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Ten Etudes No.4
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Vous avez sélectionné:
Ten Etudes No.4
Partitions à imprimer
44 partitions trouvées
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26
Ten Etudes No.2
Ten Etudes No.2
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Dubiell De Zarraga Lago
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Ten Etudes No.2
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Dubiell A De Zarraga lago
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.491330 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 4 pages. Dubiell A De Zarraga lago #1...
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Piano Solo - Level 3 - SKU: A0.491330 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 4 pages. Dubiell A De Zarraga lago #106868. Published by Dubiell A De Zarraga lago (A0.491330).
$2.99 ≈
2.76€
Ten Etudes No.6
Ten Etudes No.6
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Piano seul
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INTERMÉDIAIRE
#
Contemporain
#
Dubiell De Zarraga Lago
#
Ten Etudes No.6
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Dubiell A De Zarraga lago
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.491336 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 4 pages. Dubiell A De Zarraga lago #1...
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Piano Solo - Level 3 - SKU: A0.491336 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 4 pages. Dubiell A De Zarraga lago #106875. Published by Dubiell A De Zarraga lago (A0.491336).
$2.99 ≈
2.76€
Etude-Caprice No. 2 (From Etudes-Caprices for Violin with a 2nd Violin Op.18) - arr for 4 violins
Etude-Caprice No. 2 (From Etudes-Caprices for Violin with a 2nd Violin Op.18) - arr for 4 violins
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Quatuor à cordes: 4 violons
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INTERMÉDIAIRE/AVANCÉ
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Henri Wieniawski
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Pietro Prugna
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Violin IV).
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Etude-Caprice No. 2
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Pietro Prugna
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SheetMusicPlus
Violin - Level 4 - SKU: A0.1218545 Composed by Henri Wieniawski. Arranged by Pietro Prugna. 19th Century,Classical,Romantic Period,Standards,Traditional...
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Violin - Level 4 - SKU: A0.1218545 Composed by Henri Wieniawski. Arranged by Pietro Prugna. 19th Century,Classical,Romantic Period,Standards,Traditional. 21 pages. Pietro Prugna #815078. Published by Pietro Prugna (A0.1218545). This was originally written for 2 violins. Each violin plays 2 parts. It is of technical difficulty. This is an arrangement for 4 violins. The parts are split. The original first violin is split into Violin I and Violin II. The original second violin is played by Violin III and Violin IV. Some parts of the original second violin are split between the new Violin III and Violin IV. In this way, the melodies are clearer, smoother and easier to play. The original score is sometimes performed only with the original first violin (as a solo). As such, this arrangement can also be played by just Violin I and Violin II (as a duet). The pdf come with Full Score and Set of Parts (Violin I, Violin II, Violin III & Violin IV).
$1.99 ≈
1.84€
Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
30.41€
Happy Birthday / Bach's Cello Suite No. 1 Prelude
Happy Birthday / Bach's Cello Suite No. 1 Prelude
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Brad Powell
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Happy Birthday / Bach's Cello
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1393268 By The Candlelight Guitarist. By J.S. Bach / traditional. Arranged by Brad Powell. Baroque,Classical,Holiday,Instruct...
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Guitar - Level 3 - SKU: A0.1393268 By The Candlelight Guitarist. By J.S. Bach / traditional. Arranged by Brad Powell. Baroque,Classical,Holiday,Instructional,Traditional. Guitar Tab. 4 pages. Geofonica Artistworks #976750. Published by Geofonica Artistworks (A0.1393268). This is a mash-up of the traditional Happy Birthday melody superimposed over J.S. Bach's Cello Suite No. 1 Prelude, arranged for solo classical guitar. This arrangement involved careful editing of essential elements of the Cello Suite Prelude (not the entire piece), tuning the guitar's 5th and 6th strings down a whole step, and adjusting harmonies of the Cello Suite to match Happy Birthday, still retaining Bach's compositional style.  It's an intermediate level classical fingerstyle, similar in difficulty to the Sor Etudes. You can see & hear the full arrangement performed in the YouTube link provided. LYRICS are included in both English and German.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$3.99 ≈
3.68€
Ten Etudes No.4
Ten Etudes No.4
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Piano seul
#
INTERMÉDIAIRE
#
Contemporain
#
Dubiell De Zarraga Lago
#
Ten Etudes No.4
#
Dubiell A De Zarraga lago
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.491334 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 10 pages. Dubiell A De Zarraga lago #...
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Piano Solo - Level 3 - SKU: A0.491334 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 10 pages. Dubiell A De Zarraga lago #106872. Published by Dubiell A De Zarraga lago (A0.491334).
