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Vous avez sélectionné:
The Most Incredible Thing
Partitions à imprimer
21 partitions trouvées
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1
The Most Incredible Thing
The Most Incredible Thing
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Piano Facile
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DÉBUTANT
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Sarah Bonsignore
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Sarah Bonsignore
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The Most Incredible Thing
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Sarah Bonsignore
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1098480 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Children,Instructional. Score. 7 p...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1098480 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Children,Instructional. Score. 7 pages. Sarah Bonsignore #702337. Published by Sarah Bonsignore (A0.1098480). Here is a song I wrote for my students of all ages to help them start hearing and understanding harmony. The song is simple, but they read it in four ways. First we learn it singing the melody and reading/playing the simple chord shapes, then we see what the notes look like on the second page, then we name the notes, and finally we add the roman numerals (figured bass). I also sing an extra harmony each time we do it, so that students are learning to sing with multiple parts. I hope to include this piece in my Ready to Shine Songs for Children Book 2, and until then it will be available here. I have many more songs and piano repertoire in my books on Amazon, I hope you'll check them out.
$2.99 ≈
¥21.18
The Next Earth
The Next Earth
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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JP Wogaman II
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The Next Earth
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JP Wogaman II
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.945199 Composed by JP Wogaman II. 20th Century,Contemporary. Score and parts. 11 pages. JP Wogaman II #6209241. Publi...
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Brass Ensemble - Level 4 - SKU: A0.945199 Composed by JP Wogaman II. 20th Century,Contemporary. Score and parts. 11 pages. JP Wogaman II #6209241. Published by JP Wogaman II (A0.945199). It seems that I grew up in an era of epic storytelling! In the last century especially, stories of space exploration and adventure have captivated the world’s attention. Another thing it seems, is that the most popular of these stories, in the film medium at least, always have incredible French horn lines. I was blessed to go to school where incredible horn players were abundant, and I made friends with as many of them as I could. This piece is meant to be a fun exercise for the imagination: what happens during the maiden voyage to the stars? What happens in the search for the next Earth?More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com
$25.00 ≈
¥177.09
True Quack Pack Theme Song - Score Only
True Quack Pack Theme Song - Score Only
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Orchestre d'harmonie
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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True Quack Pack Theme Song - S
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Amphibia Cultural Legacy
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SheetMusicPlus
Concert Band - SKU: A0.1207451 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Broadway,Contemporary,Disco,Film/TV,Musical/S...
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Concert Band - SKU: A0.1207451 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Broadway,Contemporary,Disco,Film/TV,Musical/Show,Rock. 3 pages. Amphibia Cultural Legacy #805618. Published by Amphibia Cultural Legacy (A0.1207451). Amphibia Cultural Legacy has released an instrumental cover of the True Quack Pack Theme Song based on the original music from DuckTales 2017. The body is a beautiful remix that features an orchestra and highlights the unique musical qualities of the original song. Listeners are sure to be impressed by how Amphibia Cultural Legacy has managed to capture the essence of the theme song while still putting its spin on it.The True Quack Pack Theme Song is an instantly recognizable tune that fans will love hearing played with such skill and precision. Amphibia Cultural Legacy's version is powerful and subtle, showcasing a deep understanding of creating a truly captivating piece of music. This instrumental cover is perfect for fans who want to experience something new while staying true to their favorite show's roots.The True Quack Pack Theme Song is one of the most memorable tunes from the hit show DuckTales 2017. Amphibia Cultural Legacy has taken this beloved theme song into something extraordinary with its instrumental cover remixed with orchestra. Fans of this iconic tune will be blown away by the new and improved version that takes the original music to a new level.From its inception, the Quack Pack! episode in DuckTales 2017 destiny to become legendary. The unforgettable theme song played a huge role in making this episode such a fan favorite. Now, thanks to Amphibia Cultural Legacy's incredible remix, fans can relive these memories even more beautifully and dynamically. The orchestra adds depth and complexity to a fantastic piece of music, creating a genuinely unmatched listening experience.
$40.00 ≈
¥283.35
The Painter
The Painter
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Piano seul
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INTERMÉDIAIRE
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Louis Landon
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The Painter
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon C...
