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Vous avez sélectionné:
The Composer Afro
Partitions à imprimer
53 partitions trouvées
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Afro-american Symphony
Afro-american Symphony
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Ensemble de cuivres
#
AVANCÉ
#
William Grant Still
#
Richard Decker
#
Afro-american Symphony
#
Charles Decker Music Press
#
SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1171832 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Bl...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1171832 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Contest,Festival,Jazz,Multicultural,World. 56 pages. Charles Decker Music Press #772105. Published by Charles Decker Music Press (A0.1171832). From the Music of Black Composers Series is this arrangement of the third movement Humor from William Grant Still's Afro-American Symphony for a brass choir of 4 B-flat trumpets, 4 horns in F, 3 trombones, euphonium and tuba. Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra at conductor Howard Hanson's notable American Music Festival, it brought the flavor of the Blues and folk music to the symphony. For Still the Blues was a distinct African-American musical contribution he incorporated into a symphonic work. As part of the early 20th Century Harlem Renaissance in New York City, the work was enthusiastically received across the USA and overseas. This brass choir arrangement of the third movement will enliven concerts with its colorful rhythms reminiscent of Gershwin and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this exciting arrangement which can be paired with the additional first movement (Longing) of Still's Afro-American Symphony arranged for similar brass choir with Charles Decker Music Press.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$24.95 ≈
$33.82
Afro-american Symphony
Afro-american Symphony
#
Ensemble de cuivres
#
AVANCÉ
#
William Grant Still
#
Richard Decker
#
Afro-american Symphony
#
Charles Decker Music Press
#
SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Bl...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Classical,Contest,Festival,Multicultural,World. 61 pages. Charles Decker Music Press #699415. Published by Charles Decker Music Press (A0.1095398). This is a brilliant arrangement of the first movement Longing of William Grant Still's Afro-American Symphony for a brass choir of four B-flat trumpets, four horns in F, three trombones, euphonium and tuba. William Grant Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra in October 1931 at conductor Howard Hanson's notable American Music Festival, it brought the melancholy flavor of the Blues to the symphony. For William Grant Still the Blues was a distinct African-American musical contribution, separate from the spiritual and popular jazz, and he wanted to incorporate it into a symphonic work based on Western classical symphonic instrumentation and forms. As part of the early 20th Century Harlem Renaissance in New York City, this work was enthusiastically received across the USA and overseas. Pair this brass choir arrangement of the first movement Longing with the third movement Humor also at Charles Decker Music Press to enliven a concert with colorful rhythms, soulful melodies and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this memorable and exciting arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$24.99 ≈
$33.88
Two Afro Melodies for Woodwind Quintet
Two Afro Melodies for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Samuel Coleridge-Taylor
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Charles Decker
#
Two Afro Melodies for Woodwind
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Charles Decker Music Press
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1411716 Composed by Samuel Coleridge-Taylor....
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1411716 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Romantic Period,World. 34 pages. Charles Decker Music Press #993952. Published by Charles Decker Music Press (A0.1411716). From the Music of Black Composers Series are these two contrasting works from Coleridge-Taylor's 1905 piano collection of African and Spiritual Melodies, the playful Bamboula and the dramatic Take Nabandji arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Born of an African father, Coleridge-Taylor was an early 20th century prominent English composer and conductor who was an influential advocate for Black composers. The recording is of the entire editionTo see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$14.99 ≈
$20.32
Three Afro-Hispanic Movements For Trombone and Concert Band (Revised Edition 2024)
Three Afro-Hispanic Movements For Trombone and Concert Band (Revised Edition 2024)
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Orchestre d'harmonie
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AVANCÉ
#
Contemporain
#
William Pagan-Perez
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Three Afro-Hispanic Movements
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William Pagan-Perez
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.933918 Composed by William Pagan-Perez. Contemporary. 364 pages. William Pagan-Perez #6572699. Published by William Pag...
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Concert Band - Level 5 - SKU: A0.933918 Composed by William Pagan-Perez. Contemporary. 364 pages. William Pagan-Perez #6572699. Published by William Pagan-Perez (A0.933918). This is a three-movements concert piece for a trombone solo with an accompaniment of the concert band. It has traditional symphonic traditions combined with the Afro-Hispanic cultural traditions of the composer. The piece was premiered in April 2021 by Trombonist Dr. Luis F. Fred, Dr. Tremon Kizer (conductor), and the University of Central Florida Symphonic Band at Dr. Phillips Center for the Arts (Orlando, FL).
