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Vous avez sélectionné:
The Cause Heads
Partitions à imprimer
30 partitions trouvées
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The Duke of Alva's entry into Brussels for brass quintet
The Duke of Alva's entry into Brussels for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #602...
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Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00 ≈
11.08€
Because I Could Not Stop for Death
Because I Could Not Stop for Death
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99 ≈
7.37€
The True Colors of Weedle • Vocal Selections
The True Colors of Weedle • Vocal Selections
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Music by Allison Brewster Fran
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Allison Brewster Franzetti
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The True Colors of Weedle &bul
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Shining Sharon Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 87 pages. Shining Sharon Music #744248. Published by Shining Sharon Music (A0.1143939). 11 songs, by June Rachelson-Ospa and Allison Brewster Franzetti, from this very funny and sometimes sobering musical for Young People in Piano-Vocal settings help to tell the story of a boy, born colorless. As such, he has been bullied, because everyone else around him has lots of colors. Ostracized, Weedle sets out to find a companion/soul-mate, Marvello Maxumo Marmaduke (who ends up having three heads) after he receives a sympathetic letter from him. Like Weedle, Marmaduke has been forced into seclusion by the Falafarinians of Falifarinum, so together they hatch a plan for revenge on those who hurt have them. Weedle then must decide if he will take revenge on those who have wronged him, or if he will live his life in peace. After choosing to take revenge, Weedle feels so bad that he cries. Then, to everyone's amazement, his tears are full of vibrant colors, proving that he had it within himself all the time... Bullying has become an epidemic, causing many children pain. Our story confronts this issue in a fun-filled way, without shying away from the issue at hand. Perhaps, this show is needed now more than ever! It is the hope of the authors that the producers will utilize actors of all genders, abilities/disabilities, and special needs, aiming to entertain and teach an important life lesson to kids: that anything is possible with the right outlook. Teaching children and families to accept people for who they are, no matter what they look like… is vital, especially when the outcome includes forgiveness. From Leicester Bay Theatricals. The most moving theatrical experience... Peter Filichia, Broadway Radio The True Colors of Weedle is also available as an illustrated storybook for children in Kindle and Paperback editions. Look for it.
$19.95 ≈
18.41€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.84€
Lift Up Your Heads, Ye Mighty Gates
Lift Up Your Heads, Ye Mighty Gates
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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First Plymouth Church, Lincoln
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Lyndell Leatherman
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some were not
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Lift Up Your Heads, Ye Mighty
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1376318 By First Plymouth Church, Lincoln NE. By Words: George Weissel, tr. by Catherine Winkworth / Music:...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1376318 By First Plymouth Church, Lincoln NE. By Words: George Weissel, tr. by Catherine Winkworth / Music: Thomas Williams. Arranged by Lyndell Leatherman. Advent,Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #960858. Published by Leatherman Music Services (A0.1376318). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.This hymn is sometimes included in the Advent section of modern hymnals, and–perhaps more often–in the Triumphal Entry / Palm Sunday section, where it works equally well.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.68€
The Cause Heads
The Cause Heads
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Guitare notes et tablatures
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Metal/Hard Rock
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Steve Vai
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The Cause Heads
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Hal Leonard - Digital
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SheetMusicPlus
Guitar - SKU: HX.21587 By Steve Vai. Metal,Pop,Rock. Guitar TAB. 4 pages. Published by Hal Leonard - Digital (HX.21587). ...
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Guitar - SKU: HX.21587 By Steve Vai. Metal,Pop,Rock. Guitar TAB. 4 pages. Published by Hal Leonard - Digital (HX.21587).
$4.99 ≈
4.61€
Lift up your heads
Lift up your heads
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Chorale SATB
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FACILE
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Tim Attride
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Tenors / Altos &
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Lift up your heads
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Tim Attride
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1375143 Composed by Tim Attride. Christian,Easter,Lent,Religious,Sacred. 4 pages. Tim Attride #959755. Pu...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1375143 Composed by Tim Attride. Christian,Easter,Lent,Religious,Sacred. 4 pages. Tim Attride #959755. Published by Tim Attride (A0.1375143). Taking words from Psalm 24, 7-10, this is an uplifting anthem for Palm Sunday. With some unison passages (split between Sops & Tenors / Altos & Basses / Full unison) and full SATB and an exciting but not difficult organ accompaniment this will reflect the joyous mood of the crowd welcoming Jesus into Jerusalem. Dynamics are not stated, so left to the conductor to set as the Spirit moves, with the organ obviously being louder when introducing the verses than when accompanying.(I have put this in the Lent and Easter sections, but that is only because there is no Palm Sunday listing.).
