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Vous avez sélectionné:
The Brother Johnson
Partitions à imprimer
154 partitions trouvées
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Brother Man
Brother Man
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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The Brothers Johnson
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Accubass
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Brother Man
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Accubass
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.838482 By The Brothers Johnson. By Dave Grusin, George Henry Johnson, Louis E Johnson, and Louis E. Johnson. Arranged by...
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Bass Guitar - Level 4 - SKU: A0.838482 By The Brothers Johnson. By Dave Grusin, George Henry Johnson, Louis E Johnson, and Louis E. Johnson. Arranged by Accubass. Contemporary. Score. 8 pages. Accubass #6291033. Published by Accubass (A0.838482). Louis Johnson's complete bass line with TAB.
$4.99 ≈
$6.72
Brother Man
Brother Man
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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The Brothers Johnson
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Accubass
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Brother Man
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Accubass
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SheetMusicPlus
Bass Guitar,Instrumental Solo - Level 4 - SKU: A0.838481 By The Brothers Johnson. By Dave Grusin, George Henry Johnson, Louis E Johnson, and Louis E. Jo...
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Bass Guitar,Instrumental Solo - Level 4 - SKU: A0.838481 By The Brothers Johnson. By Dave Grusin, George Henry Johnson, Louis E Johnson, and Louis E. Johnson. Arranged by Accubass. Contemporary. Individual part. 5 pages. Accubass #6291031. Published by Accubass (A0.838481). Louis Johnson's complete bassline
$4.99 ≈
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Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
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Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
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Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
$8.08
Come Together
Come Together
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Accubass
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Come Together
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Accubass
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.838593 By The Beatles. By John Lennon and Paul McCartney. Arranged by Accubass. Rock. Score. 5 pages. Accubass #6359991....
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Bass Guitar - Level 4 - SKU: A0.838593 By The Beatles. By John Lennon and Paul McCartney. Arranged by Accubass. Rock. Score. 5 pages. Accubass #6359991. Published by Accubass (A0.838593). Louis Johnson's complete bassline from he Brothers Johnson version.
$4.99 ≈
$6.72
Back At The Chicken Shack
Back At The Chicken Shack
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Saxophone Alto
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DÉBUTANT
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Luther Johnson
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Stefan Lamml
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Back At The Chicken Shack
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Stefan Lamml
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SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.546140 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Jazz,Musical/Show,Pop. Individual pa...
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Alto Saxophone Solo - Level 1 - SKU: A0.546140 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Jazz,Musical/Show,Pop. Individual part. 5 pages. Stefan Lamml #156238. Published by Stefan Lamml (A0.546140). Best Blues for Saxes. Here transribtion for Alto Sax. A Blues Brother Party Tune. Blues Nr. 1 . Suitable to the Backing/Playalong from Sax Coach Stefan Lamml. See the Video and listen to the mp3. Bester Blues für Saxophone. Hier für Alto Sax. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Le meilleur blues pour saxophones. Ici pour alto sax. Magnifique musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! El mejor blues para saxofones. Aquà para el saxo alto. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vÃdeo! I migliori blues per sassofoni. Qui per il sassofono contralto. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!
$4.99 ≈
$6.72
The Blues Brothers,Johnson (Robert) : The Blues Brothers - Sweet Home Chicago (niveau intermédiaire, avec orchestre)
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Accordéon
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INTERMÉDIAIRE
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Film/TV
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The Blues Brothers,Johnson (Ro
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The Blues Brothers
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Tomplay
Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau intermediaire, avec orchestre) de Johnson (Robert). Partition pour Accordeon ...
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Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau intermediaire, avec orchestre) de Johnson (Robert). Partition pour Accordeon avec accomp. orchestre -- Musique de film
5.99€ ≈
$9.00
The Blues Brothers,Johnson (Robert) : The Blues Brothers - Sweet Home Chicago (niveau intermédiaire, accordéon solo)
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Accordéon
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INTERMÉDIAIRE
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Film/TV
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The Blues Brothers,Johnson (Ro
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The Blues Brothers
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Tomplay
Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau intermediaire, accordeon solo) de Johnson (Robert). Partition pour Accordeon ...
