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The Art of the Fugue: Fuga I
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Vous avez sélectionné:
The Art of the Fugue: Fuga I
Partitions à imprimer
21 partitions trouvées
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1
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
£19.08
Where Eagles Dare (Theme) - Score Only
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99 ≈
£11.44
The Art of the Fugue: Fuga I by Johann Sebastian Bach - Piano Solo
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Piano seul
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Classique
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Johann Sebastian Bach
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The Art of the Fugue: Fuga I
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Musicnotes
Johann Sebastian Bach - The Art of the Fugue: Fuga I Digital Sheet Music, scoring: Instrumental Solo, instruments: Piano; 3 pages -- Baroque~~Classical...
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Johann Sebastian Bach - The Art of the Fugue: Fuga I Digital Sheet Music, scoring: Instrumental Solo, instruments: Piano; 3 pages -- Baroque~~Classical
$5.50 ≈
£4.20
The Art of the Fugue: Fuga I by Johann Sebastian Bach - 2 Piano 4-Hands
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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The Art of the Fugue: Fuga I
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Musicnotes
Johann Sebastian Bach - The Art of the Fugue: Fuga I Digital Sheet Music, scoring: Instrumental Duet;2 Piano 4-Hands, instruments: Piano 1;Piano 2; 6 pages -- B...
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Johann Sebastian Bach - The Art of the Fugue: Fuga I Digital Sheet Music, scoring: Instrumental Duet;2 Piano 4-Hands, instruments: Piano 1;Piano 2; 6 pages -- Baroque~~Classical
$5.50 ≈
£4.20
Adagio and Fugue Kv 546 for Saxophone Quartet
Adagio and Fugue Kv 546 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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musicologist
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Adagio and Fugue Kv 546 for Sa
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528383 Composed by Wolfgang A...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528383 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. 20 pages. Diego Marani #5889493. Published by Diego Marani (A0.528383). The Adagio and Fugue in C minor, K. 546, is a composition by Wolfgang Amadeus Mozart for strings. Mozart entered it into his own work catalogue on 26 June 1788 in Vienna as A short Adagio for two violins, viola and bass, for a fugue which I wrote some time ago for two Pianos. The fugue in question was the two piano fugue in C minor, K. 426, written in December 1783.The work is in two sections:AdagioFuga (Allegro)The 52-bar Adagio has a very ominous and foreboding tone; musicologist Robert D. Levin said: “Angular outbursts alternate with an unearthly hush; its suggestions of violence and mysticism make the ensuing geometry of the fugue seem a reliefâ€.This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) is a faithful transcription of the original.
$12.99 ≈
£9.91
Fuga del son
Fuga del son
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Thierry Pecou
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Fuga del son
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q17840 For string quartet. Composed by Thierry Pecou. This edition: score and parts. Downloadable, Score and...
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String quartet - difficult - SKU: S9.Q17840 For string quartet. Composed by Thierry Pecou. This edition: score and parts. Downloadable, Score and parts. Duration 6 minutes, 30 seconds. Schott Music - Digital #Q17840. Published by Schott Music - Digital (S9.Q17840). While Western polyphonic music achieved its pinnacle in the fugue, rhythmic polyphony of great complexity evolved in Cuba. It is particularly the “batá†(drumming music originating in the Afro-Cuban “SanterÃa†cult), the “rumba†and the “son†(ancestor of the famous “salsaâ€) which have provided me with my inspiration. I employ the quartet in the manner of a drumming ensemble and each individual string corresponds to the sound of a particular drum. The quartet plays on scordatura open strings employing a rich palette of percussive playing techniques recreating the different types of drumming attacks. Thierry Pécou.
$29.99 ≈
£22.89
Fuga a tre (3 part fugue) for keyboard
Fuga a tre (3 part fugue) for keyboard
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.958468 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 3 pages....
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.958468 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 3 pages. David Warin Solomons2 #3691563. Published by David Warin Solomons2 (A0.958468). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00 ≈
£5.34
Fuga a tre (3 part fugue) for string trio
Fuga a tre (3 part fugue) for string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
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String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00 ≈
£5.34
Fuga a tre (3 part fugue) for wind trio
Fuga a tre (3 part fugue) for wind trio
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 #3691569. Publis...
