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That's What I Like About You
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Vous avez sélectionné:
That's What I Like About You
Partitions à imprimer
151 partitions trouvées
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That's What I Like About You
That's What I Like About You
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Orgue
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Trisha Yearwood
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That's What I Like About You
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.737446 By Trisha Yearwood. This edition: scorch. E-Z Play Today. Country,Love. Score. 5 pages. Ha...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.737446 By Trisha Yearwood. This edition: scorch. E-Z Play Today. Country,Love. Score. 5 pages. Hal Leonard - Digital #823557. Published by Hal Leonard - Digital (HX.737446). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.71€
What I Like About You
What I Like About You
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Rock
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The Romantics
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Jim Farley - www
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What I Like About You
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Jim Farley arrangementsone.com
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1148143 By The Romantics. By Ja...
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1148143 By The Romantics. By James Marinos, Michael Skill, and Wally Palamarchuk. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score and parts. 50 pages. Jim Farley arrangementsone.com #748307. Published by Jim Farley arrangementsone.com (A0.1148143). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$49.99 ≈
45.37€
What I Like About You
What I Like About You
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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The Romantics
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Jim Farley - www
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What I Like About You
#
Jim Farley arrangementsone.com
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1148145 By The Romantics. By James Marinos, Michael Skill, and Wally Palamarchuk. Arranged by Jim Farley - ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1148145 By The Romantics. By James Marinos, Michael Skill, and Wally Palamarchuk. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score. 12 pages. Jim Farley arrangementsone.com #748309. Published by Jim Farley arrangementsone.com (A0.1148145). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$4.99 ≈
4.53€
That's What I Like About You
That's What I Like About You
#
Guitare
#
Country
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Trisha Yearwood
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That's What I Like About You
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Hal Leonard - Digital
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SheetMusicPlus
By Trisha Yearwood. Country. Guitar Lead Sheet. 2 pages. Published by Hal Leonard - Digital...
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By Trisha Yearwood. Country. Guitar Lead Sheet. 2 pages. Published by Hal Leonard - Digital
$2.99 ≈
2.71€
Funny Like a Monkey for piano quartet
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00 ≈
32.67€
Come Home To You
Come Home To You
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Ian Munsick
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Kyle Pudenz
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Come Home To You
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contem...
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Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99 ≈
4.53€
That's What I Like About You by Trisha Yearwood - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Country
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Trisha Yearwood
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That's What I Like About You
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Musicnotes
Performed by: Trisha Yearwood: That's What I Like About You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digit...
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Performed by: Trisha Yearwood: That's What I Like About You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Country~~Contemporary Country
$5.79 ≈
5.25€
I'M HERE FOR YOU - Artist, Gary Lanier - Listening MP3
I'M HERE FOR YOU - Artist, Gary Lanier - Listening MP3
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Musique Sacrée
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Gospel Spirituel
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Gary Lanier
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Gary Lanier
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I'M HERE FOR YOU - Artist, Gar
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The Lanier Company
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SheetMusicPlus
Voice - SKU: A0.1056243 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 278. The ...
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Voice - SKU: A0.1056243 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 278. The Lanier Company #5033957. Published by The Lanier Company (A0.1056243). I'M HERE FOR YOU is a beautiful, inspirational song written and sung by Composer/Arranger, Gary Lanier. There are times when everything seems to be falling apart and people have disappointed you. It is during times like this that God wants you to remember that He has given you a Comforter, the Holy Spirit, and He is ALWAYS there for you. He will comfort and lead you, never deceive you. That's what this song is all about... God is saying to you, I'M HERE FOR YOU. Add this to your MP3 Music Library.The following other products are available on Sheet Music Plus for I'M HERE FOR YOU:Lead Sheet, listed as: I'M HERE FOR YOU by Gary Lanier (Lead Sheet included Melody, Chords and Lyrics).MP3 Accompaniment Track, listed as: I'M HERE FOR YOU by Gary Lanier, MP3 Accompaniment Track.
$1.99 ≈
1.81€
I'M HERE FOR YOU by Gary Lanier (Lead Sheet includes Melody, Chords and Lyrics)
I'M HERE FOR YOU by Gary Lanier (Lead Sheet includes Melody, Chords and Lyrics)
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Gary Lanier
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Gary Lanier
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I'M HERE FOR YOU by Gary Lanie
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The Lanier Company
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.617453 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score. 3...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.617453 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score. 3 pages. The Lanier Company #5033951. Published by The Lanier Company (A0.617453). I'M HERE FOR YOU is a beautiful, inspirational song written by Gary Lanier. There are times when everything seems to be falling apart and people have disappointed you. It is during times like this that God wants you to remember that He has given you a Comforter, the Holy Spirit, and He is ALWAYS there for you. He will comfort and lead you, never deceive you. That's what this song is all about... God is saying to you, I'M HERE FOR YOU.The following other products are available on Sheet Music Plus for I'M HERE FOR YOU:Listening MP3, listed as: I'M HERE FOR YOU, Listening MP3 (Artist, Gary Lanier).MP3 Accompaniment Track, listed as: I'M HERE FOR YOU by Gary Lanier, MP3 Accompaniment Track
$2.99 ≈
2.71€
I'M HERE FOR YOU (MP3 Accompaniment Track)
I'M HERE FOR YOU (MP3 Accompaniment Track)
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Musique Sacrée
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Gospel Spirituel
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Gary Lanier
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Gary Lanier
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I'M HERE FOR YOU
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The Lanier Company
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SheetMusicPlus
SKU: A0.1056245 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 278. The Lanier C...
