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Vous avez sélectionné:
That's Life Trombone 4
Partitions à imprimer
166 partitions trouvées
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That's Life - Trombone 4
That's Life - Trombone 4
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Trombone (partie séparée)
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INTERMÉDIAIRE
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Jazz
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John Berry
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That's Life - Trombone 4
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Hal Leonard - Digital
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SheetMusicPlus
Level 3 - SKU: HX.381877 Arranged by John Berry. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Dig...
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Level 3 - SKU: HX.381877 Arranged by John Berry. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.381877).
$6.00
Three selections based on "Christ lag in Todesbanden" (Trombone Quintet)
Three selections based on "Christ lag in Todesbanden" (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Trombone Quintet Trombone - Level 4 - SKU: A0.1257388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Hi...
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Trombone Quintet Trombone - Level 4 - SKU: A0.1257388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850722. Published by Regis Bookshar (A0.1257388). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Trombone Quintet - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled (Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism. Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece form his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben Rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Trombone Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Maple Leaf Rag, by Scott Joplin, Trombone Duet
Maple Leaf Rag, by Scott Joplin, Trombone Duet
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2 Trombones (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 4 - SKU: A0.1109603 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score. 5 pages. David...
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Trombone Duet Trombone - Level 4 - SKU: A0.1109603 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score. 5 pages. David McKeown #711973. Published by David McKeown (A0.1109603). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This duet version for Trombone Duet includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The YouTube link is a full performance of the Clarinet version of this arrangement. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
That's Life - Trombone 4
That's Life - Trombone 4
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Trombone (partie séparée)
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Jazz
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Dean Kay and Kelly Gordon
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Gordon Goodwin
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That's Life - Trombone 4
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Dean Kay and Kelly Gordon. Arranged by Gordon Goodwin. Jazz; Standards. Jazz Band. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Dean Kay and Kelly Gordon. Arranged by Gordon Goodwin. Jazz; Standards. Jazz Band. 4 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Sta...
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Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Maple Leaf Rag, by Scott Joplin, for Trombone and Piano
Maple Leaf Rag, by Scott Joplin, for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1112427 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Davi...
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Piano,Trombone - Level 4 - SKU: A0.1112427 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714461. Published by David McKeown (A0.1112427). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Trombone and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Maple Leaf Rag, by Scott Joplin, Trumpet and Trombone Duet
Maple Leaf Rag, by Scott Joplin, Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.1109637 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.1109637 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 5 pages. David McKeown #711997. Published by David McKeown (A0.1109637). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This duet version for one Trumpet and one Trombone includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The YouTube link is a full performance of the Clarinet version of this arrangement. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
La Primavera (The Spring) by Vivaldi - Trombone Duet with Chord Notations
La Primavera (The Spring) by Vivaldi - Trombone Duet with Chord Notations
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2 Trombones (duo)
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FACILE
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Classique
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - SKU: A0.1408414 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,We...
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Trombone Duet Trombone - Level 2 - SKU: A0.1408414 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Score. 4 pages. Glauco Fernandes #991001. Published by Glauco Fernandes (A0.1408414). Discover the vivacity of the Baroque era with our exclusive and simplified arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons, specifically crafted for a duet. This arrangement is designed to bring to life the joyful and energetic spirit of spring in an accessible manner, making it the perfect choice for duet musicians of various skill levels, from developing students to professionals looking for a charming yet simpler piece to complement their repertoires.For educators and music teachers, this simplified sheet music for duet offers a wonderful way to introduce students to Vivaldi's vibrant style and the music of the Baroque period. It provides a less intimidating approach to exploring classical works, allowing students to enhance their musical techniques and confidence while actively engaging in duet performance.Professional musicians will find this arrangement of La Primavera a valuable and practical addition to their duet repertoire, particularly suitable for events requiring shorter pieces or for moments seeking to touch the audience's hearts with the unmistakable beauty of Vivaldi, without the complexity of his complete works.This arrangement ensures that the essence and brilliance of Vivaldi's Spring are preserved while making the piece more accessible for duet performance, ensuring a rewarding musical experience for both performers and listeners. Explore the renewal and vitality of Spring through this charming and simplified arrangement tailored for duet.Tags: simplified sheet music, duet, Antonio Vivaldi, The Four Seasons, La Primavera, The Spring, Baroque music, music education, musical arrangement, live performance, music learning, ensemble performance, piano.
$5.99
La Primavera (The Spring) by Vivaldi - Trombone Duet
La Primavera (The Spring) by Vivaldi - Trombone Duet
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2 Trombones (duo)
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FACILE
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Classique
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - SKU: A0.1408415 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,We...
