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The Great War Piano Accompaniment
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
The Great War Piano Accompaniment
Partitions à imprimer
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The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
3.23€
TRITONE Sonata for Trumpet in B-flat and Piano
TRITONE Sonata for Trumpet in B-flat and Piano
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Trompette, Piano
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AVANCÉ
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Contemporain
#
John Frith
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TRITONE Sonata for Trumpet in
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trumpet - Advanced - Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherr...
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Piano Accompaniment, Trumpet - Advanced - Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:
"One of my most enjoyable roles in music was conducting the Herefordshire Young People?s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.
Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.
My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ?benign? element of the first movement; ?ironic? in the second and even ?playful? in the last.
I - Moderato
The use of a ?straight? mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ?flutter- tonguing? techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument?... I call for ?ffff? (fortissississimo) at one point! The muted coda creates an otherworldly? atmosphere - distant and questioning at the close.
II ? Andante espressivo ? piu mosso ? Tempo primo
The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ?piu mosso? with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.
III ? Maestoso ? rondo
A traditional martial ?fanfare? opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ?rondo? where the piano accepts a supportive ?um-pa-pa? accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ?boogie-woogie? style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020
This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00 ≈
27.69€
Hymns for Solo and Duet Instruments Piano Accompaniment Recording
Hymns for Solo and Duet Instruments Piano Accompaniment Recording
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Piano seul
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Musique Sacrée
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Chris Cooke
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Hymns for Solo and Duet Instru
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Chris Cooke
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SheetMusicPlus
Piano - SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. Published by Chr...
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Piano - SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. Published by Chris Cooke (A0.1071368). This book is a recording of the printed piano accompaniment book in this series. Besides accompanying solo or duet instruments, these recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version (also available on Sheet Music Plus) contains only one verse with no introduction. All hymns are in a good vocal range except Christ the Lord is Risen Today which is in F to accommodate a more accessible playing range. The only hymn not included in this recording (that occurs in the print book) is Great is Thy Faithfulness, since I only have print publication rights to this piece. This is one large file, containing all 34 accompaniments. For this reason, I have notated the cue point, i.e. the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 10-minute recording. For instance, the second hymn would be found at the 2-minute and 17-second time point. The full list of hymns, with their concert keys, cue points, and length of the introduction, is below: Abide with Me, C; 4-measure intro All Hail the Power of Jesus’ Name, E-flat; cue point: 0:2:17; 4-measure intro Am I A Soldier of the Cross; E-flat; cue point: 0:4:18; 4-measure intro Amazing Grace, E-flat; cue point: 0:5:33; 4-measure intro Blessed Assurance, B-flat; cue point: 0:8:11; 2-measure intro Blest Be the Tie That Binds, E-flat; cue point 0:10:19; 3-measure intro Christ the Lord is Risen Today, F; cue point: 0:12:12; 2-measure intro Come Thou Almighty King, E-flat; cue point: 0:14:36; 4-measure intro Come Thou Fount of Ev’ry Blessing, B-flat; cue point: 0:16:21;4-measure intro Count Your blessings, B-flat; cue point: 0:18:01; 4-measure intro Crown Him With Many Crowns, B-flat; cue point: 0:20:36; 4-measure intro Doxology, E-flat; cue point: 0:22:55; 4-measure intro For the Beauty of the Earth, C; cue point: 0:23:14; 