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Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 #3691569. Published by David Warin Solomons2 (A0.958470). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00 ≈
£5.34
Fuga Criolla for Strings Orchestra
Fuga Criolla for Strings Orchestra
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Contemporain
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Juan B
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Roisber Narvaez
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Fuga Criolla for Strings Orche
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Roisber Narvaez
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.850028 Composed by Juan B. Plaza. Arranged by Roisber Narvaez. 20th Cen...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.850028 Composed by Juan B. Plaza. Arranged by Roisber Narvaez. 20th Century. Score and parts. 31 pages. Roisber Narvaez #6077505. Published by Roisber Narvaez (A0.850028). Includes Score, Set of parts: Violin I, Violin II, Viola, Violoncello and Double Bass. In 1931 the Venezuelan composer Juan Bautista Plaza (1898-1965) wrote his famous Fuga Criolla for strings. Nineteen years later, in 1950, he wrote another fugue which he titled Romantic Fugue. At the end of this second work, he reunited his first fugue with the new one in a diptych, pointing out that both should be interpreted as a unit, the first part of which is the Romantic Fugue, to conclude with the more lively Fuga Criolla.
$39.99 ≈
£30.52
10 tunes for FLUTE of Bach
10 tunes for FLUTE of Bach
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Flûte traversière
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FACILE
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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10 tunes for FLUTE of Bach
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Leyandder Trustworthy
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructional,Standards,Wo...
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Flute Solo - Level 2 - SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructional,Standards,World. Individual part. 8 pages. Leyandder Trustworthy #6219791. Published by Leyandder Trustworthy (A0.964349). The present collection was the result of research and dedication, in order to analyze and select well-known works of good execution, for this instrument (flute), unfortunately, it was necessary to leave some better known works out of the collection, such as: Toccata and Fuga in D minor; BWV 565 and the Brandemburgo Concerts, as soon as, these are not so favorable for execution on wind instruments, as well as they are of high difficulty. The purpose of this work is for beginners and interediate practitioners on wind instruments, and it can be used effectively by teachers and musical educators who need a material of easy accessibility, as well as good reading and interpretation quality. This material also has the aid of a cipher to be used in accompaniment of a harmonic instrument, because there is not always the availability of a professional pianist to accompany the student. In view of the above-mentioned considerations, I conclude by saying that the inspiration for the fabrication of this work is due to the reality observed in many music schools that are in a precarious state, not only of musical instruments or basic teaching materials, but also the lack of good quality musical editions accessible to educators and students, so that they have access to the great works making our musical future guaranteed of good musical quality and accessible to all.AIR ON THE G STRING; BWV 1068ARIOSO (Sinfonia); BWV 156GAVOTTE I; BWV 808FUGUE IN C MINOR; BWV 847bMINUET IN G MAJOR; BWV Ahn. 114MUSETTE IN D MAJOR; BWV Ahn. 126BOURRÉE; BWV 996PRELUDE; BWV 1007JESU, JOY OF MAN'S DESIRING; BWV 147BADINERIE; BWV 1067MINUET; BWV 825
$6.99 ≈
£5.34
Fugato-Therapy
Fugato-Therapy
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Classique
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Paul Taylor
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Fugato-Therapy
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Paul Taylor
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.803255 Composed by Paul Taylor. Baroque. 6 pages. Paul Taylor #3586205. Published by Paul Taylor (A0...
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Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.803255 Composed by Paul Taylor. Baroque. 6 pages. Paul Taylor #3586205. Published by Paul Taylor (A0.803255). This is a short, fugue-like piece for 2 B-flat clarinets and one bass clarinet in Neo-Baroque style. Suitable for mid-level players and professionals alike. The score version and the parts appear in the transposed key (i.e.written key of D) . Also there are suggested articulation and phrasing for the novice players and more advanced players may wish to ignore the suggestions and apply their own. .
$4.99 ≈
£3.81
Study on Beethoven
Study on Beethoven
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Methodes Etudes
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes....
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String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99 ≈
£63.34
Fuga I (Trumpet Quintet)
Fuga I (Trumpet Quintet)
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Ensemble de Trompettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Fuga I
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - SKU: A0.812975 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Sta...
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Brass Ensemble Trumpet - Level 4 - SKU: A0.812975 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 11 pages. Regis Bookshar #5853539. Published by Regis Bookshar (A0.812975). Trumpet Quintet - Intermediate - . This Fugue by Johann Sebastian Bach has been arranged for 5 Trumpets by Regis Bookshar. It is one of the many selections from The Regis Bookshar Trumpet Ensemble's extensive music library that are being made available for the first time. It would be appropriate for high school students as well as college students and could be performed in concerts or for church services. Included is a score and a complete set of parts (11 pages). Also, please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain students will enjoy playing this selection.
$8.00 ≈
£6.11
Fuga II (Trumpet Quintet)
Fuga II (Trumpet Quintet)
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Ensemble de Trompettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Fuga II
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - SKU: A0.812976 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Sta...
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Brass Ensemble Trumpet - Level 4 - SKU: A0.812976 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 16 pages. Regis Bookshar #5853547. Published by Regis Bookshar (A0.812976). Trumpet Quintet - Intermediate/Advanced - . This Fugue by Johann Sebastian Bach has been arranged for 5 Trumpets by Regis Bookshar and is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library that are being made available for the first time. It would be appropriate for high school students as well as college students and could be performed in concert or for church services. Included is a score and a complete set of parts (16 pages). Also, please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain students will enjoy playing this arrangement.