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Trombone Duet Trombone - Level 2 - SKU: A0.1408415 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Score. 4 pages. Glauco Fernandes #991003. Published by Glauco Fernandes (A0.1408415). Discover the vivacity of the Baroque era with our exclusive and simplified arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons, specifically crafted for a duet. This arrangement is designed to bring to life the joyful and energetic spirit of spring in an accessible manner, making it the perfect choice for duet musicians of various skill levels, from developing students to professionals looking for a charming yet simpler piece to complement their repertoires.For educators and music teachers, this simplified sheet music for duet offers a wonderful way to introduce students to Vivaldi's vibrant style and the music of the Baroque period. It provides a less intimidating approach to exploring classical works, allowing students to enhance their musical techniques and confidence while actively engaging in duet performance.Professional musicians will find this arrangement of La Primavera a valuable and practical addition to their duet repertoire, particularly suitable for events requiring shorter pieces or for moments seeking to touch the audience's hearts with the unmistakable beauty of Vivaldi, without the complexity of his complete works.This arrangement ensures that the essence and brilliance of Vivaldi's Spring are preserved while making the piece more accessible for duet performance, ensuring a rewarding musical experience for both performers and listeners. Explore the renewal and vitality of Spring through this charming and simplified arrangement tailored for duet.Tags: simplified sheet music, duet, Antonio Vivaldi, The Four Seasons, La Primavera, The Spring, Baroque music, music education, musical arrangement, live performance, music learning, ensemble performance, piano.
$5.99
Overture (Sinfonia) from the Messiah for Trombone Quartet
Overture (Sinfonia) from the Messiah for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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AVANCÉ
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Georg Frideric Handel
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Ralph Sauer
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Overture
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.811207 Composed by Georg Frideric Handel. Arranged by Ralph Sauer. Baroque,Classical,Renaissance,Sacred. Sco...
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Brass Ensemble Trombone - Level 5 - SKU: A0.811207 Composed by Georg Frideric Handel. Arranged by Ralph Sauer. Baroque,Classical,Renaissance,Sacred. Score and parts. 16 pages. Gordon Cherry #6234073. Published by Gordon Cherry (A0.811207). Handel's Messiah is possibly the most performed work in the world of music and has become an annual tradition at Christmas and Easter since its premier in 1742. Since that time, many great versions have appeared including ones by Mozart and Sir Thomas Beecham (using 'Elgarian' instrumentation). In the past 60 years, the world of brass has joined the party and many new and exciting arrangements have come to life.Ralph Sauer recently found this wonderful transcription of the Sinfonia (Overture) for 4-part Trombone Ensemble he had done as a student at the Eastman School and we are proud to present it for the first time in over 50 years.
$25.00
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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Trombone et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. S...
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Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Adages II for Bass Trombone and Piano
Adages II for Bass Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Adages II for Bass Trombone an
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 47 page...
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Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 47 pages. Sy Brandon #4886103. Published by Sy Brandon (A0.755280). Adages II is the second in a series of compositions based on familiar sayings. It is composed for Dr. Joseph Murrell and is for bass trombone and piano. There are five movements in this composition. 1. Strike while the iron is hot – This movement is in a fast tempo with a lot of syncopation and irregular meter change. The piano frequently plays two loud chords that indicate the striking. 2. Opposites attract – The opposites in this movement are a swing style and a classical style. Each has its moments to shine and yet one clearly influences the other. 3. Stop and Smell the roses – This movement is lyrical representing the beauty of smelling roses. A motif that contains rests is a reminder to stop and take time for the beautiful things in life. A contrapuntal middle section with steady sixteenth notes builds in intensity as another reminder that one needs to take time from the hectic pace of life to enjoy beauty. 4. Curiosity killed the cat – This movement is mostly soft, staccato, and furtive representing the curiosity of the cat. A loud chord or succession of chords indicates the cat getting into trouble. This happens a total of nine times representing the cat’s nine lives before the cat is finally doomed. 5. Look before you leap – As the adage implies, there are a lot of melodic leaps in this movement. Any scalar material or repeated note figures serve as a warning to look before one leaps.
$14.99
From the Shadow's Edge (for Brass Quintet & Optional Percussion)
From the Shadow's Edge (for Brass Quintet & Optional Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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From the Shadow's Edge
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. Https://gildedmusicpress.com/ #758453. Published by https://gildedmusicpress.com/ (A0.1158148). From the Shadow's Edge was commissioned by horn player in the US Air Force Bands, SSgt Alena Zidlicky, to honor her grandmother Beluse Urlich Zidlicky (Babi), who escaped the oppressive Nazi occupation of Czechoslovakia during WWII. For brass quintet and percussion, the horn is featured. The music of this composition begins in aural darkness, as if immersed in an inescapable shadow. The tense harmonies and contrapuntal motions of the brass are accompanied by two heartbeat motifs, in the tuba and bass drum, conjuring sentiments of fear and uncertainty. Emotions swell as the solo horn enters with contrasting triplet rhythms that struggle against the complex mixture of duple strains throughout the other parts. This dark introduction serves as a prelude to the above storyline, which transitions quickly (and trepidatiously) out of the shadow. From rehearsal letter B through the remainder of the piece, hope permeates in the brightness, once escaped from the shadow’s ominous edge. The complex nature of the thematic overlapping and polyphonic texture of the quintet as a whole provide feelings of unrest, anticipation, hope, and yes, heroism. Nothing exudes heroism more than a soaring solo horn! This composition celebrates triumph over evil, whether during life or in death, and those who press on with a brightness of hope even in the darkest shadows that life can cast, as exemplified in the life of Beluse Ulrich Zidlicky.
