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The Can Can for Brass Quintet
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Vous avez sélectionné:
The Can Can for Brass Quintet
Partitions à imprimer
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2501
Canary Islands Official Regional Anthem for Brass Quintet & Percussion (MFAO World National Anthem S
Canary Islands Official Regional Anthem for Brass Quintet & Percussion (MFAO World National Anthem S
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Teobaldo Power y Lugo-Vina
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Keith Terrett
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Percussion
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Canary Islands Official Region
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Keith Terrett
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SheetMusicPlus
Level 3 - SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Keith Terrett #336...
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Level 3 - SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Keith Terrett #3367007. Published by Keith Terrett (A0.746751). The official anthem of the Canary Islands, arranged for Brass Quintet & Percussion.A region of Spain, the anthem used in the Canaries for official local occasions was introduced on May 30 (Canary Islands Day), 2003. It is an adaptation of a local folk song called Arrorró (Lullaby).Before the official announcement of the anthem unofficial local songs were in place, and tended to differ depending on the person’s political beliefs. Those who prefered independence for the Canary Islands used the Canto de Tierra as their anthem, while others used another work by Teobaldo Power y Lugo-Vina, Pasodoble Islas Canarias.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.99 ≈
8.28€
Saba Regional Anthem for Brass Quintet & Percussion
Saba Regional Anthem for Brass Quintet & Percussion
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
#
Christina Maria Jeurissen,
#
Keith Terrett
#
Saba Regional Anthem for Brass
#
Keith Terrett
#
SheetMusicPlus
Level 3 - SKU: A0.1157522 Composed by Christina Maria Jeurissen,. Arranged by Keith Terrett. 20th Century,Historic,Multicultural,Traditional,World. 16 p...
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Level 3 - SKU: A0.1157522 Composed by Christina Maria Jeurissen,. Arranged by Keith Terrett. 20th Century,Historic,Multicultural,Traditional,World. 16 pages. Keith Terrett #757854. Published by Keith Terrett (A0.1157522). Arranged for Classical Brass Quintet & Optional Percussion, Saba, you rise from the ocean is the regional song of the Caribbean island Saba, a special municipality of the Netherlands. The anthem was written and composed by Christina Maria Jeurissen, a Dominican nun, in 1960. It was established by the Island Council on 6 December 1985 and officially ratified on 10 October 2010. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Many of my national anthem are now available on Nomadplay app. Saba (/ˈseɪbÉ™/ (listen); Dutch: Saba, pronounced [ˈsaËbÉ‘] (listen) is a Caribbean island which is the smallest special municipality (officially “public bodyâ€) of the Netherlands. It consists largely of the active volcano Mount Scenery, which at 887 metres (2,910 ft) is the highest point of the entire Kingdom of the Netherlands. The island lies in the northern Leeward Islands portion of the West Indies, southeast of the Virgin Islands. Together with Bonaire and Sint Eustatius it forms the BES islands. Saba has a land area of 13 square kilometres (5.0 sq mi). The population was 1,933 in January 2020, with a population density of 148 inhabitants per square kilometre (380/sq mi). It is the smallest territory by permanent population in the Americas. Its towns and major settlements are The Bottom (the capital), Windwardside, Zion's Hill and St. Johns.
$8.99 ≈
8.28€
Petite Suite for Brass Quintet
Petite Suite for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
#
Gregory Fritze
#
Petite Suite for Brass Quintet
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Musica Nova USA
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.917402 Composed by Gregory Fritze. 20th Century,Concert,Contemporary,Standards. Score and parts. 96 pages. Musica Nov...
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Brass Ensemble - Level 3 - SKU: A0.917402 Composed by Gregory Fritze. 20th Century,Concert,Contemporary,Standards. Score and parts. 96 pages. Musica Nova USA #4895219. Published by Musica Nova USA (A0.917402). Petite Suite for Brass Quintet is a light-hearted piece for brass quintet in four movements with a duration of fourteen minutes. The four movements follow the basic Classical symphonic form - Allegro, Adagio, Scherzo (Presto) and Finale (Presto). The first movement Strombor has a fanfare at the beginning with a melodic 2nd theme in the French Horn. The second movement is based on a slow cantabile theme. The 3rd movement Attack of the Killer Bees includes a bit of theatre. Throughout the movement there is a buzzing of bees, which are killed at the end when all the players stomp on them. The 4th movement Finale has a feeling of cartoon music, ending with a big finish. Throughout the Suite each of the five instrumentalists is featured. The grade of this piece is level 5 (intermediate) for all instruments.Petite Suite for Brass Quintet was composed in 2000 on a commission by the Strombor Brass Quintet of Valencia, Spain. It was recorded by that group on Allegro Records V-3076-2002. It was also recorded by the Hoodlebug Brass Quintet on Albany Records Troy 1175. It can be heard on youtube at: http://youtu.be/RZFf3W_yZLo. Several ensembles around the world have played it, receiving over 100 performances in recent years. Petite Suite for Brass Quintet was submitted to the American Prize Composition Competition in the chamber music division in 2016. It was the highest awarded brass quintet composition that year, awarded Finalist. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00 ≈
36.83€
After the Cake Walk for Brass Quintet
After the Cake Walk for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
R
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Charles Decker
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After the Cake Walk for Brass
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Charles Decker Music Press
#
SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Cen...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Century,Contest,Festival,Jazz,Pop,Ragtime. 24 pages. Charles Decker Music Press #652018. Published by Charles Decker Music Press (A0.1047456). This entertaining and playful cakewalk, forerunner of ragtime style, is by the prominent Canadian-American Black composer Nathaniel Dett who studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. Scored for two trumpets in B-flat (with alternate C trumpet parts), horn (with flugelhorn substitute), trombone (with treble clef euphonium substitute) and tuba, the arrangement has wide audience appeal and is very accessible for less experienced players. The recoding is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others..For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99 ≈
11.96€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.78€
Daughters of The American Revolution for Brass Quintet
Daughters of The American Revolution for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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J
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Jari A
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Daughters of The American Revo
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JV MUSIC
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SheetMusicPlus
Brass Quintet - Intermediate - Composed by J. Bodewalt Lampe. Arranged by Jari A. Villanueva. 20th Century, Patriotic, Americana. Score, Set of Parts. 14 ...
