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The Kiss, Such A Kiss
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Vous avez sélectionné:
The Kiss, Such A Kiss
Partitions à imprimer
45 partitions trouvées
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The Kiss, Such A Kiss
The Kiss, Such A Kiss
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Piano, Voix
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Pop musique
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Shon'Soro aka Robert B Knox, a
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The Kiss, Such A Kiss
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Robert B. Knox dba House of Knox
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.993589 Composed by Shon'Soro aka Robert B Knox, an ASCAP member. Pop. Score. 8 pages. Robert B. Knox dba House of Knox (asca...
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Piano,Vocal,Voice - SKU: A0.993589 Composed by Shon'Soro aka Robert B Knox, an ASCAP member. Pop. Score. 8 pages. Robert B. Knox dba House of Knox (ascap) #4327141. Published by Robert B. Knox dba House of Knox (ascap) (A0.993589). A song describing the search for the ultimate kiss.
$4.99 ≈
4.61€
Consuelo Velázquez - Besame Mucho (Kiss Me Much) for String Quartet
Consuelo Velázquez - Besame Mucho (Kiss Me Much) for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Consuelo Velázquez, And
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Amnael Orozco-Diaz
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Consuelo Velázquez - Besame M
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C. A. Orozco-Díaz
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SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download By Consuelo Velázquez, Andrea Bocelli. Arranged by Amnael Orozco-Diaz. Score, Set of ...
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String Quartet - Advanced Intermediate - Digital Download By Consuelo Velázquez, Andrea Bocelli. Arranged by Amnael Orozco-Diaz. Score, Set of Parts. 16 pages. Published by C. A. Orozco-Díaz
Probably the best known Mexican song who people do not realize is Mexican at all. Written back in the early 40's, countless versions are swarming about the internet. None, however, does justice to this heartbreaking bolero about temptation and sin, composed by a never-then-kissed Consuelo Velzquez. This version, made by an authentic fiery Mexican, with strike your audience with so much Latino flavor they will lose control of their hips. This item includes a full score and a set of parts. Feel free to contact us for comments, suggestions and such at facebook.com/LilithAppliedArts.
$17.44 ≈
16.10€
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 4 "Homage to
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95 ≈
46.10€
The Butterfly
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00 ≈
11.08€
In the Dark Pine-Wood (Downloadable)
In the Dark Pine-Wood (Downloadable)
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.77€
Strings in the Earth and Air (Downloadable)
Strings in the Earth and Air (Downloadable)
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.77€
Kiss of Love
Kiss of Love
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Tito Abeleda
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Kiss of Love
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Glockenspiel,Piano,Viola,Violin - SKU: A0.1070271 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 213. Visi...
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Cello,Double Bass,Glockenspiel,Piano,Viola,Violin - SKU: A0.1070271 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 213. Visionary Quest Records #6073223. Published by Visionary Quest Records (A0.1070271). There is nothing like the kiss of love when you and another dare to express such an intimate act of a loving kiss, an extension of the growing bond you share with another that reflects the love you now share with each other. The depth of love's kiss whether experienced in the moment or in contemplation from a cherished memory is forever powerful and passionate. The Kiss of Love with its solo violins capture the loving emotions conveyed in this powerfully intimate piece.Kiss of Love composed by Tito Abeleda (1964 - ) Instrumentation: Piano, Glockenspiel, Violin Solo I, Violin Solo II, Violin 1-2, Viola, Cello 1-3, Double Bass. Level: Advanced Intermediate. Score plus parts = 38 pages. Duration 3:33 MP3 is studio recording. Music Score Video is Sibelius Note Performer sound output.Special thanks for Sheet Cover photo by Marlon SchmeiskiContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99 ≈
1.84€
Kiss of Love
Kiss of Love
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Orchestre à Cordes
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Contemporain
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Tito Abeleda
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Kiss of Love
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - SKU: A0.984562 Composed by Tito Abeleda. Contemporary. Score and parts. 38 pages. Visionary Quest Records #6073207. Published by Visi...
