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Vous avez sélectionné:
The Guy Next door
Partitions à imprimer
5 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.68€
The Guy Next door
The Guy Next door
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Instruments en Do
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INTERMÉDIAIRE
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Rick Moose
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Richard Mousseau
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The Guy Next door
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Moose Hide Music Publishing
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1178381 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Rock,Singer/Songwriter....
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C Instrument - Level 3 - SKU: A0.1178381 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Moose Hide Music Publishing #778341. Published by Moose Hide Music Publishing (A0.1178381). 60's Pop Rock / Do-Wop. New release by Canadian Songwriter. Full score available from publisher. MP3. down load available on sheetmusicplus. Song available on major streaming services.
$3.00 ≈
2.77€
The Guy Next door
The Guy Next door
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Rick Moose
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Richard Mousseau
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The Guy Next door
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Moose Hide Music Publishing
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Guitar Accompaniment,Vibraphone,Voice - Level 3 - SKU: A0.1178386 By Rick Moose. By Richard Mousseau. Arra...
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Drum Set,Electric Bass Guitar,Electric Guitar,Guitar Accompaniment,Vibraphone,Voice - Level 3 - SKU: A0.1178386 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Rock,Singer/Songwriter. Full Performance. Duration 196. Moose Hide Music Publishing #778346. Published by Moose Hide Music Publishing (A0.1178386). 60's Pop Rock / Do-Wop. New release by Canadian Songwriter. Full score available from publisher.
$1.99 ≈
1.84€
DELTARUNE Chapter 2 Piano Score - Sheet Music from the game
DELTARUNE Chapter 2 Piano Score - from the game
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Piano Facile
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FACILE
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Jeux Videos
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Toby Fox
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Toby Fox
, ada
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Sydney Kjerstad
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DELTARUNE Chapter 2 Piano Scor
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Materia Editions
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1200295 By Toby Fox. By Toby Fox. Arranged by Sydney Kjerstad. Video Game. Score. 96 pages. Materia Editions #799104. Pub...
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Easy Piano - Level 2 - SKU: A0.1200295 By Toby Fox. By Toby Fox. Arranged by Sydney Kjerstad. Video Game. Score. 96 pages. Materia Editions #799104. Published by Materia Editions (A0.1200295). All 47 songs from the DELTARUNE, Chapter 2 soundtrack. Composed by Toby Fox, adapted by Sydney Kjerstad.Making the Deltarune Piano Score series a little more complete, here’s DELTARUNE Chapter 2’s music finally in book form! Just like the music from the first chapter, each of the pieces here are varying levels of difficulty, but all are within your reach. Go in order, go out of order, play through the book how you want!You will strengthen your abilities and come out even better on the other side. Play this music for you, for your friends and family, and show off what makes this music so  special. Please enjoy! I know I did when adapting it all!- Sydney KjerstadCREDITSDELTARUNE Piano Score is brought to you by:TOBY FOX is the musical dog that made DELTARUNE.SYDNEY KJERSTAD is a video-gaming-piano-playing nerd whose goal in life is to make game music accessible for everyone. A Materia Editions Production.TRACKLIST Faint Glow Girl Next Door My Castle Town Ohhhhohohoho! Queen A CYBER'S WORLD? A Simple Diversion Almost to the Guys! Cool Beat When I Get Mad I Dance Like This Cyber Battle (Solo) When I Get Happy I Dance Like This Sound Studio Berdly Smart Race Faint Courage (Game Over) WELCOME TO THE CITY Mini Studio Holiday Studio Cool Mixtape HEY EVERY ! Spamton NOW'S YOUR CHANCE TO BE A Elegant Entrance Bluebird of Misfortune Pandora Palace KEYGEN Acid Tunnel of Love It's Pronounced Rules Lost Girl Ferris Wheel Attack of the Killer Queen Giga Size Powers Combined Knock You Down !! The Dark Truth Digital Roots Deal Gone Wrong BIG SHOT A Real Boy! Dialtone sans. Chill Jailbreak Alarm to Study and Relax to You Can Always Come Home Until Next Time Before the Story Berdly (Rejected Concept) Music by Toby Fox. © 2015-2021 ROYAL SCIENCES LLC. Arrangements © 2023 Materia Editions / Materia Music Inc. All rights reserved. Used by permission. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, or transmitted by any means without written permission by the publisher.
$19.99 ≈
18.45€
Agape Christian Academy Alma Mater
Agape Christian Academy Alma Mater
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Piano, Voix
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Contemporain
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Benjamin Ayotte
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Agape Christian Academy Alma M
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.733133 Composed by Benjamin Ayotte. Contemporary. Score. 2 pages. Ayotte Custom Musical Engravings #3233711. Published by Ay...
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Piano,Vocal,Voice - SKU: A0.733133 Composed by Benjamin Ayotte. Contemporary. Score. 2 pages. Ayotte Custom Musical Engravings #3233711. Published by Ayotte Custom Musical Engravings (A0.733133). In 1983 the school began through the vision of Earl and Bobbie Moore. Mark Moore, the son, was the first principal. The church school concept was a compliment of the God, family, church, work priority that they believed Gods Word taught. The ministry began at the Penn Theatre in downtown Plymouth, then the Masononic Building next door and then as the congregation grew the vision was to purchase and renovate a car dealership on road (now a catering hall/building). The school started with a Kindergarten and a first grade and second grade. The idea was to add a grade each year. From 1985-1990 keith Anleitner was the principal and by adding a grade each year and the success of the ministry and school made the enrollment Triple from 40 students to 125 students. He started the sports program and the music program was started already by Mark Moore. Specials teachers were part time in the early days and a retired Plymouth/Canton band leader took over the music program and integrated instruments in the 1990s. Kathryn Vickie Herczeg succeeded Anleitner as the principal. Anleitner, as Basketball Coach, coached guys like Chuck Younkin, Brandon McKelvet, Dion Dixon, Shawn McClain then in 1995 Paul Salah, now Associate Superintendent of WRESA came to Agape. With guys like Matt Major, Adam Martin (now Dearborn HS, principal), Josh Thompson, and Cory Mullin the basketball team went 23-2. That began a very successful basketball decade @Agape Christian Academy before it closed in 2009.Benjamin Ayotte served for a short time ad music director between January of 2005 through June of 2006 before leading to teach at the University of North Carolina. He composed the Alma Mater in February of 2006, feeling that the school needed its own anthem to be performed at school ceremonies and events.
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