Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Art of Tremolo
Non classifié
32
Piano & claviers
Piano seul
16
Piano Facile
4
Piano Trio: piano, violon, violoncelle
2
Piano, Voix et Guitare
1
Piano, Voix
1
Guitares
Guitare
33
Guitare notes et tablatures
5
2 Guitares (duo)
2
Mandoline
1
Ukulele
1
Voix
Chorale SATB
2
Chorale 3 parties
1
Vents
Flûte traversière et Piano
5
Flûte traversière
2
Saxophone Alto
1
Hautbois, Piano (duo)
1
Saxophone Alto et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Tenor et Piano
1
Harmonica
1
Saxophone Soprano et Piano
1
+ 6 instrumentations
Retracter
Cuivres
Trompette, Piano
1
Trombone et Piano
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
5
Violon, Violoncelle (duo)
4
Violoncelle
3
Harpe et mandoline
2
Violoncelle (partie séparée)
2
Violon (partie séparée)
2
Alto (partie séparée)
1
Violon
1
4 Violoncelles
1
Alto seul
1
2 Altos (duo)
1
Violoncelle, Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
Alto, Piano
1
Quatuor à cordes : 4 altos
1
+ 14 instrumentations
Retracter
Percussions & orchestre
Orchestre à Cordes
24
Orchestre
3
Orchestre d'harmonie
3
Orchestre de chambre
2
Vibraphone
2
Ensemble de cuivres
1
Ensemble de Percussions
1
+ 2 instrumentations
Retracter
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
188 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Art of Tremolo
Partitions à imprimer
198 partitions trouvées
<
1
26
51
....
176
The Art of Tremolo
The Art of Tremolo
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Methodes
#
Flamenco
#
Ioannis Anastassakis
#
The Art of Tremolo
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar (classical and lute) - Intermediate-Advanced - A Comprehensive Analysis of the Tremolo Technique. Composed by Ioannis Anastassakis. Style. E-book. ...
(+)
Guitar (classical and lute) - Intermediate-Advanced - A Comprehensive Analysis of the Tremolo Technique. Composed by Ioannis Anastassakis. Style. E-book. 150 pages. Mel Bay Publications - Digital Sheet Music #20394EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740702.
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose Antonio Rodriguez, Paco Serrano, and many more.
$24.99 ≈
22.52€
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
#
Thomas Oboe Lee
#
I've Got the Munchies
#
Thomas Oboe Lee
#
SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Conte...
(+)
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99 ≈
9.00€
Earned It (Fifty Shades of Grey) - String Quartet - The Weeknd arr. Cellobat
Earned It (Fifty Shades of Grey) - String Quartet - The Weeknd arr. Cellobat
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Film/TV
#
The Weeknd
#
Sarah Cellobat Chaffee
#
Earned It
#
Sarah Chaffee
#
SheetMusicPlus
String Quartet - Advanced - By The Weeknd. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 16 pages. Published by Sarah Chaffee ...
(+)
String Quartet - Advanced - By The Weeknd. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 16 pages. Published by Sarah Chaffee
The blockbuster movie "Fifty Shades of Grey" was released in 2015 - and it was universally panned by critics. However, the movie's original soundtrack received much higher acclaim, and The Weeknd's single "Earned It" ended up receiving an Academy Award nomination for Best Original Song. This string quartet arrangement brings the same sensuous feel, call-and-response echoes, dynamic contrasts, and exciting tension as the original, and even maintains the original song's dramatic string lines and tremolos! Great for pop concerts, dinners and events, or even weddings - this arrangement was initially commissioned for a bride's processional song. Rated advanced for the tricky rhythms and interlocking parts - this will be sightreadable for professionals, but probably a good idea to look it over first. Listen to the original song to get a feel for the rubato introduction and the slow but steady tempo. And above all, have fun! :)
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mtley Cre, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee
$16.99 ≈
15.31€
The Godfather (love Theme)
The Godfather (love Theme)
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Nino Rota
#
Kurt Meyer
#
The Godfather
#
Kurt Meyer Self-Publishing
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1173860 Composed by Nino Rota. Arranged by Kurt Meyer. 20th Century,Film/TV,Multicultura...
