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Vous avez sélectionné:
The Bitter With The Sweet
Partitions à imprimer
43 partitions trouvées
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26
In The Summertime (score - vln, vla, cel)
In The Summertime (score - vln, vla, cel)
#
Mark O'Connor
#
In The Summertime
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Conn...
(+)
String Ensemble,String Trio - Level 4 - SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Connor Musik International #6203883. Published by Mark O'Connor Musik International (A0.861849). In The Summertime (score – vln, vla, cel) MO167AScore (parts available)Music by Mark O’Connor10 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together. We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167ACopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50 ≈
6.86€
In The Summertime (viola part - vln, vla, cel)
In The Summertime (viola part - vln, vla, cel)
#
Mark O'Connor
#
In The Summertime
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 4 - SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203887. Published by Mark O'Connor Musik International (A0.861851). In The Summertime (viola part – vln, vla, cel) MO167CViola Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167CCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.12€
In The Summertime (violin part - vln, vla, cel)
In The Summertime (violin part - vln, vla, cel)
#
Mark O'Connor
#
In The Summertime
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 4 - SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203885. Published by Mark O'Connor Musik International (A0.861850). In The Summertime (violin part – vln, vla, cel) MO167BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167BCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.12€
In The Summertime (cello part - vln, vla, cel)
In The Summertime (cello part - vln, vla, cel)
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Mark O'Connor
#
In The Summertime
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 4 - SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.12€
"Al Kol Eleh" (Over All These Things) by Naomi Shemer, arranged by Leah Ginzburg
"Al Kol Eleh" (Over All These Things) by Naomi Shemer, arranged by Leah Ginzburg
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Piano, Voix
#
DÉBUTANT
#
Klezmer
#
Naomi Shemer
#
Leah Ginzburg
#
"Al Kol Eleh"
#
Leah Ginzburg
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.850225 Composed by Naomi Shemer. Arranged by Leah Ginzburg. Hanukkah,Jewish,World. Score. 4 pages. Leah Ginzburg #...
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Piano,Vocal,Voice - Level 1 - SKU: A0.850225 Composed by Naomi Shemer. Arranged by Leah Ginzburg. Hanukkah,Jewish,World. Score. 4 pages. Leah Ginzburg #6706157. Published by Leah Ginzburg (A0.850225). Al Kol Eleh composed by Naomi Shemer. Without the darkness there is no light, without the bitter we have no ability to recognize what is sweet. This song talks about accepting the bitter with the sweet – the sting with the honey. Easy arrangement for beginners by Leah Ginzburg (in C Major with name of the keys on Bass Clef.
$8.99 ≈
8.23€
The Bitter With The Sweet
The Bitter With The Sweet
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Chorale SATB
#
Musique Sacrée
#
Charles Orr and Patricia Mock
#
Bobbi Heastings
#
The Bitter With The Sweet
#
Hal Leonard - Digital
#
SheetMusicPlus
(SATB) - SKU: HX.316335 By Charles Orr and Patricia Mock. Arranged by Bobbi Heastings. Choral. Hymn,Sacred. Choral. 8 pages. Published by Hal Leonard - ...
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(SATB) - SKU: HX.316335 By Charles Orr and Patricia Mock. Arranged by Bobbi Heastings. Choral. Hymn,Sacred. Choral. 8 pages. Published by Hal Leonard - Digital (HX.316335).
$1.90 ≈
1.74€
Fare Thee Well (for Bb Clarinet and Piano) from "Shakespeare Miniatures"
Fare Thee Well (for Bb Clarinet and Piano) from "Shakespeare Miniatures"
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Clarinette et Piano
#
FACILE
#
Clifton Davis, ASCAP
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Fare Thee Well
#
Clifton Allen Davis Music, ASCAP
#
SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.927265 Composed by Clifton Davis, ASCAP. Concert,Contemporary,Instructional,Standards. Score and part. 3 pages. Clift...