$1.99 ≈
1.84€
Lift up your heads (S.A.Bar version)
Lift up your heads (S.A.Bar version)
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Chorale 3 parties
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FACILE
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Tim Attride
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Lift up your heads
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Tim Attride
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1375147 Composed by Tim Attride. Christian,Easter,Lent,Religious,Sacred. 4 pages. Tim Attride #959759. Pub...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1375147 Composed by Tim Attride. Christian,Easter,Lent,Religious,Sacred. 4 pages. Tim Attride #959759. Published by Tim Attride (A0.1375147). Taking words from Psalm 24, 7-10, this is an uplifting anthem for Palm Sunday. Â With some unison passages (split between Sops & Men who can get a top F / Altos & Men who can get a bottom G / Full unison) and full SABar and an exciting but not difficult organ accompaniment this will reflect the joyous mood of the crowd welcoming Jesus into Jerusalem. Â Dynamics are not stated, so left to the conductor to set as the Spirit moves, with the organ obviously being louder when introducing the verses than when accompanying.(I have put this in the Lent and Easter sections, but that is only because there is no Palm Sunday listing.).
$1.99 ≈
1.84€
The Frog Prince - Children's Musical Director's Script
The Frog Prince - Children's Musical Director's Script
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Betsy Lee Bailey
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Betsy Lee Bailey
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The Frog Prince - Children's M
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Betsy Lee Bailey
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SheetMusicPlus
Flute,Piano,Rhythm Instrument,Small Ensemble,Trumpet - Level 2 - SKU: A0.1477511 By Betsy Lee Bailey. By Betsy Lee Bailey. Arranged by Betsy Lee Bailey....
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Flute,Piano,Rhythm Instrument,Small Ensemble,Trumpet - Level 2 - SKU: A0.1477511 By Betsy Lee Bailey. By Betsy Lee Bailey. Arranged by Betsy Lee Bailey. Broadway,Children,Comedy,Historic,Musical/Show,Renaissance. Educational Method. 30 pages. Betsy Lee Bailey #1054893. Published by Betsy Lee Bailey (A0.1477511). The Frog Prince children's musical is a version for young actors of the famous Grimm's fairy tale retold in script and songs by Betsy Lee Bailey. The setting is northern France during the Renaissance. The Monarchs of two neighboring kingdoms are having problems with their children. The self-centered young Princess and the headstrong little Prince want things their own ways without considering how it affects their families. Kings and Queens, Heralds, Knights, Lords and Ladies, a Prince, Princesses, a Frog, and even a Dragon fill this show with many opportunities for your cast to shine. Some of the magic is done using hand puppets, stick ponies, coconut shell clip-clops, and ancient instruments. This show includes parts for many princesses not just one, NO LOVE STORY, and fun comedic parts for a lot of knights. The over-arching moral value is KEEPING PROMISES. Enjoyed by audiences of any age.The Director's Script is useful for Directors, Music Leaders, and Choreographers because it includes Vocal Lines of the main songs embedded within the script.For young actors ages 5-12.Running Time: approximately 30-45 minutes.
$49.99 ≈
46.14€
Oh Shenandoah
Oh Shenandoah
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Piano Facile
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DÉBUTANT
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Traditional Folk
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Brian Streckfus
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Oh Shenandoah
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Brian Streckfus
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1194379 By Traditional Folk. By Traditional Folk Anon. Arranged by Brian Streckfus. Folk,Instructional,Singer/Songwrite...
