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Vous avez sélectionné:
The House We Build
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26 partitions trouvées
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The House We Build
The House We Build
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00 ≈
2.77€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.69€
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
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Chorale SATB
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FACILE
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Chris Lawry, Angela Cope
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The Little Things -
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Moonhouse Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages. Moonhouse Music...
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Choral Choir (SATB) - Level 2 - SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages. Moonhouse Music #5792953. Published by Moonhouse Music (A0.749985). During the Covid 19 lockdown the community choir Amber Valley Voices have worked with their MD Angie Cope and accompanist and composer Chris Lawry to write a lock down inspired song to rehearse in their Zoom rehearsals to hopefully use in their forthcoming concerts once restrictions are eased and we can begin to meet and sing together again.Much love to all out there that can't sing together yet; we are feeling your pain with you!Sheet music (for Unison, SA and SATB choir) available from www.chrislawry.com. If you need a backing track or leadsheet, or anything, please get in touch using: contact@chrislawry.com Lyrics: Waiting by the window, Parcels at the door, Kisses left hanging in the air. Doorstep daughters and street-side sons, It's the little things to show that you still care. ]Smiles from total strangers we pass along the way, Neighbours that speak now ev’ry day. Time for conversations, time for souls to touch It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch. It’s the little things that now mean oh so much. A letter from a loved one, flowers from a friend The look that says I know, I understand Early morning birdsong, a woodlands dappled light, It’s the outward signs of natures healing hand.To wander through a meadow, to drink in cleaner air New life bursts out around us ‘midst our pain. So much has been lost at immeasurable cost But together we’ll rebuild our world again. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much.
$1.99 ≈
1.84€
The Duality of Cats
The Duality of Cats
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. ...
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Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00 ≈
4.62€
The Phoebe Returns
The Phoebe Returns
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kathleen Ryan
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The Phoebe Returns
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1204372 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802852. Published b...
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Piano Solo - Level 4 - SKU: A0.1204372 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802852. Published by Indigo Mesa Music LLC (A0.1204372). As composed and performed by Kathleen Ryan on her CD Under the Greenwood Tree.Kathleen's notes: When we were building our home, my husband had a big goal of not making it possible for birds to nest on the house or over the porches. (Our rental home had barn swallow nests at both the front and back doors, and it was just too messy.)But the second spring after we moved in, some Say’s phoebes showed up and wanted to nest on the house; and my husband totally fell in love with them and built them a special platform — the phoebe condo. We had 5 fledglings that year! The next spring the phoebes returned! More nests, more fledglings, more joy.When I wanted music that was lively in a gentle way, and just completely happy, I naturally thought of the phoebes. Listen for the phoebe call in the middle section.Late intermediate.
$5.25 ≈
4.85€
Anthem of Thanksgiving
Anthem of Thanksgiving
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Chorale SATB
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Musique Sacrée
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Jay Althouse
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Choral Octavo
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Anthem of Thanksgiving
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-22809 Incorporating Now Thank We All Our God, We Gather Together, and Come, Ye Thankful People, Come...
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Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-22809 Incorporating Now Thank We All Our God, We Gather Together, and Come, Ye Thankful People, Come. Arranged by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christ the King; Fall; Sacred; Thanksgiving. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-22809. Published by Jubilate Music Group - Digital (JX.00-22809). English. Genesis 8:22, 1 Chronicles 29:10-13, Psalms 100, Psalms 50:14, Psalms 50:23, Matthew 13:36-43, Mark 4:26-29, Colossians 1:11-20, Hebrews 13:15.A reverent Thanksgiving medley by Jay Althouse. Opening prayerfully with strains of Now Thank We All Our God, it segues into a simple, flowing setting of We Gather Together. Building in majesty, it offers a glorious verse of Come, Ye Thankful People, Come before the opening strains return in reverent praise. Easy to prepare for Christ the King, Harvest or Thanksgiving. Suggested scriptures: Genesis 8: 22, 1 Chronicles 29: 10-13, Psalm 100 & 50: 14 & 23, Matthew 13: 36-43, Mark 4: 26-29, Colossians 1: 11-20, Hebrews 13: 15.
$1.75 ≈
1.62€
Anthem of Thanksgiving
Anthem of Thanksgiving
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Chorale 3 parties
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Musique Sacrée
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Jay Althouse
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Choral Octavo
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Anthem of Thanksgiving
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - SKU: JX.00-22810 Incorporating Now Thank We All Our God, We Gather Together, and Come, Ye Tha...
