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Vous avez sélectionné:
The Emergence
Partitions à imprimer
32 partitions trouvées
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26
The Emergence (Breathing Structures #1)
The Emergence (Breathing Structures #1)
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Piano seul
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INTERMÉDIAIRE
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Nicholas Yandell
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The Emergence
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Nicholas Yandell Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1343120 Composed by Nicholas Yandell. 20th Century,21st Century,Classical,Contemporary,Sacred. Score. 7 pages. Nicholas Y...
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Piano Solo - Level 3 - SKU: A0.1343120 Composed by Nicholas Yandell. 20th Century,21st Century,Classical,Contemporary,Sacred. Score. 7 pages. Nicholas Yandell Music #928399. Published by Nicholas Yandell Music (A0.1343120). Premiered July 15, 2023 at the Cascadia Composers In Good Hands student piano concert at Portland State University, in Portland, Oregon, USA.Composed in 2023.Level: Intermediate level; great for a high school student recital, but could be a very managable piece for a college student as well. Composition notes: The first of a trio of pieces called Breathing Structures, this piece was written for and premiered/performed by Andrew Bren as part of the Cascadia Composers' In Good Hands program (where composers write custom works student performers). This is a expressive, post-minimalist influenced composition, with flexible tempos and dynamics. Great for students who are interested in late 20th-century/early 21st-century classical music influenced by Philip Glass, John Adams, Michael Torke, and Ludovico Einaudi. The following poem serves as the program note for this work: The Emergence Stepping out that place of hidingAn infernal state of comfortWith smothering holds of safetyShielding from rays of lucidity. Stumbling forwardOne step pastThe formerly towering limit.A rush of adrenalineAn urge of retreatBut staying firmly plantedWith bristling folliclesAnd quickened breathing.Transformation is jarringShedding skin is tiringYet soon will exhilarateReleasing onwardLeaving old pathsAs distant dreamsPainted by the hazeOf the oncoming gleam.Performing Rights Organization: ASCAPComposer's website: https://www.nicholasyandell.com.
$5.99 ≈
5.38€
String Quartet No. I, "The Mydnyte Sun".
String Quartet No. I, "The Mydnyte Sun".
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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David Jaedyn Conley
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String Quartet No. I, "Th
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Mydnyte Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. ...
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String Quartet String Quartet - Level 5 - SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. Score and parts. 113 pages. Mydnyte Publishing #2016293. Published by Mydnyte Publishing (A0.1006442). This is a programmatic piece about nightfall, night, and the dawn. Having worked primarily nightshift for the past few years, my life began a somewhat alternative nature – my day time was illuminated by the moon, and I watched the sun rise every day for three and a half years…I saw the city through different eyes, and watched as various denizens of the night would emerge and cavort beneath The Midnight Sun. I was exposed to an entirely different culture and learned that the city really didn’t sleep after all. The piece starts with the decline of the sun as the shadows grow longer and the creatures of the night begin to emerge beneath the stars. Secondly, we observe the midnight moon which acts as our illumination in the dark of night. Continuing on, the piece begins its celestial dance among the stars of the Northern hemisphere and finally ends with the emergence of dawn – the night slipping away like fragile tendrils of fog, or the vague ether of a dream. David Jaedyn Conley, 2005 Composer David Jaedyn Conley moves easily between the stridency of the Moderns and the sweetness of the Romantics. He is equally adept at writing polyrhythmic ensemble percussion and lyrical contrapuntal melodies. The result is both lush and austere, always evocative. CNET.COM.
$50.00 ≈
44.94€
Theme From The Mandalorian
Theme From The Mandalorian
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Euphonium, Tuba (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ludwig Goransson
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Graham Boag
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Theme From The Mandalorian
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Graham Boag
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.780137 By Ludwig Goransson. By Ludwig Emil Tomas Goransson and Ludwig Goransson. ...
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.780137 By Ludwig Goransson. By Ludwig Emil Tomas Goransson and Ludwig Goransson. Arranged by Graham Boag. Contemporary. Score and parts. 30 pages. Graham Boag #6663783. Published by Graham Boag (A0.780137). After the stories of Jango and Boba Fett, another warrior emerges in the Star Wars universe. The Mandalorian is set afterthe fall of the Empire and before the emergence of the First Order.We follow the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.Alternative treble clef parts are included.