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C Instrument - Level 1 - SKU: A0.1194379 By Traditional Folk. By Traditional Folk Anon. Arranged by Brian Streckfus. Folk,Instructional,Singer/Songwriter,Standards. Lead Sheet / Fake Book. 2 pages. Brian Streckfus #793751. Published by Brian Streckfus (A0.1194379). Pages: 2Key: G Major1. Guitar Tab added with rhythms2. Guitar  Chord diagrams added. 3. Chord nomenclature added. 4. Chords re-harmonized to be idiomatic for guitar, more unique, take part writing into consideration. 5. Left hand guitar fingerings added. 6. Letter names added to note heads.7. Blues grace note added in measure 17. This measure is a good example of how to squeeze in a quick blues note.I like these versions because you can choose between playing the main melody, playing the chords, or trying both simultaneously. If you can eventually playing both simultanously, it can quickly become sophisticated sounding!This version is also nice in that if you strum the more detail-oriented guitar chords, you end up usually playing the melody anyways, which makes this more ideal for strumming with a pick and for practicing vocals.Tips:1. The F# diminshed chord in measure 18 was originally a D7 chord. This seems like a good substitute to make because they contain roughly the same notes but the diminished chord is more original sounding and has better part writing. There is something about D7 chord that I am always swapping out of them when the melody is low. Same concept for the D/F# chord in measure 11. Instead of a famous D chord, the D/F# accents the main melody better, and is more unique sounding.2. It's easy to make mistakes with ties, especially because they also look like slurs. Ties add the to rhythm values together and you don't play the second note, so I normally cross them out with a pencil as they are really only showing sustain.
$2.99 ≈
2.76€
In Search of Lost Time
In Search of Lost Time
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Piano seul
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Contemporain
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Noah Fire
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In Search of Lost Time
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Noah Fire
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SheetMusicPlus
Piano Solo - SKU: A0.928405 Composed by Noah Fire. Contemporary. Score. 5 pages. Noah Fire #6115683. Published by Noah Fire (A0.928405).
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Piano Solo - SKU: A0.928405 Composed by Noah Fire. Contemporary. Score. 5 pages. Noah Fire #6115683. Published by Noah Fire (A0.928405). In Search of Lost Time This is really not a good time for this virus to show up. Not when I'm 68 years old. Couldn’t it have arrived ten years ago before I became elderly? I can make myself ten years younger. (Maybe twelve or fifteen. Why stop at ten?) My mother did that during the war. After she said we were safe they couldn't get to us because of the ocean. Now six feet apart no ocean protects us. Too bad we didn't learn to breathe under water. I watch television wonder why people are standing so close to each other. I walk in zigzags. My ponytail pulls at the strings of the mask suffocating me. At night I check the doors. But who will sneak in now? The virus is the only one out and about. How old will my grandchildren be when I hold them again? Will the youngest be surprised to see we have bodies attached to our heads that we don’t live on a.
$2.50 ≈
2.31€
My Old Kentucky Home
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99 ≈
1.84€
Marcha Militar
Marcha Militar
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Juan de Arriaga
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Joel Jacklich (ASCAP)
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Marcha Militar
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Joel Jacklich
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.723125 Composed by Juan de Arriaga. Arranged by Joel Jacklich (ASCAP). Classical. Score and parts. 32 pages. Joel Jackl...
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Concert Band - Level 3 - SKU: A0.723125 Composed by Juan de Arriaga. Arranged by Joel Jacklich (ASCAP). Classical. Score and parts. 32 pages. Joel Jacklich #3377517. Published by Joel Jacklich (A0.723125). PROGRAM NOTE: Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, has been commissioning works, both new works and modern arrangements of old works, for nine years for an annual Concert of Premieres each May. He commissioned me to arrange this military march by Juan de Arriaga for his 9th Annual Concert of Premieres for the 2015-2016 Academic year. Juan Crisóstomo Jacobo Antonio de Arriaga y Balzola (January 27, 1806 – January 17, 1826) was a Spanish Basque composer. He was nicknamed the Spanish Mozart after he died, because, like Wolfgang Amadeus Mozart, he was both a child prodigy and an accomplished composer who died young. They also shared the same first and second baptismal names; and they shared the same birthday, January 27 (fifty years apart). The Marcha Militar was written in 1820 when Arriaga was 14 years old. The original is scored for requinto (a small, 3/4-size guitar tuned in F, a fourth above the normal quitar), piccolo in D, two clarinets in B-flat, two small trumpets in B-flat, two large trumpets in B-flat, two bassoons in B-flat, serpent in A-flat, trombone in B-flat, triangle, chimes, cymbals, side drum, and bass drum. I have arranged the piece for a modern band of piccolo, flute, oboe, three clarinets in B-flat, bass clarinet in B-flat, alto sax in E-flat, tenor sax in B-flat, bari sax in E-flat , bassoon, French horn in F, three trumpets in B-flat, baritone horn (with parts for both bass clef and transposing B-flat treble clef),trombone, tuba, triangle, snare drum, cymblas, bass drum, and glockenspiel. As this arrangement was originally meant for a junior high school band, some notes may cause range problems for young, less experienced players. I have indicated these notes with smaller noteheads in parenthesis. While these parenthetical notes are the preferred notes, and should be played if possible, it is assumed the regular-sized note is probably the one which will probably need to be played. Joel Jacklich El Centro, California, July 4, 2015.