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Clarinet,Piano - Level 2 - SKU: A0.927265 Composed by Clifton Davis, ASCAP. Concert,Contemporary,Instructional,Standards. Score and part. 3 pages. Clifton Allen Davis Music, ASCAP #5324407. Published by Clifton Allen Davis Music, ASCAP (A0.927265). A melancholy riff in 12/8 to express the bittersweetness many of us experience in relationships. Inspiried by Claudio and Hero in Shakespeare's Much Ado About Nothing. Very suitable for a performance with the others in the Shakespeare Miniatures set, or as a stand alone introduction to playing in 12/8 meter.A MP3 recording of the Piano Accompaniment for this track can be purchased here: http://www.sheetmusicplus.com/title/21814151
$3.99 ≈
3.65€
O Tod, Wie Bitter bist Du
O Tod, Wie Bitter bist Du
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Patrick Rooney
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O Tod, Wie Bitter bist Du
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Patrick Rooney
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1390239 Composed by Patrick Rooney. 21st Century,Classical,Romantic Period,Sacred. Score. 8 pages. Patrick Rooney ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1390239 Composed by Patrick Rooney. 21st Century,Classical,Romantic Period,Sacred. Score. 8 pages. Patrick Rooney #973734. Published by Patrick Rooney (A0.1390239). A setting of the German biblical text, O tod, wie bitter bist du. Performed at the University of Northern Colorado in 2012 by Kyle Griffin and Chase Loeb.German:O tod, wie bitter bist du, wenn an dich gendenket ein mensch,Der gute Tage und genug hat und ohne sorge lebet;Und dem es wohl geht in allen dingen ,und noch wohl essen mag!O Tod, wie bitter bist du.O tod, wie wohl tust du dem dürftigen, der da schwach und alt ist,der in allen sorgen steckt, und nichts bessers zu hoffen,noch zu erwarten hat! O tod, O tod, wie wohl tust du!English:O death, how bitter you are to the thoughts of a person at peace with his posses-sions, to a man undistracted and prospering in everything and still having strength to welcome a luxury.O death, how bitter you are!O death, how sweet you are to a person who is needy and lacking strength, who is in extreme old age and is anxious about everything and who is disobedient and has lost hope.O death, how sweet you are!
$2.29 ≈
2.10€
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.51€
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.51€
Shadow veiled as the years pass
Shadow veiled as the years pass
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Richard Lambert
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Shadow veiled as the years pas
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Intermediate-Advanced - SKU: F2.FM519 Composed by Richard Lambert. Flute and Piano. Score and Part. 9 pages. Forton Music - Digital #FM519. P...
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Fl. Pft. - Intermediate-Advanced - SKU: F2.FM519 Composed by Richard Lambert. Flute and Piano. Score and Part. 9 pages. Forton Music - Digital #FM519. Published by Forton Music - Digital (F2.FM519). ISBN 9790570484188.This piece is a reworking of the song 'An End' from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement. Likewise the secondary motif, first heard in bars 27 to 30, is presented differently each time. Wistful throughout and unashamedly melodic, the flute is in constant dialogue with the piano accompaniment.
$7.95 ≈
7.27€
Can You Hear The Nightingale's Sad Song?
Can You Hear The Nightingale's Sad Song?
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Can You Hear The Nightingale's
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.573377 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Worl...
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Piano Solo - Level 4 - SKU: A0.573377 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,World. Score. 4 pages. James M Stevens Music ASCAP #5359001. Published by James M Stevens Music ASCAP (A0.573377). Written April 3, 2020, this is an original piano composition in a lyrical, calm, and almost bitter sweet style. Today I heard a newscaster in New York City talking about how he had lived in New York 19 years and as everything is so quiet with people being off the streets because of the virus, for the first time he actually heard the beautiful sound of birds singing… but it feels sad that it took such tragedy to hear the beautiful music that is always there. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99 ≈
3.65€
The Verve : Bitter Sweet Symphony (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau intermediaire) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau intermediaire) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
The Verve : Bitter Sweet Symphony (niveau facile)
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Batterie
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FACILE
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau facile) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau facile) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
The Verve : Bitter Sweet Symphony (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau difficile) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau difficile) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
The Verve : Bitter Sweet Symphony (niveau débutant)
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Batterie
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DÉBUTANT
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau debutant) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau debutant) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
MAGNIFICAT. Mov. 8 Esurientes. Aria for Baritone with piano accompaniment (orchestra reduction)
MAGNIFICAT. Mov. 8 Esurientes. Aria for Baritone with piano accompaniment (orchestra reduction)
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Accompagnement Piano
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Gabriel Ruiz-Bernal
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MAGNIFICAT. Mov. 8 Esurientes.