(+)
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1173860 Composed by Nino Rota. Arranged by Kurt Meyer. 20th Century,Film/TV,Multicultural,Pop,Standards,World. 16 pages. Kurt Meyer Self-Publishing #774012. Published by Kurt Meyer Self-Publishing (A0.1173860). The hit love theme from the iconic movie THE GODFATHER arranged for Clarinet Quartet (3 Clarinets in Bb + Bass Clarinet) will sure to be a captivating addition to your next music program! A brief arpeggiated introduction morphs into the main melodic theme, with the melody line passing amongst the various clarinet parts. After a modulation towards the end, some tremolo textures and a hemiola-based polyrhythm accompaniment add some extra musical flavor to this must-have arrangement.Purchase of this arrangement includes both a master score and individual parts. May only print one copy of the score and one copy each of the individual parts.Other corresponding stand-alone arrangements to this setting:~Handbell Choir~Piano Duet (1 Piano, 4 Hands)Kurt Meyer Self-Publishing (KMSP) Code: KMSP-0023-QC.
$15.00 ≈
13.52€
The Sense of a Place Will Remain
The Sense of a Place Will Remain
#
Chorale SATB
#
Contemporain
#
Paul Burnell
#
The Sense of a Place Will Rema
#
Paul Burnell
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
(+)
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
7.16€
One last bar then Joe can sing
One last bar then Joe can sing
#
Gavin Bryars
#
One last bar then Joe can sing
#
Schott Music - Digital
#
SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
(+)
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99 ≈
41.44€
Tremolo from the Regondi Nocturne (Op.19)
Tremolo from the Regondi Nocturne (Op.19)
#
Guitare
#
Classique
#
Giulio Regondi
#
Rod Whittle
#
4 pp
#
Tremolo from the Regondi Noctu
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081...
(+)
Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00 ≈
4.51€
This Land Singing, string quartet
This Land Singing, string quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Haydn Reeder
#
This Land Singing, string quar
#
Haydn Reeder
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.953813 Composed by Haydn Reeder. 20th Century,Contemporary. Score and parts. 14 pages. Haydn Reeder #5...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.953813 Composed by Haydn Reeder. 20th Century,Contemporary. Score and parts. 14 pages. Haydn Reeder #519645. Published by Haydn Reeder (A0.953813). This land singing for string quartet by Haydn Reeder: program note This piece which runs for seven and a half minutes was completed in 2013. There are two elements in this work which represent interests that can be heard in other compositions of mine. The first is an interest in Australian Aboriginal chanting and this is heard in the opening and closing melodies played by the cello. It seems to influence other parts of the piece, there being quite a lot of melodic writing. It can also be felt in the Postlude. The second interest is in birdsong. However, the relevant section which occurs some way into the piece has its origins in flight formations, in this case the way a flock lands. Here, each of the higher instruments plays similar material independently. Gestures of a more aggressive nature usually featuring tremolo are introduced, developed and subsequently recede, providing a background to wide-ranging melodic lines. The Postlude, with its insistence on accumulating chords by means of slow upbeats produces a dream-like atmosphere to close the work. H.R.
$5.00 ≈
4.51€
THE TRAM for String Quartet 'The Complete Journey'
THE TRAM for String Quartet 'The Complete Journey'
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Lee Holt
#
THE TRAM for String Quartet 'T
#
Lee Holt
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.975945 Composed by Lee Holt. 20th Century,Classical,Contemporary,Film/TV,Patriotic. Score and parts. 1...