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Brass Quintet - Intermediate - Composed by J. Bodewalt Lampe. Arranged by Jari A. Villanueva. 20th Century, Patriotic, Americana. Score, Set of Parts. 14 pages. Published by JV MUSIC
Daughters of The American Revolution for Brass Quintet
by J. Bodewalt Lampe Aarranged by Jari Villanueva
Score, 2 Trumpets, Horn, Trombone, Tuba, Drums (optional)
https://youtu.be/l3Z_b0T8Spg
JensBodewalt Lampe (November 8, 1869 ? May 26, 1929) was a Danish-born Americancomposer, arranger, performer and band-leader of ragtime and syncopated dancemusic. He wrote this march in 1909
$15.00 ≈
13.81€
Bach: Wachet auf for Brass Quintet
Bach: Wachet auf for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...
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Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95 ≈
36.79€
Brass Quartet - Titans
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00 ≈
18.42€
Nearer My God To Thee (Titanic) for Brass Quintet
Nearer My God To Thee (Titanic) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Sarah Flower Adams
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Film/TV,Multicultural,Praise & Worship,Sacred,World. 9 pages. Keith Terrett #614983. Published by Keith Terrett (A0.1009325). Nearer, My God, to Thee arranged for Brass Quartet, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$10.99 ≈
10.12€
Turkish March by Beethoven for Brass Quintet
Turkish March by Beethoven for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1243611 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woo...
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Brass Quintet - Level 3 - SKU: A0.1243611 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #838578. Published by Woods Only, Arrangements (A0.1243611). This arrangement adapted for brass quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99 ≈
9.20€
Gabrieli Canzon II for Brass Quintet (aka Canzona per sonare No. 2)
Gabrieli Canzon II for Brass Quintet (aka Canzona per sonare No. 2)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Gabrieli
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Betsy Bright
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Gabrieli Canzon II for Brass Q
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.964600 Composed by Giovanni Gabrieli. Arranged by Betsy Bright. Concert,Renaissance,Wedding. Score and parts. 10 page...
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Brass Ensemble - Level 4 - SKU: A0.964600 Composed by Giovanni Gabrieli. Arranged by Betsy Bright. Concert,Renaissance,Wedding. Score and parts. 10 pages. Bright Music Company #6520951. Published by Bright Music Company (A0.964600). Gabrieli's music is always a hit on any brass quintet recital. Canzon II (also known as Canzona per sonare No. 2) is one of the most popular. While there are other arrangements out there, many are either for 4 voices (like the original) or, if they are quintets, the lower two voices are in octaves the whole time. This arrangement has 5 independent parts, which gives the lower voices more of a challenge, and the higher voices get a bit more rest. Duration: 2 1/2 minutesDifficulty Level: advanced intermediate.
$10.00 ≈
9.21€
Canzona 'a5 for Brass Quintet
Canzona 'a5 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Gregory Fritze
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Canzona 'a5 for Brass Quintet
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Musica Nova USA
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.917416 Composed by Gregory Fritze. Baroque,Concert,Graduation,Sacred,Wedding. Score and parts. 19 pages. Musica Nova ...
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Brass Ensemble - Level 2 - SKU: A0.917416 Composed by Gregory Fritze. Baroque,Concert,Graduation,Sacred,Wedding. Score and parts. 19 pages. Musica Nova USA #6571009. Published by Musica Nova USA (A0.917416). Canzona ‘a5 was composed in 2020 expressly for the Spanish Brass. It is composed in the 16th Century Italian style of music played at St. Marks Cathedral in Venice, Italy. It is in this period that brass instruments are first used extensively. Most of the 16th Century canzonas were written in four parts, where the tuba player plays the same as the trombone down an octave. Gregory Fritze has performed in brass quintets for many years playing the 16th Century canzonas this way. The few 16th Century canzonas that are in five parts use the title ‘a5 depicting in five parts, as this Canzona does.Canzona ‘a5 was recorded Spanish Brass and is on the CD Music for Brass Quintet by Gregory Fritze on the Spanish Brass label.Duration of Canzona ‘a5 is 2 minutes.
