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Vous avez sélectionné:
The Dance That Never Was
Partitions à imprimer
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
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I never knew (I could love anybody, honey, like I'm loving you) - Pitts, Egan, Marsh & Whiteman (Bra
I never knew (I could love anybody, honey, like I'm loving you) - Pitts, Egan, Marsh & Whiteman (Bra
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Ray Egan, Roy K Marsh & Paul W
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I never knew
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudle...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6216933. Published by Peet du Toit (A0.802657). This Quick-Step piece was recorded by Judy Garland in 1943 by Decca Records on her Second Souvenir album.The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Caribbean and African dancers. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.The quickstep is elegant like the foxtrot and should be smooth and glamorous. The dancers should appear to be very light on their feet. It is very energetic and form-intensive. The quickstep is danced to 4/4 music of 48-52 measures per minute.
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95 ≈
£15.45
R. Nathaniel Dett - Dance (Juba) for solo piano
R. Nathaniel Dett - Dance (Juba) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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R
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Music for a While
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R. Nathaniel Dett - Dance
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Music for a While
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.914175 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Romantic Period....
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Piano Solo - Level 4 - SKU: A0.914175 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Romantic Period. Score. 6 pages. Music for a While #6411603. Published by Music for a While (A0.914175). Dance (Juba) is the fifth piece from Dett’s piano suite In the Bottoms (1913) and was one of his most well known pieces. The work was performed and recorded by Percy Grainger, a fact that was used as marketing on the cover of the 1918 publication by Clayton F. Summy Co., Chicago. About the work, Dett wrote:Juba is a social group-dance that involves stamping on the ground with the foot and following it with two staccato pats of the hands in two-four time. At least one-third of the dancers keep time in this way, while the others dance. Sometimes all will combine together in order to urge on a solo dancer to more frantic (and at the same time more fantastic) endeavours. The band usually consists of a single fiddler perched high on a box or table; who, forgetful of self in the rather hilarious excitement of the hour, does the impossible in the way of double stopping and bowing. A word of warning in regard to the tempo. Do not take it too fast! Much of the dancing in the river bottoms is done with a grace and finish that a Presto tempo never could suggest.R. Nathaniel Dett
$1.99 ≈
£1.54
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Noël
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Various
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Colin Kirkpatrick
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Two Voltas - Dances 201 and 21
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts...
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String Orchestra - Level 3 - SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
£7.74
It was a lover and his lass (a modern madrigal) for SATB choir
It was a lover and his lass (a modern madrigal) for SATB choir
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Chorale SATB
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David Warin Solomons
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It was a lover and his lass
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49...
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Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.
$3.99 ≈
£3.09
Somewhere My Love (Lara's Theme)
Somewhere My Love (Lara's Theme)
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Piano, Voix et Guitare
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Maurice Jarre
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Somewhere My Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digi...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015637. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015637). ISBN 9780739094860. UPC: 038081456881. Paul Francis Webster.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99 ≈
£3.09
Hey There
Hey There
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Piano, Voix et Guitare
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Jerry Ross and Richard Adler
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Hey There
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015636 Composed by Jerry Ross and Richard Adler. Musical. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015636...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015636 Composed by Jerry Ross and Richard Adler. Musical. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015636. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015636). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99 ≈
£3.09
Heisenberg was looking for a raison d'être - Score Only
Heisenberg was looking for a raison d'être - Score Only
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Publis...
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Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$9.03 ≈
£6.99
Heisenberg was looking for a raison d'être (Parts only)
Heisenberg was looking for a raison d'être (Parts only)
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Piano Quintette: piano, 2 violons, alto, violoncelle
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AVANCÉ
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at the Post #729537. Published by Studio at the Post (A0.1129014). Parts only (see A729534 for Score) Duration: 8 minutes, 5 Parts (2 violins, viola, cello, piano) with individual directions, parts averaging 5 – 7 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$5.02 ≈
£3.89
In the very midst of life
In the very midst of life
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Orgue
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INTERMÉDIAIRE
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Enjott Schneider
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In the very midst of life
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q45883 From Organ Symphony No. 6 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloada...
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Organ - intermediate - SKU: S9.Q45883 From Organ Symphony No. 6 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q45883. Published by Schott Music - Digital (S9.Q45883). An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the ‘dance of death’ was a popular motif in those years. Luther’s chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form.
$9.99 ≈
£7.74
Take the "A" Train
Take the "A" Train
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Piano, Voix et Guitare
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Billy Strayhorn
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Take the "A" Train
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015639 Composed by Billy Strayhorn. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015639. Published...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015639 Composed by Billy Strayhorn. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015639. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015639). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99 ≈
£3.09
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99 ≈
£38.71
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Su
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95 ≈
£11.58
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & P
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99 ≈
£3.86
The Chicken Dance
The Chicken Dance
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Terry Rendall and Werner Thoma
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Dennis Ruello
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The Chicken Dance
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Chicory Music
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SheetMusicPlus
Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734382 Composed by Terry Rendall and Werner Thoma...
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Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734382 Composed by Terry Rendall and Werner Thomas. Arranged by Dennis Ruello. 20th Century,Comedy,Contemporary,Pop,Traditional. 14 pages. Chicory Music #3580587. Published by Chicory Music (A0.734382). The Chicken Dance, also known as the Bird Song, the Birdie Song or the Chicken Song, is an oom-pah song and its associated fad dance is now a contemporary dance throughout the Western world. The song was composed by accordion player Werner Thomas from Davos, Switzerland, in the 1950s.The name of the original Swiss song was Der Ententanz (The Duck Dance). It is rumored to be a drinking song sung at Oktoberfest. Sometime in the late 1970s, the song acquired the name Vogeltanz (The Bird Dance) or Vogerltanz (Little Bird Dance or Birdie Dance), although these names never caught on seriously in Germany. On some sheet music and recordings it is called Dance Little Bird. It appears that no one in Germany uses the term Kükentanz or Huhn/Hühnertanz (Küken means chick, Huhn/Hühner means chicken (sg./pl.)). Since 1963, Werner Thomas had played it in restaurants and hotels. During one of Thomas' performances, Belgian producer Louis van Rijmenant heard the song. Van Rijmenant had some lyrics created and in 1970 released it to the public through his publishing company Intervox Music (later on co-publishing with his other company Eurovox Music) without much success. However, on subsequent releases of the song, Van Rijmenant was listed as co-author under the pen name of Terry Rendall. Eurovox Music now manages the publishing rights worldwide, except for the US (September Music), UK (Valentine Music) and the Netherlands (Benelux Music), sub-publishers. The dance and song was originally brought from Germany to the US by Eddie Duling and Larry Karhoff of Glandorf, Ohio in 1974. This arrangement includes: Full Score, Vocal (Opt.), Clarinet, Tenor Sax, Trumpet, Trombone, Piano/Accordion, Tuba, Acoustic Bass (Tuba sub.) and Drum Set. Performance time approx, 2 minutes 52 seconds,
$14.99 ≈
£11.61
Satie: Parade - II. Petite Fille Americaine - wind dectet
Satie: Parade - II. Petite Fille Americaine - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fil
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 p...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95 ≈
£11.58
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
£15.45
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by ...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
£15.45
Interrupted Dance (He Who Sings is Not Always Happy)
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00 ≈
£9.29
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The Dance That Never Was