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Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau intermediaire, accordeon solo) de Johnson (Robert). Partition pour Accordeon solo -- Musique de film
5.99€ ≈
$9.00
The Blues Brothers,Johnson (Robert) : The Blues Brothers - Sweet Home Chicago (niveau facile, accordéon solo)
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Accordéon
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FACILE
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Film/TV
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The Blues Brothers,Johnson (Ro
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The Blues Brothers
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Tomplay
Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau facile, accordeon solo) de Johnson (Robert). Partition pour Accordeon solo --...
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Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau facile, accordeon solo) de Johnson (Robert). Partition pour Accordeon solo -- Musique de film
5.99€ ≈
$9.00
The Blues Brothers,Johnson (Robert) : The Blues Brothers - Sweet Home Chicago (niveau très facile, accordéon solo)
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Accordéon
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DÉBUTANT
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Film/TV
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The Blues Brothers,Johnson (Ro
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The Blues Brothers
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Tomplay
Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau très facile, accordeon solo) de Johnson (Robert). Partition pour Accor...
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Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau très facile, accordeon solo) de Johnson (Robert). Partition pour Accordeon solo -- Musique de film
5.99€ ≈
$9.00
The Blues Brothers,Johnson (Robert) : The Blues Brothers - Sweet Home Chicago (niveau très facile, avec orchestre)
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Accordéon
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DÉBUTANT
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Film/TV
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The Blues Brothers,Johnson (Ro
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The Blues Brothers
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Tomplay
Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau très facile, avec orchestre) de Johnson (Robert). Partition pour Accor...
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Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau très facile, avec orchestre) de Johnson (Robert). Partition pour Accordeon avec accomp. orchestre -- Musique de film
5.99€ ≈
$9.00
The Blues Brothers,Johnson (Robert) : The Blues Brothers - Sweet Home Chicago (niveau facile, avec orchestre)
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Accordéon
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FACILE
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Film/TV
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The Blues Brothers,Johnson (Ro
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The Blues Brothers
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Tomplay
Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau facile, avec orchestre) de Johnson (Robert). Partition pour Accordeon avec ac...
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Telechargez la partition Accordeon The Blues Brothers - Sweet Home Chicago (niveau facile, avec orchestre) de Johnson (Robert). Partition pour Accordeon avec accomp. orchestre -- Musique de film
5.99€ ≈
$9.00
Sweet Home Chicago
Sweet Home Chicago
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Basse electrique
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DÉBUTANT
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The Blues Brothers
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Yuri Noronha
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Sweet Home Chicago
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Yuri Noronha
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SheetMusicPlus
Bass Guitar - Level 1 - SKU: A0.1131998 By The Blues Brothers. By Robert Johnson. Arranged by Yuri Noronha. Blues,Country,Early Music,Instructional,Rock...
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Bass Guitar - Level 1 - SKU: A0.1131998 By The Blues Brothers. By Robert Johnson. Arranged by Yuri Noronha. Blues,Country,Early Music,Instructional,Rock. Score. 4 pages. Yuri Noronha #732237. Published by Yuri Noronha (A0.1131998). Simplified Bass Line of Sweet Home Chicago by The Blues Brothers. In this The Blues Brothers arrangement the bass line has been simplified to make it easier for beginners to learn. Sheet Music and Tablature. 4 Pages. #sweethomechicago #thebluesbrothers #bluesbrothers #robertjohnson #blues #bassblues #basscover #easybassline #simplified #howtoplayblues #howtoplaybass #howtoplaybluesonthebass #bassguitar #bassguitarblues #bluesbassguitar #basstab #basstabs #tablature.
$4.99 ≈
$6.72
Sweet Home Chicago
Sweet Home Chicago
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Basse electrique
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DÉBUTANT
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The Blues Brothers
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Yuri Noronha
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Sweet Home Chicago
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Yuri Noronha
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SheetMusicPlus
Bass Guitar - Level 1 - SKU: A0.1131734 By The Blues Brothers. By Robert Johnson. Arranged by Yuri Noronha. Blues,Country,Early Music,Film/TV,Rock. Scor...
