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Vous avez sélectionné:
The Quiet Way for string quartet
Partitions à imprimer
19 partitions trouvées
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1
String Quartet No. 3: Among Friends
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 ≈
$49.83
The Quiet Way for string quartet
The Quiet Way for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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The Quiet Way for string quart
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.576534 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 12 pages. David W...
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String Quartet String Quartet - Level 3 - SKU: A0.576534 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 12 pages. David Warin Solomons #35817. Published by David Warin Solomons (A0.576534). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The pdf file contains score and parts. The sound sample is an electronic preview. The original song (for alto and guitar) performed by the composer can be heard on youtube at: https://www.youtube.com/watch?v=DObaa2etXtg.
$10.00 ≈
$13.84
The Quiet Way for string quartet and guitar
The Quiet Way for string quartet and guitar
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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The Quiet Way for string quart
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.576535 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 17 pages. David Warin Solomon...
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Chamber Orchestra - Level 3 - SKU: A0.576535 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 17 pages. David Warin Solomons #35819. Published by David Warin Solomons (A0.576535). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The pdf file contains score and parts. The sound sample is an electronic preview. The original song (for alto and guitar) performed by the composer can be heard on youtube at: https://www.youtube.com/watch?v=DObaa2etXtg.
$12.00 ≈
$16.61
String Quartet No.2
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99 ≈
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The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
$4.84
Parallel Tracks
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99 ≈
$27.67
String Quartet No. 2: Child's Play
String Quartet No. 2: Child's Play
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 2: Child's
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg #115423. Published by Robert M. Greenberg (A0.987857). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1988 Program Note: !. Games (fast) II. Intermezzo: Dreams of Gold (slow) III. Dances (very fast) Child's Play was completed in August, 1988. In no way does the title refer to the technical demands of the piece, which are considerable. Rather, it refers to the endlessly imaginative, energized, and constantly changing play that might be engaged in by four different, though like-minded children. Indeed, the inspiration for the quartet was my then two-year-old daughter Rachel, whose boundless energy and capacity for play I found (and still find) rather terrifying. Child's Play consists of three movements: Games (fast), Intermezzo: Sogni d'Oro (Dreams of Gold) (slow), and Dances (very fast). In Games, four energetic and well-rested players leap out of the starting blocks together and engage in sport of various kinds: running games, chasing games, teasing games, tag, echo games (Simon Says), races, and so forth, eventually returning to the unison from which they began. Intermezzo: Sogni d'Oro (Dreams of Gold) offers a quiet, episodic, dreamlike respite from the frenetic mood of Games. In Dances, the energized character of the first movement resumes, only faster. Dances is a perpetual motion movement in three parts, with a slower, more fragmented middle section sandwiched between a boisterous and frenzied dance of life. This movement ends much in the same way as the first movement began, bringing the circuit of the piece to a close. Child's Play was commissioned by, and is dedicated, with many thanks and great appreciation, to the Alexander String Quartet.
$36.00 ≈
$49.83
String Quartet No 4 (Score)
String Quartet No 4 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 4
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss #6135. Published by Colin Bayliss (A0.938385). This work was written between January and March 1997. It has thirteen short continuous movements, one for each note of the tone row and a resolution of the row into an adagio movement in C major. The movements are written in a time signature beginning with one beat to a bar and ending in 13 beats to a bar until the final section of the last movement. The number of bars for each movement is in multiples of 13, then 14 and onwards to 25. The harmonic language is dictated by the combinations of notes in the original row combining with a row with its inversions and retrogrades begun from the first note of each new section. The sections may be briefly summarised as follows:- 1. Adagio A basic statement of the row with its inversion and retrograde 2. Con brio A rhythmic miniature scherzo and trio 3. Allegretto Dynamic contrasts using pizzicato and glissando 4. Andante piacevole e mesto Aduet between the violins with accompaniment from the viola and 'cello 5. Agitato An atmospheric spiccato section interrupted by foot-stamping 6. Andante languido A barcarolle-like section with passages of col legno 7. Allegro A rhythmic section contrasted by passages in harmonics 8. Tempo di tango presto The tango is apt to slip into many of the composer's pieces, even where nominally 12-tone, and is never remotely serious! 9. Andante pastorale Another atmospheric section but more relaxed 10. Allegro molto A scherzando section using rhythmic retrogrades 11. Allegretto The music begins to pull into feeling of tonality around C 12. Allegro moderato This process continues with tremolandi and glissandi searching for the way to a diatonic C major 13. Molto adagio - adagietto The last traces of atonality are wiped away and the work ends in an unashamed sense of quiet triumph The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ For this 4th quartet see: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id585288847.