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Piano Solo - Level 3 - SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon Creative, Inc. (A0.761847). Healing Hearts is the fourth solo piano release from Louis Landon in less than two years, an indication that his 2013 move to Sedona, AZ sparked an amazing creative streak for him. Since his move, Landon has established Healing Piano of Sedona which offers a unique sound healing experience to create mental, physical and emotional well-being. Landon is a Steinway Artist who has toured internationally and has released seventeen albums, eleven of which are solo piano (one is a best of). He has been using the techniques of Gurdjieff and Ouspensky for spiritual development since 1980. Healing Piano of Sedona was created to help people live life joyously, passionately, stress- and disease-free.The thirteen tracks on Healing Hearts were created spontaneously to assist individuals in their emotional and spiritual well-being. I have to admit that in the past, I have had a strong preference for Landon’s more composed music, but he is improvising and performing so much now that his spontaneous music is incredibly cohesive and complete and the emotional content is rich and sincere. Landon has performed house concerts in my series every year for the past seven years and while his music has always been exceptionally good, now it’s often breathtaking in its beauty and honesty. Nothing is held back, coming from the purest source of creativity. I’m blown away by the music on Healing Hearts and am certain that it will be the second of Landon’s albums on my Favorites list for 2014.Most of the tracks overflow with peace and serenity. In fact, Louis calls his home studio The Peace Palace and I can see why! A couple of pieces are a bit livelier, but the entire album is perfect for a warm and soothing background. However, be sure to treat your mind and soul to a blissful hour of calming music that can effortlessly heal the spirit and wash away the cares of the moment, the day, or life in general - at least for a while. All of the tracks are exceptional, but I’ll mention a few favorites. Amy’s Song is a breath of fresh air - graceful, tender and very warm. Gorgeous! Desert Peace is somewhat more ambient and so peaceful. I love the title track, which is more minor and a bit darker, but so poignant and compelling. Now or Never seems to be offering support and encouragement to move forward - gently but firmly. Sacred is almost hymn-like. The Great Unknown is dedicated to a young family member who passed away recently. Dark and sometimes painfully sad, there is hope as the healing process takes place - an amazing piece of music! The Painter expresses the passionate spirit that can flow from one artist to another. Unstoppable begins quietly and simply, gradually building energy, strength and power. Unstoppable, indeed! A great, upbeat ending to a fantastic album!Healing Hearts is a must-hear! It is available from louislandon.com, Amazon, iTunes, and CD Baby. Very highly recommended!
$5.25 ≈
¥37.19
When I Look In The Mirror...
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00 ≈
¥212.51
It is a thing most wonderful
It is a thing most wonderful
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Chorale SATB
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Musique Sacrée
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Roger Jones
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It is a thing most wonderful
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.927413 Composed by Roger Jones. Christian,Easter,Praise & Worship,Sacred. Octavo. 10 pages. Christian Music Ministries #38...
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Choral Choir (SATB) - SKU: A0.927413 Composed by Roger Jones. Christian,Easter,Praise & Worship,Sacred. Octavo. 10 pages. Christian Music Ministries #3873019. Published by Christian Music Ministries (A0.927413). A beautiful setting of W W How's traditional words for soloist, SATB choir and piano. The score also includes guitar chords. With a gentle melody, beautiful choral backing vocals and some four-part harmony, this piece is incredibly moving and is perfect for lent and Holy Week.
$1.99 ≈
¥14.10
The Lonely Man
The Lonely Man
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Harnell
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Scott Hagarty
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The Lonely Man
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Scagarty Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.939491 Composed by Joseph Harnell. Arranged by Scott Hagarty. Contemporary. Score and parts. 11 pages. Scagarty Music...
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Brass Ensemble - Level 4 - SKU: A0.939491 Composed by Joseph Harnell. Arranged by Scott Hagarty. Contemporary. Score and parts. 11 pages. Scagarty Music #6575605. Published by Scagarty Music (A0.939491). At the end of most of the episodes from the 1978 TV Series, The Incredible Hulk, the main character, David Banner, is shown leaving whatever town or city he was in, walking alone down the highway, sometimes hitch-hiking, as he has typically destroyed buildings, human lives, and relationships as his Hulk persona earlier in the episode and can no longer show his face in town. The music that accompanies this ending scene is the tragic and sad The Lonely Man. It is so stereotypically and overly dramatic, that it has become something of an internet meme, being featured on an episode of Family Guy as well as numerous Youtube videos. This setting for brass quintet stays faithful to the original version for solo piano by Joe Harnell and captures the mournful and sad atmosphere perfectly.
$12.99 ≈
¥92.02
Di Na Muli
Di Na Muli
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Piano seul
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FACILE
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Jazz Nicolas and Wally Acolola
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Fernando Ramos
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Di Na Muli
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Fernando Ramos
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1354836 Composed by Jazz Nicolas and Wally Acolola. Arranged by Fernando Ramos. 21st Century,Classical,Multicultural,Pop,...