$12.00 ≈
11.05€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00 ≈
13.81€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00 ≈
13.81€
Finnish National Anthem for Brass Quintet
Finnish National Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Keith Terrett
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Keith Terrett
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Finnish National Anthem for Br
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Keith Terrett
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811975. Published by Keith Terrett (A0.1215110). The Finnish NA arranged for Brass Quintet.There also versions for String & full Orchestra in my two stores.The anthem lyrics were taken from a poem by Johan Ludvig Runeberg, a Swedish-speaking poet, called “VÃ¥rt land†(Our Land). The song was first sung in 1848 by a student group and became popular in Scandinavia and many of his patriotic poems, including VÃ¥rt land were used by promoters of Finnish nationalism. The poem was translated into Finnish some decades later, after VÃ¥rt land was well established as a national song, by Paavo Eemil Kajander and became the anthem before 1917 independence. Estonia‘s anthem, adopted 20 years later, has the same melody, however the last few lines do not repeat as they do normally in the Finnish anthem. Interestingly, the anthem has never been officially legislated as the Finnish anthem, but rather is traditionally used as the anthem. As such, there is no standard way to perform the 11-verse anthem, but usually the first and the last verses (as presented here) are sung. There sometimes arises a debate in Finland to change the anthem to Jean Sibelius’ song “Finlandia†(the melody was used in Biafra), a song recognized internationally as a symbol of Finland, but the general opinion seems to be for now to keep the current anthem. (One reason may be that Finlandia is harder to sing compared to Maamme.)Need an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comLove anthems, then join me on twitter, facebook,  soundcloud & instagram for updates.Â
$8.99 ≈
8.28€
Calixa Lavallee: O Canada! (COMPLETE) instantly for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Calixa Lavallee
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Virtualsheetmusic
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,fren...
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This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival
$9.99 ≈
9.20€
Calixa Lavallee: O Canada! (f.score) instantly for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Calixa Lavallee
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Virtualsheetmusic
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,fren...
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This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival
$3.99 ≈
3.67€
Calixa Lavallee: O Canada! (parts) instantly for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Calixa Lavallee
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Virtualsheetmusic
This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,fren...
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This is an exclusive arrangement for brass quintet of EASY/MEDIUM skill level from the original composition by Calixa Lavallee. This title is available as instant sheet music download. Contents: Canada Anthem, Canada hymn,OCanada, national anthem / patriotic,traditional,hymn,multicultural,world,french,festival
$7.99 ≈
7.36€
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed E
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contes...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99 ≈
8.28€
Spiritual: Listen to the Lambs for Brass Quintet
Spiritual: Listen to the Lambs for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Robert Nathaniel Dett
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Richard Decker
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Spiritual: Listen to the Lambs
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 23 pages. Charles Decker Music Press #654420. Published by Charles Decker Music Press (A0.1050020). Early 20th century Canadian-American composer, conductor and pianist Robert Nathaniel Dett's Listen to the Lambs choral anthem combines his neo-romantic style and advocacy for spirituals in this engaging arrangement for brass quintet. Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Always looking to improve his compositional capabilities, Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. This brass quintet arrangement is scored for two B-flat trumpets (alternate C trumpet parts included), horn in F (alternate flugelhorn substitute part), trombone and tuba. The recording is of the entire edition. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.99 ≈
13.80€
Finland National Anthem and US National Anthem for Brass Quintet
Finland National Anthem and US National Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Fredrik Pacius, John Stafford
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Jari A
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Finland National Anthem and US
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Vill...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or VÃ¥rt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw
$10.00 ≈
9.21€
De facto Anthems of the Confederate States of America
De facto Anthems of the Confederate States of America
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Charles W
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Keith Terrett
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De facto Anthems of the Confed
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emm...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99 ≈
18.41€
Miscellaneous: The Star Spangled Banner (in Eb) for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Miscellaneous
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Virtualsheetmusic
This is an exclusive arrangement for brass quintet of MEDIUM skill level from the original composition by John Stafford Smith. This title is available as instant sheet music download. Contents: USA Anthem, american flag,U.S.A.,patriotic, national anthem / patriotic,traditional,hymn,multicultural,wor...
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This is an exclusive arrangement for brass quintet of MEDIUM skill level from the original composition by John Stafford Smith. This title is available as instant sheet music download. Contents: USA Anthem, american flag,U.S.A.,patriotic, national anthem / patriotic,traditional,hymn,multicultural,world,american,olympics,festival
$6.50 ≈
5.99€
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The Can Can for Brass Quintet