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.893956 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 14 pages. Gabriel Ruiz-Bernal #6320929. Published by G...
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Vocal Solo,Voice - SKU: A0.893956 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 14 pages. Gabriel Ruiz-Bernal #6320929. Published by Gabriel Ruiz-Bernal (A0.893956). Esurientes implevit bonis, et divites dimisit inanes (He has filled the hungry with good things and sent the rich away empty) is a darker, dramatic description of the text, sung by the baritone fully wrapped up in dense strings that blend bitter and sweet harmonic turns, as illustration of the double statement filling the hungry and sending away the rich empty.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html
$3.00 ≈
2.74€
Five Songs for Soprano - Song-Cycle, Op. 14
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voix
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INTERMÉDIAIRE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99 ≈
6.40€
The Clock: (Zegar) (Downloadable)
The Clock: (Zegar) (Downloadable)
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Chorale 2 parties
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FACILE
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Stanley M
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The Clock:
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Galaxy Music Corporation - Digital
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SheetMusicPlus
2-part treble choir and piano - Moderately Easy - SKU: MQ.7.0677-E Composed by Stanley M. Hoffman. Secular, Yom Ha'shoah, Children's Sabbath/Emphasis, E...
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2-part treble choir and piano - Moderately Easy - SKU: MQ.7.0677-E Composed by Stanley M. Hoffman. Secular, Yom Ha'shoah, Children's Sabbath/Emphasis, Education, 21st Century, Children. Score & instrument part. 9 pages. Galaxy Music Corporation - Digital #7.0677-E. Published by Galaxy Music Corporation - Digital (MQ.7.0677-E). English.The Clock was completed June 13, 2015. It is a bitter-sweet setting of words by Abraham (“Abramekâ€) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) as translated by Sarah Lawson and MaÅ‚gorzata Koraszewska. In addition to original music, this piece also includes a substantial amount of familiar musical quotations: Big Ben's chimes combined with the traditional melody from the Jewish High Holidays, possibly the first time those two elements have ever appeared in a piece of music simultaneously. -Stanley M. Hoffman
$2.65 ≈
2.42€
My heart was rent
My heart was rent
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Piano, Voix
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DÉBUTANT
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Melissa J Hall
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My heart was rent
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Melissa J Hall
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SheetMusicPlus
Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Scor...
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Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Score. 2 pages. Duration 103. Melissa J Hall #56IDSu1NTCeGnxxQXRuYuL. Published by Melissa J Hall (A0.1305516). Key: C major.Inspired by the story of Alma the Younger found in Alma 36:12-21. In The Book of Mormon 12 But I was racked with eternal torment, for my soul was harrowed up to the greatest degree and racked with all my sins. 13 Yea, I did remember all my sins and iniquities, for which I was tormented with the pains of hell; yea, I saw that I had rebelled against my God, and that I had not kept his holy commandments. 14 Yea, and I had murdered many of his children, or rather led them away unto destruction; yea, and in fine so great had been my iniquities, that the very thought of coming into the presence of my God did rack my soul with inexpressible horror. 15 Oh, thought I, that I could be banished and become extinct both soul and body, that I might not be brought to stand in the presence of my God, to be judged of my deeds. 16 And now, for three days and for three nights was I racked, even with the pains of a damned soul. 17 And it came to pass that as I was thus racked with torment, while I was harrowed up by the memory of my many sins, behold, I remembered also to have heard my father prophesy unto the people concerning the coming of one Jesus Christ, a Son of God, to atone for the sins of the world. 18 Now, as my mind caught hold upon this thought, I cried within my heart: O Jesus, thou Son of God, have mercy on me, who am in the gall of bitterness, and am encircled about by the everlasting chains of death. 19 And now, behold, when I thought this, I could remember my pains no more; yea, I was harrowed up by the memory of my sins no more. 20 And oh, what joy, and what marvelous light I did behold; yea, my soul was filled with joy as exceeding as was my pain! 21 Yea, I say unto you, my son, that there could be nothing so exquisite and so bitter as were my pains. Yea, and again I say unto you, my son, that on the other hand, there can be nothing so exquisite and sweet as was my joy. Alma 36:12–21 https://www.churchofjesuschrist.org/study/scriptures/bofm/alma/36?id=p12-p21&lang=eng#p12.