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Bass Guitar - Level 1 - SKU: A0.1131734 By The Blues Brothers. By Robert Johnson. Arranged by Yuri Noronha. Blues,Country,Early Music,Film/TV,Rock. Score. 3 pages. Yuri Noronha #731960. Published by Yuri Noronha (A0.1131734). Simplified Bass Line of Sweet Home Chicago by The Blues Brothers. In this The Blues Brothers arrangement the bass line has been simplified to make it easier for beginners to learn. Sheet Music. 3 Pages. #sweethomechicago #thebluesbrothers #bluesbrothers #robertjohnson #blues #bassblues #basscover #easybassline #simplified #howtoplayblues #howtoplaybass #howtoplaybluesonthebass #bassguitar #bassguitarblues #bluesbassguitar.
$4.99 ≈
$6.72
The Brother Johnson: Strawberry Letter 23 - voice & other instruments (real book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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The Brother Johnson
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Virtualsheetmusic
Instantly printable sheet music by The Brother Johnson for voice & other instruments (real book) of MEDIUM skill level. / jazz,r & b,soul
Instantly printable sheet music by The Brother Johnson for voice & other instruments (real book) of MEDIUM skill level. / jazz,r & b,soul
$3.97 ≈
$5.35
Let Us Break Bread Together — trombone, organ
Let Us Break Bread Together — trombone, organ
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Trombone
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Todd Marchand
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Let Us Break Bread Together &m
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Con Spirito Music
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individu...
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Trombone Solo - Level 3 - SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individual part. 8 pages. Con Spirito Music #697221. Published by Con Spirito Music (A0.1093124). “Let Us Break Bread Together†is an African-American folk song passed down through oral tradition in South Carolina’s coastal communities. First transcribed by Nicholas George Ballanta-Taylor, an African ethnomusicologist, and published in his Negro Spirituals of Helena’s Island (1925), it has become a hymn sung in many churches throughout the United States and beyond.The tune became widely known after publication in The Second Book of Negro Spirituals (1926), compiled by brothers James Weldon Johnson and Rosamond Johnson, and it grew in popularity with its inclusion in many 20th-century hymnals and through various choral arrangements.In this arrangement, trombone and organ each take a turn at the verse and refrain, then join together after a modulation up one step on verse, refrain and conclusion.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$5.99 ≈
$8.07
My Brother Upton (For Female Voice)
My Brother Upton (For Female Voice)
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Chorale 2 parties
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INTERMÉDIAIRE/AVANCÉ
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James F
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My Brother Upton
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Jhcompositions
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SheetMusicPlus
Choral Choir (SA) - Level 4 - SKU: A0.1004069 Composed by James F. Hodgdon III. Concert,Contemporary,Standards. Octavo. 5 pages. Jhcompositions #3447235...
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Choral Choir (SA) - Level 4 - SKU: A0.1004069 Composed by James F. Hodgdon III. Concert,Contemporary,Standards. Octavo. 5 pages. Jhcompositions #3447235. Published by Jhcompositions (A0.1004069). My Brother Upton is a humorous solo Bass/ singer performance piece. It enjoyed some attention at The Hartt School of Music with world famous bassist Robert Black helping to solidify its premier performance. The inspiration for it's virtuosity comes from a similar place as the famous work, Failing by Tom Johnson. The piece is a back in fourth argument of an upright bass and it's player, pretending that the two are fighting siblings. The bass becomes the annoying younger sibling that fights with the performer the whole time. It was performed many times since its debut and would make any recital or concert a hit! A male version is available as well, with alternate lyrics and range. Duration: Apx. 2'45.
$6.99 ≈
$9.42
My Brother Upton (For Male Voice)
My Brother Upton (For Male Voice)
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James F
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My Brother Upton
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Jhcompositions
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SheetMusicPlus
Small Ensemble Double Bass,High Voice,Low Voice,Medium Voice - Level 4 - SKU: A0.1004087 Composed by James F. Hodgdon III. Contemporary,Standards. Score...
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Small Ensemble Double Bass,High Voice,Low Voice,Medium Voice - Level 4 - SKU: A0.1004087 Composed by James F. Hodgdon III. Contemporary,Standards. Score and parts. 5 pages. Jhcompositions #3455313. Published by Jhcompositions (A0.1004087). My Brother Upton is a humorous solo Bass/ singer performance piece. It enjoyed some fame at The Hartt School of Music with world famous bassist Robert Black helping to solidify its performance. It's virtuosity comes from a similar place as the famous, Failing- Tom Johnson The piece is a back in fourth argument of an upright bass and it's player, pretending that the two are fighting siblings. It was performed many times since its debut and would make any recital or concert a hit! But wait, you're a lady! That's alright, a female version was the original, with alternate lyrics and range. Duration: Apx. 2'45.