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - SKU: JX.00-22810 Incorporating Now Thank We All Our God, We Gather Together, and Come, Ye Thankful People, Come. Arranged by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christ the King; Fall; Sacred; Thanksgiving. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-22810. Published by Jubilate Music Group - Digital (JX.00-22810). English. Genesis 8:22, 1 Chronicles 29:10-13, Psalms 100, Psalms 50:14, Psalms 50:23, Matthew 13:36-43, Mark 4:26-29, Colossians 1:11-20, Hebrews 13:15.A reverent Thanksgiving medley by Jay Althouse. Opening prayerfully with strains of Now Thank We All Our God, it segues into a simple, flowing setting of We Gather Together. Building in majesty, it offers a glorious verse of Come, Ye Thankful People, Come before the opening strains return in reverent praise. Easy to prepare for Christ the King, Harvest or Thanksgiving. Suggested scriptures: Genesis 8: 22, 1 Chronicles 29: 10-13, Psalm 100 & 50: 14 & 23, Matthew 13: 36-43, Mark 4: 26-29, Colossians 1:11-20, Hebrews 13: 15.
$1.65 ≈
1.53€
Oh! Oh! The Picture Show
Oh! Oh! The Picture Show
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Piano, Voix
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Wilhelm Cohn
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Oh! Oh! The Picture Show
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.8502 Composed by Wilhelm Cohn. Buildings, Theaters, Motion pictures. Lester S. Levy Collection. 4 pages. Published by Johns Ho...
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Piano and voice - SKU: LV.8502 Composed by Wilhelm Cohn. Buildings, Theaters, Motion pictures. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8502). Oh! Oh! The Picture Show. Words and Music by Wilhelm Cohn. Published 1913 by Seattle Music Printing House, [Compliments of the Melbourne Theatre] in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Buildings, Theaters, Motion pictures. First line reads One eveing after suppertime we knew not what to do.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.54€
Somewhere Only We Know
Somewhere Only We Know
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Keane
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Sarah Cellobat Chaffee
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Somewhere Only We Know
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.526254 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Sarah Cellobat Chaff...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.526254 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 15 pages. Sarah Cellobat Chaffee #6189519. Published by Sarah Cellobat Chaffee (A0.526254). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*British alternative rock band Keane released Somewhere Only We Know in 2004, and its driving beat and beautifully haunting melody made it one of the biggest worldwide hits of the year. To this day, the song remains a favorite for millions of people, bringing on nostalgia and great memories of days gone by. This arrangement for violin, viola, and cello string trio maintains the urgency, passion, and soaring melodic lines of the original, with beautiful harmonic layers and climactic build - it's sure to give your audience all of the throwback feels! Easily sightreadable for professionals and playable for intermediate students - there's nothing too crazy here. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
13.86€
We Can Build a Bridge (of Peace and Harmony)
We Can Build a Bridge (of Peace and Harmony)
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Chorale 2 parties
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Irv Rothenberg and Jay Althous
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Recorded Acc. Available.
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We Can Build a Bridge
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002858 We Can Build a Bridge (of Peace and Harmony) - 2-Part. Composed by Irv Rothenberg and Jay Althouse. Secular Choral...
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Chorus - SKU: AX.00-PO-0002858 We Can Build a Bridge (of Peace and Harmony) - 2-Part. Composed by Irv Rothenberg and Jay Althouse. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0002858. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002858). UPC: 038081157344.Outstanding ballad of peace and brotherhood: if we all work together we can build a bridge of peace and harmony. A quick-learn piece for general use, graduation.Inst. Parts Available (choral); Recorded Acc. Available.
$2.25 ≈
2.08€
House Of Faith
House Of Faith
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Chorale SATB
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DÉBUTANT
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Musique Sacrée
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John Botts
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John Botts
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House Of Faith
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John A. Botts
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1091802 By John Botts. By John Botts. Arranged by John Botts. Praise & Worship,Sacred,Spiritual. Octavo. 7 pages...
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Choral Choir (SATB) - Level 1 - SKU: A0.1091802 By John Botts. By John Botts. Arranged by John Botts. Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. John A. Botts #695934. Published by John A. Botts (A0.1091802). We Christians have a hope of living one day with God in heaven. The lyrics of this song express a desire to please God with our faithful work in his honor while living here on earth. We are so thankful for that promise of heaven that we want to build a house of faith while here on earth. Our desire is that when we enter that transition from earth to heaven, God will say, Well done thou good and faithful servant of mine. My devoted one, your house of faith is done!.
$2.50 ≈
2.31€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.24€
We're Building a House
We're Building a House
Voice|Choir|Piano|Organ
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Hal H
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We're Building a House
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
By Hal H. Hopson. For Unison Voices / Organ or Piano. Occasion: Building Dedication; Theme(s): Justice/Peace/Social Concertns, Missions/Outreach. Easy. Publishe...