(+)
String Quartet String Quartet - Level 2 - SKU: A0.975945 Composed by Lee Holt. 20th Century,Classical,Contemporary,Film/TV,Patriotic. Score and parts. 15 pages. Lee Holt #36957. Published by Lee Holt (A0.975945). From a bygone era. A musical depiction of the life of a Hong Kong tram from the the launch to the scrap. Is set in three progressive movements. A contemporary classical piece and composed for String Quartet, it uses various techniques, rhythms and repetitions recreating musically the tram and therefore has a sense of 'Programme music'. The 1st movement is light, energetic and has a youthful demeanour- this appears rhythmically simple, but second and third position violin techniques are used. The 2nd movement has more spirit and rhythms become more fluid and progressive. It also comprises of various pizzicato techniques The 3rd movement follows chromatic harmonic techniques and has an atonal sense, but quite suitable for a Beginner String Quartet or various aspiring contemporary youth groups. The whole composition also comprises of pizzicato, tremolo and staccato expression and techniques. I hope you are able to find some fun and enjoyment in playing this score.
$14.99 ≈
13.51€
Fields Of Gold
Fields Of Gold
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Sting
#
Greg Woodward
#
Fields Of Gold
#
Greg Woodward
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1077131 By Sting. By Sting. Arranged by Greg Woodward. Celtic,Folk,Irish,Pop,Spirit...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1077131 By Sting. By Sting. Arranged by Greg Woodward. Celtic,Folk,Irish,Pop,Spiritual,Wedding. Score and parts. 12 pages. Greg Woodward #681287. Published by Greg Woodward (A0.1077131). This arrangement of Fields of Gold captures the narrative arc of the song with a quiet opening that builds to a big climax before dying away to the textures of the beginning. There's plenty of rich arco sounds, but there's also use of pizzicato and tremolo, and the melody shared between the instruments.
$25.00 ≈
22.53€
Viking Ships of Old: Cello
Viking Ships of Old: Cello
#
Violoncelle (partie séparée)
#
Methodes
#
Susan H
#
Viking Ships of Old: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001757_VC1 Cello. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #0...
(+)
String Orchestra - SKU: AX.00-PC-0001757_VC1 Cello. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001757_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001757_VC1). UPC: 038081342344.Inspired by a trip to Sweden and Norway, this piece captures the drama and excitement of seeing the Viking ships in person. Although written for a large District Elementary Festival, this piece works well with any size group of any age. It uses tremolo, pizzicato, col legno, accents, tenuto, and legato. Students and teachers love this piece because it's fun and the melody sticks in their heads! Have your students write a Viking story to go with the piece!Concert/Contest.
$5.99 ≈
5.40€
Cantique de Jean Racine (tremolo)
Cantique de Jean Racine (tremolo)
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
Rod Whittle
#
tremolo
#
Cantique de Jean Racine
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899154 Composed by Gabriel Faure. Arranged by Rod Whittle. Romantic Period. Individual part. 7 pages. Maggie Creek Music...
(+)
Solo Guitar - Level 3 - SKU: A0.899154 Composed by Gabriel Faure. Arranged by Rod Whittle. Romantic Period. Individual part. 7 pages. Maggie Creek Music #6213355. Published by Maggie Creek Music (A0.899154). For solo classical guitar; tremolo; 7 ppGABRIEL FAURÉ 1845 – 1924Fauré was a French composer and organist, and a distinguished teacher who taught composition to some of France's most famous musicians, including Ravel. He was also director of the Paris Conservatory for 15 years (1905 -1920). He wrote many songs and short piano pieces, and a number of longer orchestral works, among them 'Pavane', Ballade for piano and orchestra, and Requiem. At its heart Fauré's music is the essence of French lyricism. Unforced and beguiling, its fine melodies and counter melodies invest the harmonic structures with subtle shifts to form a delicately balanced idiom.The lovely themes and counterpoints of the Cantique de Jean Racine suit the tremolo style. The Cantique (Chant), Op. 11, was composed in 1865 when Faure was a nineteen-year-old student at the École Niedermeyer de Paris, winning him first prize. The text had been translated from a Latin hymn by Jean Racine in 1688.