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String Orchestra - SKU: A0.984562 Composed by Tito Abeleda. Contemporary. Score and parts. 38 pages. Visionary Quest Records #6073207. Published by Visionary Quest Records (A0.984562). There is nothing like the kiss of love when you and another dare to express such an intimate act of a loving kiss, an extension of the growing bond you share with another that reflects the love you now share with each other. The depth of love's kiss whether experienced in the moment or in contemplation from a cherished memory is forever powerful and passionate. The Kiss of Love with its solo violins capture the loving emotions conveyed in this powerfully intimate piece. Kiss of Love composed by Tito Abeleda (1964 - ) Instrumentation: Piano, Glockenspiel, Violin Solo I, Violin Solo II, Violin 1-2, Viola, Cello 1-3, Double Bass. Level: Advanced Intermediate. Score plus parts = 38 pages. Duration 3:33  MP3 is studio recording. Music Score Video is Sibelius Note Performer sound output.Special thanks for Sheet Cover photo by Marlon SchmeiskiEmail Tito Abeleda: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$15.00 ≈
13.84€
Kiss The Girl
Kiss The Girl
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Little Texas
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Sherry Lewis
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https://www
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Kiss The Girl
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521833 By Little Texas. By Alan Menken. Arranged by Sherry Lewis. Contemporary. Score and Parts. 17 pages. Sherry L...
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String Orchestra - Level 3 - SKU: A0.521833 By Little Texas. By Alan Menken. Arranged by Sherry Lewis. Contemporary. Score and Parts. 17 pages. Sherry Lewis Publishing #6498901. Published by Sherry Lewis Publishing (A0.521833). KISS THE GIRL from Little Mermaid String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 9 pages Time: 2'20 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.99€
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissan...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99 ≈
8.30€
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
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Chorale SATB
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FACILE
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Chris Lawry, Angela Cope
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The Little Things -
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Moonhouse Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages. Moonhouse Music...
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Choral Choir (SATB) - Level 2 - SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages. Moonhouse Music #5792953. Published by Moonhouse Music (A0.749985). During the Covid 19 lockdown the community choir Amber Valley Voices have worked with their MD Angie Cope and accompanist and composer Chris Lawry to write a lock down inspired song to rehearse in their Zoom rehearsals to hopefully use in their forthcoming concerts once restrictions are eased and we can begin to meet and sing together again.Much love to all out there that can't sing together yet; we are feeling your pain with you!Sheet music (for Unison, SA and SATB choir) available from www.chrislawry.com. If you need a backing track or leadsheet, or anything, please get in touch using: contact@chrislawry.com Lyrics: Waiting by the window, Parcels at the door, Kisses left hanging in the air. Doorstep daughters and street-side sons, It's the little things to show that you still care. ]Smiles from total strangers we pass along the way, Neighbours that speak now ev’ry day. Time for conversations, time for souls to touch It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch. It’s the little things that now mean oh so much. A letter from a loved one, flowers from a friend The look that says I know, I understand Early morning birdsong, a woodlands dappled light, It’s the outward signs of natures healing hand.To wander through a meadow, to drink in cleaner air New life bursts out around us ‘midst our pain. So much has been lost at immeasurable cost But together we’ll rebuild our world again. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much.
$1.99 ≈
1.84€
Labia Mea for 8 voices a cappella
Labia Mea for 8 voices a cappella
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Chorale SATB
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AVANCÉ
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Vahram Sarkissian
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Labia Mea for 8 voices a cappe
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Vahram Sargsyan
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages....
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Choral Choir (Mixed) - Level 5 - SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages. Vahram Sargsyan #2002319. Published by Vahram Sargsyan (A0.882922). Labia Mea for eight mixed voices a cappella is a unique innovative composition that explores and questions the possibilities of the human voice. Several unusual techniques are used throughout the work such as different types of throat singing, overtone singing, multiphonics, vocal percussion, extreme registers etc. It reveals some sounds and colors yet unknown to the world of vocal music. The work is based on a short excerpt of the psalm 50 (Domine labia mea aperies). There is a text accumulation process throughout the work, at the beginning there are just sounds, then phonemes assemble, words appear and closer to the end the full text is revealed.
