Zimmer.
$10.95
Scattered (Etude) Op.1 No.2
Scattered (Etude) Op.1 No.2
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Piano seul
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AVANCÉ
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Rebecca Ann Drimmel
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Rebecca Ann Drimmel
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Scattered
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Rebecca Drimmel
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SheetMusicPlus
Piano - Level 5 - SKU: A0.1136716 Composed by Rebecca Ann Drimmel. Arranged by Rebecca Ann Drimmel. 19th Century,Contemporary,Romantic Period. Full Perf...
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Piano - Level 5 - SKU: A0.1136716 Composed by Rebecca Ann Drimmel. Arranged by Rebecca Ann Drimmel. 19th Century,Contemporary,Romantic Period. Full Performance. Duration 54. Rebecca Drimmel #736718. Published by Rebecca Drimmel (A0.1136716). This piece is a “Scattered†and energetic Etude bursts of flare. This piece would be great for a recital or concert. “Scattered†is a very difficult piece with fast runs, if you like Romantic Etudes you might enjoy listening to this piece. This song has a very short running time. This song is Romantic, modern, impressionistic and contemporary all in one.
$2.50
Etude-Caprice No. 2 (From Etudes-Caprices for Violin with a 2nd Violin Op.18) - arr for 4 violins
Etude-Caprice No. 2 (From Etudes-Caprices for Violin with a 2nd Violin Op.18) - arr for 4 violins
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Quatuor à cordes: 4 violons
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INTERMÉDIAIRE/AVANCÉ
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Henri Wieniawski
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Pietro Prugna
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Violin IV).
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Etude-Caprice No. 2
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Pietro Prugna
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SheetMusicPlus
Violin - Level 4 - SKU: A0.1218545 Composed by Henri Wieniawski. Arranged by Pietro Prugna. 19th Century,Classical,Romantic Period,Standards,Traditional...
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Violin - Level 4 - SKU: A0.1218545 Composed by Henri Wieniawski. Arranged by Pietro Prugna. 19th Century,Classical,Romantic Period,Standards,Traditional. 21 pages. Pietro Prugna #815078. Published by Pietro Prugna (A0.1218545). This was originally written for 2 violins. Each violin plays 2 parts. It is of technical difficulty. This is an arrangement for 4 violins. The parts are split. The original first violin is split into Violin I and Violin II. The original second violin is played by Violin III and Violin IV. Some parts of the original second violin are split between the new Violin III and Violin IV. In this way, the melodies are clearer, smoother and easier to play. The original score is sometimes performed only with the original first violin (as a solo). As such, this arrangement can also be played by just Violin I and Violin II (as a duet). The pdf come with Full Score and Set of Parts (Violin I, Violin II, Violin III & Violin IV).
$1.99
Alla Maniera Ungherese No.2
Alla Maniera Ungherese No.2
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Guitare
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INTERMÉDIAIRE
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Classique
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Jozsef Ludvig
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Alla Maniera Ungherese No.2
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Koncert 1234 Kft
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041532 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646287. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1041532 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646287. Published by Koncert 1234 Kft (A0.1041532). Alla Maniera Ungherese No.2 ISRC HU-D26-14-00297 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00
J.S. Bach: Cello Suite no. 2 BWV 1008, arranged for solo saxophone by Paul Wehage
J.S. Bach: Cello Suite no. 2 BWV 1008, - solo saxophone by Paul Wehage
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: Cello Suite no. 2
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Musik Fabrik
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Wehage. Baroque Period, Etudes and Exercises, Repertoire, Recital. Score. 12 pages. Published by...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Wehage. Baroque Period, Etudes and Exercises, Repertoire, Recital. Score. 12 pages. Published by Musik Fabrik (S0.246307). - Score - Baroque Period,Etudes and Exercises,Repertoire,Recital - Musik Fabrik
$11.95
J. S. Bach: Chaconne from the Partita no. 2, BWV 1003 Arranged for Solo Saxophone
J. S. Bach: Chaconne from the Partita no. 2, BWV 1003 Arranged for Solo Saxophone
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: Chaconne from the
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Musik Fabrik
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Wehage. Baroque Period, Etudes and Exercises, Repertoire, Recital. Score. 12 pages. Published by...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Wehage. Baroque Period, Etudes and Exercises, Repertoire, Recital. Score. 12 pages. Published by Musik Fabrik (S0.278243). - Score - Baroque Period,Etudes and Exercises,Repertoire,Recital - Musik Fabrik
$11.95
Impromptu No.15 For Marimba
Impromptu No.15 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.15 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047233. Published by Neal Fitzpatrick Editions (A0.955426). This is Impromptu No.15 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.15 For Piano
Impromptu No.15 For Piano
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Piano seul
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Neal Fitzpatrick
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Impromptu No.15 For Piano
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Neal Fitzpatrick Editions
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SheetMusicPlus
Piano Solo - SKU: A0.955406 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6021099. Published by...
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Piano Solo - SKU: A0.955406 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6021099. Published by Neal Fitzpatrick Editions (A0.955406). This is Impromptu No.15 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.7 For Marimba
Impromptu No.7 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.7 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6035749. Published by Neal Fitzpatrick Editions (A0.955417). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.16 For Marimba
Impromptu No.16 For Marimba
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Marimba
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Contemporain
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.16 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047249. Published by Neal Fitzpatrick Editions (A0.955427). This is Impromptu No.16 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.8 For Marimba
Impromptu No.8 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.8 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6036611. Published by Neal Fitzpatrick Editions (A0.955419). This is Impromptu No.8 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.1 For Marimba
Impromptu No.1 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.1 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
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Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027557. Published by Neal Fitzpatrick Editions (A0.955412). This is Impromptu No.1 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.12 For Marimba
Impromptu No.12 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.12 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
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Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6040459. Published by Neal Fitzpatrick Editions (A0.955422). This is Impromptu No.12 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
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Ten Etudes No.2
