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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Eternal Father, Strong to Save (The United States Navy Hymn)
Eternal Father, Strong to Save (The United States Navy Hymn)
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Chorale SATB
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FACILE
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Music by John B
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James F
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Eternal Father, Strong to Save
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
¥14.43
Serving for Thee (The United States Marine Corps Hymn)
Serving for Thee (The United States Marine Corps Hymn)
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Chorale SATB
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DÉBUTANT
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the 1970s, the Marines were se
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James F
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Serving for Thee
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
¥14.43
The Carioca
The Carioca
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Film/TV
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Caetano Velosa
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Peet du Toit
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The Carioca
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.
$15.00 ≈
¥108.79
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Stand...
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Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99 ≈
¥36.19
Corn is King! From the Continental Monthly
Corn is King! From the Continental Monthly
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Piano, Voix
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H
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Corn is King! From the Contine
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22034 Composed by H. T. Merrill. Civil War--Union, Patriotism, Slavery. Lester S. Levy Collection. 4 pages. Published by Johns...
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Piano and voice - SKU: LV.22034 Composed by H. T. Merrill. Civil War--Union, Patriotism, Slavery. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22034). Corn is King! From the Continental Monthly. Music by H.T. Merrill. Published 1862 by Published by the Author, at the Academy of Music, No. 164 Clark Street in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism, Slavery. First line reads Up among the Granite mountains, by the Bay State strand, Hark! the paean cry is sounding thro' all Yankee land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99 ≈
¥72.46
O! Touch Not My Sister's Picture, or, the Confession of a Rebel Prisoner. Song and Chorus
O! Touch Not My Sister's Picture, or, the Confession of a Rebel Prisoner. Song and Chorus
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Piano, Voix
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T
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O! Touch Not My Sister's Pictu
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22277 Composed by T. Martin Towne. Civil War--Union, War casualties, Soldiers--Confederate, Families, Death. Lester S. Levy Co...
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Piano and voice - SKU: LV.22277 Composed by T. Martin Towne. Civil War--Union, War casualties, Soldiers--Confederate, Families, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22277). O! Touch Not My Sister's Picture, or, the Confession of a Rebel Prisoner. Song and Chorus. Words by Mrs. E.S. Kellogg. Music by T. Martin Towne, of the Continentals.. Published 1863 by W.W. Whitney, No. 151 Summit Street in Toledo, Ohio. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, War casualties, Soldiers--Confederate, Families, Death. First line reads On the bloody field of battle, one dark night, with stealthy tread.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Byrd: The Queenes Alman for String Orchestra - Score Only
Byrd: The Queenes Alman for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Queenes Alman for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1290432 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 3 - SKU: A0.1290432 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 9 pages. Jmsgu3 #881143. Published by jmsgu3 (A0.1290432). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$32.95 ≈
¥238.98
Byrd: The Queenes Alman for String Quartet - Score Only
Byrd: The Queenes Alman for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Queenes Alman for St
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1290377 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet String Quartet - Level 3 - SKU: A0.1290377 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #881088. Published by jmsgu3 (A0.1290377). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music. He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music. He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$22.95 ≈
¥166.45
Byrd: The Maidens Songe for String Quartet - Score Only
Byrd: The Maidens Songe for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Maidens Songe for St
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1288625 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,R...