$75.00 ≈
$101.68
Symphonic Overture (The Dance)
Symphonic Overture (The Dance)
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Orchestre d'harmonie
#
AVANCÉ
#
Contemporain
#
William Pagan-Perez
#
Symphonic Overture
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William Pagan-Perez
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1305114 Composed by William Pagan-Perez. 21st Century. Score and Parts. 234 pages. William Pagan-Perez #894547. Publish...
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Concert Band - Level 5 - SKU: A0.1305114 Composed by William Pagan-Perez. 21st Century. Score and Parts. 234 pages. William Pagan-Perez #894547. Published by William Pagan-Perez (A0.1305114). It is a single-movement piece for the Concert Band (Approx. 8:30 minutes of music). It has an ABA form, with percussive rhythmic patterns from the Afro-Puerto Rican Culture, but its melodies are in a traditional style from Europe or North America. It includes additional instruments: English Horn, Contrabassoon, Harp, and Piano.The original percussion includes a Drum Set, but the composer re-wrote the Drum Set Part by adding additional percussion parts at the end of the PDF for those concert bands that don't use Drum Set as an instrument. Â
$50.00 ≈
$67.78
AFRODITA for SSAA women's ensemble /choir
AFRODITA for SSAA women's ensemble /choir
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
#
Marilena Zlatanou
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AFRODITA for SSAA women's ense
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Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SSA) - Level 4 - SKU: A0.887107 Composed by Marilena Zlatanou. A Cappella,Contemporary. 25 pages. Marilena Zlatanou #6457709. Publi...
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Choral Choir,Choral (SSA) - Level 4 - SKU: A0.887107 Composed by Marilena Zlatanou. A Cappella,Contemporary. 25 pages. Marilena Zlatanou #6457709. Published by Marilena Zlatanou (A0.887107). A Song Cycle for female soloist and women's ensemble/choir, on poem and fragments of poems by ancient Greek poet Sappho (c. 630-560 BC), written in the original language with the phonetic sounding in Latin alphabet given right below and the English translation right above the text. Three movements: 1. A hymn to Afrodite, for solo voice and simple a cappella acc. on Sappho's only extant poem (duration: ca 3'35'') 2. Fragments-nature, for three female voices a cappella on fragments on nature (duration ca 4'40'') 3. Fragments-Love for four female voices a cappella on the subject of Love and with a harp part included as doubling for the voice-parts, if acc. is desired (duration ca 5')Notes on the pronunciation and more information is given on the title page.The mp3 file provided here is of the last movement, made straight from the sibelius score.For more information on the composer (member of the Nowegian copyright org. TONO), please visit website www.zlatanou.net
$20.00 ≈
$27.11
Go, Tell It on the Mountain [piano solo]
Go, Tell It on the Mountain [piano solo]
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Piano seul
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Juan MarÃa Solare
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Juan Maria Solare
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Go, Tell It on the Mountain [p
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Juan Maria Solare
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SheetMusicPlus
Small Ensemble Piano Solo - Level 2 - SKU: A0.596626 By Juan MarÃa Solare. By afro american traditional USA. Arranged by Juan Maria Solare. Christmas...
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Small Ensemble Piano Solo - Level 2 - SKU: A0.596626 By Juan MarÃa Solare. By afro american traditional USA. Arranged by Juan Maria Solare. Christmas,Classical,Contemporary,Praise & Worship,Traditional. Score. 4 pages. Juan Maria Solare #6486845. Published by Juan Maria Solare (A0.596626). 'Go Tell It on the Mountain': this song is one of my earliest memories: it was sung at church (in Spanish!) when I was a little child. Much later I learned that the original melody was a world famous African-American Spiritual and that it was also used as a protest song in the USA in the 50es-60es. Therefore, 'Go Tell it on the Mountain' is a Christmas carol that celebrates the Nativity of Jesus, but sometimes refers implicitly to the civil rights struggle. This piano arrangement was made by Juan MarÃa Solare, Argentinean pianist and composer, recorded and released on Spotify an all other streaming platforms. Go Tell It on the Mountain (piano) on all platforms Go Tell It on the Mountain (piano) directly in Spotify Go Tell It on the Mountain (piano) on YouTube 'Go Tell It on the Mountain': esta canción es uno de mis primeros recuerdos: se cantaba en la iglesia (¡en español!) cuando yo era un niño. Mucho más tarde me enteré de que la melodÃa original era un Spiritual y que incluso se utilizó como canción de protesta en los Estados Unidos en los años 50 y 60. Go tell it on the mountain es un villancico que celebra la Natividad de Jesús, pero que a veces se refiere implÃcitamente a la lucha por los derechos civiles. Este arreglo para piano fue realizado por Juan MarÃa Solare, pianista y compositor argentino, grabado y lanzado en Spotify y demás platformas de streaming. Go Tell It on the Mountain (piano) en todas las plataformas Go Tell It on the Mountain (piano) directamente en Spotify Go Tell It on the Mountain (piano) en YouTube
$2.22 ≈
$3.01
As the Deer / Hallelujah medley SATB + Piano (complete score + single parts)
As the Deer / Hallelujah medley SATB + Piano (complete score + single parts)
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Chorale SATB
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INTERMÉDIAIRE
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Keith Armstead and Martin Nyst
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A
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As the Deer / Hallelujah medle
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.904846 Composed by Keith Armstead and Martin Nystrom. Arranged by A. Mazzer editing by Marco Borsoi. Christian,G...
