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Vous avez sélectionné:
The Least Among You
Partitions à imprimer
13 partitions trouvées
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1
Bethlehem Angel and The First Noel
Bethlehem Angel and The First Noel
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Noël
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Ginny Saltzman
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Bethlehem Angel and The First
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Ginny's House of Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Sc...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99 ≈
4.52€
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99 ≈
9.06€
The Be-Bop Range Book
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95 ≈
15.37€
The Least Among You (3 Flutes, Alto Flute)
The Least Among You (3 Flutes, Alto Flute)
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Flûte traversière
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Gregory Hoepfner
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The Least Among You
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Imagine Music - Digital
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SheetMusicPlus
By Gregory Hoepfner. For 3 flutes, alto flute. Level 6. Score and parts. Published by Imagine Music - Digital ...
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By Gregory Hoepfner. For 3 flutes, alto flute. Level 6. Score and parts. Published by Imagine Music - Digital
$30.00 ≈
27.20€
The Least Among You (4 Flutes)
The Least Among You (4 Flutes)
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Flûte traversière
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Gregory Hoepfner
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The Least Among You
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Imagine Music - Digital
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SheetMusicPlus
By Gregory Hoepfner. For 4 flutes. Level 6. Score and parts. Published by Imagine Music - Digital ...
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By Gregory Hoepfner. For 4 flutes. Level 6. Score and parts. Published by Imagine Music - Digital
$30.00 ≈
27.20€
The Goodness of the Lord (Vocals and Piano)
The Goodness of the Lord (Vocals and Piano)
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Chorale SATB
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Adam Judd
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The Goodness of the Lord
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Adam Judd
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.958123 Composed by Adam Judd. Christian,Gospel,Sacred. Octavo. 8 pages. Adam Judd #3129737. Published by Adam Ju...
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Choral Choir (SATB) - Level 2 - SKU: A0.958123 Composed by Adam Judd. Christian,Gospel,Sacred. Octavo. 8 pages. Adam Judd #3129737. Published by Adam Judd (A0.958123). The Goodness of the Lord grew out of the striking statement of faith found in Psalms 27: 13. While much of the psalm indicates that its author was dealing with some serious life issues, in this verse the psalmist affirms a trust in the Lord’s help: not salvation for the next life, but rescue and shelter within the present lifetime. This piece attempts to portray such trust in God during times of struggle and pain.At least two soloists are necessary, but the solo parts may be divided among more singers if desired to suit your ensemble. The piece may be performed successfully using only chorus, soloists, and piano; however, there is also an orchestration available (S0.249231) for trumpet, tenor sax, guitar, and upright bass. Be warned that the tenor sax part is advanced-but someone who regularly handles musical theater woodwind books should have no problem. Including a drum set is recommended if you have someone who can find his or her way through the piece and enhance its gospel flavor; there is no written drum set chart, because the person you would want to play this piece with you won’t need it.Enjoy!
$1.99 ≈
1.80€
Homage to Sibelius
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50 ≈
93.83€
When a Mezzo (x2)
When a Mezzo (x2)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99 ≈
5.43€
Let It Go
Let It Go
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Idina Menzel
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Will Corbin
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Let It Go
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1461587 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Will Corbi...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1461587 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Will Corbin. Broadway,Children,Film/TV,Musical/Show. 22 pages. Will Corbin #1040331. Published by Will Corbin (A0.1461587). The Lopezes wrote this song for Disney's 2013 animated film, Frozen. It immediately became a worldwide hit and a favorite of little girls (some big ones, too) everywhere. There are recorded versions in at least 41 languages. It won the 2014 Oscar for Best Original Song, among many other awards.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00 ≈
13.60€
What A Wonderful World
What A Wonderful World
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Louis Armstrong With Kenny G
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Adam White
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What A Wonderful World
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Adam Michael White
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.942691 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arran...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.942691 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Adam White. Jazz. Score and parts. 9 pages. Adam Michael White #6525825. Published by Adam Michael White (A0.942691). Here is my updated arrangement of Louis Armstrong's What a Wonderful World for string quartet. After having the privilege of getting a string quartet to play the previous version for me, I came to realize that I did not like it and removed it from this website until I could write a better arrangement. Of the changes that I made, I split up the melody amongst the whole quartet instead of just giving it to the cello, and I changed various voicings, registers, and accompanying rhythms to make it more involved and enjoyable for the performers. However, I would still rate this arrangement for intermediate performers at the very least since there are passages in most of the parts that have the performers playing in the third position. The format of the download is one pdf consisting of the score and parts. I hope you enjoy this arrangement, and happy playing!
$12.99 ≈
11.78€
Gloria In Excelsis Deo - Solo Bb Trumpet/ B Flat Trumpet and Piano - Advanced Intermediate
Gloria In Excelsis Deo - Solo Bb Trumpet/ B Flat Trumpet and Piano - Advanced Intermediate
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Raymond Fenech
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Gloria In Excelsis Deo - Solo
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Raymond Fenech
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.760590 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Praise &...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.760590 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Praise & Worship. Score and part. 17 pages. Raymond Fenech #5359335. Published by Raymond Fenech (A0.760590). Antonio Vivaldi wrote at least three settings of the hymn Gloria in Excelsis Deo, whose words date probably from the 4th Century and which is an integral part of the Ordinary of the Mass. Gloria in Excelsis Deo is a familiar and popular piece among sacred works by Vivaldi. It was probably written in 1715. The Level is Advance Intermediate and the duration is approximately 2.38 minutes. It could be played in any type of recital/concert.Can send you backing Mp3 with proof of buying. email: rfenech58@gmail.com
$3.99 ≈
3.62€
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