$6.00 ≈
5.41€
Jazzin' the Blues
Jazzin' the Blues
#
Piano Facile
#
FACILE
#
Blues
#
Jazz
#
Vince Corozine
#
Jazzin' the Blues
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Piano and keyboard - Intermediate - Digital Download For the intermediate pianist. Composed by Vince Corozine. Jazz. E-book and online audio. 112 pag...
(+)
Piano and keyboard - Intermediate - Digital Download For the intermediate pianist. Composed by Vince Corozine. Jazz. E-book and online audio. 112 pages. Mel Bay Publications - Digital Sheet Music #30640MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117723.
Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, "filler" chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping); in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio.
$17.99 ≈
16.21€
After Dark
After Dark
#
Piano Facile
#
FACILE
#
Forrest Avery Carney and Moham
#
Nicole Elyse DiPaolo
#
After Dark
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. ...
(+)
Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. 3 pages. Nicole Elyse DiPaolo #714697. Published by Nicole Elyse DiPaolo (A0.1112682). An abridged version of After Dark optimized for early intermediate pianists and those with small hands. The left hand chords can be varied with arpeggios, tremolos, and the like as the student's skill level allows. Great for teens who are fairly early in their piano studies and busy students who want to learn this piece quickly. ABOUT THE ARRANGER: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions (two of which also featured her own Piano Trio in C minor) and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited contributor to the Tonebase app's piano blog; and a sought-after online instructor of piano, music theory, and composition. She has additionally been an online teaching artist for the Tunaweza Kimuziki cultural/artistic exchange program+, through which IU instructors teach undergraduate music students in Kenya via Zoom and WhatsApp. Ms. DiPaolo was also on the composition and collaborative piano faculty at Blue Lake Fine Arts Camp in 2014 and 2015. In June 2018, Ms. DiPaolo was a Collaborative Piano Fellow at the Bay View Music Festival in Petoskey, Michigan, performing with the festival's SOARS voice program participants on fully staged opera scenes and art song recitals as well as in the Bay View Young Artist Series (Charlevoix, MI). She then joined the Spooky Goose Opera team as an online coach/pianist for their Quarantine Concert Series, the world's first livestreamed Zoom production of Mozart's Die Zauberflöte (summer 2020), and new opera projects under development. When not on the piano bench, Ms. DiPaolo continues to compose and arrange, and her compositions have been described as very effective with a fantastic amount of intrigue, mindfulness...[and] colorful nuance (Seven Sky Music). Ms. DiPaolo's music has been heard across the world. Along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed nationwide, and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Ms. DiPaolo's music also received its Mexican premiere in 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014 Ms. DiPaolo published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, for early-intermediate pianists of all ages, available on SheetMusicPlus and MusicaNeo, and she is currently working on Vignettes, a new set of pedagogical pieces that will introduce intermediate pianists to the Impressionist language of Maurice Ravel. Most recently, her Divertimento and Lucid Dreaming for solo harp were chosen to be featured in the She Scores new music festival, celebrating women composers with ties to Ohio, held at Case Western Reserve University in June 2022 and recorded for later broadcast on Mark Satola's Cleveland Ovations program on WCLV radio (90.3). Also a sought-after composition teacher and adjudicator, Ms. DiPaolo frequently judges state, regional, and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists. In her private online studio, she has recently expanded her curricular offerings to include partimento and other historical methods of teaching tonal composition and improvisation.
$5.99 ≈
5.40€
Can You Feel The Love Tonight - String Trio (2 Violins & Cello) - Elton John/Tim Rice arr. Cellobat
Can You Feel The Love Tonight - String Trio (2 Violins & Cello) - Elton John/Tim Rice arr. Cellobat
#
Trio à Cordes: 2 violons, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Film Walt Disney
#
Elton John, Tim Rice
#
Sarah Cellobat Chaffee
#
Can You Feel The Love Tonight
#
Sarah Chaffee
#
SheetMusicPlus
String Trio, Violin 1, Violin 2, Cello - Advanced Intermediate - Digital Download By Elton John, Tim Rice. Arranged by Sarah Cellobat Chaffee. Score,...