$8.00 ≈
$11.07
A Quiet Summer Night
A Quiet Summer Night
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Samuel Livingston
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A Quiet Summer Night
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Imagine Music - Digital
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SheetMusicPlus
Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagi...
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Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagine Music - Digital (IZ.CMF183). 9 x 12 in inches.The clarinet is my instrument, and I think the two greatest works in its repertory (and two of the greatest of all chamber works) are the quintets for clarinet and strings by Mozart and Brahms. In writing for this combination of instruments, I borrowed ideas shamelessly from both.I would describe the style as folk-inspired classical chamber music. The melodies are song-like or dance-like; the harmonies are simple, modal, and consonant. The time signatures of the three movements are 7/8, 5/4, 7/8 - unusual in classical music but common in the folk music of some eastern European countries. The texture is homophonic in some places and contrapuntal in others, always with at least one melody, often with more than one. The clarinet is not treated as a solo instrument but is integrated into the ensemble.The first movement is in sonata form. As in the Mozart and Brahms quintets, it begins in the strings, with the clarinet entering a few bars later on a rising arpeggio. The first theme is song-like; the second theme is dance like. The movement ends quietly on a phrase from the second theme. The form of the second movement begins with a song for the cello, repeated in the clarinet. The next section features a dance-like melody in the second violin, repeated in the clarinet with a descant in the first violin. Then a brief section in the minor, featuring the viola, leads to a repetition of the song that opened the movement, this time in the viola, repeated in the violins and the clarinet.The third movement is a set of variations on a brisk, dance-like theme. After several variations, including two in the minor mode, the tempo slows to adagio for the next-to-last variation (as in the last movement of the Mozart quintet). That variation features a duet for the first violin and the clarinet (as in the slow movement ofthe Brahms quintet). The final variation returns to the brisk tempo and brings back the melodic figure that ends the first movement. A brief coda on this melodic figure concludes the piece.
$48.00 ≈
$66.44
In The Land of Wonder-Wander for Piano Quartet
In The Land of Wonder-Wander for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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In The Land of Wonder-Wander f
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Sy Brandon
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49 pages. Sy Brandon #3239669. Published by Sy Brandon (A0.755009). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream.
$9.99 ≈
$13.83
SILENT NIGHT! HOLY NIGHT! - unaccompanied STRING QUARTET. Grade 3-
SILENT NIGHT! HOLY NIGHT! - unaccompanied STRING QUARTET. Grade 3-
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Franz Xaver Gruber
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Glen Poehlmann
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SILENT NIGHT! HOLY NIGHT! - un
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arrangements by GPoehlmann
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1470473 Composed by Franz Xaver Gruber. Arranged by Glen Poehlmann. Christian,Christmas,Holiday,Sacred...
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String Quartet String Quartet - Level 3 - SKU: A0.1470473 Composed by Franz Xaver Gruber. Arranged by Glen Poehlmann. Christian,Christmas,Holiday,Sacred. 11 pages. Arrangements by GPoehlmann #1048216. Published by arrangements by GPoehlmann (A0.1470473). SILENT NIGHT - arranged for an unaccompanied STRING QUARTETThe first Christmas may have been quiet in some ways, but there was something stirring in the world! From the angels siniging, to startled shepherds, to the sounds in the manger, there was much going on. This arrangement tries to reflect the silent simplicity that we sometimes associate with the manger scene to the excitement and emotions felt by all involved.Hymn tune: STILLE NACHTGrade 3- (Medium in Difficulty)85 measures. Performance Time approx 2:48Key: C - DMeter: 3/4Instrument Ranges (C4=middle C):Violin 1 A3 - B5 Violin 2 A3 - G5 Viola E3 - D5 Cello D2 - F4Parts included (PDF):Full Score, Violin 1, Violin 2, Viola, Cello.