$29.95
Illusion for Trumpet, Trombone and Piano
Illusion for Trumpet, Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Elizabeth Raum
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Illusion for Trumpet, Trombone
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 page...
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Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.
$37.50
Ewald: Quintet No. 4 for Brass instruments
Ewald: Quintet No. 4 for Brass instruments
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Victor Ewald
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Roar Kvam
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Ewald: Quintet No. 4 for Brass
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KVAMusic Edition
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages. KVAMusic Editi...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages. KVAMusic Edition #6424311. Published by KVAMusic Edition (A0.768520). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition. As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields.Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba). Roar Kvam, Fossbrekka, April 14, 2020
$40.00
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Peer Gynt Suite Complete for Trombone & Piano
Grieg: Peer Gynt Suite Complete for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards....
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Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Luther: Out of the Depths for Trombone & Piano
Luther: Out of the Depths for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
O Holy Night for Trombone & Piano
O Holy Night for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Trombone &
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #...
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Piano,Trombone - Level 1 - SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410439. Published by jmsgu3 (A0.548678). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards....
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Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504701. Published by jmsgu3 (A0.549525). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
A Salute to the Big Apple: 1st Trombone
A Salute to the Big Apple: 1st Trombone
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Trombone (partie séparée)
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Methodes
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Calvin Custer
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A Salute to the Big Apple: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016098_TN1 1st Trombone. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Mu...
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Full Orchestra - SKU: AX.00-PC-0016098_TN1 1st Trombone. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016098_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016098_TN1). UPC: 029156208528.The Big Apple! There can be no doubt in anyone's mind about which city we are referring. The glamour, the vibrant life that is like no other city on the earth. Musically, our salute includes Theme from New York, New York, Forty-Second Street, Lullaby of Broadway, and New York, New York. Audiences and musicians will be thrilled with this stunning work that contains sophisticated and supremely atmospheric sounds! (6:48).
$3.00
A Salute to the Big Apple: 3rd Trombone
A Salute to the Big Apple: 3rd Trombone
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Trombone (partie séparée)
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Methodes
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Calvin Custer
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A Salute to the Big Apple: 3rd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016098_TN3 3rd Trombone. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Mu...
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Full Orchestra - SKU: AX.00-PC-0016098_TN3 3rd Trombone. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016098_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016098_TN3). UPC: 029156208528.The Big Apple! There can be no doubt in anyone's mind about which city we are referring. The glamour, the vibrant life that is like no other city on the earth. Musically, our salute includes Theme from New York, New York, Forty-Second Street, Lullaby of Broadway, and New York, New York. Audiences and musicians will be thrilled with this stunning work that contains sophisticated and supremely atmospheric sounds! (6:48).
$3.00
A Salute to the Big Apple: 2nd Trombone
A Salute to the Big Apple: 2nd Trombone
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Trombone (partie séparée)
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Methodes
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Calvin Custer
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A Salute to the Big Apple: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016098_TN2 2nd Trombone. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Mu...
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Full Orchestra - SKU: AX.00-PC-0016098_TN2 2nd Trombone. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016098_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016098_TN2). UPC: 029156208528.The Big Apple! There can be no doubt in anyone's mind about which city we are referring. The glamour, the vibrant life that is like no other city on the earth. Musically, our salute includes Theme from New York, New York, Forty-Second Street, Lullaby of Broadway, and New York, New York. Audiences and musicians will be thrilled with this stunning work that contains sophisticated and supremely atmospheric sounds! (6:48).
$3.00
Amazing Grace • super easy trumpet and trombone sheet music
Amazing Grace • super easy trumpet and trombone sheet music
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Trompette, Trombone (duo)
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DÉBUTANT
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Musique Sacrée
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John Newton
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Benzaiten Editions
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Amazing Grace • super eas
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Benzaiten Editions
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1232477 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Pra...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1232477 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Praise & Worship,Religious,Sacred. 4 pages. Benzaiten Editions #828165. Published by Benzaiten Editions (A0.1232477). The Benzaiten Editions Arrangement If you're looking for an easy trumpet and trombone music sheet of the classic hymn Amazing Grace, look no further! I have created a simple yet beautiful version of this beloved song that is perfect for beginner trumpet and trombone players or those who are just starting to learn how to play. With this arrangement of Amazing Grace, you'll be able to play this timeless melody with ease and grace. The simplified chords and melody make it easy to learn, while still retaining the emotional depth and spiritual resonance of the original hymn. So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy/beginner trumpet and trombone music sheet of Amazing Grace is sure to inspire and uplift.  About the song Amazing Grace is a beloved hymn written by English poet and clergyman John Newton in the late 18th century. It reflects on his personal journey from a life of sin to one of faith and redemption. The melody's origin is unclear, but it's believed to have originated from an old Scottish folk tune. The hymn has been recorded and performed by countless musicians and artists over the years and has become a source of comfort and hope for people around the world in times of struggle and hardship.
$1.99
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That's Life Trombone 4