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String Quartet String Quartet - Level 3 - SKU: A0.1288625 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Wedding. 8 pages. Jmsgu3 #879580. Published by jmsgu3 (A0.1288625). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$22.95 ≈
¥166.45
Byrd: The Queenes Alman for String Quartet
Byrd: The Queenes Alman for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Queenes Alman for St
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1290387 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1290387 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #881099. Published by jmsgu3 (A0.1290387). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95 ≈
¥209.97
Byrd: The Maidens Songe for String Quartet
Byrd: The Maidens Songe for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Maidens Songe for St
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1288686 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1288686 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Wedding. 16 pages. Jmsgu3 #879581. Published by jmsgu3 (A0.1288686). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95 ≈
¥209.97
Byrd: The Maidens Songe for String Orchestra - Score Only
Byrd: The Maidens Songe for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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William Byrd
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James M
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Byrd: The Maidens Songe for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 2 - SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #879728. Published by jmsgu3 (A0.1288889). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95 ≈
¥209.97
Byrd: The Queenes Alman for String Orchestra
Byrd: The Queenes Alman for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Queenes Alman for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1290437 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 3 - SKU: A0.1290437 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 18 pages. Jmsgu3 #881149. Published by jmsgu3 (A0.1290437). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95 ≈
¥282.50
Byrd: The Maidens Songe for String Orchestra
Byrd: The Maidens Songe for String Orchestra
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Orchestre à Cordes
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FACILE
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William Byrd
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James M
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Byrd: The Maidens Songe for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1288895 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 2 - SKU: A0.1288895 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 22 pages. Jmsgu3 #879731. Published by jmsgu3 (A0.1288895). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95 ≈
¥282.50
Go, Tell It on the Mountain
Go, Tell It on the Mountain
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Chorale SATB
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INTERMÉDIAIRE
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Samuel Pellman
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Go, Tell It on the Mountain
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the Continental Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1011438 Composed by Samuel Pellman. Christian,Christmas,Holiday,Sacred. Octavo. 19 pages. The Continental Music ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1011438 Composed by Samuel Pellman. Christian,Christmas,Holiday,Sacred. Octavo. 19 pages. The Continental Music Press #3370545. Published by the Continental Music Press (A0.1011438). An energizing arrangement of the popular Christmas spiritual!Includes SATB, SB, and SA versions, with solo interlude for Bb clarinet or soprano saxophone.
$4.50 ≈
¥32.64
Continental Railroad Galop
Continental Railroad Galop
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Piano seul
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Theodore Gundlach
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Theodore Gundlach
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Continental Railroad Galop
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.18963 Composed by Theodore Gundlach. Transportation. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan ...
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Piano - SKU: LV.18963 Composed by Theodore Gundlach. Transportation. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18963). Continental Railroad Galop. Composed for the Piano By Theodore Gundlach. Published 1854 by J.N. Beck, 10 & 12 South 9th St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Transportation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Does Your Mother Know
Does Your Mother Know
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Pop musique
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ABBA
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Benny Andersson, Bjorn Ulvaeus
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Lorenzo Bocci
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Does Your Mother Know
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1399469 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,Pop,Roc...
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Concert Band - Level 3 - SKU: A0.1399469 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,Pop,Rock. 66 pages. Lorenzo Bocci #982758. Published by Lorenzo Bocci (A0.1399469). DOES YOUR MOTHER KNOW Performed by ABBAfor Concert Band (with Fanfare Band parts) - Grade 3 - Â Composed by Benny Andersson, Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Pop/Rock/Musical/Film. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'15''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Does Your Mother Know is a song by Swedish pop group ABBA, written by Benny Andersson and Bjorn Ulvaeus and was the second single taken from their sixth album, Voulez-Vous. Does Your Mother Know was recorded in February 1979 and released as a single in April of that year. The track was debuted on the Eurovision networked BBC TV Special ABBA In Switzerland broadcast across the continent in April 1979.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
¥645.51
Cookin' At The Continental
Cookin' At The Continental
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Piano seul
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INTERMÉDIAIRE
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Jazz
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Horace Silver
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George Kaplan
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Cookin' At The Continental
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George Kaplan
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SheetMusicPlus
Piano and Keyboard - Level 3 - Interactive Download SKU: A0.811308 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Downlo...
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Piano and Keyboard - Level 3 - Interactive Download SKU: A0.811308 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Lead Sheet / Fake Book. 1 pages. Duration 41. George Kaplan #DGJiEZN2foWVa9Vp1yLV. Published by George Kaplan (A0.811308). Key: Bb major.From the 1959 album Finger Poppin'.