$15.99 ≈
14.37€
The Emergence, Parts 1 & 2
The Emergence, Parts 1 & 2
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Trey Demmond
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The Emergence, Parts 1 & 2
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TreyD Music & Media, LLC
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1009779 Composed by (Gustav Mahler). Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 20 page...
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Chamber Orchestra - Level 5 - SKU: A0.1009779 Composed by (Gustav Mahler). Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 20 pages. TreyD Music & Media, LLC #28413. Published by TreyD Music & Media, LLC (A0.1009779). Both Parts 1 & 2 of The Emergence are joined to project the birth, glory, and fading of something truly amazing! For me, it was watching a dragonfly emerge from its pupa casing!
$55.00 ≈
49.43€
Way Forward Anthem
Way Forward Anthem
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Chorale SATB
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FACILE
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Musique Sacrée
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John Botts
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John Botts
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Way Forward Anthem
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John A. Botts
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1091764 By John Botts. By John Botts. Arranged by John Botts. Contemporary,Praise & Worship,Sacred,Spiritual. Oc...
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Choral Choir (SATB) - Level 2 - SKU: A0.1091764 By John Botts. By John Botts. Arranged by John Botts. Contemporary,Praise & Worship,Sacred,Spiritual. Octavo. 6 pages. John A. Botts #695919. Published by John A. Botts (A0.1091764). This anthem is a plea for the Holy Spirit to prepare the way before us as we Christians move forward in the uncertainties and opportunities of the future. This work was prompted by the emergence of the Global Methodist Church being formed by some congregations disaffiliating from the United Methodist Church. Yet, the call for guidance from the Holy Spirit can apply to any Christian congregation or organization having a desire to be guided by the Holy Spirit into the future. The lyrics provide a vision for church renewal.
$2.50 ≈
2.25€
emergence
emergence
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ashley Hoyer
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emergence
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NoteForge
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1002842 Composed by Ashley Hoyer. Contemporary. Score and parts. 25 pages. NoteForge #6856405. Publish...
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String Quartet String Quartet - Level 4 - SKU: A0.1002842 Composed by Ashley Hoyer. Contemporary. Score and parts. 25 pages. NoteForge #6856405. Published by NoteForge (A0.1002842). This piece was inspired by the reemergence of life after the worst of the COVID-19 pandemic.
$19.99 ≈
17.97€
Emergence (Score 11x17)
Emergence (Score 11x17)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Anne E
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Emergence
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Anne E. McKennon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.834201 Composed by Anne E. McKennon. Contemporary,Standards. Score and parts. 20 pages. Anne E. McKennon #6303139. Pu...
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Full Orchestra - Level 4 - SKU: A0.834201 Composed by Anne E. McKennon. Contemporary,Standards. Score and parts. 20 pages. Anne E. McKennon #6303139. Published by Anne E. McKennon (A0.834201). Emergence for Orchestra. SCORE ONLY (11 x 17). Full score - ready to print on 11x17 paper front to back. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Duration: 8.30 (Also available as 8.5 x 14 score)
$55.00 ≈
49.43€
Emergence (Score 8.5x14)
Emergence (Score 8.5x14)
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Orchestre
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Contemporain
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Anne McKennon
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Parts are separate item.
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Emergence
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Anne E. McKennon
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SheetMusicPlus
Full Orchestra - SKU: A0.834195 Composed by Anne McKennon. Contemporary. Score and parts. 24 pages. Anne E. McKennon #5215889. Published by Anne E. McKe...
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Full Orchestra - SKU: A0.834195 Composed by Anne McKennon. Contemporary. Score and parts. 24 pages. Anne E. McKennon #5215889. Published by Anne E. McKennon (A0.834195). Emergence for Orchestra. SCORE ONLY - Ready to print front to back on legal size (8.5 x 14) paper. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Score also available in 11x17. Duration: 8.30
$55.00 ≈
49.43€
Emergence: Set 1
Emergence: Set 1
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Piano seul
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FACILE
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Classique
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Afshin Cohen
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Emergence: Set 1
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Afshin Cohen
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1213578 Composed by Afshin Cohen. Classical. Score. 17 pages. Afshin Cohen #810769. Published by Afshin Cohen (A0.1213578...