$44.99 ≈
41.52€
Monteverdi - The Seventh Book of Madrigals (1619) - 20. Eccomi pronta ai baci à6
Monteverdi - The Seventh Book of Madrigals (1619) - 20. Eccomi pronta ai baci à6
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767359 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767359 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3543487. Published by Lyons Music Services (A0.767359). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Eccomi pronta ai baci Here am I ready for kisses! A rather explicit song about kisses and biting! The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99 ≈
5.53€
Dance of the Blessed Spirits for Piano Solo
Dance of the Blessed Spirits for Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Christoph Willibald Von Gluck
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Michael Bomier
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Dance of the Blessed Spirits f
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862651 Composed by Christoph Willibald Von Gluck. Arranged by Michael Bomier. Baroque,Easter,Sacred,Standards. Score. 3 p...
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Piano Solo - Level 4 - SKU: A0.862651 Composed by Christoph Willibald Von Gluck. Arranged by Michael Bomier. Baroque,Easter,Sacred,Standards. Score. 3 pages. Michael Butkus-Bomier #3586239. Published by Michael Butkus-Bomier (A0.862651). Dance of the Blessed Spirits is Baroque music but without counterpoint. It is famed for being a clear and early example of monody and homophony.It has been recorded by many concert artists over the years, and exists in other piano solo arrangements. Our goal here is, as always, to make this repertoire easily readable and playable, whilst retaining the charm, grace, and serene elegance of the other more difficult or embellished settings. The bassline is given here on the lower clef, but the chords which alternate above are given in the same treble staff the melody is written in. This gives the eye a chance to see the harmony without a swarm of bass clef ledgerlines. It is also preferable to a three-stave approach, which makes the eye move too often from clef to clef. Tempo given is a usual one for concert artists, such as Kissin. MBB
$2.50 ≈
2.31€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.41€
Monteverdi - The Seventh Book of Madrigals (1619) - 14. Tornate, O cari baci a6
Monteverdi - The Seventh Book of Madrigals (1619) - 14. Tornate, O cari baci a6
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767320 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Ren...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767320 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 18 pages. Lyons Music Services #3468156. Published by Lyons Music Services (A0.767320). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Tornate, O cari baci is another duet for two tenors, The title translates as Return, O Beloved ? . In it, the poet is pleading with his lover to return and kiss him back to life - with the usual proviso that 'life' and 'death' are euphemisms.I decided to use two euphonious/baritones for the soloists, with the accompaniment managed by 2 cornets/trumpets, a horn and a tuba.The accompaniment is, in places, quite complex. There are many places where there is imitation, not just between the soloists, but also between them and the accompaniment.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99 ≈
5.53€
"Three Labe Sonnets" for mezzo-soprano and piano
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50 ≈
4.15€
Kissing You
Kissing You
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Des'ree Weekes and Tim Atack
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Sherry Lewis
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Kissing You
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.502776 Composed by Des'ree Weekes and Tim Atack. Arranged by Sherry Lewis. Contemporar...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.502776 Composed by Des'ree Weekes and Tim Atack. Arranged by Sherry Lewis. Contemporary,Film/TV,Pop,Wedding. 21 pages. Sherry Lewis Publishing #115136. Published by Sherry Lewis Publishing (A0.502776). KISSING YOU from Romeo and Juliet STRING ORCHESTRA Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: Yes Parts: 9 pages Time: 4:20 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.99€
Monteverdi - The Seventh Book of Madrigals (1619) - 08.Vorrei baciarti a5
Monteverdi - The Seventh Book of Madrigals (1619) - 08.Vorrei baciarti a5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons Music Services #3459039. Published by Lyons Music Services (A0.767313). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Vorrei baciarti has fairly simple harmonies, so I was able to keep it to 5 parts. Vorrei baciarti is a duet for two contraltos, taken by parts 2 and 3 in this setting. The title translate as I want to kiss you, so typifies the kind of love songs that Monteverdi was writing. The poet is singing these words to his lover Phyllis, so we can probably assume that he is Amyntas. In the poem he is deciding where to plant his first kiss. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99 ≈
5.53€
Monteverdi - The Seventh Book of Madrigals (1619) - 13. Perchè Fuggi
Monteverdi - The Seventh Book of Madrigals (1619) - 13. Perchè Fuggi
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. ...