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Choral Choir (SATB) - Level 3 - SKU: A0.904846 Composed by Keith Armstead and Martin Nystrom. Arranged by A. Mazzer editing by Marco Borsoi. Christian,Gospel,Pop,Sacred. Octavo. 21 pages. Marco Borsoi #3432511. Published by Marco Borsoi (A0.904846). The two pieces, which are composed in a Medley, are As the Deer and Hallelujah, Oh Lord we praise your name. They belong, the first to the repertoire of white religious music, generally called Christian Music, which is characterized by a clear influence of the Country and Pop genre and the other to the repertoire of Gospel Music, Afro-American religious music, born in the Christian-Methodist churches in the '30s. The author of As the Deer is Martin J. Nystrom, American composer who, based on a simple and very effective chord progression, resumes the beginning of Psalm 42: As the deer pants for streams of water, so my soul pants for you, my God ... (Psalm 42, 1-2) The author of Hallelujah, Oh Lord we praise your name is Keith Armstead, minister of music at King George Church of God in King George, VA. The song, with a typical Gospel atmosphere, is characterized by the solo vs. chorus mode, that is to say a short singing phrase performed by a single singer (in this arrangement performed by sopranos) alternates the response of the whole choir. The song is included in the album You can count on Jesus, produced by Armstead and published in 2003.
$10.99 ≈
$14.90
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
$10.78
Circles
Circles
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Daniel Burwasser
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Circles
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Head and Stem Music
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SheetMusicPlus
Congas,Drum Set,Timbales,Timpani - Level 3 - SKU: A0.1488023 Composed by Daniel Burwasser. 21st Century,Contest,Festival,Latin,Multicultural,World. 42 p...
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Congas,Drum Set,Timbales,Timpani - Level 3 - SKU: A0.1488023 Composed by Daniel Burwasser. 21st Century,Contest,Festival,Latin,Multicultural,World. 42 pages. Head and Stem Music #1064910. Published by Head and Stem Music (A0.1488023). NOTES on CirclesCircles, for drum quartet, was partly inspired by Latin rock and funk bands such as Santana, Earth, Wind and Fire and Afro-Latin infused groups that were particularly prominent during the 1970s. This work explores the rhythmical intricacies and interplay of that music and in part represents a synthesis of what the composer heard in his youth. Circles is made up of a chain of diverse dance beats or grooves, some of which are heard multiple times in the piece. These grooves feature timbales and congas solos that often trade off with each other. The timpani provide bass lines and the drum set functions as the centerpiece supplying different backbeat rhythms throughout.--NYC, July, 2024Instrumentation:TimbalesDrum setCongas4 Timpani You can contact the composer directly at: danielburwasser9@gmail.comWebsite: https://www.danielburwasser.com/Youtube channel: https://www.youtube.com/channel/UCrCnkSRO-XOjUu7bMB8tzCg?view_as=subscriber
$15.00 ≈
$20.34
Airborn Sand
Airborn Sand
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Sabrina Pena Young
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Airborn Sand
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Sabrina Peña Young
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.976909 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. Individual part. 3 pages. Sabrina PeÃ...