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Piano Solo - Level 2 - SKU: A0.1213578 Composed by Afshin Cohen. Classical. Score. 17 pages. Afshin Cohen #810769. Published by Afshin Cohen (A0.1213578). Collection of the solo piano pieces from the EP album Emergence: Set 1.Includes the following: Riverside - written in October of 2014. 5 pages of music with an approximate performance time of 3:20. And the Dream Ended - written in July of 2022. 3 pages of music with an approximate performance time of 3:51. Space - completed in December of 2022. 6 pages of music with an approximate performance time of 3:45. Listen to the music here
$3.00 ≈
2.70€
Emergence
Emergence
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Julie Ann Stenberg Zeidel
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Emergence
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JASZ
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.953489 Composed by Julie Ann Stenberg Zeidel (JASZ). Jazz,Standards. Score and parts. 6 pages. JASZ #298...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.953489 Composed by Julie Ann Stenberg Zeidel (JASZ). Jazz,Standards. Score and parts. 6 pages. JASZ #29857. Published by JASZ (A0.953489). Jazz piece for flexible instrumentation school or other group - funk style. This piece builds by adding four bar riffs. This is primarily an improvisational vehicle. Can be played by any five instruments and drums. Contact me at juliestenbergzeidel@comcast.net for additional customization.
$25.00 ≈
22.47€
Emergence (Equinox)
Emergence (Equinox)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Bob Good
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Emergence
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Surrey Dance Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.951131 Composed by Bob Good. Contemporary,Instructional,Standards. Score and part. 3 pages. Surrey Dance Music #3679647....
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Cello,Piano - Level 3 - SKU: A0.951131 Composed by Bob Good. Contemporary,Instructional,Standards. Score and part. 3 pages. Surrey Dance Music #3679647. Published by Surrey Dance Music (A0.951131). Often used in TV docs here in the UK, I've marked this Cello (with Piano accompaniment) piece as Intermediate because of the ranges involved and lack of time signature. A great calming piece.The full piece is on our Until The Cows Come Home album.http://www.surreydancemusic.co.uk
$3.99 ≈
3.59€
de Vitry: O canenda/Rex regum for Brass Quartet
de Vitry: O canenda/Rex regum for Brass Quartet
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Philippe De Vitry
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James M
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de Vitry: O canenda/Rex regum
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,...
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Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #932030. Published by jmsgu3 (A0.1347230). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.
$24.95 ≈
22.42€
de Vitry: O canenda/Rex regum for String Quartet
de Vitry: O canenda/Rex regum for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Phillipe De Vitry
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James M
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de Vitry: O canenda/Rex regum
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1356173 Composed by Phillipe De Vitry. Arranged by James M. Guthrie. Chamber,Contes...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1356173 Composed by Phillipe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #940841. Published by jmsgu3 (A0.1356173). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on January 3 1351, and held this post until his death.
$32.95 ≈
29.62€
The Way We Meet
The Way We Meet
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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The Way We Meet
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 4 - SKU: A0.1423515 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Multicultural,Spiritual,World. 12...
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Choral Choir,Choral,SSA Chorus - Level 4 - SKU: A0.1423515 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Multicultural,Spiritual,World. 12 pages. Adrienne Inglis (ASCAP) #1004756. Published by Adrienne Inglis (ASCAP) (A0.1423515). An English/Ojibwe poem that invites us to meet one another to be at peace in our heartsThe Way We Meet (2024)SSA (some divisi) and pianoCommissioned by Inversion Da Capo for Inversion at the LibraryText — “The Way We Meet” by Margaret Noodin from Weweni published by Wayne State University PressDuration — about 6:40Difficulty 4 (Auditioned chorus)Language — English with one Ojibwe word, pronunciation guide includedCommissioned by Inversion Da Capo for its Inversion at the Library concert in April 2024, The Way We Meet (2024) sets excerpts from the poem of the same name by Margaret Noodin from her book of bilingual Anishinaabemowin/English poetry, Weweni. The narrative spans the creation arc, from the beginning of time through the emergence of organisms and proliferation of species. The challenge we face is living together peacefully with all beings in order to leave behind a legacy of understanding and love. The piece opens with a bit of an uncomfortable pentatonic scale and haunting vocal solos, followed by G minor pentatonic with a tenacious rhythmic ostinato, closing with rich divisi harmonies and aleatoric texture.Soloists may shape the unmetered solos as they wish. Singers may spread the glissandi evenly over the duration of the note. In choral ad lib sections, you may stagger your entrances and shape the musical arc by varying note order, dynamics, duration of notes, number of singers, and frequency, not pointillistic but expressive. In piano ad lib sections, you may play the indicated notes in a pointillistic style, scrambling the order of pitches to create a celestial soundscape over the held chord. All ad lib sections may take about 10-15” but shorter or longer is fine.