(+)
String Trio, Violin 1, Violin 2, Cello - Advanced Intermediate - Digital Download By Elton John, Tim Rice. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 10 pages. Published by Sarah Chaffee
"Can You Feel The Love Tonight" was originally written for the Disney animated film The Lion King in 1994. Composed by Elton John with lyrics by Tim Rice, the song ended up reaching the top 5 on the Billboard charts and won an Academy Award for Best Original Song. Now a universally beloved classic, this song is requested often for events and is a must-have for your gig books! Originally commissioned for a wedding ceremony, this Cellobat chart for two-violin and cello trio is a beautiful string rendition of this popular song, with soaring vocal lines, beautiful harmonies and countermelodies, and a fun tremolo intro that duplicates the feel of the original movie version. I promise it's just as much fun to play as it is to listen to! This will be learnable for students and sightreadable for professionals -- rated advanced-intermediate for some tricky rhythms.
$14.99 ≈
13.51€
Joy to the World (String Quartet)
Joy to the World (String Quartet)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Anthony Giamanco
#
Joy to the World
#
Whole Tone Press
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.773698 Composed by George Frideric Handel. Arranged by Anthony Giamanco. 20th Century,Christmas,Concer...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.773698 Composed by George Frideric Handel. Arranged by Anthony Giamanco. 20th Century,Christmas,Concert,World. Score and parts. 9 pages. Whole Tone Press #3683995. Published by Whole Tone Press (A0.773698). This classical style arrangement for string quartet exudes energy and will surely be the highlight of your Christmas concert, recital, worship service, holiday event or gig. Effects include a smattering of double and triple stops, tremolos, loure and trills. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$5.25 ≈
4.73€
THE CARNIVAL OF THE ANIMALS for Saxophone Quartet - 13. Le Cygne (the Swan)
THE CARNIVAL OF THE ANIMALS for Saxophone Quartet - 13. Le Cygne (the Swan)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Camille Saint-Saëns Saint S
#
Ivan Marini
#
THE CARNIVAL OF THE ANIMALS fo
#
www.dalsegno.eu
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.770574 Composed by Camille Saint-Saëns Saint Saens. Arranged by Ivan Marini. Children,Multicu...
(+)
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.770574 Composed by Camille Saint-Saëns Saint Saens. Arranged by Ivan Marini. Children,Multicultural,Romantic Period,Standards,World. 9 pages. Www.dalsegno.eu #6272193. Published by www.dalsegno.eu (A0.770574). Enjoy this challenging contemporary trascription of Saint-Saëns masterpiece!Extensive use of subtone and throat tremolos in the Soprano and Alto part, with suggested fingerings.Complete set of full score and parts for Soprano, Alto, Tenor and Baritone Sax.Duration: ca. 3 mins., 9 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99 ≈
4.50€
In The Garden
In The Garden
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
C
#
Christiane Emory
#
In The Garden
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
String quartet - Grade 3 - SKU: DX.CES403 Composed by C. Austin Miles. Arranged by Christiane Emory. Easter. Sacred instrumental music. Score and parts....
(+)
String quartet - Grade 3 - SKU: DX.CES403 Composed by C. Austin Miles. Arranged by Christiane Emory. Easter. Sacred instrumental music. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #CES403. Published by David E. Smith - Digital Sheet Music (DX.CES403). SMS: For string quartet and piano. The opening has the strings using a modified melody in a chordal structure. It continues in much the same light with the piano embellishing with lines of elegance. The second section features the melody in the left hand of the piano (doubled in the cello ) with chordal structure in the right, all the while the upper strings adding a shimmering effect with tremolos. Then the quartet continues with full ensemble sound giving way to an unaccompanied trio of the upper three parts. The piece continue on in much the same flavor as the beginning coming to a sweet conclusion.