$4.99 ≈
¥36.19
Jenny Dang The Weaver
Jenny Dang The Weaver
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Traditional Fiddle Tunes
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Heather M Music
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Jenny Dang The Weaver
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399052 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399052 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 6 pages. Duration 96. Heather Mueller Music #9UuOVADMwTjuN0MFeOk5s. Published by Heather Mueller Music (A0.1399052). Key: D major.Title: Jenny Dang The Weaver Type/Genre: Traditional Fiddle Tune - Reel Availability: Sheet Music for Sale Experience the lively spirit of the reel across continents with Jenny Dang The Weaver, a dynamic tune that spans the musical landscapes of Scotland, Canada, and the United States, embodying the shared rhythms and melodies of these regions. Key Features: Cross-Continental Reel: Jenny Dang The Weaver seamlessly blends the distinctive styles of Scotland, Canada, and the United States, offering a vibrant fusion of Celtic and North American fiddling traditions. Explore the dynamic interplay of rhythmic patterns and melodic motifs as you delve into this captivating composition. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of Jenny Dang The Weaver. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Jenny Dang The Weaver. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of both Celtic and North American fiddling techniques. Cultural Connection: Connect with the diverse cultural heritage reflected in Jenny Dang The Weaver. Let the music transport you on a journey that spans continents, embracing the shared joy and passion for music that transcends borders. Whether you're a seasoned performer or a newcomer to the world of reels, Jenny Dang The Weaver offers a captivating musical experience that celebrates the rich tapestry of Celtic and North American traditions. Join in the spirited rhythms of Jenny Dang The Weaver and let the music inspire your own musical exploration across continents.
$2.99 ≈
¥21.69
The Parting Glass
The Parting Glass
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Orchestre d'harmonie
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Scottish Traditional
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R H Baptiste
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The Parting Glass
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Ron Baptiste
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SheetMusicPlus
Concert Band - SKU: A0.983803 Composed by Scottish Traditional. Arranged by R H Baptiste. Celtic,Classical. Score and parts. 38 pages. Ron Baptiste #356...
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Concert Band - SKU: A0.983803 Composed by Scottish Traditional. Arranged by R H Baptiste. Celtic,Classical. Score and parts. 38 pages. Ron Baptiste #3561199. Published by Ron Baptiste (A0.983803). This predated Auld Lang Syne, and was very popular in its time but is seldom heard today. Inspired by a performance by Celtic Woman, a go to group for me, who I find very uplifting and joyous to listen to. One of my first attempts at arranging for concert band. From Wikipedia: The parting glass, or stirrup cup, or coupe d'etrier was the final hospitality offered to a departing guest. Once they had mounted, they were presented one final drink to fortify them for their travels. The custom was practiced in Saxony and in several continental countries.
$15.99 ≈
¥115.97
The Cumberland Continentals' Grand March
The Cumberland Continentals' Grand March
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Piano seul
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Frank Emmo
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The Cumberland Continentals' G
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.17814 Composed by Frank Emmo. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17814).
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Piano - SKU: LV.17814 Composed by Frank Emmo. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17814). The Cumberland Continentals' Grand March. Composed by Frank Emmo. Published 1856 by Miller & Beacham, Successors to F.D. Benteen in Baltimore. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Across the Continent. March & Two-Step
Across the Continent. March & Two-Step
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Piano seul
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Leon Marvin
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Leon Marvin
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Across the Continent. March &a
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.19362 Composed by Leon Marvin. Transportation, Portraits, Railroads. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins Univ...
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Piano - SKU: LV.19362 Composed by Leon Marvin. Transportation, Portraits, Railroads. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19362). Across the Continent. March & Two-Step. Composed By Leon Marvin. Published 1910 by Leon Marvin in Watertown, N.Y. Composition of sectional with piano instrumentation. Subject headings for this piece include Transportation, Portraits, Railroads. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Continental Divide: Piano Accompaniment
Continental Divide: Piano Accompaniment
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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Opener.
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Continental Divide: Piano Acco
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014547_K Piano Accompaniment. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Shee...
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Concert Band - SKU: AX.00-PC-0014547_K Piano Accompaniment. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014547_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014547_K). UPC: 038081395463.The bold opening statement and tuneful themes make Continental Divide the perfect concert opener for any young band concert. Although very accessible, it still includes varying styles and allows every section in the band an opportunity to play the melody. Using only seven notes, this impressive piece can easily be played during the first few months of instruction. Correlates to Sound Innovations for Concert Band, Book 1, Level 2. This title is available in SmartMusic.Concert/Contest; Opener.
$3.00 ≈
¥21.76
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The Continental
