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The Music for Military band
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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, P...
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Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pfanos y Tambores que se tocan nuevamente en la Ynfant Espaola (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real?s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La Espaa militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espritu Pblico (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martn lvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II?s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II?s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII?s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolom Prez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet Jos Mara Pemn in 1928.
The actual symphonic version of the Marcha Real that replaces the Prez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Prez Casas? Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873?74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931?1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country?s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it?s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolom Prez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Prez Casas? estate in 1997 for 130,000,000 pesetas (~ ? 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
35.93€
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99 ≈
27.63€
Star-Spangled Banner (Four Historic Versions of the National Anthem)
Star-Spangled Banner (Four Historic Versions of the National Anthem)
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Patriotique
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Smith, John Stafford
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Craig Garner
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Star-Spangled Banner
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 2 - SKU: A0.740291 Composed by Smith, John Stafford. Arranged by Craig Garner. Folk,Graduation,Holiday,Patriot...
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Brass Ensemble Horn,Trombone,Tuba - Level 2 - SKU: A0.740291 Composed by Smith, John Stafford. Arranged by Craig Garner. Folk,Graduation,Holiday,Patriotic. Score and parts. 31 pages. Dorm 40 Music #6352917. Published by Dorm 40 Music (A0.740291). The Star-Spangled Banner was not officially recognized as the National Anthem of the United States until an act of Congress in 1931. Prior to that, the US War Department designated the song as the National Anthem in 1917, at least for the military. But, in 1917, the was no standardized version of the Star-Spangled Banner for military bands to perform. Two separate committees were formed to create standardized versions of the Star-Spangled Banner, one sanctioned for the military, and the other for non-military use. This unique arrangement contains four historic versions of the Star-Spangled Banner: 1917 Service Version, 1918 Standardized Version, John Philip Sousa’s arrangement from 1889, and the Department of Defense Edition from 1955. All four versions are similar, yet surprisingly different in the harmonic and rhythmic treatment of the melody. In addition, the arrangement includes each part in both concert B-Flat and A-flat (A-flat being the preferred key used for singing). Play them all, or just pick the one you like the best. Scored for brass quintet (2 B-flat trumpets, horn, trombone and tuba). The Star-Spangled is appropriate for almost any occasion. Published by Dorm 40 Music, www.dorm40music.com
$15.00 ≈
13.82€
The Music for Military band (Zapfenstreiche n° 1-2-3 and more)
The Music for Military band (Zapfenstreiche n° 1-2-3 and more)
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Orchestre d'harmonie
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FACILE
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Classique
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Ludwig van Beethoven
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Francesco Buono
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The Music for Military band
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Francesco Buono
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1311565 Composed by Ludwig van Beethoven. Arranged by Francesco Buono. 19th Century,Classical. 564 pages. Francesco Buo...
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Concert Band - Level 2 - SKU: A0.1311565 Composed by Ludwig van Beethoven. Arranged by Francesco Buono. 19th Century,Classical. 564 pages. Francesco Buono #900572. Published by Francesco Buono (A0.1311565). The work contains the new arrangements for Concert band and the original transcriptions of the Harmoniemusik of Marcia n° 1 in Fa maggiore per Harmoniemusik, Zapfenstreich n. 1, WoO 18 Marcia in Do maggiore per Harmoniemusik, Zapfenstreich n° 2, WoO 20 Marcia n° 2 in Fa maggiore, Zapfenstreich n. 3, WoO 19, for the Carousel in honor of the glorious name day of the Imperial and Royal Majesty Maria Lodovika Polonaise in Re maggiore per Militärmusik, WoO 21 Ecossaise in Re maggiore per Militärmusik, WoO 22 Marcia in Sib maggiore per 2 clarinetti, 2 corni e 2 fagotti, WoO 29
$70.00 ≈
64.49€
Gateway to Freedom (for Brass Quintet & Optional Percussion)
Gateway to Freedom (for Brass Quintet & Optional Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Gateway to Freedom
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158022 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary. 34 pages. Https:/...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158022 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary. 34 pages. Https://gildedmusicpress.com/ #758318. Published by https://gildedmusicpress.com/ (A0.1158022). When Dr. Thrower won the audition for a position in the Air Force Bands in 2011 it fulfilled a childhood dream of becoming a military musician. Then he experienced an intense eight-week party known as Basic Military Training! All new Airmen go through Basic Training at Lackland Air Force Base in San Antonio, TX, which is known as the “Gateway to the Air Force.†Two reasons he chose to enter that Gateway were his patriotism toward the great United States of America, and the great benefits and security that the Air Force offered his family. With these passions in mind, he composed a rousing musical depiction of becoming an Airman. The composition began before Basic Training, so the excitement and anticipation that he felt are exuberantly presented as heroic fanfares and patriotic gestures. However, he completed the composition after boot camp. Accordingly, in the middle of the piece there are moments of struggle and anguish that musically paint the common rigors of Basic Training. The piece ends with recapitulated heroic strains with additional flourishes, as the overall feel for this new life chapter was bound to be exhilarating and inspiring. It is beneficial for the performers to visualize the exciting and difficult journey into the military as they prepare and perform “Gateway to Freedom.†Also a play on the title, this piece was composed for and premiered by “Gateway Brass†(the brass quintet from the USAF Band of the West) in October 2011. Special gratitude goes to Jim Bartelt (USAF, retired) who contributed greatly to the creation of the percussion part.