$2.99 ≈
2.76€
Impromptu No.4 For Marimba
Impromptu No.4 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.4 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029223. Published by Neal Fitzpatrick Editions (A0.955415). This is Impromptu No.4 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99 ≈
1.84€
Impromptu No.4 For Piano
Impromptu No.4 For Piano
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Piano seul
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Neal Fitzpatrick
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Impromptu No.4 For Piano
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Neal Fitzpatrick Editions
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SheetMusicPlus
Piano Solo - SKU: A0.955395 Composed by Neal Fitzpatrick. Contemporary,Instructional,World. Score. 3 pages. Neal Fitzpatrick Editions #6019651. Publishe...
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Piano Solo - SKU: A0.955395 Composed by Neal Fitzpatrick. Contemporary,Instructional,World. Score. 3 pages. Neal Fitzpatrick Editions #6019651. Published by Neal Fitzpatrick Editions (A0.955395). This is Impromptu No.4 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99 ≈
1.84€
Alla Maniera Ungherese No.4
Alla Maniera Ungherese No.4
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Guitare
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INTERMÉDIAIRE
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Classique
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Jozsef Ludvig
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Alla Maniera Ungherese No.4
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Koncert 1234 Kft
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041535 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646289. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1041535 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646289. Published by Koncert 1234 Kft (A0.1041535). Alla Maniera Ungherese No.4 ISRC HU-D26-14-00299 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00 ≈
2.77€
Impromptu No.14 For Marimba
Impromptu No.14 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.14 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editions #6047219. Published by Neal Fitzpatrick Editions (A0.955425). This is Impromptu No.14 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99 ≈
1.84€
Impromptu No.14 For Piano
Impromptu No.14 For Piano
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Piano seul
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Neal Fitzpatrick
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Impromptu No.14 For Piano
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Neal Fitzpatrick Editions
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SheetMusicPlus
Piano Solo - SKU: A0.955405 Composed by Neal Fitzpatrick. Contemporary,Standards. Score. 4 pages. Neal Fitzpatrick Editions #6021095. Published by Neal ...
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Piano Solo - SKU: A0.955405 Composed by Neal Fitzpatrick. Contemporary,Standards. Score. 4 pages. Neal Fitzpatrick Editions #6021095. Published by Neal Fitzpatrick Editions (A0.955405). This is Impromptu No.14 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99 ≈
1.84€
Impromptu No.17 For Piano
Impromptu No.17 For Piano
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Piano seul
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Neal Fitzpatrick
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Impromptu No.17 For Piano
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Neal Fitzpatrick Editions
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SheetMusicPlus
Piano Solo - SKU: A0.955408 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 4 pages. Neal Fitzpatrick Editions #6021211. Published by...
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Piano Solo - SKU: A0.955408 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 4 pages. Neal Fitzpatrick Editions #6021211. Published by Neal Fitzpatrick Editions (A0.955408). This is Impromptu No.17 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99 ≈
1.84€
Impromptu No.9 For Piano
Impromptu No.9 For Piano
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Piano seul
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Neal Fitzpatrick
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Impromptu No.9 For Piano
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Neal Fitzpatrick Editions
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SheetMusicPlus
Piano Solo - SKU: A0.955400 Composed by Neal Fitzpatrick. Contemporary,World. Score. 4 pages. Neal Fitzpatrick Editions #6021029. Published by Neal Fitz...
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Piano Solo - SKU: A0.955400 Composed by Neal Fitzpatrick. Contemporary,World. Score. 4 pages. Neal Fitzpatrick Editions #6021029. Published by Neal Fitzpatrick Editions (A0.955400). This is Impromptu No.9 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99 ≈
1.84€
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Ritt, David
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Ritt, David
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Melodious Accompaniments to Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.792395 Composed by Ritt, David. Arranged by Ritt, David. 20th Century,Instructional,Opera,Romantic Period. Individual ...
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Trombone Solo - Level 4 - SKU: A0.792395 Composed by Ritt, David. Arranged by Ritt, David. 20th Century,Instructional,Opera,Romantic Period. Individual part. 89 pages. Gordon Cherry #4820371. Published by Gordon Cherry (A0.792395). • The Rochut/Bordogni Etudes for Trombone or Euphonium have enjoyed immense popularity over the years. • If you play the Trombone, Euphonium, or any brass instrument for that matter, you have most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. • David Ritt composed his 60 Melodious Accompaniments to compliment Rochut's edition of Book 1 (original) as duets. • Performed as duets they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing on the Trombone or Euphonium as well as intonation, rhythm and style. • Book 1 includes Etudes 1-60, the entire collection of the accompaniments to vocalises from Volume 1 of the Rochut etudes and are contained in a handsome spiral-bound book of over 80 pages using 9 x 12 full-sized Concert Style paper. • Beautifully engraved in bass clef, these accompaniments are perfectly suited for intermediate to moderately advanced performers. • The original Rochut Etudes are NOT included in this collection, just these accompaniments. • The sound clip provided is of etude No. 20 performed by David Ritt (taken from his audio CD of Nos. 1-20 which are minutely different in composition from this collection, but close enough to hear the beauty of the accompaniments).