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Brass Ensemble - Level 4 - SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. Lyons Music Services #3468154. Published by Lyons Music Services (A0.767319). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Perchè Fuggi is a duet for two tenors, The title translates as Why do you flee? . In it, the poet is sad that the object of his desire runs away and hides when he tries to kiss her.I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 1 cornet/trumpet, a horn and a tuba. I managed to retain the quintet as the accompaniment is very simple, almost 'secco' in styleThe seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99 ≈
5.53€
Monteverdi - The Seventh Book of Madrigals (1619) - 09. Dice la mia bellissima Licori a6
Monteverdi - The Seventh Book of Madrigals (1619) - 09. Dice la mia bellissima Licori a6
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767314 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissan...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767314 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 20 pages. Lyons Music Services #3459045. Published by Lyons Music Services (A0.767314). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Dice la mia bellissima Licori is a duet for two tenors, The title translates as My beautiful Licori says the text is about a girl, obviously reluctant to be kissed, but eventually won over. I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 2 cornets/trumpets, a horn and a tuba. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99 ≈
5.53€
I Saw Mommy Kissing Santa Claus
I Saw Mommy Kissing Santa Claus
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Tommie Connor
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Sherry Lewis
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I Saw Mommy Kissing Santa Clau
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1161235 Composed by Tommie Connor. Arranged by Sherry Lewis. Children,Christmas. 18 pa...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1161235 Composed by Tommie Connor. Arranged by Sherry Lewis. Children,Christmas. 18 pages. Sherry Lewis Publishing #761571. Published by Sherry Lewis Publishing (A0.1161235). I Saw Mommy Kissing Santa ClausSTRING ORCHESTRA Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, Etc.Score: YesParts: 9 pagesTime: 3:20 If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$12.99 ≈
11.99€
Epitaphios for string quartet
Epitaphios for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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correlation and superimpositio
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Vahram Sarkissian
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Epitaphios for string quartet
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Vahram Sargsyan
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.882928 Composed by Vahram Sarkissian (Sargsyan). 20th Century,Contemporary. Score a...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.882928 Composed by Vahram Sarkissian (Sargsyan). 20th Century,Contemporary. Score and parts. 55 pages. Vahram Sargsyan #2803825. Published by Vahram Sargsyan (A0.882928). EpitaphiosThe idea to write a piece which would embed various eastern instrumental playing techniques into western aesthetic milieu was the main musical trigger for Epitaphios. There are some pre-existing musical materials involved in the creative process. First and the main reference comes from so-called Seikilos Epitaph - a Hellenistic ancient Greek song which is the oldest surviving example of a complete musical composition. It is notated on a tombstone, a stele dating back to around 1st century AD which was found in present western Turkey. Other 2 main references are nearly tonal neo-romantic sacred music and perhaps most interestingly microtonal Middle Eastern music ornaments peculiar to traditional bowed string instruments such as Kamancha. By correlation and superimposition of these 3 different styles the composer created a complex, multilayered somewhat eclectic atmosphere which may allusively reflect the composite approach to the problem of life and death from rational, emotional and spiritual perspectives.The recording is a live performance by Movses Pogossian and Armen Derkevorkian, violins, Tien-Hsin Cindy Wu, viola, Vardan Gasparyan, cello at Zipper Hall, Los Angeles (2015).Vahram Sarkissian (Sargsyan)One of the most distinguished Armenian composers of his generation Vahram Sarkissian is best known for his choral and chamber works that have been widely performed throughout Europe, Asia and North America. His style represents a palette of multicultural creative initiatives influenced by numerous traditions and practices spanning from V century Armenian medieval chant to previously unreported endogenous vocal extended techniques.
$44.99 ≈
41.52€
Winds of May (Downloadable)
Winds of May (Downloadable)
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Juliana Hall
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Winds of May
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-2E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$4.00 ≈
3.69€
Of That So Sweet Imprisonment (Downloadable)
Of That So Sweet Imprisonment (Downloadable)
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.77€
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The Kiss, Such A Kiss