$40.00 ≈
36.92€
Lilac
Lilac
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Violon et Piano
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Contemporain
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Albert Dadykin
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Lilac
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Albert Dadykin
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SheetMusicPlus
Piano,Violin - SKU: A0.1023164 Composed by Albert Dadykin. Contemporary. 19 pages. Albert Dadykin #4840877. Published by Albert Dadykin (A0.1023164).
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Piano,Violin - SKU: A0.1023164 Composed by Albert Dadykin. Contemporary. 19 pages. Albert Dadykin #4840877. Published by Albert Dadykin (A0.1023164). My new work is called lilac. Lovely little flowers that turn the girls ' heads and create an exquisite fragrance in the house. I tried to tell musical means about the feelings that causes these beautiful flowers. I wish you pleasant music playing!
$9.95 ≈
9.18€
Peace, Lilly
Peace, Lilly
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Piano seul
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FACILE
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New Age
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Beverly Cashin
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Peace, Lilly
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Beverly Cashin
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.893645 Composed by Beverly Cashin. New Age. Score. 3 pages. Beverly Cashin #3430613. Published by Beverly Cashin (A0.8936...
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Piano Solo - Level 2 - SKU: A0.893645 Composed by Beverly Cashin. New Age. Score. 3 pages. Beverly Cashin #3430613. Published by Beverly Cashin (A0.893645). Falls in the category of pretty piano music. A little new age, with some lite jazz voicings. Not complicated, but requires the ability to move around the keyboard and play somewhat unusual note combinations. Because most players can play more notes than they can read, this sheet music uses a combination of traditional notation and Easy Reader notation, which has the names of the notes written inside the note heads. A nice, relaxing piece that players will enjoy. Follow the Youtube link to hear how it will sound. https://youtu.be/ywXEy0PO6ew
$2.99 ≈
2.76€
Steve Vai: The Cause Heads - guitar (tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Steve Vai
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Virtualsheetmusic
Instantly printable sheet music by Steve Vai for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
Instantly printable sheet music by Steve Vai for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
$6.97 ≈
6.43€
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95 ≈
8.26€
Tango (Traditional Paraguayen)
Tango (Traditional Paraguayen)
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Guitare notes et tablatures
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FACILE
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Tango
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Traditional Anon
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Brian Streckfus
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Tango
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1276814 Composed by Traditional Anon. Arranged by Brian Streckfus. Classical,Instructional,Romantic Period. T...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1276814 Composed by Traditional Anon. Arranged by Brian Streckfus. Classical,Instructional,Romantic Period. Tablature. 2 pages. Brian Streckfus #868501. Published by Brian Streckfus (A0.1276814). Key: A minor (harmonic)Pages: 2This is a medium difficulty finger style piece. It reminds me of the difficulty of Fernando Sor or Matteo Carcassi etudes, so it's great to use this to fine tune technical aspects of your playing. 1. Arranged for guitar. 2. Guitar tablature added. 3. Slurs/slides/stacatto added. 4. Fingerings added. 5. Chord nomenclature added. (classical music doesn't normal have these. They tend to never summarize the notes perfectly, but it's clear to me that they aid in playing the music better in many aspects.)6. Position markers added7. Letter names on white note heads addedTips:1. I imagine E would be played louder.2. Generally, minor chords are played quieter.3. The form is ABA.4. The key change is to the parallel major, A Major. This is a romantic key change (basically Beethoven and after).  5. This piece is beautiful and easy to engrave since it symmetrical. 4 measure phrases. 32 measures fits perfectly on two pages. I say this somewhat jokingly, but the time signature is 32/16/8/4/2 (look into hypermeter). I enjoy when pieces of music are 4 measure phrases, because then the staff lines themselves actually represent true musical phrases. The opposite of this is called upbeat phrasing, which is when a phrase starts in the middle of a measure.
$1.99 ≈
1.84€
I'm Shipping Up To Boston
I'm Shipping Up To Boston
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Contemporain
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Dropkick Murphys
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Halley Feaster
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I'm Shipping Up To Boston
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Halley Feaster
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.884230 By Dropkick Murphys. By Alexander Barr, Ken Casey, Matthew Kelly, and Woody Guthrie. Arranged ...