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SKU: A0.1056245 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 278. The Lanier Company #5033967. Published by The Lanier Company (A0.1056245). I'M HERE FOR YOU is a beautiful, inspirational song written by Gary Lanier. There are times when everything seems to be falling apart and people have disappointed you. It is during times like this that God wants you to remember that He has given you a Comforter, the Holy Spirit, and He is ALWAYS there for you. He will comfort and lead you, never deceive you. That's what this song is all about... God is saying to you, I'M HERE FOR YOU.The following other products are available on Sheet Music Plus for I'M HERE FOR YOU:Listening MP3, listed as: I'M HERE FOR YOU, Listening MP3 (Artist, Gary Lanier).Lead Sheet, listed as: I'M HERE FOR YOU by Gary Lanier (Lead Sheet includes Melody, Chords and Lyrics)
$4.99 ≈
4.53€
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
15.43€
CASSANDRA'S VISION
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00 ≈
4.54€
I Want A Hippopotamus For Christmas (hippo The Hero)
I Want A Hippopotamus For Christmas (hippo The Hero)
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Noël
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John Rox
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Raevynn Nicole Davis
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I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Pu...
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Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99 ≈
40.83€
The Girl I Mean To Be
The Girl I Mean To Be
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Orchestre
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/...
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Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99 ≈
54.44€
The Girl I Mean To Be
The Girl I Mean To Be
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Orchestre d'harmonie
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Sh...
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Concert Band - Level 2 - SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$79.99 ≈
72.59€
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95 ≈
12.66€
Robe Yourself with Joy and Gladness (4-part hymn-style)
Robe Yourself with Joy and Gladness (4-part hymn-style)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Words: Johann Franck, tr
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Lyndell Leatherman
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some were not
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Robe Yourself with Joy and Gla
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Leatherman Music Services
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1245807 Composed by Words: Johann Franck, tr. Catherine Winkworth / Music: Lyndell Leatherman. Arranged by Lynde...
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Choral Choir (SATB) - Level 4 - SKU: A0.1245807 Composed by Words: Johann Franck, tr. Catherine Winkworth / Music: Lyndell Leatherman. Arranged by Lyndell Leatherman. Advent,Christian,Religious,Sacred. Octavo. 1 pages. Leatherman Music Services #840637. Published by Leatherman Music Services (A0.1245807). This is the four-part hymn-style edition of this Eucharistic hymn, to facilitate congregational singing. As far as I am concerned, you may purchase the minimum amount of copies that SheetMusicPlus will allow, and then freely duplicate the song sheet for inclusion in worship bulletins. Other editions are available:A FESTIVAL CHOIR arrangement of this hymn is available here: https://www.arrangeme.com/title/436143A PIANO/ORGAN Duet of the hymn is available here: https://www.arrangeme.com/title/436144Here are some program notes: Johann Franck (1618-1677) was born in Guben, Germany, the son of a lawyer. Like his father, Johann studied law at the University of Konigsburg, where–in addition to his studies–he developed a warm friendship with a group of hymnists and poets. Returning home, he began his law practice and eventually became mayor of Guben. As an avocation, the Lutheran politician wrote poems–and soonbecame known as one of the leading hymnists of his time, ranked only behind Gerhard. He is credited for the creation of a group of so-called Jesus hymns, building the foundation for the pietistic hymn movement that would later sweep through Europe. Franck once wrote that poetry should be the nurse of piety, the herald of immortality, the promoter of cheerfulness, the conqueror of sadness, and a foretaste of heavenly glory. Indeed, his hymns echoed his own spirit of encouragement.Lyndell Leatherman (b. 1953) was born into a Nazarene parsonage in southeast Kansas. After studying church music and composition at Olivet Nazarene University (Kankakee, Illinois) and Illinois State University (Bloomington-Normal, Illinois), he launched into a life of music ministry. Since 1977 he has enjoyed a diverse career as church musician, editor, accompanist, composer, and arranger. In 1998 he became aware of Franck’s eucharistic / Advent hymn, translated either Deck Thyself with Joy and Gladness (Mattes) or Deck Thyself, My Soul, with Gladness (Winkworth). Because the text was unique in its unusually exultant treatment of the sacrament of holy communion, Lyndell felt that the hymn was worthy of renewed consideration in the third millennium of Christian worship. So he updated the language and gave it the new musical setting used here. ************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$1.99 ≈
1.81€
The Volcano`s Lake
The Volcano`s Lake
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Harpe
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FACILE
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....
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Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79 ≈
6.16€
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
45.37€
What Was I Made For?
What Was I Made For?