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Flute Solo - Level 4 - SKU: A0.976909 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. Individual part. 3 pages. Sabrina Peña Young #3425599. Published by Sabrina Peña Young (A0.976909). Lively 20th century postmodern flute solo with extended techniques. Written during a hurricane and inspired by the flurry of Florida Miami beach sand. Premiered at the University of South Florida in Tampa. Ideal solo work for the advanced high school student, college student, amateur, or professional flautist. Feel free to contact the composer for any additional information. Written by Cuban Dominican Composer and inspired by Afro-Cuban Latin American rhythms. Truly a gem of a work!Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99 ≈
$12.19
Joseph White: Six Etudes for Violin
Joseph White: Six Etudes for Violin
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Violon
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AVANCÉ
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Joseph White
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Robert Debbaut
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Joseph White: Six Etudes for V
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ROBERT DEBBAUT
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT...
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Violin Solo - Level 5 - SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT DEBBAUT #6371729. Published by ROBERT DEBBAUT (A0.939440). The talents of Cuban-born violinist Joseph White (born José Silvestre de los Dolores White y Lafitte) were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had accompanied him on an early recital. Gottschalk raised the money so the young Afro-Cuban virtuoso could go to Paris and study with Jean-Delphin Alard, one of the great violinists and teachers of his day. White won the Premier Prix at the conservatory in 1855 and received high accolades from such musical giants as Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. Following his 1855 prize (one of several more to come) Joseph White became a major force in the cultural life of Paris for the next twenty years. His Six Studies, Op. 13, demonstrate to those were never privileged to hear him his absolute command of his instrument. The overall set is dedicated to Alard with individual studies dedicated to Alard and to four of Europe’s premiere violinists, Camillo Sivori, Henri Vieuxtemps, Henryk Wienawski, Hubert Léonard, as well as to his fellow Cuban, Secondino Arango. These are studies for the serious violinist, or for the advanced student aspiring to achieve the same technical prowess of this incredible virtuoso performer and composer. Contained within this volume are the original exercises, biographies of the six dedicatees, as well as extra information about the life and career of this criminally forgotten violin virtuoso. These works should be considered for the studios of master teachers and for live performance as virtuoso showpieces, or recital encores, especially number six, which is dedicated to one of White's first teachers, Afro-Cuban violin virtuoso Secundino Arango (179?-1876).
$9.95 ≈
$13.49
JAZZBLEST
JAZZBLEST
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Musique Sacrée
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Ramona Borthwick
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Ramona Borthwick
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JAZZBLEST
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Leitmotif
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borth...
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Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borthwick. Jazz,Praise & Worship,Sacred. Octavo. 24 pages. Leitmotif #553543. Published by Leitmotif (A0.933514). A Eucharistic Liturgy of Reverence and Delight! JazzBlest is a completely original and delightful collection of Eucharistic service music that honors the traditional structure of an Anglican/Episcopal mass, while it reimagines the contours of its expression. The music is written for SATB voices, and is intended to be performed with the accompaniment of a jazz trio or quartet. The scores include lead sheets for the accompanists/soloists.The Gloria is joyous and uplifting, and the lyrics feature Wisdom as the image of the divine. The Gospel Acclamation features an infectious Afro-Cuban rhythm, while the setting for the Nicene Creed is both fresh and accessible; and can be readily taught to the congregation for regular use. The Doxology is a lively and textured tribute to the devotions of Anglican Caroline Divine, Lancelot Andrewes. And the Eucharistic service music offers a brand new sound for the familiar words of the Sursum Corda, Sanctus, Memorial Acclamation, and Great Amen - all of which use traditional lyrics in wonderful new rhythms and progressions. The Fraction Anthem restates unity inherent in the Eucharist in fresh new musical and lyrical terms. And finally, the Benediction could not be a more uplifting jazz anthem with its accented drum beats and invitation to go in peace, go in love, and let the Holy Spirit be the guide! Credits: All of the music in JazzBlest is composed by jazz pianist/composer Ramona Borthwick, (www.ramonaborthwick.com) whose immense talent and musical imagination are ever present in and through this amazingly fresh liturgy. The lyrics, other than the traditional fare, are written by The Rev'd. Gretchen Grimshaw who serves as the rector of the Episcopal Parish of St. Paul, Newton Highlands, Massachusetts. Also Available: In addition to the service music from JazzBlest, also available for purchase are two gorgeous and compelling anthems that expand the reach and appeal of this Christian Eucharist. Eight Winds is a powerful Prelude or Offertory Anthem that integrates the Eight Winds of the Buddhist tradition with the pre-eminent Christian message that love trumps all else. And Rio Alegre (River of Joy) is a saucy Latin anthem, a great Postlude that relates the rhythm and context of life to the flow of a river, bubbling and accelerating with joyous possibility.