$29.95 ≈
27.59€
Denmark: The Two National Anthems
Denmark: The Two National Anthems
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Orchestre d'harmonie
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FACILE
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Patriotique
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anth
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatr...
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Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99 ≈
8.28€
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
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Ensemble de cuivres
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AVANCÉ
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Classique
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John Philip Sousa
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Alexander L Burden
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King Cotton by John Philip Sou
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Alexander Burden
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Ale...
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Brass Ensemble - Level 5 - SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99 ≈
7.36€
The American Polka
The American Polka
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Louis Jullien
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John M
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The American Polka
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zephyrwindmusic.com
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1007976 Composed by Louis Jullien. Arranged by John M. Laverty. Romantic Period. Score and parts. 154 pages. Zephyrwind...
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Concert Band - Level 5 - SKU: A0.1007976 Composed by Louis Jullien. Arranged by John M. Laverty. Romantic Period. Score and parts. 154 pages. Zephyrwindmusic.com #4347645. Published by zephyrwindmusic.com (A0.1007976). The American Polka is a typical early Victorian era composition written for military band. It was originally published in London as part of the Jullien Band Journal in 1849 and uses music from America as thematic material in a manner in which Louis Jullien (1812-1860) did with his other polkas and quadrilles written to showcase music from different countries. French-born Louis Jullien was an international superstar conductor, composer and music publisher. Among other things in his career, he led his Jullien Orchestra on a tour of America in 1853 and founded the concert series in London known as the Proms Concerts. He also employed some of the biggest names in the music world at one time or another including Hector Berlioz, Jean-Baptiste Arban, and Theodore Thomas (founder of the Chicago Symphony Orchestra).
$40.00 ≈
36.85€
Theme From "The A Team"
Theme From "The A Team"
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Mike Post and Pete Carpenter
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Kevin Riley
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Law and Order
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Theme From "The A Team"
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374380 Composed by Mike Post and Pete Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV. 71 pages. Kevin Rile...
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Full Orchestra - Level 4 - SKU: A0.1374380 Composed by Mike Post and Pete Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV. 71 pages. Kevin Riley #958983. Published by Kevin Riley (A0.1374380). The A-Team is an American action-adventure television series that ran on NBC from January 1983 to March 1987 about former members of a fictitious United States Army Special Forces unit. The four members of the team were tried by court martial for a crime they had not committed. They were convicted and sentenced to serve terms in a military prison, but later escaped to Los Angeles and began working as soldiers of fortune, while trying to clear their names and avoid capture by law enforcement and military authorities. The series was created by Stephen J. Cannell and Frank Lupo. A feature film based on the series was released by 20th Century Fox in 2010.Mike Post (born Leland Michael Postil, September 29, 1944) is an American composer, best known for his television theme music for various shows, including The White Shadow; Law and Order; Law and Order: Special Victims Unit; The A-Team; The Byrds of Paradise; NYPD Blue; Renegade; The Rockford Files; L.A. Law; Quantum Leap; Magnum, P.I.; and Hill Street Blues. He was also the producer of the Van Halen IIIalbum by the band Van Halen.