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String Ensemble,String Quintet - Level 4 - SKU: A0.884230 By Dropkick Murphys. By Alexander Barr, Ken Casey, Matthew Kelly, and Woody Guthrie. Arranged by Halley Feaster. Contemporary. Score and parts. 26 pages. Halley Feaster #4794817. Published by Halley Feaster (A0.884230). This is a String Orchestra or String Quintet arrangement of the famous Dropkick Murphy's song I'm Shipping Up to Boston, originally written by Woody Guthrie.If you look at The Meanest of Times album, and the Live on Landsdowne DVD, you'll see my name in the credits. I used to work with the Murphy's, and I arranged string parts, recorded, and performed with them between 2006 and 2009.You'll see some note heads with Xes in the cello and bass parts. This is meant for chopping, but if the players aren't chopping yet, just have them hit something, because we need that backbeat!Enjoy! <3.
$15.99 ≈
14.76€
Jesus Loves Me
Jesus Loves Me
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1 Piano, 4 mains
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DÉBUTANT
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William B
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Jo Hovind
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Jesus Loves Me
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Jo Notes, LLC
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.1460529 Composed by William B. Bradbury. Arranged by Jo Hovind. Children,Christian,Instructional,Praise &...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.1460529 Composed by William B. Bradbury. Arranged by Jo Hovind. Children,Christian,Instructional,Praise & Worship,Sacred. Score. 9 pages. Jo Notes, LLC #1039454. Published by Jo Notes, LLC (A0.1460529). Jesus Loves MePublic Domain | Words by Anna Warner (1820-1915) | Music by William Bradbury (1816-1868) | © 2023 Arrangement by Jo Hovind | Jo Notes LLC, Pensacola, FLDetailed Description:Piano Duet, 4 Hands at One Piano - Student Pre-Reader Black Keys with Finger Numbers, Teacher Advanced - .Jesus Loves Me | Words by Anna Warner (1820-1915), Music by William Bradbury (1816-1868) | Arranged and Published by Jo Hovind, Jo Notes, LLC, Pensacola, Florida | Praise & Worship. Score - 5 pages. A Note from the Arranger:Pre-Reader on the Black Keys by Finger NumbersTeacher Duet in Gb Major One of the most beloved and most translated children’s hymns of all time can be played by finger numbers on the black keys. The singable, pentatonic melody is beautiful even in its own simplicity. But when combined with lush harmonies of the teacher duet, this beginner piece becomes a heart-warming show-stopper for recitals, Sunday School, nursing home, and church performances.Teaching Idea: Remembering which hand plays which notes (left and right) can be very challenging for beginning students. The notes for the student part in this arrangement have blue note heads for right hand notes, and green note heads for left hand notes. Purchase a blue and a green athletic wrist band. Put the blue one on the student’s right wrist (because the blue sky is high and the right hand plays the higher notes), and place the green wrist band on the student’s left hand (because the green grass is down low and the hand plays the lower notes.) Then the single three white key notes that the hands must MOVE to play have red note heads.
$4.99 ≈
4.61€
Cookie in my Pocket
Cookie in my Pocket
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Ukulele
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FACILE
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Enfant
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Gabrielle Liriano
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Cookie in my Pocket
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Art Haus Music Publishing
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SheetMusicPlus
Ukulele - Level 2 - SKU: A0.1184669 Composed by Gabrielle Liriano. Children. Score (Chords/Lyrics). 10 pages. Art Haus Music Publishing #784355. Publish...
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Ukulele - Level 2 - SKU: A0.1184669 Composed by Gabrielle Liriano. Children. Score (Chords/Lyrics). 10 pages. Art Haus Music Publishing #784355. Published by Art Haus Music Publishing (A0.1184669). Lyrics:I found a cookie in my pocket and I know it's gonna be a good day! Hey! Hey!Yummy peanut nougat swizzle with a drizzle and a chocolate glazeWhat a present for my tummy, 'cause I'm such a slacker.I woke up late for school- an insomniac.See this cookie in my pocket gonna munch on it along the wayI found a cookie in my pocket and i know iit's gonna be a good day!oo oo oo!I'm gonna snack through all my classes, too fuzzy to hear what teachers say.When I stumble through the door late- ten minutes past. UghHeads roll around to stare, What a panic attackBut I got this cookie in my pocket and a dream to keep the grumbles away I found a cookie in my pocket and I see you eyein' me for a chewI must look something like a parrot if you think I'm gonna share it with youLookI gotta last all day with my eyes barely cracked. UghAnd if you try to snatch it I'll turn quarterbackSee this cookie in my pocket is what's keeping me from a snoozeSee this cookie in my pocket is what's keeping me from the blues!