$12.99 ≈
$17.61
PINGUIM
PINGUIM
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Piano seul
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AVANCÉ
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Arthur Moreira Lima
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Luiz C Teixeira
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PINGUIM
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Luiz C Teixeira
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1421223 By Arthur Moreira Lima. By Ernesto Nazareth. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st Century,...
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Piano Solo - Level 5 - SKU: A0.1421223 By Arthur Moreira Lima. By Ernesto Nazareth. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st Century,Classical,Latin. Score. 5 pages. Luiz C Teixeira #1002613. Published by Luiz C Teixeira (A0.1421223). Pinguim by Ernesto Nazareth is a captivating example of Brazilian choro music, showcasing the composer's unique blend of European sophistication and Afro-Brazilian rhythm. Its lively rhythm, memorable melody, and colorful harmonies make it a perennial favorite among musicians and audiences alike.
$7.00 ≈
$9.49
ATRAENTE
ATRAENTE
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Chiquinha Gonzaga
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ISLO NANTES
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ATRAENTE
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Globrazil Inc
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SheetMusicPlus
Piano Solo - Composed by Chiquinha Gonzaga (1847-1935). Arranged by ISLO NANTES. 20th Century, Latin Jazz, Bossa Nova, South American, Afro-Brazilian....
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Piano Solo - Composed by Chiquinha Gonzaga (1847-1935). Arranged by ISLO NANTES. 20th Century, Latin Jazz, Bossa Nova, South American, Afro-Brazilian. 4 pages. Published by Globrazil Inc
Item Number: S0.798063
Debut composition by Chiquinha Gonzaga as a composer in 1877, born from improvisation in a choro circle at the house, the polka received the name of Attractive for dragging the instruments present. He met resounding success and projected the name of Chiquinha Gonzaga to fame.
$7.99 ≈
$10.83
Tango - Habanera Tropical Dance No. 2 for Woodwind Quintet
Tango - Habanera Tropical Dance No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Justin Elie
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Charles Decker
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Tango - Habanera Tropical Danc
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Charles Decker Music Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1412073 Composed by Justin Elie. Arranged by...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1412073 Composed by Justin Elie. Arranged by Charles Decker. 20th Century,Chamber,Contest,Festival,Jazz,Latin. 22 pages. Charles Decker Music Press #994296. Published by Charles Decker Music Press (A0.1412073). Prominent Afro-Haitian pianist and composer Justin Elie’s Tango-Habanera Tropical Dance No. 2 captures the appealing elegance of Caribbean music. Elie studied at the Paris Conservatory and settled in the United States in 1921. His adaptations of Haitian melodies into miniatures led him to performances at Carnegie Hall and international concert venues in addition to composing music for silent films, and in 1931 his own New York radio show, “The Lure of the Tropics.†Arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon, the alluring work entices audiences and performers. The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99 ≈
$17.61
Azulake
Azulake
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Sabrina Pena Young
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Azulake
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Sabrina Peña Young
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SheetMusicPlus
Level 3 - SKU: A0.976912 Composed by Sabrina Pena Young. African,Contemporary,Latin,World. 17 pages. Sabrina Peña Young #3425605. Published by Sabrin...
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Level 3 - SKU: A0.976912 Composed by Sabrina Pena Young. African,Contemporary,Latin,World. 17 pages. Sabrina Peña Young #3425605. Published by Sabrina Peña Young (A0.976912). World African music inspired percussion ensemble work premiered at the Blue Lake Fine Arts in Michigan. Includes extended techniques and use of Afro-Cuban, Latin American, and African instruments. Very rhythmic 21st work. Written by award-winning Cuban American composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99 ≈
$12.19
Goin' Home For Band (also called Going Home)
Goin' Home For Band (also called Going Home)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak Arranged by Jar
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Antonin Dvorak
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Jari A
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Goin' Home For Band
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JV MUSIC
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Romantic Period. Sc...