4-measure intro God of Grace and God of Glory, F; cue point: 0:25:49; 2-measure intro Holy, Holy, Holy, B-flat; cue point: 0:27:39; 4-measure intro I Surrender All, C; cue point: 0:30:34; 2-measure intro In Christ There is No East or West, B-flat; cue point: 0:33:26;2-measure intro It is Well with My Soul, B-flat; cue point: 0:35:33; 3-measure intro Jesus Loves Me, B-flat; cue point: 0:36:50; 4-measure intro Jesus the Very Thought of Thee, F; cue point: 0:39:08; 2.75 measure intro Joyful, Joyful, We Adore Thee, C; cue point: 0:40:35; 4-measure intro Love Divine, All Loves Excelling, E-flat; cue point: 0:43:11; 4-measure intro My Country Tis of Thee, E-flat; cue point: 0:45:51; 4-measure intro O Sacred Head, Now Wounded, E-minor; cue point: 0:47:45; 4-measure intro O For A Thousand Tongues to Sing, F; cue point: 0:49:58; 4-measure intro Oh God, Our Help in Ages Past, B-flat; cue point: 0:51:00; 4-measure intro Onward Christian Soldiers, B-flat; cue point: 0:52:46; 4-measure intro Praise Him, Praise Him All Ye Little Children, B-flat; cue point:0:56:08; 4-measure intro Praise to the Lord, the Almighty, E-flat; cue point: 0:57:07; 4-measure intro Sweet Hour of Prayer, B-flat; cue point: 0:59:12; 4-measure intro Take My Life and Let It Be, E-flat; cue point: 1:02:22; 8-measure intro The Battle Hymn of the Republic, B-flat; cue point: 1:04:15; 2-measure intro What a Friend We Have in Jesus, C; cue point: 1:06:33; 4-measure intro Whisper a Prayer, E-flat; cue point: 1:09:12; 4-measure intro
$9.97 ≈
9.20€
The Jumpy Monkey (Piano Accompaniment/Rehearsal Track)
The Jumpy Monkey (Piano Accompaniment/Rehearsal Track)
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Accompagnement Piano
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Carol Troutman Wiggins
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The Jumpy Monkey
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Percussion,Piano - SKU: A0.1065440 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional,Standards. Accompaniment. Duration 44. ...
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Choir,Percussion,Piano - SKU: A0.1065440 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional,Standards. Accompaniment. Duration 44. Carol Troutman Wiggins #3367141. Published by Carol Troutman Wiggins (A0.1065440). THE JUMPY MONKEY (Piano Accompaniment/Rehearsal Track)Unison w/Actions & Tambourine Super high-energy action song that will have the students jumping like monkeys (and wear them out!) Excellent for any age elementary Great warmup for younger middle school singers Melody in steps & 3rds Bouncy, energetic accompaniment Use tambourine (or other percussion) to keep the jumping beatActions included in score Piano Accompaniment/Rehearsal Track available on this site!
$5.99 ≈
5.53€
Three Brahms Lieder (Solo Tuba with Piano)
Three Brahms Lieder (Solo Tuba with Piano)
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Tuba et Piano
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FACILE
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Classique
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purchasing here, you will rece
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Johannes Brahms
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Justin S
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Three Brahms Lieder
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Justin S. Bare
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SheetMusicPlus
Piano,Tuba - Level 2 - SKU: A0.901182 Composed by Johannes Brahms. Arranged by Justin S. Bare. Romantic Period. Score and part. 20 pages. Justin S. Bare...
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Piano,Tuba - Level 2 - SKU: A0.901182 Composed by Johannes Brahms. Arranged by Justin S. Bare. Romantic Period. Score and part. 20 pages. Justin S. Bare #6204975. Published by Justin S. Bare (A0.901182). Brahms' lieder make up a large part of vocal repertoire for good reason. They are beautifully simple, presenting thoughtful melodies and rich harmonic material. Here, three of them have been arranged for solo tuba with piano accompaniment. The three lieder arranged here are as follows: 1. Vom verwundeten Knaben (op. 14, no. 2) 2. Schon war, das ich dir weihte (op. 95, no. 7) 3. Das Madchen spricht (op. 107, no. 3) These three lieder make wonderful pieces to perform as a part of a recital, as they offer a beautiful easy listening experience. Additionally, they are also great to use as lyrical practice material for any player.By purchasing here, you will receive a PDF of the score as well as the separate parts.NOTE: The audio file associated with this piece is a MIDI sample. Therefore, it will not accurately reflect all interpretive elements of the music.