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By Hal H. Hopson. For Unison Voices / Organ or Piano. Occasion: Building Dedication; Theme(s): Justice/Peace/Social Concertns, Missions/Outreach. Easy. Published by MorningStar Music Publishers - Digital Sheet Music
$2.15 ≈
1.99€
5 pieces for organ
5 pieces for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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5 pieces for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin ...
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Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00 ≈
28.66€
Dorina for organ
Dorina for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Dorina for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00 ≈
12.02€
Passacaglia for organ solo
Passacaglia for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Passacaglia for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin S...
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Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
12.02€
Camden Town for organ solo
Camden Town for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Camden Town for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
12.02€
Playtime for organ
Playtime for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
12.02€
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
46.21€
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
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Ensemble de Trombones
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AVANCÉ
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Contemporain
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Charles Ives
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Ross Holcombe
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The Alcotts - from Sonata No.
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Cherry Classics Music
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SheetMusicPlus
Trombone Choir Ensemble - Advanced - Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. ...
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Trombone Choir Ensemble - Advanced - Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. 44 pages. Published by Cherry Classics Music
Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.
Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven?s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.
The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.
This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.
$37.50 ≈
34.67€
Twenty-Two Christmas Carols for String Orchestra
Twenty-Two Christmas Carols for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Noël
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Various/Traditional
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Steve Winstead
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Twenty-Two Christmas Carols fo
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Sigma Squared Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1122704 Composed by Various/Traditional. Arranged by Steve Winstead. Christian,Christmas,Holiday,Sacred,Spiritual. ...
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String Orchestra - Level 3 - SKU: A0.1122704 Composed by Various/Traditional. Arranged by Steve Winstead. Christian,Christmas,Holiday,Sacred,Spiritual. Score and parts. 66 pages. Sigma Squared Music #723668. Published by Sigma Squared Music (A0.1122704). ​This incredibly versatile collection of Twenty-Two Christmas Carols is a fun-to-play book of well-known Christmas and holiday songs arranged for string orchestra with a traditional feel and just a dash of contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated for each song, which is useful for creating an audience sing-along or building your own medley. Whether you need a few tunes to round out your holiday concert or want a whole performance in one book, you'll be reaching for this collection every holiday season! Carols included: Angels We Have Heard On High Away In a Manger Carol of the Bells Deck the Halls The First Noel God Rest Ye, Merry Gentlemen Good King Wenceslas Hallelujah Chorus Hark! The Herald Angels Sing Jingle Bells Jolly Old Saint Nicholas Joy to the World O Come All Ye Faithful O Come, O Come Emmanuel O Holy Night O Little Town of Bethlehem O Tannenbaum Silent Night Up on the House Top Wassail Song We Three Kings We Wish You a Merry Christmas.
$160.00 ≈
147.92€
Swallow Love Song
Swallow Love Song
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Chorale SATB
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INTERMÉDIAIRE
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Johnson Gaoo
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Swallow Love Song
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1007063 Composed by Johnson Gaoo. Concert,Contemporary,World. Octavo. 5 pages. Johnson Gao #6707159. Published ...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1007063 Composed by Johnson Gaoo. Concert,Contemporary,World. Octavo. 5 pages. Johnson Gao #6707159. Published by Johnson Gao (A0.1007063). 燕之戀Johnson Gao今天為2022å¹´2月6æ—¥, 農曆æ£æœˆåˆå…。寫æ¤ä¸ƒå¾‹ä»¥å¥‰åŽ»å¹´ä¸€ç¶²å‹ç‚ºæˆ‘çš„ <ç®èˆ‡æŒä¹‹æ›²> 寫的幾首燕æ¸ä¾†è©©ã€‚ 殘瓴簷下燕營巢; 飛來飛去啣泥è‰ã€‚我å•ç‡•å…’為何故,åæ„›æ¤å±‹ä¼¼ç ´å»Ÿ?(燕兒唧唧回語é“;哲å¸ä¸æ·±æ„境高:)摩天大樓看似好; çŽ»ç’ƒæ»´æ»‘æ‚²é¢¨ç¹žã€‚å¯Œéº—å ‚ç…Œé›£å®‰çª©; 奪我春光雛å°é³¥ã€‚ Swallow's Love SongJohnson GaoToday is February 6, 2022, the sixth day of the first lunar month. I wrote this seven by eight word poem as a feedback to several poems written by a netizen last year for my Melody of the Arrow and the Song.Swallows make their nests under the eaves of an old house;They are flying around carried with mud and hay.I asked swallows why you are prejudice to select that house,Which looks like a broken temple?(Swallow chirps back to me,although its philosophy is not deep, the artistic conception is high :)Skyscrapers look splendid;However, its glass is slippy and it catches fierce wind all around.The shiny and magnificent halls are difficult to build a nest;How could we waste spring time for nursing our chicks?