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Piano Solo - Level 2 - SKU: A0.1354836 Composed by Jazz Nicolas and Wally Acolola. Arranged by Fernando Ramos. 21st Century,Classical,Multicultural,Pop,World. Score. 2 pages. Fernando Ramos #939539. Published by Fernando Ramos (A0.1354836). Other Arrangements Available: https://www.sheetmusicplus.com/en/category/arrangeme/426/fernando-ramos/?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece. This arrangement was made for a late beginner studying in Level 1 of the Keith Snell books, Federation class Primary 4. This is not as easy as it looks, especially with the lilting sixteenths. I had my student play these evenly instead and it still sounded incredible. Try to bring out the emphasized notes in the bass clef.Pedaling is straightforward and fingering suggestions are included.
$4.99 ≈
¥35.35
Numbered Places [11 pieces for piano solo]
Numbered Places [11 pieces for piano solo]
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Juan María Solare
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Numbered Places [11 pieces for
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score...
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Piano Solo - Intermediate - Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces)
01 - One Way Flight to... (2:50)
02 - Twopenny Loaf [USA] (3:45)
03 - Three Bridges [UK] (2:25)
04 - Four Oaks [USA] (3:00)
05 - Five Pointz [NYC] (3:45)
06 - Six Mile Bottom [UK] (2:40)
07 - Seven Kings [UK] (5:10)
08 - Eight Streets [USA] (5:55)
09 - Nine Elms [UK] (2:50)
10 - Ten Ten Road [NC, USA] (3:25)
11 - Eleven Lands [UK] (3:30)
Totaltime: 39:15
Numbered Places * piano * music by Juan María Solare
The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).
For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.
In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.
Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.
Let us briefly comment each of the titles:
- One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.
- TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.
- ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.
- Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.
- FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.
- Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.
- SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'
- EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.
- Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.
- Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.
- ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.
Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.
This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1
There are alsovideos of several pieces of this album. They are in the following playlist:
https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00 ≈
¥77.92
VALS FRÅN DREFVIKEN
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.10
LÄTTA FINGRAR
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.10
FORNUDDSVALSEN
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.10
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.10
SNÖKÄNGAN
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.10
My Tennessee Mountain Home
My Tennessee Mountain Home
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Chorale TTBB
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INTERMÉDIAIRE
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Dolly Parton
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Clifford W
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My Tennessee Mountain Home
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Clifford W. King
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritual,Traditional. Octavo. 11 pages. Clifford W. King #797011. Published by Clifford W. King (A0.1197834). ( t t b b ) a cappellaoptional piano or bluegrass ensemble ad lib. Commissioned by the Gay Men's Chorus of Washington D.C., Thea Kano, Artistic DirectorThis is an incredibly beautiful a cappella choral arrangement of one of Dolly Parton's most sincere and memorable songs is now available for TTBB choir! The longing lyrics and simple melody are enhanced with rich and soothing harmonies. The piece begins with calming and reassuring chords that 'hum' and 'ooh' as the tone is set for evoking childhood memories. An optional tenor solo, a few meter changes, some simple divisi and melody shifts between voices add to the uniqueness of the arrangement. Excellent for bluegrass, Americana, folk, or reminiscence-themed concerts.Duration: 3'50.
$2.10 ≈
¥14.88
Ragtime Miniatures for Two Flutes - Set 2
Ragtime Miniatures for Two Flutes - Set 2
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Ragtime
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Pat Holmberg
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Ragtime Miniatures for Two Flu
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Patricia Tanttila Holmberg
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SheetMusicPlus
Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg ...
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Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg
Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes ? Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student?s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student?s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play?a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".
$9.99 ≈
¥70.77
Llueve (It Rains)
Llueve (It Rains)
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Piano seul
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Contemporain
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Douglas Pew
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Llueve
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Blue Shore Music
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SheetMusicPlus
Piano Solo - SKU: A0.938566 Composed by Douglas Pew. Contemporary. Score. 6 pages. Blue Shore Music #12993. Published by Blue Shore Music (A0.938566).
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Piano Solo - SKU: A0.938566 Composed by Douglas Pew. Contemporary. Score. 6 pages. Blue Shore Music #12993. Published by Blue Shore Music (A0.938566). Duration: 5:30. A movement from the suite of piano works A La Orilla Azul Del Silencio ('On The Blue Shore Of Silence'). Llueve ('It Rains') is almost hallucinogenic as it slowly undulates around the same C for 5 minutes, while other lines sensually swim around it. The language is luminous and chromatic, with just enough hints of tonality to help juxtapose the incredible harmonic shifts. His sonic approach to the keyboard here has its ancient roots in Debussy’s pianism, demanding hushed pianissimo dynamics. Pew has a unique voice that is sure to connect with audiences, while saying something fresh, profound and meaningful. Sensual, other-worldly, expressive and showcasing his rich harmonic pallet, they are freely tonal and transcend any sense of measured time. This is gorgeous piano music. - Scott Holden, pianist. For more information, please visit douglaspew.com.