$9.99 ≈
9.22€
MEDLEY of PATRIOTISM (for Cello and Piano)
MEDLEY of PATRIOTISM (for Cello and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Patriotique
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Traditional, George W
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Gary Lanier
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MEDLEY of PATRIOTISM
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The Lanier Company
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SheetMusicPlus
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Traditional, George W. Warren, Samuel Ward. Arranged by Gary Lanier. Christi...
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Traditional, George W. Warren, Samuel Ward. Arranged by Gary Lanier. Christian, General Worship, Fourth of July, Recital, Patriotic. Individual Part, Score, Solo Part. 15 pages. Published by The Lanier Company
MEDLEY of PATRIOTISM is an arrangement of 3 patriotic songs for Cello and Piano (Score and Part included). The songs include: 1) Battle Hymn of the Republic, 2) God of Our Fathers and 3) America, the Beautiful... with a reprise of Battle Hymn of the Republic. This arrangement works great for offertories, special music, concerts or any event where Patriotism for God and Country is emphasized. (15 pages including cover).
A mp3 PIANO ACCOMPANIMENT TRACK is also available listed as:
MEDLEY of PATRIOTISM (Piano Accompaniment for Cello)
$7.99 ≈
7.37€
Three Virtues - Oboe and Piano
Three Virtues - Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Phil Rawle
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Three Virtues - Oboe and Piano
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Phillip Rawle
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #923286. Publishe...
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Oboe,Piano - Level 3 - SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #923286. Published by Phillip Rawle (A0.1337463). Three uplifting solos for oboe with Piano accompanimentCompassion As the title suggests, this piece should be played with warmth the middle departure showing a little more anxiety before a return to the optimism of the opening theme. Apart from this, there is no formal structure. There should be a marked contrast between the flowing, lyrical passages of the opening section and the crisp staccato in the middle descending arpeggios.  Although the tempo indicates quickness, the feel should be one of animation rather than pace. The dynamic range is not great but should be accurately observed with clear contrasts. Mercy Much more of a duet for oboe and piano rather than a solo. This has a yearning, minor aspect with a contrasting few bars of a more comfortable major feel at the end of the middle section. The lively tempo should be driven through the whole piece with only a slight letup in the final two measures. Although written in waltz time, this is no dance being loaded with underlying energy and emotion. The dynamics remain fairly loud with only the expected variation in line with the phrasing.Tenderness This piece, written in the middle to high register, has a simple structure being a stable melody with variations and ornaments. Where the piano accompaniment has the theme it should be allowed to show through.  As the title suggests this should be played with a gentle lilt but not over-sentimental. Aim for a warm to mellow texture with comforting sounds. There is a general but slight crescendo throughout the piece.
$7.50 ≈
6.92€
Homeward, March! Piano Accompaniment Rehearsal Track
Homeward, March! Piano Accompaniment Rehearsal Track
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Accompagnement Piano
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Patriotique
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Carol Troutman Wiggins
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tune to Louis Lambert, 1863
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Homeward, March! Piano Accompa
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Flute,Piano,Recorder - SKU: A0.1065409 Composed by Carol Troutman Wiggins. Children,Contemporary,Holiday,Instructional,Patriotic. Accompaniment. D...