$9.95 ≈
8.97€
Romance Anonimo (tremolo) for Classical Guitar
Romance Anonimo (tremolo) for Classical Guitar
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Anon
#
Keith Terrett
#
Romance Anonimo
#
Keith Terrett
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural...
(+)
Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99 ≈
1.79€
The Pines
The Pines
#
Harpe et mandoline
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Joseph
#
The Pines
#
Insieme Music and Arts Publishing
#
SheetMusicPlus
Instrumental Duet,Piano Harp,Instrumental Duet,Mandolin,Piano - Level 4 - SKU: A0.1219601 By Andrew Joseph. By Andrew Joseph. Chamber,Christmas,Classica...
(+)
Instrumental Duet,Piano Harp,Instrumental Duet,Mandolin,Piano - Level 4 - SKU: A0.1219601 By Andrew Joseph. By Andrew Joseph. Chamber,Christmas,Classical,Contemporary,Traditional. 12 pages. Insieme Music and Arts Publishing #815964. Published by Insieme Music and Arts Publishing (A0.1219601). “The Pines†was composed on mandolin on an early winter day. The original version is for solo mandolin with optional string quartet. This version incorporates a lot of tremolo or “singing mandolin†throughout. It is helpful to practice adjusting the speed of your tremolo for different tempos and time signatures. The music at the end of each half of this work is meant to evoke a choir and bells which give it a more wintery feeling. This version was arranged for piano/harp with mandolin and would work well in a winter holiday set. Sheet music includes the score and parts.
$8.95 ≈
8.07€
A First Book of Inventions
A First Book of Inventions
#
Ryan Wigglesworth
#
A First Book of Inventions
#
Schott Music - Digital
#
SheetMusicPlus
Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - SKU: S9.Q45427 For orchestra. Composed by Ryan Wigglesworth. This edition:...
(+)
Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - SKU: S9.Q45427 For orchestra. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q45427. Published by Schott Music - Digital (S9.Q45427). Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work’s core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale. This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.
$25.99 ≈
23.42€
Take The Long Way Home
Take The Long Way Home
#
Rock
#
Supertramp
#
Derek Hasted
#
Take The Long Way Home
#
Derek Hasted
#
SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. ...
(+)
Guitar Ensemble Guitar - Level 3 - SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. 24 pages. Derek Hasted #6345113. Published by Derek Hasted (A0.797818). TAKE THE LONG WAY HOME (Supertramp) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is an arrangement for 4 guitars (or a large ensemble) of Supertramp’s 'Take The Long Way Home'.The original is nothing less than spectacular, running for a full 5 minutes with verse, chorus and instrumental breaks, and utilising rich orchestration and texture. I’ve captured all of the material in my arrangement, changing the key just slightly so that the shapes and melody are comfortable, and simplifying one or two non-guitar-friendly progressions in the breaks. The bass-line and harmony are close to the original. Guitar 4 could be played an octave lower on a contra guitar, although I’ve used subharmonics in the opening to give the illusion of a deeper bass than a guitar can manage.In order to make the piece music-stand-friendly, I’ve needed to use repeat marks meaning that the second verse has the same bass-line as the first, but a simple change in volume will provide a suitable feeling of building as the piece progresses. The opening section needs to imitate the indefinite sustain of high-pitched violins. By using harmonics across all four parts, and interleaving the repetitions, we can get a convincing sustain (or plucking at random times across the parts, or even a tremolo would also create the illusion of indefinite sustain). But if it doesn’t work in your ensemble, simply start the piece at A and omit all harmonics from that point onwards.My arrangement will suit an intermediate ensemble. Parts 3 and 4 are slightly easier, but skilled players on these lines can make magic happen by a confident use of articulation to shape the music’s texture.I hope you enjoy performing this!
$4.99 ≈
4.50€
<
1
26
51
....
176
The Art of Tremolo