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Piano seul
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FACILE
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Film/TV
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Billie Eilish
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Thomas Gunther
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What Was I Made For?
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Thomas Gunther Music Productions
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,C...
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Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,Contemporary,Film/TV. Individual part. 4 pages. Thomas Gunther Music Productions #863576. Published by Thomas Gunther Music Productions (A0.1271184). About the arrangement This is pianist/arranger Thomas Gunther's beautiful and highly accurate piano solo arrangement of the 2023 Barbie Movie features Billie Eilish's song WHAT I WAS MADE FOR.  It includes even Billie's quiet humming passages.This solo piano version can be played all by itself, or with Billie's recording of the song.It is easy enough to learn for pianists that have no amazing techniqual skills, but can be challanging in different ways, as explained below. From the Arranger Thomas Gunther  The most challenging task when writing this solo piano arrangement of What I Was Made For was to notate Billie's rhythm accurately. Her melodic rhythm is very important as it supports the flow of the lyrics perfectly. Notating a singer's rhythm can unfortunately never be 100% perfect (notation is by definition quantized), but I think I got very close. An other challenge was to get the accompaniment sound like the original without stepping on the melody notes. Looking at my final version I think it is as good as it gets for a piano adaption of this highly emotional song.I really hope all you Billie Eilish fans out there will enjoy playing this arrangement! How difficult is it As mentioned earlier, the song looks simple, but to play it well there is a lot of things the pianist has to take care of. The most challenging aspect is to sustain some notes by either using clever fingering or employing the sustain pedal. Also, dynamics are really important, especially when ballancing the accompaniment against the melody. Fingering I included fingering numbers to give the pianist a starting point. But fingering is a highly subjective affaire. Every pianist should feel free to adapt her/his own fingering as see fit. Sustain pedal usage The sustain pedal usage is very important in this arrangement (I included sustain pedal markings for this very reason). For one, it helps sustaining some notes that can't be held otherwise, and of course to make the sound fuller (more cinematic). It is important to use the pedal to create a sense of space (distance). After all, the original recording uses a lot of reverb to achieve that. Chord Symbols I did not include pop chord symbols because the harmony to the the song is very simple and based around 4 diatonic chords. It would just cludder up the score. At PopJazzKeys.com/Barbie I talk a little bit about the chords.
$5.99 ≈
5.44€
The Girl I Mean To Be
The Girl I Mean To Be
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1282836 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Al...
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1282836 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. 14 pages. Alberto Caeiro #874079. Published by Alberto Caeiro (A0.1282836). This arrangement is made for String Quintet, in the original key containing the original form of the musical. It's an easy arrangement that can be performed in different events and performances, having a solo voice. With 2 violins, 1 viola and 1 cello, the arrangement would be too light so, adding the double bass, the arrangement becomes more interesting with more color.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$19.99 ≈
18.14€
Seeds Along the Way (a musical about the life of David)
Seeds Along the Way (a musical about the life of David)
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Piano, Voix et Guitare
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FACILE
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Paul Addison
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Paul Addison
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Seeds Along the Way
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Paul Addison
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1126233 Composed by Paul Addison. Arranged by Paul Addison. Broadway,Children,Christian,Musical/Show. Score...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1126233 Composed by Paul Addison. Arranged by Paul Addison. Broadway,Children,Christian,Musical/Show. Score. 55 pages. Paul Addison #726936. Published by Paul Addison (A0.1126233). Seeds Along the Way is a musical about the life of the biblical King David, written by Paul Addison. David gets to see the major events of his life with the help of his guardian angel, Gabrielle. This manner of storytelling combines elements of It’s a Wonderful Life, A Christmas Carol, and the old TV show This Is Your Life. Each event in David’s life is told through a song. It was originally written as a VBS (Vacation Bible School) musical. Although everyone in Israel is singing his praises, David questions the purpose of his life. Gabrielle shows him that everyone’s life is important, and that the good things that we do are like seeds planted along the way, which may not sprout and grow until much later. After reviewing his past, David is given a glimpse of the future, and realizes that he is one of many who are preparing for the coming of Jesus Christ. The musical is based on the stories from the Bible, mainly from 1 and 2 Samuel, but also including a Psalm and a geneaology listing from Matthew. David throws in a couple of bad puns as he tries to understand what Gabrielle is trying to tell him. The accompaniment is written for piano, but is appropriate for a praise team or a small dance band. The styles are quite varied, including cha-cha, pop, bossa nova, ballad, dirge, blues, jazz, and waltz. The piano accompaniment could be supplemented by percussion instruments (tambourine, maracas, woodblock, cowbell, etc.), as well as guitar, saxophone, and drums. The songs are at an Easy Intermediate level. The only stage requirements are a small balcony or elevated level with a railing or fence, and a floor area for the chorus. The musical consists of 10 scenes, but the two narrator characters remain on the balcony, and the floor area only needs to be changed in case the chorus members use different costumes and/or props for the different scenes. I hope you enjoy this musical. Address any questions to me at paulhaddison@gmail.com.
$12.99 ≈
11.79€
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That's What I Like About You