$20.00 ≈
18.46€
Canon - Pachelbel, arranged for string quartet with adapted viola part
Canon - Pachelbel, - string quartet with adapted viola part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Dan Edwards
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Canon - Pachelbel, - string qu
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arr. Dan Edwards
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SheetMusicPlus
String Quintet - Level 3 - SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan E...
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String Quintet - Level 3 - SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan Edwards #6590467. Published by arr. Dan Edwards (A0.901334). Canon in D by Johann Pachelbel, arranged for string quartet, string quintet, or string orchestra by Dan Edwards. Dan is a prize-winning composer and arranger, and was the staff arranger for the Countess of Wessex's String Orchestra for many years. danedwardscreative.com This is an arrangement like no other!Pachelbel's Canon is a hugely popular piece, but unfortunately it was not written for the string quartet. The original is for three violins and basso continuo, so this presents quite a few problems when string quartets attempt to play it. - Firstly, the 'viola' part is extraordinarily high, not only making it very difficult to play, but making that one voice stick out much more than the other three in the highest parts of the piece. Usually the high bits are just transposed down an octave but this isn't very satisfying. My solution in this arrangement is to swap the voices of the canon around so that the viola always plays the lowest part. Have a look at the score to see what I mean - the viola part isn't transposed, but it never goes above an E on the A string. - Secondly, the first two bars should have harmony, as there should be a keyboard instrument accompanying the cello. To compensate for this I've added some simple harmony in small note heads at the start, before each canon entry. - Thirdly, the cellist always gets lost in this piece. I know because I am a cellist and I always get stressed out towards the end of this piece. So I've added a reduced-size violin 1 part to the cello part so the cellist can follow along and know exactly when the piece is going to end! Includes a full score (6 pages), and complete set of parts. Violin 1 - 3 pages. Violin 2 - 3 pages. Viola - 2 pages. Cello/ bass - 3 pages.
$14.99 ≈
13.83€
Mélodie
Mélodie
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ignacy Jan Paderewski
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Andy Schmidt
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Mélodie
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Andy Schmidt
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.890137 Composed by Ignacy Jan Paderewski (1860–1941). Arranged by Andy Schmidt. Romantic Period. Score. 2 pages. A...
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Piano Solo - Level 4 - SKU: A0.890137 Composed by Ignacy Jan Paderewski (1860–1941). Arranged by Andy Schmidt. Romantic Period. Score. 2 pages. Andy Schmidt #2861193. Published by Andy Schmidt (A0.890137). The wonderful classic by the renowned Polish composer. Another case of beautiful music that pianists might avoid because of the technical challenges involved. Don’t worry...we’re going to get through this! Paderewski, we love you, but your hands were just too big. Mélodie has lots of large intervals in the left hand that many pianists can’t play comfortably. But that’s no excuse to give up on a lovely piece of piano music, right?My edition of this piece features helpful fingerings and grayed-out noteheads indicating which notes can be avoided. I’ve also highlighted some places where the right hand can reach down and play the highest note of some of these large chords, with the goal of being faithful to Paderewski’s intentions whenever possible. These places are indicated by my exclusive, ground-breaking green notehead technology, which is frequently seen in my other editions.
$2.00 ≈
1.85€
Viking Ships of Old: 1st Violin
Viking Ships of Old: 1st Violin
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Orchestre à Cordes
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Susan H
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Viking Ships of Old: 1st Violi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001757_VN1 1st Violin. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mus...
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String Orchestra - SKU: AX.00-PC-0001757_VN1 1st Violin. Composed by Susan H. Day. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001757_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001757_VN1). UPC: 038081342344.Inspired by a trip to Sweden and Norway, this piece captures the drama and excitement of seeing the Viking ships in person. Although written for a large District Elementary Festival, this piece works well with any size group of any age. It uses tremolo, pizzicato, col legno, accents, tenuto, legato and an occasional high 3rd finger in the 1st Violin and Viola parts. Students and teachers love this piece because it's fun and the melody sticks in their heads! Have your students write a Viking story to go with the piece! This title is available in SmartMusic.Concert/Contest.
$5.99 ≈
5.53€
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The Cause Heads