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Choir,Flute,Piano,Recorder - SKU: A0.1065409 Composed by Carol Troutman Wiggins. Children,Contemporary,Holiday,Instructional,Patriotic. Accompaniment. Duration 101. Carol Troutman Wiggins #3060677. Published by Carol Troutman Wiggins (A0.1065409). Homeward, March! Piano Accompaniment Rehearsal TrackUnison/2-Part Mixed Chorus (w/Optional Flute, Recorder, or Kazoo)A song of recognition to the soldiers who fight for our freedom and who are fortunate enough to return home from the battle.This original composition also includes the first verse from When Johnny Comes Marching Home, which is a well-known song American Civil War song that told of people's desire for the return of their friends and family members who were fighting in the war. Lyrics accredited to Patrick Gilmore & tune to Louis Lambert, 1863.Excellent for upper elementary/middle school singersGreat opportunity to work on lower vocal register of younger studentsMostly unison with easy harmonyStaccatos & accentsFull, rich chordal accompanimentAdd flute, recorder, or kazoos to represent the fifesAdd a military-style drum cadence throughout the piece for authenticityAction cues included in scoreA few spoken word measuresChord included for additional instruments, if desiredUnison/SA choral arrangement available on this site.
$5.99 ≈
5.53€
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.26€
Roadside Inn - Schumann- Bassoon-Piano
Roadside Inn - Schumann- Bassoon-Piano
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Basson, Piano (duo)
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Basso
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Phil Beaman
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.844517 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score an...
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Bassoon,Piano - Level 2 - SKU: A0.844517 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3490491. Published by Phil Beaman (A0.844517). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99 ≈
4.61€
Roadside Inn - Schumann- French Horn-Piano
Roadside Inn - Schumann- French Horn-Piano
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Cor et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Frenc
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Phil Beaman
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.844511 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Scor...
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French Horn,Piano - Level 2 - SKU: A0.844511 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489319. Published by Phil Beaman (A0.844511). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free.
$4.99 ≈
4.61€
Roadside Inn - Schumann- English Horn-Piano
Roadside Inn - Schumann- English Horn-Piano
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Cor anglais, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Engli
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Phil Beaman
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.844510 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Sco...
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English Horn,Piano - Level 2 - SKU: A0.844510 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489303. Published by Phil Beaman (A0.844510). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free.
$4.99 ≈
4.61€
Roadside Inn-Schumann-Alto Clarinet and piano
Roadside Inn-Schumann-Alto Clarinet and piano
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Clarinette et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Alto Cla
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Phil Beaman
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.845145 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 page...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.845145 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213689. Published by Phil Beaman (A0.845145). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99 ≈
4.61€
Roadside Inn - Schumann- Viola-Piano
Roadside Inn - Schumann- Viola-Piano
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Alto, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Viola
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Phil Beaman
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.844514 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and ...
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Piano,Viola - Level 2 - SKU: A0.844514 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489395. Published by Phil Beaman (A0.844514). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free.
$4.99 ≈
4.61€
Roadside Inn - Schumann- Trombone-Piano
Roadside Inn - Schumann- Trombone-Piano
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Trombone et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Tromb
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Phil Beaman
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.844516 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil...
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Piano,Trombone - Level 2 - SKU: A0.844516 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3490489. Published by Phil Beaman (A0.844516). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99 ≈
4.61€
Roadside Inn - Schumann- Cello-Piano
Roadside Inn - Schumann- Cello-Piano
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Violoncelle, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Cello
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Phil Beaman
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.844518 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Be...
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Cello,Piano - Level 2 - SKU: A0.844518 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3490509. Published by Phil Beaman (A0.844518). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99 ≈
4.61€
Roadside Inn - Schumann- Flute-Piano
Roadside Inn - Schumann- Flute-Piano
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Flûte traversière et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Flute
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.844503 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and ...
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Flute,Piano - Level 2 - SKU: A0.844503 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3488525. Published by Phil Beaman (A0.844503). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99 ≈
4.61€
Roadside Inn - Schumann- Tenor Sax-Piano
Roadside Inn - Schumann- Tenor Sax-Piano
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Saxophone Tenor et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Tenor
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Phil Beaman
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.844504 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.844504 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3488989. Published by Phil Beaman (A0.844504). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99 ≈
4.61€
Roadside Inn-Schumann-Soprano Saxophone and piano
Roadside Inn-Schumann-Soprano Saxophone and piano
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Saxophone Soprano et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Soprano
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.845147 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pa...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.845147 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213721. Published by Phil Beaman (A0.845147). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99 ≈
4.61€
Roadside Inn-Schumann-Bari Saxophone and piano
Roadside Inn-Schumann-Bari Saxophone and piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Bari Sax
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Phil Beaman
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.845146 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 p...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.845146 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213961. Published by Phil Beaman (A0.845146). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99 ≈
4.61€
Roadside Inn - Schumann- Alto Sax-Piano
Roadside Inn - Schumann- Alto Sax-Piano
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Saxophone Alto et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Alto
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Phil Beaman
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. S...