$2.99 ≈
$4.03
Back At The Chicken Shack
Back At The Chicken Shack
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Saxophone Tenor
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DÉBUTANT
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Luther Johnson
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Stefan Lamml
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Back At The Chicken Shack
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Stefan Lamml
#
SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.546143 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Contemporary,Jazz,Musical/Show,Pop....
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Tenor Saxophone Solo - Level 1 - SKU: A0.546143 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Contemporary,Jazz,Musical/Show,Pop. Individual part. 18 pages. Stefan Lamml #156241. Published by Stefan Lamml (A0.546143). Alto Sax + Tenor Sax Noten/Partitura. Bester Blues für Saxophone. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Alto Sax + Tenor Sax Sheet. Wonderful party music in the style of the Blues Brothers. Blues No.1 Matching Backing/Playalong by Sax Coach Stefan Lamml Watch the Video El mejor blues para saxofones. Aquà con saxo alto + tenor. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vÃdeo! Le meilleur blues pour saxophones. Ici avec Alto +Tenor Sax. Une merveilleuse musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! I migliori blues per sassofoni. Qui con il sax alto +tenore. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!
$4.99 ≈
$6.72
Back At The Chicken Shack
Back At The Chicken Shack
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Saxophone Tenor
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DÉBUTANT
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Luther Johnson
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Stefan Lamml
#
Back At The Chicken Shack
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Stefan Lamml
#
SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.546141 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Film/TV,Jazz,Musical/Show,Pop. Indi...
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Tenor Saxophone Solo - Level 1 - SKU: A0.546141 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Film/TV,Jazz,Musical/Show,Pop. Individual part. 4 pages. Stefan Lamml #156239. Published by Stefan Lamml (A0.546141). Bester Blues für Saxophone. Hier für Alto Sax. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Best blues for saxophones. Here for Alto Sax. Wonderful party music in the style of the Blues Brothers. Blues No.1 Matching Backing/Playalong by Sax Coach Stefan Lamml Watch the Video ! El mejor blues para saxofones. Aquà para el saxo alto. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vÃdeo! Le meilleur blues pour saxophones. Ici pour alto sax. Magnifique musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! I migliori blues per sassofoni. Qui per il sassofono contralto. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!
$4.99 ≈
$6.72
Strawberry Letter 23
Strawberry Letter 23
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Contemporain
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The Brother Johnson
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Jeff Tincher
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Strawberry Letter 23
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.583681 By The Brother Johnson...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.583681 By The Brother Johnson. By Shuggie Otis. Arranged by Jeff Tincher. Contemporary. 35 pages. Jeff Tincher #4716543. Published by Jeff Tincher (A0.583681). Here is one of the big hits from 2 brothers that defined their own style of funk. In the original from The Brothers Johnson Right On Time album, this song placed #54 in Billboard's Top 100 Hits of 1977 chart. This song is different as it begins with a carnival-like sound before moving into the funk. This arrangement stretches the ranges of the instrument. Duration = 5:23. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99 ≈
$17.50
Strawberry Letter 23
Strawberry Letter 23
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Piano, Voix
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INTERMÉDIAIRE
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The Brother Johnson
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Jeff Tincher
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Strawberry Letter 23
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Jeff Tincher
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.583679 By The Brother Johnson. By Shuggie Otis. Arranged by Jeff Tincher. Contemporary. Score. 17 pages. Jeff Tinc...
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Piano,Vocal,Voice - Level 3 - SKU: A0.583679 By The Brother Johnson. By Shuggie Otis. Arranged by Jeff Tincher. Contemporary. Score. 17 pages. Jeff Tincher #4716537. Published by Jeff Tincher (A0.583679). Here is one of the big hits from 2 brothers that defined their own style of funk. In the original from The Brothers Johnson Right On Time album, this song placed #54 in Billboard's Top 100 Hits of 1977 chart. This song is different as it begins with a carnival-like sound before moving into the funk. Duration = 5:23. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99 ≈
$8.07
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