$1.99 ≈
1.84€
Beijing Opera Style "Swallow's Serenade" Version 3
Beijing Opera Style "Swallow's Serenade" Version 3
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Johnson Gao
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Beijing Opera Style "Swal
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Johnson Gao
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SheetMusicPlus
Small Ensemble Handbell,Ukulele,Violin,Voice - SKU: A0.1007065 Composed by Johnson Gao. Concert,Contemporary,Holiday,Love,World. Score and parts. 14 pag...
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Small Ensemble Handbell,Ukulele,Violin,Voice - SKU: A0.1007065 Composed by Johnson Gao. Concert,Contemporary,Holiday,Love,World. Score and parts. 14 pages. Johnson Gao #6720091. Published by Johnson Gao (A0.1007065). This is a try to use western music instrument to perform Beijing Opera style song. The lyrics are in Chinese characters with English translation below.燕之戀Johnson Gao今天為 2022 å¹´ 2 月 6 æ—¥, 農曆æ£æœˆåˆå…。寫æ¤ä¸ƒå¾‹ä»¥å¥‰åŽ»å¹´ä¸€ç¶²å‹ 為我的 <ç®èˆ‡æŒä¹‹æ›²> 寫的幾首燕æ¸ä¾†è©©ã€‚殘瓴簷下燕營巢; 飛來飛去啣泥è‰ã€‚ 我å•ç‡•å…’為何故, åæ„›æ¤å±‹ä¼¼ç ´å»Ÿ?(燕兒唧唧回語é“; 哲å¸ä¸æ·±æ„境高:) 摩天大樓看似好;çŽ»ç’ƒæ»´æ»‘æ‚²é¢¨ç¹žã€‚å¯Œéº—å ‚ç…Œé›£å®‰çª©;奪我春光雛å°é³¥ã€‚Swallow's LoveJohnson GaoToday is February 6, 2022, the sixth day of the first lunar month. I wrote this seven by eight word poem as a feedback to several poems written by a netizen last year for my Melody of the Arrow and the Song.A pair of swallow is building a nest under the eaves near the dis-repaired gutter. They are flying around carried with mud and hay.I asked swallows why you are prejudice to select that house, Which looks like a broken temple?(Swallow chirps back to me, although its philosophy is not deep, the artistic conception is high :)Skyscrapers look splendid;However, its glass is slippy and it catches fierce wind all around.The shiny and magnificent halls are difficult to build a nest; How could we waste spring time for nursing our chicks?
$1.99 ≈
1.84€
Swallow's Serenade. Tenor and 5 instruments
Swallow's Serenade. Tenor and 5 instruments
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Contemporain
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Johnson Gao
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Swallow's Serenade. Tenor and
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Johnson Gao
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SheetMusicPlus
Small Ensemble - SKU: A0.1007064 Composed by Johnson Gao. Contemporary. Score and parts. 6 pages. Johnson Gao #6715871. Published by Johnson Gao (A0.100...
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Small Ensemble - SKU: A0.1007064 Composed by Johnson Gao. Contemporary. Score and parts. 6 pages. Johnson Gao #6715871. Published by Johnson Gao (A0.1007064). Swallow's Serenade. Tenor and 5 instruments. This piece of music was composed by Johnson Gao. It is a translation of the Chinese poem he wrote on February 6, 2022, which is a verse containing seventy Chinese characters: A pair of swallow is building the nest under eave of a dilapidated roof. They are flying out and back carried with mud and hay. I asked swallows: Why are you prejudicially selecting that house, Which looks like a broken temple? Swallow chirps back to me, Although its philosophy is not deep, the artistic conception is clear: Skyscrapers look splendid. However, its glass is so slippery and it catches fierce wind all around. The shiny and magnificent halls provide nowhere to build a nest. How could we waste the beautiful spring time for nursing our chicks? 燕之戀。 Johnson Gao。 今天為2022å¹´2月6æ—¥, 農曆æ£æœˆåˆå…。寫æ¤ä¸ƒå¾‹ä»¥å¥‰åŽ»å¹´ä¸€ç¶²å‹ 為我的 ç®èˆ‡æŒä¹‹æ›² 寫的幾首燕æ¸ä¾†è©©ã€‚ 殘瓴簷下燕營巢; 飛來飛去啣泥è‰ã€‚ 我å•ç‡•å…’為何故, åæ„›æ¤å±‹ä¼¼ç ´å»Ÿ? 燕兒唧唧回語é“; 哲å¸ä¸æ·±æ„境高: 摩天大樓看似好; 玻璃滴滑悲風繞。 å¯Œéº—å ‚ç…Œé›£å®‰çª©; 奪我春光雛å°é³¥ã€‚.
$1.99 ≈
1.84€
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The House We Build