$80.00 ≈
73.70€
RACONTEUR (The Storyteller) - Trombone 2
RACONTEUR (The Storyteller) - Trombone 2
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Trombone (partie séparée)
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INTERMÉDIAIRE
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Christopher Burnett
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RACONTEUR
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BurnettPublishing.COM
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954012 Composed by Christopher Burnett. Jazz,Rock. Score and parts. 2 pages. BurnettPublishing.COM #3457...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954012 Composed by Christopher Burnett. Jazz,Rock. Score and parts. 2 pages. BurnettPublishing.COM #3457579. Published by BurnettPublishing.COM (A0.954012). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes a flute and tuba player. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com
$3.99 ≈
3.68€
RACONTEUR (The Storyteller) - Trombone 1
RACONTEUR (The Storyteller) - Trombone 1
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Trombone (partie séparée)
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INTERMÉDIAIRE
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Christopher Burnett
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RACONTEUR
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BurnettPublishing.COM
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954011 Composed by Christopher Burnett. Jazz,Rock. Score and parts. 2 pages. BurnettPublishing.COM #3457...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954011 Composed by Christopher Burnett. Jazz,Rock. Score and parts. 2 pages. BurnettPublishing.COM #3457577. Published by BurnettPublishing.COM (A0.954011). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes a flute and tuba player. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com
$3.99 ≈
3.68€
RACONTEUR (The Storyteller) - Trombone 3
RACONTEUR (The Storyteller) - Trombone 3
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Trombone (partie séparée)
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INTERMÉDIAIRE
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Christopher Burnett
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RACONTEUR
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954013 Composed by Christopher Burnett. Jazz,Rock. Score and parts. 2 pages. BurnettPublishing.COM #3457...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954013 Composed by Christopher Burnett. Jazz,Rock. Score and parts. 2 pages. BurnettPublishing.COM #3457581. Published by BurnettPublishing.COM (A0.954013). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes a flute and tuba player. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com
$3.99 ≈
3.68€
Military Jamboree
Military Jamboree
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Orchestre d'harmonie
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DÉBUTANT
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Judith Katz
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Military Jamboree
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBW172-S Composed by Judith Katz. Score. 19 pages. Imagine Music - Digital #CBW172-S. Published by Imagine Music - Digi...
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Concert band - Grade 1 - SKU: IZ.CBW172-S Composed by Judith Katz. Score. 19 pages. Imagine Music - Digital #CBW172-S. Published by Imagine Music - Digital (IZ.CBW172-S). 9 x 12 in inches.My school, in which I taught, had a number of assembly programs, including a yearly Veteran's Daycommemoration, where the band performed. Of course, I had to select a medley of appropriate pieces, but somehow could not assemble compositions that were both short enough and very playable by my group. That left mewith the task of writing my own arrangement of military anthems.I pay tribute to the United States Army, Navy, and Marine Corps. What is conspicuously missing, however, isthe United States Air Force Song. After the assembly, I was also asked, What, no Air Force Song?I tried a version of Military Jamboree with the Air Force Song, but because of the meter, 6/8, I found it tobe a lot more difficult for my students. They could play everything else, except the 6/8 rhythms. So, the musicteacher in me made the difficult decision to remove the United States Air Force Song from the finalarrangement, and thus, making it more playable for a developing band.
$10.00 ≈
9.21€
Military Jamboree
Military Jamboree
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Orchestre d'harmonie
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DÉBUTANT
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Judith Katz
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Military Jamboree
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBW172 Composed by Judith Katz. Score and Parts. 59 pages. Imagine Music - Digital #CBW172. Published by Imagine Music ...
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Concert band - Grade 1 - SKU: IZ.CBW172 Composed by Judith Katz. Score and Parts. 59 pages. Imagine Music - Digital #CBW172. Published by Imagine Music - Digital (IZ.CBW172). 9 x 12 in inches.My school, in which I taught, had a number of assembly programs, including a yearly Veteran's Daycommemoration, where the band performed. Of course, I had to select a medley of appropriate pieces, but somehow could not assemble compositions that were both short enough and very playable by my group. That left mewith the task of writing my own arrangement of military anthems.I pay tribute to the United States Army, Navy, and Marine Corps. What is conspicuously missing, however, isthe United States Air Force Song. After the assembly, I was also asked, What, no Air Force Song?I tried a version of Military Jamboree with the Air Force Song, but because of the meter, 6/8, I found it tobe a lot more difficult for my students. They could play everything else, except the 6/8 rhythms. So, the musicteacher in me made the difficult decision to remove the United States Air Force Song from the finalarrangement, and thus, making it more playable for a developing band.
$60.00 ≈
55.27€
Theme From "the A Team"
Theme From "the A Team"
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Mike Post and Pete Carpenter
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Rob Bushnell
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Theme From "the A Team&qu
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99 ≈
36.84€
March: The Young Tigers (Rob Bushnell) - Concert or Military Band
March: The Young Tigers (Rob Bushnell) - Concert or Military Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rob Bushnell
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March: The Young Tigers
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RBMusic
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.752289 Composed by Rob Bushnell. 20th Century,March. Score and Parts. 45 pages. RBMusic #2928021. Published by RBMusic ...