$5.00 ≈
$6.92
Alone Together
Alone Together
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Arthur Schwartz and Howard Die
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Alois Bouda
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Alone Together
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Alois Bouda
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1379547 Composed by Arthur Schwartz and Howard Dietz. Arranged by Alois Bouda. Broadway,Chamber,Musica...
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String Quartet String Quartet - Level 3 - SKU: A0.1379547 Composed by Arthur Schwartz and Howard Dietz. Arranged by Alois Bouda. Broadway,Chamber,Musical/Show,Pop,Standards. 11 pages. Alois Bouda #964238. Published by Alois Bouda (A0.1379547). This is an arrangement of the piece for a string quartet similar to the one I have written for a saxophone quartet. Quiet, nostalgic mood. The parts are available in two versions. One without the bowing signs ane another with bowing signs suggested.
$13.00 ≈
$17.99
So Far Away
So Far Away
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Carole King
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Paul Cowell
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So Far Away
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Paul Cowell
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.837153 By Carole King. By Carole King. Arranged by Paul Cowell. Contemporary,Pop. Score and parts. 13 ...
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String Quartet String Quartet - Level 4 - SKU: A0.837153 By Carole King. By Carole King. Arranged by Paul Cowell. Contemporary,Pop. Score and parts. 13 pages. Paul Cowell #3479289. Published by Paul Cowell (A0.837153). So far away is a track from the 1971 album Tapestry by Carole King. It is a gentle ballad about a lover who is far away, ideal for weddings and other quiet occasions.Carole King wrote or co-wrote all of the songs on Tapestry, several of which had already been hits for other artists such as Aretha Franklin's (You Make Me Feel Like) A Natural Woman and The Shirelles' Will You Love Me Tomorrow (in 1960). Rod Stewart made a cover version of So far away in 1995.
$12.99 ≈
$17.98
Christmas Medley (What Child is This / Away in a Manger): String Quartet
Christmas Medley (What Child is This / Away in a Manger): String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.524577 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.524577 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 24 pages. John A. Dempsey #6029539. Published by John A. Dempsey (A0.524577). This triumphant string quartet - a medley of two Christmas carols - is graced with both quiet, prayerful moments of reflection and joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the music as a worship experience. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 20 pages of music (that includes the score, two-page parts for violin 2, viola and cello and a three-page part for violin 1). Â Key: E minor / G major.
$12.99 ≈
$17.98
Christmas Medley (What Child is This / Away in a Manger): Violin Quartet
Christmas Medley (What Child is This / Away in a Manger): Violin Quartet
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Quatuor à cordes: 4 violons
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INTERMÉDIAIRE
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Noël
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
String Ensemble Violin - Level 3 - SKU: A0.524582 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Dempsey. Christian,Chr...
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String Ensemble Violin - Level 3 - SKU: A0.524582 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 24 pages. John A. Dempsey #6038285. Published by John A. Dempsey (A0.524582). This triumphant violin quartet - a medley of two Christmas carols - is graced with both quiet, prayerful moments of reflection and joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the music as a worship experience. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 20 pages of music (that includes the score, separate two-page parts for violin 2, violin 3 and violin 4 and a three-page part for violin 1). Â Key: E minor / G major.
$12.99 ≈
$17.98
Christmas Medley (What Child is This / Away in a Manger): Quartet for Two Violins and Two Cellos
Christmas Medley (What Child is This / Away in a Manger): Quartet for Two Violins and Two Cellos
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4 Violoncelles
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INTERMÉDIAIRE
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Noël
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524578 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holi...