$12.00 ≈
£9.16
The Art of Fugue, BWV1080 Fuga I
The Art of Fugue, BWV1080 Fuga I
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Quatuor de Clarinettes: 4 clarinettes
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Classique
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Johann Sebastian Bach
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Marcel Bourgeois
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5 pages (parts). Published
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The Art of Fugue, BWV1080 Fuga
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SheetMusicPlus
By Johann Sebastian Bach (1685-1750). Arranged by Marcel Bourgeois. Clarinet quartet. For 2 Bb Clarinets, Basset Horn and/or Alto Clarinet, Bass Clarinet. Baroq...
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By Johann Sebastian Bach (1685-1750). Arranged by Marcel Bourgeois. Clarinet quartet. For 2 Bb Clarinets, Basset Horn and/or Alto Clarinet, Bass Clarinet. Baroque, Chamber Music. Grade 3. Score and Set of Parts. 5 pages (score); 5 pages (parts). Published
$11.95 ≈
£9.12
Fuga in F
Fuga in F
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Orgue, Piano (duo)
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AVANCÉ
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Moshe S
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Fuga in F
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ArtsAhimsa
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 5 - SKU: A0.950793 Composed by Moshe S. Knoll. 20th Century,Contemporary,Instr...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 5 - SKU: A0.950793 Composed by Moshe S. Knoll. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. ArtsAhimsa #3100629. Published by ArtsAhimsa (A0.950793). I believe that a classically-oriented composer must present at least one FUGUE as a credential of credibility.Here is mine. Beyond the purely contrapuntal interest, there is some really tender and affectionate music here.
$7.00 ≈
£5.34
Little Prelude and Fugue in C# Minor
Little Prelude and Fugue in C# Minor
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Orgue, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mitch Boucher
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Little Prelude and Fugue in C#
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Mitch Boucher
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990447 Composed by Mitch Boucher. Baroque. Score and parts. 3 page...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990447 Composed by Mitch Boucher. Baroque. Score and parts. 3 pages. Mitch Boucher #5753791. Published by Mitch Boucher (A0.990447). I hope you enjoy this prelude and fugue. The prelude is from a collection of 12 preludes in minor keys, and the fugal subject was provided by another composer.
$8.00 ≈
£6.11
Anim Zemiros
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
£2.29
Shake It Off
Shake It Off
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Piano seul
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FACILE
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Pop musique
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Taylor Swift
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David W
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Shake It Off
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David W. Barber
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1371194 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by David W. Barber. Comedy,...
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Piano Solo - Level 2 - SKU: A0.1371194 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by David W. Barber. Comedy,Pop. Score. 2 pages. David W. Barber #955447. Published by David W. Barber (A0.1371194). A tiny fugue (fuga or fughetta) on the Taylor Swift song Shake It Off. I guess more of a three-part invention, since it doesn’t make it all the way around the fugal clock. (Sorry, altos.) At any rate, I wanted to show some respect to Taylor Swift, a musical and cultural force to be reckoned with.This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$4.99 ≈
£3.81
Selected Duets - French Horn (Volume 2)
Selected Duets - French Horn (Volume 2)
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Selected Duets - French Horn
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Rubank Publications
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SheetMusicPlus
Volume 2 French Horn - Advanced SKU: HL.4471010 Volume 2 - Advanced. Edited by H. Voxman. Concert Band Method. Ensemble Collection. Classical, Due...
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Volume 2 French Horn - Advanced SKU: HL.4471010 Volume 2 - Advanced. Edited by H. Voxman. Concert Band Method. Ensemble Collection. Classical, Duet. 72 pages. Published by Rubank Publications (HL.4471010). ISBN 9781423445388. UPC: 073999499902. 9.0x12.0x0.179 inches.This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I – Easy to Medium, Vol. 2 – Medium to Advanced).
Song List
: Andante (Mozart) Allegro (Mozart) Menuetto (Mozart) Three Canons (Winter) Nine Duets (Naudot) Gavotte (Corelli) Two Duets (Telemann) Allegro Mod.&Fugue (Monteclair) Andante (Fontana) Duo #1 (Kopprasch) Premier Divertissement(Corrette) Allegretto (Gallay) Allegretto (Weller) Fugato (Stamitz) Menuetto&Trio (Jacqmin) Allegro Moderato (Jacqmin) Four Duos (Vecchietti) Andante (Bimboni) Minuet (Handel) Scherzo (Franz) Invention Xv (Bach) Invention Iii (Bach) Invention Viii (Bach) Water Music, Theme From
$11.99 ≈
£9.15
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The Art of the Fugue: Fuga I