$20.00 ≈
18.46€
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
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2 Trombones (duo)
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Ritt, David
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Melodious Accompaniments to Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Duet Trombone - Level 4 - SKU: A0.792342 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 89 pages. Gordon Cherry #4806551. Pub...
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Trombone Duet Trombone - Level 4 - SKU: A0.792342 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 89 pages. Gordon Cherry #4806551. Published by Gordon Cherry (A0.792342). • The Rochut/Bordogni Etudes for Trombone or Euphonium have enjoyed immense popularity over the years. • If you play the Trombone, Euphonium, or any brass instrument for that matter, you have most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. • David Ritt composed his 60 Melodious Accompaniments to compliment Rochut's edition of Book 1 (original) as duets. • Performed as duets they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing on the Trombone or Euphonium as well as intonation, rhythm and style. • Book 1 includes Etudes 1-60, the entire collection of the accompaniments to vocalises from Volume 1 of the Rochut etudes and are contained in a handsome spiral-bound book of over 80 pages using 9 x 12 full-sized Concert Style paper. • Beautifully engraved in bass clef, these accompaniments are perfectly suited for intermediate to moderately advanced performers. • The original Rochut Etudes are NOT included in this collection, just these accompaniments. • The sound clip provided is of etude No. 20 performed by David Ritt (taken from his audio CD of Nos. 1-20 which are minutely different in composition from this collection, but close enough to hear the beauty of the accompaniments).
$20.00 ≈
18.46€
Pensées nocturnes No. 2
Pensées nocturnes No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Marc-Henri Lamande
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Raphaël Novarina, Performed
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Raphaël Novarina
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Pensées nocturnes No. 2
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Raphaël Novarina
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1423116 By Marc-Henri Lamande. By Raphaël Novarina. Arranged by Raphaël Novarina. 21st Century,Classical,Contemporary. ...
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Piano Solo - Level 4 - SKU: A0.1423116 By Marc-Henri Lamande. By Raphaël Novarina. Arranged by Raphaël Novarina. 21st Century,Classical,Contemporary. Score. 7 pages. Raphaël Novarina #1004448. Published by Raphaël Novarina (A0.1423116). Pensées nocturnes No. 2, Composed by Raphaël Novarina, Performed by Marc-Henri LamandeRaphaël Novarina is a French composer and Pianist born in Paris in 1980, that composes in a variety of musical styles and setting, but mainly focuses on contemporary classical piano. Novarina also manages a music label. Novarina has an extensive collection of albums. His Solo Piano series has over ten albums of original solo piano music. The style of each album varies, but Novarina’s compositional styles are always based in the rich European classical tradition of forms and harmonic and melodic developments. Each album contains solid playing and themed around various forms. For example, Solo Piano VIII, is comprised of ten Etudes. While Solo Piano VII is all Funeral Marches. Now Novarina is releasing Solo Piano X, which has a theme of suites. The album contains ten suites composed by Novarina. A suite, in Western classical music, is an ordered set of instrumental pieces. Originating in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally linked. In the Baroque era, the suite was an important musical form, also known as Suite de danses, Partita or Ouverture (after the theatrical “overture” which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach.
$5.00 ≈
4.61€
Lyric Etude No. 10 "The Song of the Swan"
Lyric Etude No. 10 "The Song of the Swan"
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Piano seul
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AVANCÉ
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Contemporain
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Andrew Goffe
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Lyric Etude No. 10 "The S
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Andrew Goffe
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991374 Composed by Andrew Goffe. Contemporary. Score. 5 pages. Andrew Goffe #3012521. Published by Andrew Goffe (A0.99137...
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Piano Solo - Level 5 - SKU: A0.991374 Composed by Andrew Goffe. Contemporary. Score. 5 pages. Andrew Goffe #3012521. Published by Andrew Goffe (A0.991374). The tenth of my 12 Lyric Etudes. The Song of the Swan is based on a melody I used to hum to myself since I was 9 years old. I promised I would someday write i down and here it is. It is a study in 4-part harmony, all playing at different rhythms (triplets against straight eighths against quarters, against free melody). Much like the way Leopold Godowsky approaches his arrangements.
$5.99 ≈
5.53€
Gallay - 12 Duos Concertans Op. 1 No. 10 'Siciliana' (for Horn Duet)
Gallay - 12 Duos Concertans Op. 1 No. 10 'Siciliana' (for Horn Duet)
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2 Cors (duo)
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AVANCÉ
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Classique
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Jacques-François Gallay
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Robert Newth
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Gallay - 12 Duos Concertans Op
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Robert Newth
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SheetMusicPlus
French Horn Duet Horn - Level 5 - SKU: A0.1204076 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 4 ...