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String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524578 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 24 pages. John A. Dempsey #6035887. Published by John A. Dempsey (A0.524578). A medley of two Christmas carols, this triumphant string quartet for two violins and two cellos is graced with both quiet, prayerful moments of reflection and joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the music as a worship experience. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 20 pages of music (that includes the score, separate two-page parts for violin 2, cello 1 and cello 2 and a three-page part for violin 1). Â Key: E minor.
$12.99 ≈
$17.98
Amazing Grace
Amazing Grace
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Orchestre à Cordes
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INTERMÉDIAIRE
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Tim Crooks
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Tim Crooks
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Amazing Grace
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STR:UK String Arrangements
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1039500 Composed by Tim Crooks. Arranged by Tim Crooks. Spiritual,Traditional. Score and parts. 24 pages. STR:UK St...
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String Orchestra - Level 3 - SKU: A0.1039500 Composed by Tim Crooks. Arranged by Tim Crooks. Spiritual,Traditional. Score and parts. 24 pages. STR:UK String Arrangements #644456. Published by STR:UK String Arrangements (A0.1039500). Amazing Grace, arranged for String Orchestra by Tim Crooks from the traditional spiritual. This arrangement is loosely based on the version sung by Aretha Franklin, and starts with two soft verses in 4/4, then modulates up a tone and into 9/8, for two bigger verses with a triplet-feel quaver accompaniment. The ending can be big, or quiet, as required. This is a great selection for groups developing in compound time, and suitable for approx ABRSM grade 5 (intermediate) level and above. There are easy parts for Violin, Viola and Cello at approx Grade 2 level. Parts included in this download (those essential for performance marked *): Full Score Violin I* and II* Viola* Cello* Easy Violin, Viola and Cello Double Bass Piano This download contains Full score and parts. About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$24.99 ≈
$34.59
Fields Of Gold
Fields Of Gold
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Sting
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Greg Woodward
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Fields Of Gold
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Greg Woodward
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1077131 By Sting. By Sting. Arranged by Greg Woodward. Celtic,Folk,Irish,Pop,Spirit...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1077131 By Sting. By Sting. Arranged by Greg Woodward. Celtic,Folk,Irish,Pop,Spiritual,Wedding. Score and parts. 12 pages. Greg Woodward #681287. Published by Greg Woodward (A0.1077131). This arrangement of Fields of Gold captures the narrative arc of the song with a quiet opening that builds to a big climax before dying away to the textures of the beginning. There's plenty of rich arco sounds, but there's also use of pizzicato and tremolo, and the melody shared between the instruments.
$25.00 ≈
$34.61
Amazing Grace
Amazing Grace
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Gospel Spirituel
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Tim Crooks
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Tim Crooks
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Amazing Grace
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STR:UK String Arrangements
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1039438 Composed by Tim Crooks. Arranged by Tim Crooks. Spiritual,Traditional. Score and parts. 11 pag...
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String Quartet String Quartet - Level 3 - SKU: A0.1039438 Composed by Tim Crooks. Arranged by Tim Crooks. Spiritual,Traditional. Score and parts. 11 pages. STR:UK String Arrangements #644415. Published by STR:UK String Arrangements (A0.1039438). Amazing Grace, arranged for String Quartet by Tim Crooks from the traditional spiritual. This arrangement is loosely based on the version sung by Aretha Franklin, and starts with two hushed verses in 4/4, then modulates up a tone and into 9/8, for two more verses with a triplet-feel quaver accompaniment. The ending can be big, or quiet, as required. This is a great selection for groups developing in compound time, and suitable for approx ABRSM grade 5 (intermediate) level and above. This download contains Full score and parts (Violin I, II, Viola and Cello). A String Orchestra version with Piano, Double Bass and Easy Violin / Viola & Cello parts is available separately. About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$9.99 ≈
$13.83
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The Quiet Way for string quartet