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Alto Saxophone,Piano - Level 2 - SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3485691. Published by Phil Beaman (A0.844502). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99 ≈
4.61€
Roadside Inn - Schumann- Oboe-Piano
Roadside Inn - Schumann- Oboe-Piano
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Hautbois, Piano (duo)
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Oboe-
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Phil Beaman
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.844506 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and p...
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Oboe,Piano - Level 2 - SKU: A0.844506 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3488993. Published by Phil Beaman (A0.844506). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99 ≈
4.61€
Roadside Inn - Schumann- Violin-Piano
Roadside Inn - Schumann- Violin-Piano
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Violon et Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Violi
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Phil Beaman
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.844512 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. 7 pages. ...
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Piano,Violin - Level 2 - SKU: A0.844512 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. 7 pages. Phil Beaman #3489331. Published by Phil Beaman (A0.844512). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free.
$4.99 ≈
4.61€
The Turkey Strut (Piano Accompaniment/Rehearsal Track)
The Turkey Strut (Piano Accompaniment/Rehearsal Track)
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Accompagnement Piano
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Carol Troutman Wiggins
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The Turkey Strut
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - SKU: A0.1065448 Composed by Carol Troutman Wiggins. Children,Holiday,Instructional,Standards. Accompaniment. Duration 60. Carol Troutman W...
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Choir,Piano - SKU: A0.1065448 Composed by Carol Troutman Wiggins. Children,Holiday,Instructional,Standards. Accompaniment. Duration 60. Carol Troutman Wiggins #3373877. Published by Carol Troutman Wiggins (A0.1065448). The Turkey Strut (Piano Accompaniment/Rehearsal Track)Unison Action Song Get your singers ready to flap their wings and do the Turkey Strut! Excellent for any age elementary students or as a warm up for younger middle schoolers!Great vocal ice breakerLots of gobbles!Actions included on scoreChords included for additional instruments (Guitar or banjo would be great!)
$5.99 ≈
5.53€
CELEBRATE AMERICA (A suite of 3 great patriotic songs for Flute and Piano with Score/Parts)
CELEBRATE AMERICA (A suite of 3 great patriotic songs for Flute and Piano with Score/Parts)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Patriotique
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SAMUEL A
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Gary Lanier
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CELEBRATE AMERICA
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The Lanier Company
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SheetMusicPlus
Piano Accompaniment, Flute - Intermediate - Digital Download Composed by SAMUEL A. WARD and anonymous. Arranged by Gary Lanier. Christian, Fourth of July, ...
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Piano Accompaniment, Flute - Intermediate - Digital Download Composed by SAMUEL A. WARD and anonymous. Arranged by Gary Lanier. Christian, Fourth of July, Recital, Patriotic, Americana. Score, Set of Parts. 24 pages. Published by The Lanier Company
CELEBRATE AMERICA, is a compilation of 3 patriotic songs arranged by Gary Lanier for Flute and Piano. The titles are (1) America, the Beautiful, (2) My Country, 'Tis of Thee and (3) Battle Hymn of the Republic. All for the price of 2. Perfect for any patriotic event (24 pages).
A Mp3 piano accompaniment track is available containing all three songs listed as:
CELEBRATE AMERICA (Piano Accompaniment for Flute)
$14.99 ≈
13.83€
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The Great War Piano Accompaniment