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Concert Band - Level 3 - SKU: A0.752289 Composed by Rob Bushnell. 20th Century,March. Score and Parts. 45 pages. RBMusic #2928021. Published by RBMusic (A0.752289). ‘The Young Tigers’ is dedicated to the Band & Corps of Drums of the Hampshire and Isle of Wight Army Cadet Force. The name of the march originates from the nickname for the Royal Hampshire Regiment, the Tigers due to the ‘Tiger’ cap badge that they wore. When the Army Cadet Force in the area became part of the Royal Hampshires, the cadets were known as the ‘Young Tigers’.The piece was first performed at Royal Military School of Music Knellar Hall in October 2006 and then at the 10th Rorke’s Drift Concert held at the Theatr Brycheiniog, Brecon on 24 February 2007.This arrangement includes alternative parts for tenor horn, treble-clef trombone, euphonium and tuba.
$28.99 ≈
26.71€
We Are The Champions
We Are The Champions
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Orchestre d'harmonie
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FACILE
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Queen
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Joop Derks
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We Are The Champions
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Derksarrangementen
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1260633 By Queen. By Freddie Mercury. Arranged by Joop Derks. 20th Century,Pop,Rock. Score and Parts. 59 pages. Derksar...
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Concert Band - Level 2 - SKU: A0.1260633 By Queen. By Freddie Mercury. Arranged by Joop Derks. 20th Century,Pop,Rock. Score and Parts. 59 pages. Derksarrangementen #853826. Published by Derksarrangementen (A0.1260633). Another great Queen arrangement! We are the Champions for Concert Band with Rock Band and Vocals! Full Score, Flute, Oboe, Bassoon, Clarinet (Eb), Clarinet (Bb 1,2,3) Bass Clarinet, Alto sax (1,2), Tenor sax (1,2), Baritone  sax, Horn (1,2) in F and Eb, Trumpet (1,2,3), Trombone (1,2,3) In C, Bb TC and Bb BC, Bass trombone, Euphonium (1,2) in C, Bb BC and Bb TC, Bass Tuba in C and Bb BC, Bb TC, Eb BC and Eb TC, Drum set, Percussion, Piano, Guitar and Bass Guitar. For more information please contact Derksarrangementen@home.nlAlso check out my other Queen arrangements: Innuendo, Another one bites the dust, The show must go on, Breakthru, Don't stop me now, It's a hard life, Save me, Killer Queen and Too much love will kill you.About the arranger: Joop Derks is a musician, conductor and arranger from the Netherlands. He has been working for the Dutch Military Music for years and also conducts a number of civilian concert bands.
$70.00 ≈
64.49€
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
30.35€
Korsakov: Flight of the Bumblebee for Viola & Piano
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
30.35€
Goin' Home For Band (also called Going Home)
Goin' Home For Band (also called Going Home)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak Arranged by Jar
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Antonin Dvorak
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Jari A
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Goin' Home For Band
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JV MUSIC
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Romantic Period. Sc...
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Concert Band - Level 3 - SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Romantic Period. Score and parts. 28 pages. JV MUSIC #3904135. Published by JV MUSIC (A0.722762). Goin' Home For Band (also called Going Home)Based on the Largo from the New World Symphony By Antonin Dvorak Arranged by Jari Villanueva ScoreSet of PartsSubstitute part for Baritone TC providedGoin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan, Ford and Bush. It was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery and is still used today by military bands at Arlington.Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country.https://youtu.be/hflXQEZtoCk
$40.00 ≈
36.85€
Beethoven: Zwei Märsche für Militärmusik WoO 18 &19 (Two Military Marches) - Symphonic Wind
Beethoven: Zwei Märsche für Militärmusik WoO 18 &19 (Two Military Marches) - Symphonic Wind
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Zwei Märsche f
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.553810 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThompsonM...
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Large Ensemble - Level 3 - SKU: A0.553810 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThompsonMusic #4767095. Published by RayThompsonMusic (A0.553810). Beethoven wrote some music for Military Band, including 5 Marches.This is an arrangement of 2 of them WoO 18 &19 (works without opus numbers)From the name of the Prussian General Yorck, Beethoven's March WoO 18 is also known as Marsch des Yorck'schen Korps (Armeemarschsammlung II, 103, Bundeswehr (Armeemarschsammlung II, 37, Königlich Preußisch) and Heeresmarsch II, 5), was composed in 1808 in F major as a Marsch für die böhmische Landwehr.Often known in English as the Yorckscher March.Since Prussia and the Prussian army played a paramount role in the German states, the march is often played and is one of the most important German military marches. It is the traditional march of the Wachbataillon, the German Bundeswehr's elite drill unit, and is also played as the first march at the Grand Tattoo (Großer Zapfenstreich)[2] and it was a march of the East German armed forces.They are rearranged here for double wind dectet.Optional piccolo and bass will add depth to the sound.