$3.50 ≈
3.20€
Bitter with the Sweet by Carole King - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock
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Folk Rock
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Carole King
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Bitter with the Sweet
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Musicnotes
Performed by: Carole King: Bitter with the Sweet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: Carole King: Bitter with the Sweet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Pop Rock~~Singer-Songwriter~~Soft Rock
$5.79 ≈
5.30€
The Three Kings : SATB Acapella
The Three Kings : SATB Acapella
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Chorale SATB
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M
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The Three Kings : SATB Acapell
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741936 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 14 pages. Voca...
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Choral Choir (SATB) - SKU: A0.741936 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 14 pages. Vocal Works #484879. Published by Vocal Works (A0.741936). A setting of Dorothy Sayers lovely Christmas / Epiphany poem. Piano reduction included. THE first king was very young, O balow, balow la lay, With doleful ballads on his tongue, O balow, balow la lay, He came bearing a branch of myrrh Than which no gall is bitterer, O balow, balow la lay, Gifts for a baby King, O. The second king was a man in prime, O balow, balow la lay, The solemn priest of a solemn time, O balow, balow la lay, With eyes downcast and reverent feet He brought his incense sad and sweet, O balow, balow la lay, Gifts for a baby King, O. The third king was very old, O balow, balow la lay, Both his hands were full of gold, O balow, balow la lay, Many a gaud and glittering toy, Baubles brave for a baby boy, O balow, balow la lay, Gifts for a baby King, O.
$1.99 ≈
1.82€
My Love Went Home on Christmas Morning (Voice, Cello, Piano)
My Love Went Home on Christmas Morning (Voice, Cello, Piano)
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Noël
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Emma Theresa
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My Love Went Home on Christmas
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Emma Theresa
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SheetMusicPlus
Small Ensemble Cello,Medium Voice,Piano - Level 3 - SKU: A0.1143142 Composed by Emma Theresa. Christmas,Classical,Contemporary,Holiday,Sacred. Score and...
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Small Ensemble Cello,Medium Voice,Piano - Level 3 - SKU: A0.1143142 Composed by Emma Theresa. Christmas,Classical,Contemporary,Holiday,Sacred. Score and parts. 8 pages. Emma Theresa #743501. Published by Emma Theresa (A0.1143142). This score includes the full score and cello part for My Love Went Home on Christmas Morning LYRICS: My love went home on Christmas morning Amid the evergreen. The candles wept, The day drew nigh As my love did close her eyes. My love did say to me last night, ‘An angel came to me. He smiled and said, “Fear not my child, Perfect peace does wait for you.â€â€™ For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live. My love sings now in sweetest glory With angel choirs in heav’n No tear is shed, No burden born For they joy in perfect love. For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live.
$6.99 ≈
6.40€
My Love Went Home on Christmas Morning (Voice, Piano)
My Love Went Home on Christmas Morning (Voice, Piano)
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Piano, Voix
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INTERMÉDIAIRE
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Noël
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Emma Theresa
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My Love Went Home on Christmas
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Emma Theresa
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1142453 Composed by Emma Theresa. Christian,Christmas,Classical,Holiday,Sacred. Score. 4 pages. Emma Theresa #7428...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1142453 Composed by Emma Theresa. Christian,Christmas,Classical,Holiday,Sacred. Score. 4 pages. Emma Theresa #742821. Published by Emma Theresa (A0.1142453). LYRICS: My love went home on Christmas morning Amid the evergreen. The candles wept, The day drew nigh As my love did close her eyes. My love did say to me last night, ‘An angel came to me. He smiled and said, “Fear not my child, Perfect peace does wait for you.â€â€™ For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live. My love sings now in sweetest glory With angel choirs in heav’n No tear is shed, No burden born For they joy in perfect love. For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live.
$4.99 ≈
4.57€
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The Bitter With The Sweet