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Concert Band - Level 3 - SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Romantic Period. Score and parts. 28 pages. JV MUSIC #3904135. Published by JV MUSIC (A0.722762). Goin' Home For Band (also called Going Home)Based on the Largo from the New World Symphony By Antonin Dvorak Arranged by Jari Villanueva ScoreSet of PartsSubstitute part for Baritone TC providedGoin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan, Ford and Bush. It was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery and is still used today by military bands at Arlington.Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country.https://youtu.be/hflXQEZtoCk
$40.00 ≈
$54.23
GAUCHO (CORTA-JACA)
GAUCHO (CORTA-JACA)
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Piano seul
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Latin/Musique du monde
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Chiquinha Gonzaga
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Islo Nantes
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GAUCHO
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Globrazil Inc
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SheetMusicPlus
Piano Solo - Composed by Chiquinha Gonzaga (1847-1935). Arranged by Islo Nantes. 20th Century, Bossa Nova, World, South American, Afro-Brazilian. 3 pa...
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Piano Solo - Composed by Chiquinha Gonzaga (1847-1935). Arranged by Islo Nantes. 20th Century, Bossa Nova, World, South American, Afro-Brazilian. 3 pages. Published by Globrazil Inc
Gaucho is a beautiful Brazilian Tango composed by Chiquinha Gonzaga, one of the great female composers who has contributed a lot to Brazilian music. It is a beautiful piece that I got for piano based on the original.
$7.99 ≈
$10.83
Goin' Home (Going Home) for Trumpet Ensemble Arranged by Jari Villanueva
Goin' Home (Going Home) for Trumpet Ensemble Arranged by Jari Villanueva
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Ensemble de Trompettes
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INTERMÉDIAIRE
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JV MUSIC
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Goin' Home
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.722826 Arranged by JV MUSIC. 20th Century,Folk,Patriotic. Score and parts. 12 pages. JV MUSIC #6382585. Publi...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.722826 Arranged by JV MUSIC. 20th Century,Folk,Patriotic. Score and parts. 12 pages. JV MUSIC #6382585. Published by JV MUSIC (A0.722826). Goin' Home (Going Home) for Trumpet Ensemble arranged by Jari Villanueva 6 Trumpets and Flugelhorn Goin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan and Ford and was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery. It is still used today by military bands at Arlington.
$14.00 ≈
$18.98
Goin' Home (GoingHome) by Antonin Dvorak for Flute Choir (6 Flutes and Alto Flute)
Goin' Home (GoingHome) by Antonin Dvorak for Flute Choir (6 Flutes and Alto Flute)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jari A
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Goin' Home
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JV MUSIC
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.722825 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Roman...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.722825 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Romantic Period. 12 pages. JV MUSIC #6382581. Published by JV MUSIC (A0.722825). Goin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan and Ford and was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery. It is still used today by military bands at Arlington.Arranged for 6 Flutes and Alto Flute
$15.00 ≈
$20.34
Challenge Within
Challenge Within
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Ensemble Jazz
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AVANCÉ
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David Sanchez Scott Colley Chr
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John Yao
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Challenge Within
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Yaotones Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1421315 By David Sanchez Scott Colley Chris Potter Antonio Sanchez. By Antonio Sanchez. Arranged by John...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1421315 By David Sanchez Scott Colley Chris Potter Antonio Sanchez. By Antonio Sanchez. Arranged by John Yao. Instructional,Jazz,Latin. 101 pages. Yaotones Music #917909. Published by Yaotones Music (A0.1421315). “Challenge within†is composed by 4-time Grammy winning drummer, composer, producer Antonio Sanchez who scored and performed the soundtrack for the 2014 Academy-Award winning film, Birdman.  Arranged by composer, arranger, trombonist John Yao and commissioned by Arturo O’Farrill and the Afro-Latin Jazz Orchestra, this big band chart is an altered blues form in 5/4 time with a driving groove and a hard-hitting style.  Following the solos, the spotlight shifts to the drums supported by ensemble hits building up to a solo bass break, which sets up a rousing mambo section to close out the chart.  Using intricate section writing and difficult lines, “Challenge Within†is a high energy chart that will push the limits of even the most advanced ensembles.   Ranges (written)Trumpet Range – D6Trombone Range – C5 The YT Link track is performed by NYC based big band Arturo O’Farrill and the Afro-Latin Jazz Orchestra with solos by Ivan Renta (Tenor Sax), Jonathon Powell (Trumpet), Arturo O’Farrill (Piano) and Antonio Sanchez (Drums). To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.
$50.00 ≈
$67.78
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95 ≈
$25.69
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holl...
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Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95 ≈
$58.23
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