$2.99 ≈
2.69€
Shadow and Self
Shadow and Self
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Piano Trio: Violon, Alto, Piano
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AVANCÉ
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Contemporain
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Matthew Scott Phillips
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Shadow and Self
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Matthew Scott Phillips
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.
$7.00 ≈
6.29€
E. Satie – Heures Séculaires et Instantanées, 1914
E. Satie – Heures Séculaires et Instantanées, 1914
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Classique
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Arkady Leytush
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Arkady Leytush
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E. Satie – Heures S&eacu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady...
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Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00 ≈
35.95€
Fantasy on Blue (2018)
Fantasy on Blue (2018)
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Alto, Piano
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Mark Zanter
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Fantasy on Blue
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MJIC Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - SKU: A0.934210 Composed by Mark Zanter. 20th Century,Contemporary,Jazz. Score and parts. 2...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - SKU: A0.934210 Composed by Mark Zanter. 20th Century,Contemporary,Jazz. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #4621545. Published by MJIC Music Publishing (ASCAP) (A0.934210). In Fantasy on Blue I employ aspects of my recent electric guitar music and the blues idiom in a chamber work. In the work improvisational gestures are used to capture the energy and expression of the blues without resorting to rhythmic and formal clichés that are so much a part of third stream and crossover classical works. In Fantasy on Blue this was accomplished by providing composed solos, poly-rhythmic/metric complexity, and a dynamic range to engender exploration of blues expression. Over the past summer I composed new works using these principles, and to my surprise their emergence revealed, and brought full circle ideas that have been with me since early in my career.
$12.00 ≈
10.79€
First Love - 1st Movement
First Love - 1st Movement
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99 ≈
5.38€
J.S. Bach: Prelude and Fugue in A-Flat Major, BWV 862 transcription for Duo Guitars
J.S. Bach: Prelude and Fugue in A-Flat Major, BWV 862 transcription for Duo Guitars
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Guitare
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AVANCÉ
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Classique
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Yuriy Kuznetsov
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Yuriy Kuznetsov
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J.S. Bach: Prelude and Fugue i
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Viacheslav Aleksandrov
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1317254 By Yuriy Kuznetsov. By Johann Sebastian Bach. Arranged by Yuriy Kuznetsov. Baroque,Chamber,Classical. Individual...
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Solo Guitar - Level 5 - SKU: A0.1317254 By Yuriy Kuznetsov. By Johann Sebastian Bach. Arranged by Yuriy Kuznetsov. Baroque,Chamber,Classical. Individual part. 5 pages. Viacheslav Aleksandrov #905914. Published by Viacheslav Aleksandrov (A0.1317254). Professional level transcription for Duo guitars of the original J.S. Bach: The Well-Tempered Clavier, Book I , Prelude and Fugue in A-Flat Major, BWV 862. Dear Guitar Players, let me to bring to your attention my next transcription: Prelude and Fugue in A-Flat Major, BWV 862 from the The Well-Tempered Clavier, Book I by J.S.Bach. The transcription was made for duo guitars, so you can expect interesting and creative work, which may result in the emergence of a new wonderful ensemble of guitarists.The level of this transcription is highly professional - in the guitar's score you will get the full fingering for both players, for the right and left hands. The attached midi represents the melody you will get, but, of course, the sound of midi is simple and it can't provide you the magic of the magnificent sound of the real two guitars. So, I hope you manage to realize it!
$20.00 ≈
17.98€
Andalucia
Andalucia
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Piano seul
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AVANCÉ
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Ernesto Lecuona
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Timothy Stapay/Liberace
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Andalucia
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1433664 Composed by Ernesto Lecuona. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Latin,Musical/Show,Singer/Song...
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Piano Solo - Level 5 - SKU: A0.1433664 Composed by Ernesto Lecuona. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Latin,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1013896. Published by Timothy Stapay (A0.1433664). Andalucia was composed by Ernesto Lecuona and is also known as The Breeze And I in English. This song is arranged as performed by legendary piano artist, Liberace on his emmy award-winning television show. Now you can learn this Latin classic, with the same style as Liberace.Cuban-born, Ernesto Lecuona is the dominant musical force to have come out of the island nation, and without question one of the major contributors to the emergence of Latin music as a power in the world marketplace. Often called 'the Gershwin of Cuba,' he was friendly with George Gershwin and with the composer Maurice Ravel.