$7.99 ≈
¥56.60
Murmures
Murmures
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Piano seul
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FACILE
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Richard Clayderman
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@Jhavilah
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Murmures
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Jhavilah
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1226710 By Richard Clayderman. By Paul De Senneville. Arranged by @Jhavilah. 20th Century,Classical,Romantic Period,Stand...
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Piano Solo - Level 2 - SKU: A0.1226710 By Richard Clayderman. By Paul De Senneville. Arranged by @Jhavilah. 20th Century,Classical,Romantic Period,Standards,Wedding. Score. 4 pages. Jhavilah #822709. Published by Jhavilah (A0.1226710). Murmures is a beautiful piano composition created by French pianist and composer Paul de Senneville. This serene and captivating piece was released in 1983, and it quickly became one of de Senneville's most popular works. As the music progresses, the listener is transported to a dreamlike state, as the soothing sounds of the piano envelop them in a warm, comforting embrace. The piece is filled with subtle nuances and intricate details, which create a sense of depth and richness to the music.Despite its simplicity, Murmures is an incredibly powerful piece of music that has the ability to evoke a wide range of emotions in the listener. It is a testament to de Senneville's skill as a composer, as he is able to create a complex and nuanced piece of music using only a piano.Overall, Murmures is a timeless masterpiece that continues to captivate and inspire audiences around the world. Its timeless beauty and emotional depth are a testament to the power of music to move and uplift us, even in our darkest moments.
$4.99 ≈
¥35.35
Elephant Dance - Piano Solo
Elephant Dance - Piano Solo
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Piano seul
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AVANCÉ
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Contemporain
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Christopher Wolfe
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Elephant Dance - Piano Solo
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Christopher Wolfe
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991611 Composed by Christopher Wolfe. Contemporary. Score. 2 pages. Christopher Wolfe #3020009. Published by Christopher ...
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Piano Solo - Level 5 - SKU: A0.991611 Composed by Christopher Wolfe. Contemporary. Score. 2 pages. Christopher Wolfe #3020009. Published by Christopher Wolfe (A0.991611). A piece of music designed to be nigh-on unplayably hard. This was written as an attempt to give a doctoral piano student something to attempt that, although physically possible, would be incredibly difficult. It's a crazy, zany, almost jazzy piece of music that will test the limits of your piano technique. The accompanying recording was produced synthetically as I have yet to find someone willing to tackle the challenge. Are you up to it?Contact me at wolfiemeister@yahoo.com if you have any questions about the work. .
$5.00 ≈
¥35.42
Lullaby Of Birdland
Lullaby Of Birdland
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Harpe
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AVANCÉ
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Ella Fitzgerald
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Tamsin Dearnley
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Lullaby Of Birdland
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Tamsin Dearnley
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SheetMusicPlus
Lever Harp - Level 5 - SKU: A0.1467815 By Ella Fitzgerald. By George David Weiss and George Shearing. Arranged by Tamsin Dearnley. Jazz,Latin. Score. 5 ...
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Lever Harp - Level 5 - SKU: A0.1467815 By Ella Fitzgerald. By George David Weiss and George Shearing. Arranged by Tamsin Dearnley. Jazz,Latin. Score. 5 pages. Tamsin Dearnley #1046115. Published by Tamsin Dearnley (A0.1467815). Give your next audience something different with this almost meditative take on the jazz standard 'Lullaby of Birdland'. With some slightly unusual harmonies and some delicious cluster chords, it works incredibly well on the lever harp!This arrangement is written for lever harps in E flat. Range of piece: F2 - E6.
$9.99 ≈
¥70.77
A Little Piece Of Heaven for Flute Choir
A Little Piece Of Heaven for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Avenged Sevenfold
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Lisa Ochoco
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A Little Piece Of Heaven for F
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Lisa Ochoco
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SheetMusicPlus
Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - By Avenged Sevenfold. Arranged by Lisa Ochoco. Score, Set of Parts. 31 pa...
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Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - By Avenged Sevenfold. Arranged by Lisa Ochoco. Score, Set of Parts. 31 pages. Published by Lisa Ochoco
Flute choir meets heavy metal!
Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.
If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.
This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.
This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!
I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!
$17.00 ≈
¥120.42
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The Most Incredible Thing