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French Horn Duet Horn - Level 5 - SKU: A0.1204076 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 4 pages. Robert Newth #802650. Published by Robert Newth (A0.1204076). Jacques-François Gallay (1795-1864) was a prominent french horn player and composer, writing numerous Etudes, Preludes and Chamber works for the horn in addition to a popular method book. His first 12 Duos Concertans (Op. 1) were published in or around 1820 and were followed immediately by another second set of 12.This PDF download is the tenth duet in Op. 1, titled Siciliana and contains both a full score and individual parts, on single pages for ease of reading.
$1.99 ≈
1.84€
Lyric Etude No. 8
Lyric Etude No. 8
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Piano seul
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AVANCÉ
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Andrew Goffe
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Lyric Etude No. 8
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Andrew Goffe
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991373 Composed by Andrew Goffe. 20th Century,Contemporary,Spiritual. Score. 7 pages. Andrew Goffe #3012515. Published by...
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Piano Solo - Level 5 - SKU: A0.991373 Composed by Andrew Goffe. 20th Century,Contemporary,Spiritual. Score. 7 pages. Andrew Goffe #3012515. Published by Andrew Goffe (A0.991373). The eighth of my 12 Lyric Etudes. This one is based on an extended note melody designed to sound like a negro spiritual. The toiling of workers who hum as they work. It is an up tempo and challenging two handed study in concentration with 5/4 rhythm changes in D-minor
$5.99 ≈
5.53€
E Minor (Espressione II No. 6)
E Minor (Espressione II No. 6)
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Mrs
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E Minor
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Melissa Blanton
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.929959 Composed by Mrs. Blanton. Instructional,Standards. 1 pages. Melissa Blanton #4626255. Published by Melissa Blanto...
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Violin Solo - Level 4 - SKU: A0.929959 Composed by Mrs. Blanton. Instructional,Standards. 1 pages. Melissa Blanton #4626255. Published by Melissa Blanton (A0.929959). A student's style and expression in their playing is something that often needs lots of encouragement! The Espressione Etudes are designed to do just that. This etude, E Minor, encompasses many mood changes, meter changes, and rhythmic variation for the late intermediate/ early advanced player. In addition, the opportunity to become a better musician is offered in this piece by requiring him/her to write in the dynamics and articulation!
$1.99 ≈
1.84€
Three Studies for Trombone Quartet
Three Studies for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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AVANCÉ
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Methodes Etudes
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Vladislav Blazhevich
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Karl Lyden
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Three Studies for Trombone Qua
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Cherry Classics Music
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SheetMusicPlus
Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exerci...
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Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.
Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.
Here is a description of the Three Studies by arranger Karl Lynden:
"The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich?s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement ?Five Etude?.
Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.
No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."
$27.50 ≈
25.38€
Etude No.10 ( By the Stream"
Etude No.10 ( By the Stream"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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the Stream
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Joseph Hull
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Etude No.10
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Genesis
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.983240 Composed by Joseph Hull. Contemporary,Instructional. Score. 4 pages. Genesis #2846283. Published by Genesis (A0.98...
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Piano Solo - Level 4 - SKU: A0.983240 Composed by Joseph Hull. Contemporary,Instructional. Score. 4 pages. Genesis #2846283. Published by Genesis (A0.983240). This is one of the briefest etudes I have written but it is also one of my favorites. I liked it so much that I gave it a sub-title: By the Stream. It is essentially an exercise in playing intervals of a sixth in either hand.
$2.50 ≈
2.31€
MacDowell: Jaglied (Hunting Song) Op.39 No.1 - brass quintet
MacDowell: Jaglied (Hunting Song) Op.39 No.1 - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward MacDowell
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Ray Thompson
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MacDowell: Jaglied
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RayThompsonMusic
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221268 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 9 pages. R...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221268 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 9 pages. RayThompsonMusic #817601. Published by RayThompsonMusic (A0.1221268). Edward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces, and New England Idylls.Woodland Sketches Op.51 includes his most popular short piece, To a Wild Rose. This Hunting Songcomes from a set of 12 Etudes Op.39 (12 studies), written in 1890, a particularly happy period in his life when he was busy with teaching and composing commitments and several years before being appointed as professor of music at Columbia University.Arranged brass quintet: 2 tpt, hn, tbn and tba.The melody is shared around all of the instruments.The horn opens the piece with a short fanfare, which is taken up by trumpet.
$4.99 ≈
4.61€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Piano Facile
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DÉBUTANT
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Classique
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmller
Ballade, Op. 100, No. 15 Friedrich Burgmller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vlocit, Op. 109, No. 10 Friedrich Burgmller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.68€
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Ten Etudes No.4