$8.99 ≈
8.08€
Overture to Zaïs
Overture to Zaïs
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Jean-Philippe Rameau
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Justin Bland
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Overture to Zaïs
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Justin Bland
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SheetMusicPlus
Small Ensemble Trumpet - Level 4 - SKU: A0.918840 Composed by Jean-Philippe Rameau (1683-1764). Arranged by Justin Bland. Baroque,Classical,Opera. Score...
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Small Ensemble Trumpet - Level 4 - SKU: A0.918840 Composed by Jean-Philippe Rameau (1683-1764). Arranged by Justin Bland. Baroque,Classical,Opera. Score and parts. 26 pages. Justin Bland #238285. Published by Justin Bland (A0.918840). Jean-Philippe Rameau's opera Zaïs was first performed on 29 February 1748 at the Opéra in Paris. The opera's overture, represented here, is particularly extraordinary for its depiction of the emergence of the four elements out of chaos. This arrangement for 5 trumpets provides each player an opportunity to play interesting parts. Trumpet 1 is played on piccolo trumpet, trumpet 2 plays B-flat and E-flat trumpets, and trumpets 3-5 play B-flats. About 6 minutes.
$14.99 ≈
13.47€
Panon Hideung (orak Eyes)
Panon Hideung (orak Eyes)
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Piano seul
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AVANCÉ
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Achi Corma and Ismail Marzuki
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KDRT remix
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Panon Hideung
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KDRT remix
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1329805 Composed by Achi Corma and Ismail Marzuki. Arranged by KDRT remix. Classical,Contemporary,Folk,Pop,Traditional. S...
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Piano Solo - Level 5 - SKU: A0.1329805 Composed by Achi Corma and Ismail Marzuki. Arranged by KDRT remix. Classical,Contemporary,Folk,Pop,Traditional. Score. 11 pages. KDRT remix #917792. Published by KDRT remix (A0.1329805). It is believed that the emergence of Sundanese Pop songs occurred in 1936, when Ismail Marzuki composed the song Panon Hideung which was adapted from the song Oche Chornye (Dark Eyes) from Russia.
$10.00 ≈
8.99€
Sunlight Mambo
Sunlight Mambo
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Jazz combo
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INTERMÉDIAIRE
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Mike J
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Sunlight Mambo
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Mike Roberts
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.913565 Composed by Mike J.D. Roberts. Jazz,Latin. Score and parts. 13 pages. Mike Roberts #6332241. Published by Mike Rob...
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Jazz Combo - Level 3 - SKU: A0.913565 Composed by Mike J.D. Roberts. Jazz,Latin. Score and parts. 13 pages. Mike Roberts #6332241. Published by Mike Roberts (A0.913565). Sunlight Mambo is an upbeat Latin piece written in spring 2021 with the emergence of the sun after what has been a very dark winter.
$2.99 ≈
2.69€
Taxman
Taxman
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Quatuor de Cuivres
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AVANCÉ
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Rock
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The Beatles
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Ray Thompson
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Taxman
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RayThompsonMusic
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.763093 By The Beatles. By George Harrison. Arranged by Ray Thompson. 20th Century,Pop,Rock....
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.763093 By The Beatles. By George Harrison. Arranged by Ray Thompson. 20th Century,Pop,Rock. 8 pages. RayThompsonMusic #370762. Published by RayThompsonMusic (A0.763093). Arranged brass quartet 2 tpt, tbn and tuba. Alternative horn in F part for trombone Melody is trumpet verse 1 and 2, trombone verses 3 and 4 Trombone takes ad lib break Transposed into Eb from D to aid performance. Tuba has the fun bass line. Taxman is a song by the English rock band the Beatles from their 1966 album Revolver. Written by the group's lead guitarist, George Harrison, with some lyrical assistance from John Lennon, it protests against the higher level of progressive tax imposed in the United Kingdom by the Labour government of Harold Wilson, which saw the Beatles paying over 90 per cent of their earnings to the Treasury. The song was selected as the album's opening track and contributed to Harrison's emergence as a songwriter beside the dominant Lennon–McCartney partnership. It was the group's first topical song and the first political statement they had made in their music.
$17.95 ≈
16.13€
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The Emergence