$14.95 ≈
13.77€
Ceilidh Music - Gay Gordons - For Accordion
Ceilidh Music - Gay Gordons - For Accordion
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Instruments en Do
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INTERMÉDIAIRE
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Traditional
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Martin Hay
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Ceilidh Music - Gay Gordons -
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Martin Hay
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wed...
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C Instrument - Level 3 - SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wedding,World. Lead Sheet / Fake Book. 2 pages. Martin Hay #880353. Published by Martin Hay (A0.1289648). The Gay Gordons is a lively Scottish country dance that is popular at social gatherings and ceilidhs (traditional Scottish dances). It is a partner dance that involves a combination of skipping steps and waltz-like moves. The dance is typically done in a circular formation with couples facing each other. Here is a basic description of how the Gay Gordons dance is performed:1. **Starting Position:** Couples stand facing each other in a large circle, holding hands. The dance begins with partners side by side, with the man's right hand holding the woman's left hand.2. **Skipping Steps:** The dance starts with a series of skipping steps, where couples move in a circle to the right, taking small skipping steps.3. **Turns:** After a few rounds of skipping, couples will turn 180 degrees to face the opposite direction, still holding hands.4. **Waltz Hold:** Once turned, couples adopt a waltz hold, with the man's right hand around the woman's waist, and the woman's left hand on the man's shoulder. The other hands are joined together.5. **Waltz:** Couples then waltz around the dance floor in a clockwise direction, often taking a few spins.6. **Repeat:** The dance continues with more skipping steps, turns, and waltzing. It is a joyful and energetic dance that is typically danced to traditional Scottish music.The songs in this Gay Gordons set are:**1. The Thistle of Scotland:**The Thistle of Scotland is not a widely recognized or specific song title in Scottish music. Scotland has a rich musical tradition with many songs that celebrate its culture, history, and symbols. The thistle is the national emblem of Scotland, so there may be various songs that reference it indirectly.**2. Mhairi's Wedding:**Mhairi's Wedding is a popular Scottish folk song often played at weddings and celebrations. It tells the story of a wedding celebration and is known for its catchy melody and lyrics that celebrate the joyous occasion of Mhairi's wedding.**3. The Barren Rocks of Aden:**The Barren Rocks of Aden is a famous Scottish military march. It is often played by bagpipe bands and has a distinctive and stirring melody. The tune is associated with the British Army and is a common choice for military processions and parades.**4. Scotland the Brave:**Scotland the Brave is another well-known Scottish patriotic song and march. It is often played at national and sporting events in Scotland. The song celebrates the beauty and spirit of Scotland and is characterized by its uplifting and proud melody. It is a favorite among bagpipers and is often performed with great enthusiasm.These songs are all part of Scotland's rich musical heritage and are played at various occasions to celebrate its culture and history.
$3.99 ≈
3.68€
Another Brick In The Wall
Another Brick In The Wall
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Orchestre d'harmonie
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FACILE
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Korn
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Joop Derks
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Another Brick In The Wall
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Derksarrangementen
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1299583 By Korn. By Roger Waters. Arranged by Joop Derks. 20th Century,Pop,Rock. Score and Parts. 83 pages. Derksarrang...
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Concert Band - Level 2 - SKU: A0.1299583 By Korn. By Roger Waters. Arranged by Joop Derks. 20th Century,Pop,Rock. Score and Parts. 83 pages. Derksarrangementen #889434. Published by Derksarrangementen (A0.1299583). Another brick in the wall for Concert Band - Harmonie with band and Vocals!, optional with children's choir! Duration: 03:40Full Score, Piccolo, Flute, Oboe, Bassoon, Clarinet (Eb), Clarinet (Bb 1,2,3), Bass Clarinet, Alto sax (1,2), Tenor sax, Baritone Sax, Horn (1,2,3) in F and Eb, Trumpet Bb (1,2,3), Trombone (1,2,3) In C, Bb TC and Bb BC, Bass Trombone, Euphonium in C, Bb BC and Bb TC, Bass Tuba in C and Bb BC, Bb TC, Eb BC and Eb TC, Drum set, Keys, Electric Guitar, Bass Guitar, Lead vocal an (Children's) Choir. For more information please contact Derksarrangementen@home.nlAbout the arranger: Joop Derks is a musician, conductor and arranger from the Netherlands. He has been working for the Dutch Military Music for years and also conducts a number of civilian concert bands.
$80.00 ≈
73.70€
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The Music for Military band
